Meet the Peterkins, a lovable crew with a notable lack of common sense. These comic tales chronicle their roundabout attempts to solve simple, everyday problems. Cheerful and energetic, the close-knit family of eight resides in a village near Boston. They play their piano from the front porch because the movers left it with the keyboard facing the parlor window, and they\'re ready to raise the ceiling to make way for a towering Christmas tree. Only the timely intervention of "the wise old lady from Philadelphia" keeps them from acting on their more elaborate madcap schemes.Author Lucretia Hale, sister to writer and cleric Edward Everett Hale, helped break new ground in children\'s literature by writing stories to amuse young people rather than instruct or uplift them. These tales first appeared in 1867 in a popular children\'s magazine of the era, and in the course of a decade, the Peterkins became a household word. "The years pass them along to every new generation," noted Harper\'s Bazaar, "with the hint that human nature is about the same everywhere and all the time." Hailed by The New York Times as "a masterpiece" and graced with 153 delightful black-and-white illustrations, this book offers a glimpse of nineteenth-century New England life that charms readers of all ages Views: 224
The Amateur Cracksman by E.W. Hornung features his most famous character, A. J. Raffles, a gentleman thief in late Victorian Great Britain. This is a classic tale that has been loved by many for generations. Any profits made from the sale of this book will go towards supporting the Freeriver Community project, a project that aims to support community and encourage well-being. To learn more about the Freeriver Community project please visit the website- www.freerivercommunity.com Views: 224
A man truly in love is a sight to behold. Views: 223
George Purse is an ex-steelworker employed as a gamekeeper on a ducal country estate. He gathers, hand-rears and treasures the birds to be shot at by his wealthy employers. He must ensure that the Duke and his guests have good hunts when the shooting season comes round on the Glorious Twelfth; he must ensure that the poachers who sneak onto the land in search of food do not.Season by season, over the course of a year, George makes his rounds. He is not a romantic hero. He is a labourer, who knows the natural world well and sees it without sentimentality.Rightly acclaimed as a masterpiece of nature writing as well as a radical statement on work and class, The Gamekeeper was also, like Hines's A Kestrel for a Knave (Kes), adapted by Hines and filmed by Ken Loach, and it too stands as a haunting classic of twentieth-century fiction. Views: 222
Joseph Thomas Sheridan Le Fanu was born on August 28th, 1814, at 45 Lower Dominick Street, Dublin, into a literary family with Huguenot, Irish and English roots. The children were tutored but, according to his brother William, the tutor taught them little if anything. Le Fanu was eager to learn and used his father\'s library to educate himself about the world. He was a creative child and by fifteen had taken to writing poetry. Accepted into Trinity College, Dublin to study law he also benefited from the system used in Ireland that he did not have to live in Dublin to attend lectures, but could study at home and take examinations at the university as and when necessary. This enabled him to also write and by 1838 Le Fanu\'s first story The Ghost and the Bonesetter was published in the Dublin University Magazine. Many of the short stories he wrote at the time were to form the basis for his future novels. Indeed, throughout his career Le Fanu would constantly revise, cannabilise, embellish and re-publish his earlier works to use in his later efforts. Between 1838 and 1840 Le Fanu had written and published twelve stories which purported to be the literary remains of an 18th-century Catholic priest called Father Purcell. Set mostly in Ireland they include classic stories of gothic horror, with grim, shadowed castles, as well as supernatural visitations from beyond the grave, together with madness and suicide. One of the themes running through them is a sad nostalgia for the dispossessed Catholic aristocracy of Ireland, whose ruined castles stand in mute salute and testament to this history. On 18 December 1844 Le Fanu married Susanna Bennett, the daughter of a leading Dublin barrister. The union would produce four children. Le Fanu was now stretching his talents across the length of a novel and his first was The Cock and Anchor published in 1845. A succession of works followed and his reputation grew as well as his income. Unfortunately, a decade after his marriage it became an increasing source of difficultly. Susanna was prone to suffer from a range of neurotic symptoms including great anxiety after the deaths of several close relatives, including her father two years before. In April 1858 she suffered an "hysterical attack" and died in circumstances that are still unclear. The anguish, profound guilt as well as overwhelming loss were channeled into Le Fanu’s work. Working only by the light of two candles he would write through the night and burnish his reputation as a major figure of 19th Century supernaturalism. His work challenged the focus on the external source of horror and instead he wrote about it from the perspective of the inward psychological potential to strike fear in the hearts of men. A series of books now came forth: Wylder\'s Hand (1864), Guy Deverell (1865), The Tenants of Malory (1867), The Green Tea (1869), The Haunted Baronet (1870), Mr. Justice Harbottle (1872), The Room in the Dragon Volant (1872) and In a Glass Darkly. (1872). But his life was drawing to a close. Joseph Thomas Sheridan Le Fanu died in Merrion Square in his native Dublin on February 7th, 1873, at the age of 58. Views: 221
Stories: HOW TOOTS WENT TO BED. TOOTS AT THE KINDERGARTEN. THE HAPPY HOUR. ELFIE. PAUL BROWN. PAUL\'S VIEWS AT EIGHT YEARS OF AGE. MAX THE MEDDLER. OUR MAY. A BUBBLE PARTY. SEWING A SEAM. A FOUR-FOOTED FRIEND. NAUGHTY SANDY FLOSSIE\'S HANDS. JAMIE DOON. FIVES. OLIVER TWIST AT HOME. MRS. WHITE\'S FAMILY. BUD AND BUNNIE. DAISY DEAN. THE COMMISSARY. HARRY\'S GUEST. A TIRED VISITOR. MR. SMITH\'S FAMILY. WHAT SHALL WE DO WITH BABY? DADDY TOUGH. BUTTON BLUE. THE STORY OF THE CUCKOO. MAJOR AND BENJAMINA. THE COMMODORE\'S GUESTS. HARVEST FESTIVAL. TOOTS is our baby. He is a queer one too; up early, and always in dread of bed-time. One morning, not long ago, we heard him singing, and on looking for him, found the little rogue in the very middle of our best bed in the guest chamber, where he was playing hand-organ with a long hairpin put through the pretty pillow covers which had just come home from the laundry. There he sat singing a droll medley of "Uncle Ned," "Blessed Desus," and "Down in the Coal Mine." He had been watching two soldiers with a hand-organ, and Toots likes to do everything he sees done. While we were putting the guest-room in order, Toots marched out as a blind man, with his eyes shut and a cane in his hand. This brought him to grief, for he was picked up at the foot of the stairs with two large bumps on his pretty white brow. Toots was quiet then for a little while, a very little while, for as soon as we decided that his bones were all sound and a doctor need not be called, he "played sick," and asked for "shicken brof" and toast. Views: 221
"But why don\'t you do something, Bill?" demanded Sam Prescott\'s pretty daughter. Bill Wingo looked at Miss Prescott in injured astonishment. "Do something?" he repeated. "What do you want me to do?" "I don\'t want you to do anything," she denied with unnecessary emphasis. "Haven\'t you any ambition?" Views: 219
Samuel Flowers is a rich man and owns a fleet of ships. His niece, Beatrice Galloway keeps house for him at his home Maldon Grange outside London. Valuable treasure is missing from a native people group that somehow ends up in England. More than one mysterious persons are looking for that treasure. Will it be found, and what happens to Flowers and his niece? Views: 218
HardPress Classic Books Series Views: 218
Australian outback had always fascinated the British colonial imagination when rags to riches stories of the British convicts and other social outcasts transformed the image of Australia as a gold digger's paradise (remember Abel Magwitch's story in Charles Dicken's Great Expectations?). This interaction which proved deadly for the aboriginal culture and population of Australia also impacted the British literature in a way that it had stories to tell of its incomprehensible wilderness and its inhabitants. This edition brings you an assorted collection of stories about the Australian outback and its people from the pen of a renowned British author – E. W. Hornung. Hornung had also lived and travelled in Australia for two years and unlike his contemporaries wrote a lot of stories with Australia in the background. E. W. Hornung (1866–1921) was an English author and poet and also brother-in-law to Sir Arthur Conan Doyle. Hornung is known for writing the A. J. Raffles series about a gentleman thief based on a deliberate inversion of the Sherlock Holmes series. Hornung dedicated his creation as a form of flattery to Doyle. Hornung's works are also remembered for giving insight into the social mores of late 19th and early 20th century British society. Views: 216
The Blunders of a Bashful Man is presented here in a high quality paperback edition. This popular classic work by Metta Victoria Fuller Victor is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of Metta Victoria Fuller Victor then we highly recommend this publication for your book collection. Views: 214
Nikolai Gogol's novel Dead Souls and play The Government Inspector revolutionized Russian literature and continue to entertain generations of readers around the world. Yet Gogol's peculiar genius comes through most powerfully in his short stories. By turns—or at once—funny, terrifying, and profound, the tales collected in The Nose and Other Stories are among the greatest achievements of world literature.These stories showcase Gogol's vivid, haunting imagination: an encounter with evil in a darkened church, a downtrodden clerk who dreams only of a new overcoat, a nose that falls off a face and reappears around town on its own, outranking its former owner. Written between 1831 and 1842, they span the colorful setting of rural Ukraine to the unforgiving urban landscape of St. Petersburg to the ancient labyrinth of Rome. Yet they share Gogol's characteristic obsessions—city crowds, bureaucratic hierarchy and irrationality, the devil in...
Nikolai Gogol’s novel Dead Souls and play The Government Inspector revolutionized Russian literature and continue to entertain generations of readers around the world. Yet Gogol’s peculiar genius comes through most powerfully in his short stories. By turns‖or at once‖funny, terrifying, and profound, the tales collected in The Nose and Other Stories are among the greatest achievements of world literature. These stories showcase Gogol’s vivid, haunting imagination: an encounter with evil in a darkened church, a downtrodden clerk who dreams only of a new overcoat, a nose that falls off a face and reappears around town on its own, outranking its former owner. Written between 1831 and 1842, they span the colorful setting of rural Ukraine to the unforgiving urban landscape of St. Petersburg to the ancient labyrinth of Rome. Yet they share Gogol’s characteristic obsessions‖city crowds, bureaucratic hierarchy and irrationality, the devil in disguise‖and a constant undercurrent of the absurd. Susanne Fusso’s translations pay careful attention to the strangeness and wonder of Gogol's style, preserving the inimitable humor and oddity of his language. The Nose and Other Stories reveals why Russian writers from Dostoevsky to Nabokov have returned to Gogol as the cornerstone of their unparalleled literary tradition.
Nikolai Gogol (1809―1852) was born in Ukraine and achieved literary success in St. Petersburg. Among his most famous works are Dead Souls and The Government Inspector, as well as short stories set in the Ukrainian countryside and tales of St. Petersburg. He spent some of his most productive years in Rome. Upon his return to Russia, he struggled unsuccessfully to write a sequel to Dead Souls, burning the manuscripts not long before his death. Susanne Fusso is Marcus L. Taft Professor of Modern Languages and professor of Russian, East European, and Eurasian studies at Wesleyan University. Her many books include Designing Dead Souls: An Anatomy of Disorder in Gogol (1993), and she has translated Russian writers including Sergey Gandlevsky. Views: 213
The thin young man with the glossy hat got out of the cab at the end of the street, and looked somewhat distrustfully down that street; glanced with equal distrust at the cabman. A man lounging against the corner public-house, as though to keep that British institution from falling, and leaving him without refreshment, got away from it, and inserted himself between the driver and the fare, ready to give information or advice to both, on the strength of being a local resident."Are you quite sure that this is Arcadia Street?" asked the young man in the glossy hat. He had a thin, meagre, precise sort of voice—delicate and mincing."Carn't yer see it wrote up?" demanded the driver, pointing with his whip to the blank wall that formed one side of the street. "Wotjer think I should want to drop yer in the wrong place for?" He was a cross driver, for he had already been driving about in the wilds of Islington in search of Arcadia Street for a long time, and he was doubtful whether or not that fact would be remembered in the fare."Yus—this is Arcadia Street, guv'nor," said the man from the public-house. "You take it from me; I've bin 'ere, man an' boy, since before I could remember. Wot part of it was you wantin', sir?"But the young man had already given the cabman a substantial fare, and had turned away. The man from the public-house jogged along a little behind him, eager to be of service for a consideration to a man to whom a shilling or two seemed to mean nothing at all; a few bedraggled staring children had sprung up, as if by magic, and were also lending assistance, by the simple expedient of walking backwards in front of the stranger, and stumbling over each other, and allowing him to stumble over them. And still the young man said nothing, but only glanced anxiously at the houses.He did not fit Arcadia Street at all. For he was particularly well dressed, with a neatness that made one fear almost to brush against him; while Arcadia Street, Islington, is not a place given to careful dressing, or even to neatness. Moreover, silk hats are not generally seen there, save on a Monday morning, when a gentleman of sad countenance goes round with a small book and a pencil, in the somewhat cheerless endeavour to collect rents; and his silk hat is one that has seen better days. So that it is small wonder that the young man was regarded with awe and surprise, not only by the straggling children,[3] but also by several women who peered at him from behind doubtful-looking blinds and curtains.Still appearing utterly oblivious of the questions showered upon him by the now frantic man who had constituted himself as guide, the young man had got midway up the street, and was still searching with his eyes the windows of the houses. If you know Arcadia Street at all, you will understand that in order to search the windows he had but to keep his head turned in one direction; for the habitable part of the street lies only on the left-hand side, the other being formed by a high blank wall, shutting in what is locally known as "The Works." From behind this wall a noise of hammering and of the clang of metal floats sometimes to the ears of Arcadia Street, and teaches them that there is business going on, although they cannot see it. Views: 211
