This Side of Paradise is the debut novel of F. Scott Fitzgerald. Published in 1920, and taking its title from a line of the Rupert Brooke poem Tiare Tahiti, the book examines the lives and morality of post-World War I youth. Its protagonist, Amory Blaine, is an attractive Princeton University student who dabbles in literature. The novel explores the theme of love warped by greed and status-seeking.
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In this biting satire by Twain, a 19th c. Yankee mechanic is knocked out during a brawl, and wakes to find himself in Camelot, A.D. 528, in King Arthur’s Court. When the modern mechanic tries to cure society’s ills (oppressed peasantry, evil church, etc.) with 19th c. industrial inventions like electricity and gunfire - all hell breaks loose!Samuel Langhorne Clemens, better known by the pen name Mark Twain, was an American author and humorist. Twain began his career writing light, humorous verse but evolved into a grim, almost profane chronicler of the vanities, hypocrisies and murderous acts of mankind. At mid-career, with Huckleberry Finn, he combined rich humour, sturdy narrative and social criticism. Twain was a master at rendering colloquial speech and helped to create and popularise a distinctive American literature built on American themes and language.
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Moby Dick is a novel by American writer Herman Melville. The work is an epic sea story of Captain Ahab's voyage in pursuit of Moby Dick, a great white whale. A contemporary commercial failure and out of print at the time of the author's death in 1891, its reputation rose during the twentieth century. D.H. Lawrence called it "the greatest book of the sea ever written." Jorge Luis Borges praised the style: "Unforgettable phrases abound." Today it is considered one of the Great American Novels and a leading work of American Romanticism. The opening line, "Call me Ishmael," is one of the most recognizable opening lines in Western literature. Ishmael then narrates the voyage of the whaleship Pequod, commanded by Captain Ahab. Ahab has one purpose: revenge on Moby Dick, a ferocious, enigmatic white whale which on a previous voyage destroyed Ahab's ship and severed his leg at the knee. The detailed and realistic descriptions of whale hunting and the process of extracting whale oil, as well as life aboard ship among a culturally diverse crew, are mixed with exploration of class and social status, good and evil, and the existence of God. Melville uses a wide range of styles and literary devices ranging from lists and catalogs to Shakespearean stage directions, soliloquies, and asides.
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Referring to Adventures of Huckleberry Finn, H. L. Mencken noted that his discovery of this classic American novel was "the most stupendous event of my whole life"; Ernest Hemingway declared that "all modern American literature stems from this one book," while T. S. Eliot called Huck "one of the permanent symbolic figures of fiction, not unworthy to take a place with Ulysses, Faust, Don Quixote, Don Juan, Hamlet."The novel's preeminence derives from its wonderfully imaginative re-creation of boyhood adventures along the Mississippi River, its inspired characterization, the author's remarkable ear for dialogue, and the book's understated development of serious underlying themes: "natural" man versus "civilized" society, the evils of slavery, the innate value and dignity of human beings, and other topics. Most of all, Huckleberry Finn is a wonderful story, filled with high adventure and unforgettable characters.
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For the 125th anniversary of Kafka's birth, an astonishing new translation of his best-known stories, in a spectacular graphic package
For all his fame, Franz Kafka published only a small number of stories in his lifetime. This new translation of those stories, by Michael Hofmann, one of the most respected German-to-English translators at work today, makes Kafka's best-known works available to a new generation of readers. "Metamorphosis" gives full expression to the breadth of Kafka's literary vision and the extraordinary depth of his imagination.
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The Adventures of Tom Sawyer, Part 1. is presented here in a high quality paperback edition. This popular classic work by Mark Twain is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of Mark Twain then we highly recommend this publication for your book collection.
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Willy Wonka's famous chocolate factory is opening at last!
But only five lucky children will be allowed inside. And the winners are: Augustus Gloop, an enormously fat boy whose hobby is eating; Veruca Salt, a spoiled-rotten brat whose parents are wrapped around her little finger; Violet Beauregarde, a dim-witted gum-chewer with the fastest jaws around; Mike Teavee, a toy pistol-toting gangster-in-training who is obsessed with television; and Charlie Bucket, Our Hero, a boy who is honest and kind, brave and true, and good and ready for the wildest time of his life!
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*The Great Gatsby*, F. Scott Fitzgerald's portrait of the Jazz Age in all its decadence and excess, is, as editor Maxwell Perkins praised it in 1924, "a wonder." It remains one of the most widely read, translated, admired, imitated and studied twentieth-century works of American fiction.
This deceptively simple work, Fitzgerald's best known, was hailed by critics as capturing the spirit of the generation. In Jay Gatsby, Fitzgerald embodies some of America's strongest obsessions: wealth, power, greed, and the promise of new beginnings.
The recording includes a selection of letters written by Fitzgerald to his editor, Maxwell Perkins, his agent, Harold Ober, and friends and associates, including Willa Cather, H.L. Mencken, John Peale Bishop and Gertrude Stein.
Performed by Tim Robbins
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Mi vida en rose es el nuevo libro de relatos de David Sedaris, el maestro de la sátira, un brillante humorista estadounidense que sigue la tradición de Woody Allen o Groucho Marx. Delirantes y desternillantes, políticamente incorrectos, mordaces y en ocasiones impertinentes, estos relatos nos hablan, entre otras cosas, de cómo aprender francés a una edad adulta y los inconvenientes que conlleva esta valiente decisión, y nos presentan a un niño que hace terapia de pronunciación y a un profesor de escritura creativa que comete los más elementales fallos ortográficos y gramaticales. Sedaris vuelve a hacer una disección del absurdo de algunas conductas y de la vulgaridad de la vida cotidiana y familiar, esta vez desde el relativo anonimato de París, donde se ha refugiado tras haberse convertido en una estrella mediática en Estados Unidos
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Theo Decker, a 13-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by his longing for his mother, he clings to the one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art. As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love--and at the center of a narrowing, ever more dangerous circle. The Goldfinch is a mesmerizing, stay-up-all-night and tell-all-your-friends triumph, an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate.
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Set on the French Riviera in the late 1920s, *Tender Is the Night* is the tragic romance of the young actress Rosemary Hoyt and the stylish American couple Dick and Nicole Diver. A brilliant young psychiatrist at the time of his marriage, Dick is both husband and doctor to Nicole, whose wealth goads him into a lifestyle not his own, and whose growing strength highlights Dick's harrowing demise. A profound study of the romantic concept of character, *Tender Is the Night* is lyrical, expansive, and hauntingly evocative.
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Mark Twain's classic tale of class inequality and lessons learned from switching places.
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Suppressed in the Soviet Union for twenty-six years, Mikhail Bulgakov's masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. Featuring Satan, accompanied by a retinue that includes the large, fast-talking vodka-drinking black tom cat Behemoth, the beautiful Margarita, her beloved - a distraught writer known only as the Master - Pontius Pilate, and Jesus Christ, The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy into a wildly entertaining and unforgettable tale that is commonly considered one of the greatest novels ever to come out of the Soviet Union.
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“A true classic of world literature . . . A masterpiece that has inspired generations of writers in Nigeria, across Africa, and around the world.” —**Barack Obama
Nominated as one of America’s best-loved novels by PBS’s The Great American Read***
Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart *explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order.
With more than 20 million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities.
One of Chinua Achebe's many achievements in his acclaimed first novel, Things Fall Apart, is his relentlessly unsentimental rendering of Nigerian tribal life before and after the coming of colonialism. First published in 1958, just two years before Nigeria declared independence from Great Britain, the book eschews the obvious temptation of depicting pre-colonial life as a kind of Eden. Instead, Achebe sketches a world in which violence, war, and suffering exist, but are balanced by a strong sense of tradition, ritual, and social coherence. His Ibo protagonist, Okonkwo, is a self-made man. The son of a charming ne'er-do-well, he has worked all his life to overcome his father's weakness and has arrived, finally, at great prosperity and even greater reputation among his fellows in the village of Umuofia. Okonkwo is a champion wrestler, a prosperous farmer, husband to three wives and father to several children. He is also a man who exhibits flaws well-known in Greek tragedy:
Okonkwo ruled his household with a heavy hand. His wives, especially the youngest, lived in perpetual fear of his fiery temper, and so did his little children. Perhaps down in his heart Okonkwo was not a cruel man. But his whole life was dominated by fear, the fear of failure and of weakness. It was deeper and more intimate than the fear of evil and capricious gods and of magic, the fear of the forest, and of the forces of nature, malevolent, red in tooth and claw. Okonkwo's fear was greater than these. It was not external but lay deep within himself. It was the fear of himself, lest he should be found to resemble his father.
And yet Achebe manages to make this cruel man deeply sympathetic. He is fond of his eldest daughter, and also of Ikemefuna, a young boy sent from another village as compensation for the wrongful death of a young woman from Umuofia. He even begins to feel pride in his eldest son, in whom he has too often seen his own father. Unfortunately, a series of tragic events tests the mettle of this strong man, and it is his fear of weakness that ultimately undoes him.
Achebe does not introduce the theme of colonialism until the last 50 pages or so. By then, Okonkwo has lost everything and been driven into exile. And yet, within the traditions of his culture, he still has hope of redemption. The arrival of missionaries in Umuofia, however, followed by representatives of the colonial government, completely disrupts Ibo culture, and in the chasm between old ways and new, Okonkwo is lost forever. Deceptively simple in its prose, Things Fall Apart packs a powerful punch as Achebe holds up the ruin of one proud man to stand for the destruction of an entire culture. --Alix Wilber
From Library Journal
Peter Frances James offers a superb narration of Nigerian novelist Achebe's deceptively simple 1959 masterpiece. In direct, almost fable-like prose, it depicts the rise and fall of Okonkwo, a Nigerian whose sense of manliness is more akin to that of his warrior ancestors than to that of his fellow clansmen who have converted to Christianity and are appeasing the British administrators who infiltrate their village. The tough, proud, hardworking Okonkwo is at once a quintessential old-order Nigerian and a universal character in whom sons of all races have identified the figure of their father. Achebe creates a many-sided picture of village life and a sympathetic hero. A good recording of this novel has been long overdue, and the unhurried grace and quiet dignity of James's narration make it essential for every collection.?Peter Josyph, New York
Copyright 1998 Reed Business Information, Inc.
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The Portrait of a Lady is a novel by Henry James, first published as a serial in The Atlantic Monthly and Macmillan's Magazine in 1880-1881 and then as a book in 1881. It is the story of a spirited young American woman, Isabel Archer, who "affronts her destiny" and finds it overwhelming. She inherits a large amount of money and subsequently becomes the victim of Machiavellian scheming by two American expatriates. Like many of James's novels, it is set mostly in Europe, notably England and Italy. Generally regarded as the masterpiece of his early phase of writing, this novel reflects James's absorbing interest in the differences between the New World and the Old. It also treats in a profound way the themes of personal freedom, responsibility, betrayal, and sexuality.
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