Even if she hadn't married Tony Blair, Cherie's story would have been amazing. Abandoned by her actor father, she overcame obstacles to become one of the UK's most successful barristers. But when Labour took power in 1997, she faced new challenges: her husband was the first prime minister in recent history with a young family, and Cherie was the first PM's wife with a serious career. Now, she gives a complete account of her own life-an astonishing journey for a woman whose unconventional childhood was full of drama and who grew up with a fierce sense of justice. In her autobiography she reveals for the first time what it was like to combine life as a working mother with life married to the prime minister. She writes about her encounters with scores of foreign leaders and her friendships with Presidents Clinton and Bush, as well as with Hillary and Laura. And she offers inside details of her relationships with the royals, including Queen Elizabeth, Prince Charles, and Princess Diana. Views: 25
From R. A. Salvatore, the legendary creator of Drizzt Do'Urden, comes the start of abrand new epic journey.When Aoelyn loses her parents, she is left to fend for herself among a tribe of vicious barbarians. Bound by rigid traditions, she dreams of escaping to the world beyond her mountain home. The only hopefor achieving the kind of freedom she searches for is to learn how to wield the mysterious power used by the tribe's coven known as the Song of Usgar. Thankfully, Aoelyn may be the strongest witch to have ever lived, but magic comes at price. Not only has her abilities caught the eye of the brutish warlord that leads the tribe, but the demon of the mountain hunts all who wield the Coven's power, and Aoelyn's talent has made her a beacon in the night.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied. Views: 25
HARPER'S DAD IS getting a divorce from her beloved stepmother, Jane. Even worse, Harper has lost her stepsister, Tess; the divorce divides them. Harper decides to escape by joining a volunteer program to build a house for a family in Tennessee who lost their home in a tornado. Not that she knows a thing about construction.Soon she's living in a funky motel and working long days in blazing heat with a group of kids from all over the country. At the site, she works alongside Teddy, the son of the family for whom they are building the house. Their partnership turns into a summer romance, complete with power tools. Learning to trust and love Teddy isn't easy for Harper, but it's the first step toward finding her way back home.From the Hardcover edition. Views: 25
The call to Detective Willy Kunkle came from the NYPD. Willy's ex-wife, Mary, had been found dead in her New York apartment and he was asked to provide the next-of-kin ID. Although he hadn't been in touch with Mary since their divorce, Willy knew he was the only one left to vouch for her remains. Now, years after fleeing the city, Willy returns laden with misgivings that are deepened all the more by seeing Mary's pathetic corpse on a gurney. With a fresh puncture mark in her arm and heroin still in the syringe, the police think she overdosed. But while the evidence is compelling, Willy's instincts tell him something is missing. Driven by his loss, his doubts, and a blossoming guilt, Willy defies the authorities in an increasingly dangerous search for answers along New York's mean streets. Pulled deeper and deeper into a past before Vermont, before the drunken abuse he inflicted on Mary, before his abandonment of his family and friends, Willy encounters his ghosts from Vietnam where he was known as "the sniper," a lethal loner who struck without mercy. From gutted slums to the town houses of Brooklyn Heights, Willy Kunkle will plummet through the dark shadows of his past, confront his demons... and live up to his menacing nickname. Views: 25
RetailSteven Tyler is one of life's natural born survivors. With an exhaustively vibrant personality, this dynamic lead singer has been one of the most distinctive figures in rock music for more than three decades. Raised in a close, loving family, Tyler survived a tough upbringing in the Bronx. His inherent passion for performing and a talent for playing instruments propelled him into rock music as a teenager. He fronted a succession of local bands before meeting the guys with whom he would form Aerosmith in 1970. Laura Jackson reveals the stories behind Tyler's relationships with band members and the many women in his life, his battle with Hepatitis C, and his drug-fuelled meltdown during the late '70s and early '80s when he was snorting pure heroin. She also explores his visits to rehab in the 1980s which saved his life. Tyler has lived a roller coaster life of excess - spending over a million dollars on drugs - but is miraculously still performing. Steven Tyler: the biography tells his incredible story. Views: 25
Vivian, Wendy, Kate and Lucy take the party to New Orleans for their third girls getaway and Wendy's last hurrah before she's hitched. Their French Quarter nights are full of beads, boas, bachelorette kisses and big-ass beers. Things veer off course when new friend Daisy becomes the third exotic dancer to disappear from the Crescent City in a month. Hunky Detective Antonio Robichaux and his by-the-book partner, Eddie Leffall, are on the case, and they want the girls to stay out of it. Old friends Al and Adrienne Russo help the girls chase down bad guys in historic streetcars, airborne airboats and a commandeered carriage, culminating in a chaotic chase for the kidnapper. The Getaway Girlz go beyond Bourbon Street and risk their own safety to help solve the not-so-easy case in the Big Easy. Views: 25
Harry has hopes of hammerhead stardom in this second book of a fin-tastic chapter book series. When humans show up at Shark Point to film an underwater documentary, Harry Hammer is thrilled. He's sure he's meant for the spotlight, but will he end up with the starring role of his dreams, or stay in deep-sea oblivion? Views: 25
Product DescriptionThe Essential Tales and Poems of Edgar Allan Poe, by Edgar Allan Poe, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriate All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.Creator of the modern detective story, innovative architect of the horror genre, and a poet of extraordinary musicality, Edgar Allan Poe remains one of America’s most popular and influential writers. His tales and poems brim with psychological depth, almost painful intensity, and unexpected—and surprisingly modern—flashes of dark humor and irony. This anthology offers an exceptionally generous selection of Poe’s short stories. It includes his famed masterpieces, such as "The Murders in the Rue Morgue" and "The Purloined Letter," featuring Poe’s great detective, Dupin; his insightful studies of madness "The Black Cat" and "The Tell-Tale Heart"; "The Gold-Bug," his delightful exercise in "code-breaking"; and important but lesser-known tales, such as "Bon-Bon," "The Assignation," and "King Pest." Also included are some of Poe’s most beloved poems, haunting lyrics of love and loss, such as "Annabel Lee," nightmare phantasmagories such as "The Raven," and his grand experiment in translating sound into words, "The Bells." Benjamin F. Fisher, Professor of English, University of Mississippi, is a longtime enthusiast of the works of Poe. He has published books, articles, and notes about Poe, and in American, Victorian, and Gothic studies, and serves on editorial boards for several professional journals. He has also been acclaimed for outstanding teaching. Excerpt. © Reprinted by permission. All rights reserved.From Benjamin F. Fisher’s Introduction to Essential Tales and Poems by Edgar Allan PoePoe’s tales continue to be the most admired part of his literary legacy, however much he wished to be a poet. One may legitimately ask what were his reasons for resorting to prose fiction as a mainstay, most notably to the short story or, as he preferred, the "tale"? The answer is simple: money. Poe received no profits from his early poems, so he turned to a form that was likely to sell better, the short story, and specifically to short fiction in the Gothic vein. Tales featuring a single character (or at least one who stood out from any others), beset by oppressive and mysterious forces, often amid fantastic settings, existed long before Poe found in this paradigm a suitable creative medium. Terror tales had become staples in periodicals, chiefly in a renowned literary magazine in the Anglo-American literary world during the 1820s, 1830s, and 1840s, the house organ for the well-established Scottish publishing firm of Blackwood: Blackwood’s Edinburgh Magazine, colloquially called Blackwood’s or Blackwood. It is evident from his writings that Poe’s knowledge of this periodical was extensive. His satiric tale "How to Write a Blackwood Article" and its sequel, "A Predicament," lampoon not just recurrent themes, motifs, and stylistic techniques of stories from Blackwood’s, but indeed ridicule Poe’s own hallmark methods and themes in fiction. Compelling satire and parody require expert comprehension of what one wishes to treat comically, and so we might examine Poe’s own fiction to discover what he understood of the production of intriguing Gothic tales.Apparently, from the time he left West Point in 1831 for his grandmother Poe’s home in Baltimore, until his name appeared in connection with a literary contest in that city late in 1833, he thoughtfully considered what should constitute effective tales of terror. He gave himself an independent study course in content and methodology in popular Gothic fiction as groundwork for his own. He submitted five tales to a prize contest sponsored by a Philadelphia newspaper, the Saturday Courier, near the end of 1831. Although none won the prize, they all circulated in the paper, perhaps without Poe’s consent or knowledge, during 1832. The first to appear, "Metzengerstein," seems all too customarily horrific in its "German" setting and its feuding families, connected by supernatural occurrences, who suffer stupendous catastrophes. Horror is evident in young Frederick Metzengerstein’s lips, lacerated in fright during his sensational final journey mounted on a giant supernatural horse, an ominous, repulsive creature. This tale may devolve from the folk motif of the devil riding a giant black horse to claim his victims. Poe alters the traditional black coloring of the horse to fiery shades. The other Courier tales were spoofs on what were then best-selling fictions and their authors, and one was not even Gothic.In 1833 the Baltimore Saturday Visiter, a weekly newspaper, sponsored a competition with cash prizes for the best poem and tale. Poe’s tale "MS. Found in a Bottle" and his poem "The Coliseum" were ranked the winners until the evaluators discovered that both were written by the same person. They decided that the poetry prize would go elsewhere, although Poe asked that they give the other writer the money for the poem but announce that both of his own works had originally been named first’s. Poe’s wish was ignored, the poetry prize going to "Song of the Winds," by John Hill Hewitt, editor of the Visiter, leaving Poe outraged. The prize selections appeared on October 19, 1833, and Poe’s poem on October 26. Those publications, which were reprinted elsewhere in the United States, brought the young writer his first literary recognition. Looming, too, was another experimental venture of Poe’s, generally known as "Tales of the Folio Club," a book of interlocking frame narratives.4 In this scheme, never actualized, a group of writers, the Folio Club, meet monthly for literary reading and critiques. Preceding the readings are substantial suppers accompanied by plenty of alcohol. After each member reads his original "brief prose tale" (a hit at some best-selling author’s typical theme and form), critiques follow. Poe once wrote that these critical interchanges were meant to enliven comedy in the project: Voiced by pretentious would-be authors, each tale is delivered by a first-person narrator, a caricature of an actual popular author represented. Because the author-reader of the worst tale hosts the next meeting, and because one of the group has his works successively targeted, in Poe’s scheme, someone in the group eventually becomes enraged, flees to a publisher with the manuscripts, and hurries them into print as an exposé, for revenge.What doubtless enlivened the overall scheme was that the club members, from the effects of either eating or/and drinking too much, would have articulated corresponding bizarre situations and repetitious language patterns within their tales, imparting zesty humor to those fictions, such mirth given point by the critiques. Had "Tales of the Folio Club" been published, a far different conception of Poe might have emerged early in his career—with what future we may only conjecture. Publishers rejected his manuscript, however, on grounds that the content was far too sophisticated for average readers and sales would not warrant the financial risk. Poe eventually dismantled the collection, brought out individual stories in periodicals, and thereby paved the way for readers’ disagreements that continue to be dynamic even today. Views: 25
