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Influential feminist writer and intellectual Germaine Greer tracks the life of her father, an Australian intelligence officer during World War II, who died in her childhood. A secretive man, Reg Greer took pains to hide his working-class roots. As she painstakingly assembles the jigsaw pieces of his life, Germaine discovers surprising secrets about her father, her family, and herself.Obsessed with family history, Greer is chasing not just her father's life story, but the parental love she always felt deprived of. Brimming with emotion, loss, regret, fury, and the intense depth of love, this book offers a moving climax—as well as sharp observations about Australian culture during the war. Views: 90
From Publishers WeeklySignatureReviewed by Marilyn FrenchGiven the hysterical responses of some British critics to Germaine Greer's new book about Ann Hathaway, one expects wild-eyed surmises about that woman's life. Instead, Greer offers a richly textured account of the lives of ordinary women in Stratford and similar towns in the late 16th and early 17th centuries. We know very little about Shakespeare's life, and even less about his wife's, but this has not deterred generations of critics from inventing a narrative for them. In general, they aver that Ann, being eight years older than Shakespeare, was an unattractive woman who seduced and trapped him in an unwanted marriage, from which he escaped as soon as possible. His abandonment of his wife and three children supposedly without support is generally regarded as their just desserts, as is his will, leaving her with nothing but his second-best bed. Greer questions these critical judgments, but her real interest lies in tracing how the Shakespeare family could have survived. She meticulously traces the members of the Shakespeare and Hathaway families, their acquaintances, relatives of their acquaintances and notable people in Stratford. She reminds us of facts other critics have ignored: for instance, in the late 15th century, almost half the children died in their early years, often from malnutrition. Ann Shakespeare's children survived-the two girls to adulthood, and the boy, Hamnet, until 11-so she must have been able to feed them. Greer shows that no one else would have been likely to step in to help Ann feed her family: she would have had to do it herself. Given a list of Ann's possessions at one point in her life, Greer theorizes she was a maltster: many women made decent livings by making ale. Greer's details of how ordinary people lived in this period are extremely interesting-the contents of their houses, the value of their clothes, the number of rooms they occupied. These facts are also quite moving because death was omnipresent. Her theory about Shakespeare's relation with his wife is original and persuasive: she imagines there was real love between them, at least at some point. She cites the desire depicted in "Venus and Adonis" (about an older woman and a younger man) and suggests that some of the sonnets were written to Ann. She offers theories and not, she is careful to state, a definitive narrative. The theory that seems most to have inflamed British critics is the idea that Ann may have paid to have Shakespeare's plays printed after his death. Since many wives do publish their husbands' work after their death, I'm not sure why this is considered so heretical, but Greer knew it would be. (Apr. 8)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From BooklistIn 1979, noted feminist Greer wrote The Obstacle Race: The Fortunes of Women Painters and Their Work, which helped save several women artists from obscurity. Now she turns her attention to another shadowy figure, Ann Hathaway. Greer wants to rescue Hathaway from the frantic fantasising of the bardolators, who would have us believe that Shakespeare left Stratford for London in order to escape an unhappy marriage. Maybe, and since the cupboard is so bare of facts, Greer can do no more than speculate herself. But her speculation is based on careful sifting through every shard of contextual evidence—archives, records, registers, and literary works—not just as it relates to the Shakespeares and the Hathaways but also as it relates to their place and time. What we get is a portrait of life in Stratford circa 1600 on almost every level and in every aspect—the practice of medicine, the brewing of ale, birth, marriage, and burial. Although Ann herself remains in the shadows, Greer provides an intriguing analysis that helps us understand more about the person Ann might have been. Reader interest probably will be based more on the author’s name than on the subject. --Mary Ellen Quinn Views: 87
Anywhere But Here is a moving, often comic portrait of wise child Ann August and her mother, Adele, a larger-than-life American dreamer. As they travel through the landscape of their often conflicting ambitions, Ann and Adele bring to life a novel that is a brilliant exploration of the perennial urge to keep moving, even at the risk of profound disorientation. Simpson's first novel is ultimately a heart-rendering tale of a mother and daughter's invaluable relationship. "The two women in this book are American originals. Ann is a new Huck Finn, a tough, funny, resourceful love of a girl. Adele is like no one I've encountered, at once deplorable and admirable--and altogether believable."--Walker Percy"Anywhere But Here is a wonder: big, complex, masterfully written, it's an achievement that lands [Simpson] in the front ranks of our best novelists."--NewsweekFrom the Trade Paperback edition. Views: 74
Traditional horror has often portrayed female characters in direct relation to their sexual role according to men, such as the lascivious victim or innocent heroine; even vampy, powerful female villains, such as the classic noir “spider women,” use their sexual prowess to seduce and overwhelm married men. Fist of the Spider Woman is a revelatory anthology of horror stories by queer and transgressive women and others that disrupts reality as queer women know it, instilling both fear and arousal while turning traditional horror iconography on its head.In this collection, horror (including gothic, noir, and speculative writing) is defined as that which both titillates and terrorizes, forcing readers to confront who they are. Kristya Dunnion's "Homeland" reveals the horrors that lurk on your average night in a lesbian bar; Elizabeth Bachinsky’s “Postulation on the Violent Works of the Marquis de Sade” is a response to Sade from a feminist... Views: 73
In her highly acclaimed first novel, Anywhere But Here, Simpson created one of the most astute yet vulnerable heroines in contemporary fiction. Now Mayan Atassi--once Mayan Stevenson--returns in an immensely powerful novel about love and lovelessness, fathers and fatherlessness, and the loyalties that shape us even when they threaten to destroy us. Now a woman of twenty-eight and finally on her own in medical school, Mayan becomes obsessed with the father she never knew, leading her to hire detectives to dredge up the past, thus eroding her savings, ruining her career, and flirting with madness in a search spanning two continents. "Ratifies the achievement of Anywhere But Here, attesting to its author's...dazzling literary gift and uncommon emotional wisdom."--New York Times"A breathtaking piece of fiction; Simpson is a writer who can break our heart and mend it in the same sentence."--Cleveland Plain... Views: 72
February, 1864Her name is Elizabeth Bacon Custer, but her friends call her Libbie. The newly-wedded wife of General George Armstrong Custer, Libbie is small and delicate, accustom to the "finer things in life," seemingly unfit for the rigors of army life.But she refuses to be separated from the man she loves.This is her story, a first-person narrative based on three books written by the real-life Libbie and surviving correspondence. Stretching from Texas to Kansas to the savage Dakota Territory, experience the sacrifices and hair-raising adventures, the hijinx Autie (the nickname Libbie gave to her husband) played on her, regretted flirtations, and a rare and remarkable love that would not be tamed.REVIEWS:"A wondrous, intimate story of an unsung heroine of the West." ~Romantic Times"Rings authentically true.... Brilliant and memorable.... Kudos to Ms. Alter for a refreshingly unique story." ~Affair de Coeur"Libbie is probably the book Mrs. Custer would... Views: 72
"A quirky, darkly mischievous novel about love, obsession and the burden of charisma, played out against the backdrop of Venice's watery, decadent glory." Sarah Dunant"Revealing, surprising, compelling, gripping." Miriam Margolyes, actressA Man of Genius portrays a psychological journey from safety into obsession and secrecy. It mirrors a physical passage from flamboyant Regency England through a Europe conquered by Napoleon.Ann, a successful writer of cheap Gothic novels, becomes obsessed with Robert James, regarded by many, including himself, as a genius, with his ideas, his talk, and his band of male followers. However, their relationship becomes tortuous, as Robert descends into violence and madness.The pair leaves London for occupied Venice, where Ann tries to cope with the monstrous ego of her lover. Forced to flee with a stranger, she delves into her past, to be jolted by a series of revelations—about her lover, her parentage, the stranger, and... Views: 71
