Vivian, Wendy, Kate and Lucy take the party to New Orleans for their third girls getaway and Wendy's last hurrah before she's hitched. Their French Quarter nights are full of beads, boas, bachelorette kisses and big-ass beers. Things veer off course when new friend Daisy becomes the third exotic dancer to disappear from the Crescent City in a month. Hunky Detective Antonio Robichaux and his by-the-book partner, Eddie Leffall, are on the case, and they want the girls to stay out of it. Old friends Al and Adrienne Russo help the girls chase down bad guys in historic streetcars, airborne airboats and a commandeered carriage, culminating in a chaotic chase for the kidnapper. The Getaway Girlz go beyond Bourbon Street and risk their own safety to help solve the not-so-easy case in the Big Easy. Views: 25
Harry has hopes of hammerhead stardom in this second book of a fin-tastic chapter book series. When humans show up at Shark Point to film an underwater documentary, Harry Hammer is thrilled. He's sure he's meant for the spotlight, but will he end up with the starring role of his dreams, or stay in deep-sea oblivion? Views: 25
Product DescriptionThe Essential Tales and Poems of Edgar Allan Poe, by Edgar Allan Poe, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriate All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.Creator of the modern detective story, innovative architect of the horror genre, and a poet of extraordinary musicality, Edgar Allan Poe remains one of America’s most popular and influential writers. His tales and poems brim with psychological depth, almost painful intensity, and unexpected—and surprisingly modern—flashes of dark humor and irony. This anthology offers an exceptionally generous selection of Poe’s short stories. It includes his famed masterpieces, such as "The Murders in the Rue Morgue" and "The Purloined Letter," featuring Poe’s great detective, Dupin; his insightful studies of madness "The Black Cat" and "The Tell-Tale Heart"; "The Gold-Bug," his delightful exercise in "code-breaking"; and important but lesser-known tales, such as "Bon-Bon," "The Assignation," and "King Pest." Also included are some of Poe’s most beloved poems, haunting lyrics of love and loss, such as "Annabel Lee," nightmare phantasmagories such as "The Raven," and his grand experiment in translating sound into words, "The Bells." Benjamin F. Fisher, Professor of English, University of Mississippi, is a longtime enthusiast of the works of Poe. He has published books, articles, and notes about Poe, and in American, Victorian, and Gothic studies, and serves on editorial boards for several professional journals. He has also been acclaimed for outstanding teaching. Excerpt. © Reprinted by permission. All rights reserved.From Benjamin F. Fisher’s Introduction to Essential Tales and Poems by Edgar Allan PoePoe’s tales continue to be the most admired part of his literary legacy, however much he wished to be a poet. One may legitimately ask what were his reasons for resorting to prose fiction as a mainstay, most notably to the short story or, as he preferred, the "tale"? The answer is simple: money. Poe received no profits from his early poems, so he turned to a form that was likely to sell better, the short story, and specifically to short fiction in the Gothic vein. Tales featuring a single character (or at least one who stood out from any others), beset by oppressive and mysterious forces, often amid fantastic settings, existed long before Poe found in this paradigm a suitable creative medium. Terror tales had become staples in periodicals, chiefly in a renowned literary magazine in the Anglo-American literary world during the 1820s, 1830s, and 1840s, the house organ for the well-established Scottish publishing firm of Blackwood: Blackwood’s Edinburgh Magazine, colloquially called Blackwood’s or Blackwood. It is evident from his writings that Poe’s knowledge of this periodical was extensive. His satiric tale "How to Write a Blackwood Article" and its sequel, "A Predicament," lampoon not just recurrent themes, motifs, and stylistic techniques of stories from Blackwood’s, but indeed ridicule Poe’s own hallmark methods and themes in fiction. Compelling satire and parody require expert comprehension of what one wishes to treat comically, and so we might examine Poe’s own fiction to discover what he understood of the production of intriguing Gothic tales.Apparently, from the time he left West Point in 1831 for his grandmother Poe’s home in Baltimore, until his name appeared in connection with a literary contest in that city late in 1833, he thoughtfully considered what should constitute effective tales of terror. He gave himself an independent study course in content and methodology in popular Gothic fiction as groundwork for his own. He submitted five tales to a prize contest sponsored by a Philadelphia newspaper, the Saturday Courier, near the end of 1831. Although none won the prize, they all circulated in the paper, perhaps without Poe’s consent or knowledge, during 1832. The first to appear, "Metzengerstein," seems all too customarily horrific in its "German" setting and its feuding families, connected by supernatural occurrences, who suffer stupendous catastrophes. Horror is evident in young Frederick Metzengerstein’s lips, lacerated in fright during his sensational final journey mounted on a giant supernatural horse, an ominous, repulsive creature. This tale may devolve from the folk motif of the devil riding a giant black horse to claim his victims. Poe alters the traditional black coloring of the horse to fiery shades. The other Courier tales were spoofs on what were then best-selling fictions and their authors, and one was not even Gothic.In 1833 the Baltimore Saturday Visiter, a weekly newspaper, sponsored a competition with cash prizes for the best poem and tale. Poe’s tale "MS. Found in a Bottle" and his poem "The Coliseum" were ranked the winners until the evaluators discovered that both were written by the same person. They decided that the poetry prize would go elsewhere, although Poe asked that they give the other writer the money for the poem but announce that both of his own works had originally been named first’s. Poe’s wish was ignored, the poetry prize going to "Song of the Winds," by John Hill Hewitt, editor of the Visiter, leaving Poe outraged. The prize selections appeared on October 19, 1833, and Poe’s poem on October 26. Those publications, which were reprinted elsewhere in the United States, brought the young writer his first literary recognition. Looming, too, was another experimental venture of Poe’s, generally known as "Tales of the Folio Club," a book of interlocking frame narratives.4 In this scheme, never actualized, a group of writers, the Folio Club, meet monthly for literary reading and critiques. Preceding the readings are substantial suppers accompanied by plenty of alcohol. After each member reads his original "brief prose tale" (a hit at some best-selling author’s typical theme and form), critiques follow. Poe once wrote that these critical interchanges were meant to enliven comedy in the project: Voiced by pretentious would-be authors, each tale is delivered by a first-person narrator, a caricature of an actual popular author represented. Because the author-reader of the worst tale hosts the next meeting, and because one of the group has his works successively targeted, in Poe’s scheme, someone in the group eventually becomes enraged, flees to a publisher with the manuscripts, and hurries them into print as an exposé, for revenge.What doubtless enlivened the overall scheme was that the club members, from the effects of either eating or/and drinking too much, would have articulated corresponding bizarre situations and repetitious language patterns within their tales, imparting zesty humor to those fictions, such mirth given point by the critiques. Had "Tales of the Folio Club" been published, a far different conception of Poe might have emerged early in his career—with what future we may only conjecture. Publishers rejected his manuscript, however, on grounds that the content was far too sophisticated for average readers and sales would not warrant the financial risk. Poe eventually dismantled the collection, brought out individual stories in periodicals, and thereby paved the way for readers’ disagreements that continue to be dynamic even today. Views: 25
In an expensive London restaurant Julia Lovat receives a gift that will change her life. It appears to be a book of exquisite 17th-century embroidery patterns but on closer examination Julia finds it also contains faint diary entries. In these, Cat Tregenna, an embroideress, tells how she and others were stolen out of a Cornish church in 1625 by Muslim pirates and taken on a brutal voyage to Morocco to be auctioned off as slaves.Captivated by this dramatic discovery, Julia sets off to North Africa to determine the authenticity of the book and to uncover more of Cat’s story. There, in the company of a charismatic Moroccan guide, amid the sultry heat, the spice markets, and exotic ruins, Julia discovers buried secrets. And in Morocco – just as Cat did before her – she loses her heart.Almost 400 years apart, the stories of the two women converge in an extraordinary and haunting manner that will make readers wonder – is history fated to repeat itself?From the Hardcover edition.From Publishers WeeklyIn an entertaining if uneven debut novel from a U.K. publishing executive, dual story lines feature spirited English heroines—a 17th-century country girl and a modern-day craft shop owner—both with a gift for embroidery. As a farewell gift from her married lover, Julia Lovat receives a book published in 1625 and filled with a variety of sewing patterns. Inside the manual, Julia discovers the words, scribbled in pencil over the pages, of Cat Ann Tregenna, a 19-year-old British servant kidnapped by Muslim raiders and taken to Morocco to be sold into slavery. En route, the pirate leader, Al-Andalusi, is wounded in a battle, and Cat and her needlepoint skills are called on to stitch up the man's wounds, an encounter that leads to a tangled interfaith rivalry. As Julia struggles to shake off the dregs of her affair, she finds inspiration in Cat's makeshift diary and travels to Morocco to track down proof that Cat really existed; in the process, she discovers a new life of her own. Johnson imbues her historical story line with a captivating energy and momentum, but the humdrum contemporary quasi-romance doesn't pull its share of the weight. (May) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Review"A remarkable view of Barbary pirates and their times, and an engrossing romance of clashing cultures and wonderful characters."—Diana Gabaldon, #1 New York Times bestselling author *"This is such a lush book! It transported me to another time and other places, enticing me into an exotic, turbulent world in which past and present are seamlessly woven into a mesmerizing story."—India Edghill, author of Wisdom’s Daughter"What a tangled web Jane Johnson weaves with the opening of a book of old embroidery patterns! Two heroines cross paths across centuries. Unworthy lovers, treachery, ghosts, and pirates march through the streets and seas of modern day England, 17th century Cornwall, and Morocco as each woman tries to find what is most important to her. Discovering one’s authenticity is a story in which time doesn’t matter, and Johnson stitches the threads of both stories into a lovely, enticing whole."—Karleen Koen, New York Times bestselling author of* Dark Angels"I was totally enthralled from the first page to the last by this dramatic, exotic, and passionate tale that slips seamlessly through time. Jane Johnson’s wonderfully researched book leaves the fragrance of spices and the rustle of beautiful silks lingering in the mind with images of two exceptional women and the men in their lives."—Rosalind Laker, author of *The Golden Tulip“An unashamedly escapist page-turner that will be enjoyed by fans of Kate Mosse and Philippa Gregory.” —Daily Mail (UK)“Wildly yet convincingly romantic . . . Johnson weaves together the two women’s lives, exploring issues — love, desire, ambition, and guilt — that transcend time. Beautifully narrated . . . and a delectable adventure of the heart.” —... * Views: 25
The English Channel is the busiest waterway in the world. Ferries steam back and forth, trains thunder through the tunnel. The narrow sea has been crucial to our development and prosperity. It helps define our notion of Englishness, as an island people, a nation of seafarers. It is also our nearest, dearest playground where people have sought sun, sin and bracing breezes. Tom Fort takes us on a fascinating, discursive journey from east to west, to find out what this stretch of water means to us and what is so special about the English seaside, that edge between land and seawater. He dips his toe into Sandgate's waters, takes the air in Hastings and Bexhill, chews whelks in Brighton, builds a sandcastle in Sandbanks, sunbathes in sunny Sidmouth, catches prawns off the slipway at Salcombe and hunts a shark off Looe. Stories of smugglers and shipwreck robbers, of beachcombers and samphire gatherers, gold diggers and fossil hunters abound. Views: 25
She agreed to everything but sex. She hadn't counted on his monstrous creativity...Monsters in Hollywood, Book 2Since the day three incredibly hot men in disguise walk into her office and proved Monsters are real, intrepid screenwriter Jane Darby is obsessed with one task: to give the creatures a mythical makeover by writing a revolutionary, blockbuster screenplay. Now if only she can get over her own fear—and get the closed-mouth Michael to talk about his people.Michael is fascinated by the demur and docile Jane, whose efforts to hold him at arm's length hide an untapped sexual passion—a beast within her waiting to be set free. There's only one way to get under her lovely skin: strike a bargain.For one week, she agrees to let him do anything, anything, he wants. But Jane's got conditions. First, no actual sex. Second, she has to enjoy it.Jane's not really worried. What can happen if he sticks to the bargain? After all, she's not really turned... Views: 25
Bestselling author Christopher Golden brings his epic, innovative trilogy, the Veil, to an astonishing conclusion as the mythic realm of heroes and monsters becomes the site of humanity's last—and greatest—showdown.In the world of the legendary, every myth and folktale is real. That is what Oliver Bascombe learned on the other side of the Veil, where humanity's legends have hidden away for centuries. But even legends have legends, and Oliver has learned of a prophecy that many believe he and his sister, Collette, have come to the Two Kingdoms to fulfill. Before they can discover the truth, the Bascombe siblings must help to stop an apocalyptic war that threatens to destroy the Two Kingdoms, unravel a conspiracy, and prevent a powerful sorcerer from severing the world of humans from the realm of the legendary forever.But first Oliver will have to plot an escape from an impregnable palace dungeon where he and his allies have been imprisoned . . . for regicide.As old heroes and friends ally themselves for one last battle, even older enemies stand arrayed against them. Is humanity ready to face its legends head-on? For Oliver Bascombe, the price may be dearer than even he could ever imagine. Views: 25
When a Man Loves a Woman by LaConnie Taylor-Jones Views: 25
