The Lost Child of Lychford

It's December in the English village of Lychford – the first Christmas since an evil conglomerate tried to force open the borders between our world and... another.Which means it's Lizzie's first Christmas as Reverend of St. Martin's. Which means more stress, more expectation, more scrutiny by the congregation. Which means... well, business as usual, really.Until the apparition of a small boy finds its way to Lizzie in the church. Is he a ghost? A vision? Something else? Whatever the truth, our trio of witches (they don't approve of "coven") are about to face their toughest battle, yet!The Lost Child of Lychford is the sequel to Paul Cornell's Witches of Lychford.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
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TARNISHED (Book 5.5, The Caged Series (Novella))

Sean has a reputation for brutality, and it is well-deserved. Centuries of inflicting pain and punishment on anything and everything he deemed worthy slowly stole whatever light had been in him when he was born. His angelic nature fell victim to the god of war within him, just as Ares had intended. After an enigmatic encounter, a vision of Ruby comes to Sean and changes all of that. Her piercing blue eyes bear their way into his soul, awakening it as though it had never slept. Struggling against his inner darkness, Sean fights to keep that light from fading again and eventually goes to extremes to ensure that it won't.
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Obsidian Detective

On the fringes of human space, a murder will light a fuse and send two rebels on a planetary scale collision course. She lives on Earth, where peace is a given. He is on society's frontier where authority depends on how much firepower you wield. She is from the powerful, the elite. He is with the military. Both want the truth – but is revealing it good for humanity? —- Two years ago, a small moon in a far-off system was set to host the first intergalactic war between humans and an alien race. It never happened. However, something was found and too many are willing to kill to keep it a secret. Now, they have killed the wrong people. How many will need to die to keep the truth hidden? As many as it takes. He will have vengeance no matter the cost. She will dig for the truth. No matter how risky. "An incredibly...
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Dead Man (Black Magic Outlaw Book 1)

I'm Cisco Suarez: necromancer, shadow charmer, black magic outlaw. Sounds kinda cool, doesn't it? It was, right until I woke up half dead in a dumpster. Did I say half dead? Because I meant 100% dead. Full on. I don't do things halfway. So here I am, alive for some reason, just another sunny day in Miami. It's a perfect paradise, except I'm into something bad. Wanted by police, drenched in the stink of dark magic, nether creatures coming out of the woodwork, and don't get me started on the Haitian voodoo gang. Trust me, it's all fun and games until there's a zombie pit bull on your tail. I'm Cisco Suarez: necromancer, shadow charmer, black magic outlaw, and totally screwed. **
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Release the Dogs of War

Stephen walked into the office which Barnabas was using as his judge's chamber. While the massive amount of data Bethany Anne’s team was throwing at him was more than enough to assuage his curiosity, he had never felt this way in the last one hundred and fifty-two years. He wanted a vacation. He pulled the top manila-folder and took a look at the name, “Clarissa Bernier, CEO.” He opened the folder, and it was now in the agreed upon fashion. There was one page with her typical information of name, age, location, and a two paragraph background and the requested punishment. It was a type of joke now between Barnabas and Bethany Anne. No matter the requested punishment, she would strike it out and write “DEATH” and put a happy face on, with fangs. It let him know that she was not letting up on her desire to make a lot of people pay for Michael’s death. The team had already executed six individuals across the world in the last three months. Sean Truitt was just the first one. Stephen interrupted him, “You look tired,” he spoke as he took a seat in one of the two blue chairs facing Barnabas’s desk. Barnabas leaned back, keeping the folder open, “Is she serious?” He pointed to the document, “Even ADAM, using our agreed punishment matrix is calling for this lady to be punished financially.” He closed the folder, “She walks the line towards Michael all the time, brother...” To be continued ... **Please note, as mentioned in a review, there is flagrantly foul language in these novels. The main character does not have a problem with cussing, just uninspired cussing. Series includes: Death Becomes Her - The Kurtherian Gambit 01 Queen Bitch - The Kurtherian Gambit 02 Love Lost - The Kurtherian Gambit 03 Bite This - The Kurtherian Gambit 04 Never Forsaken - The Kurtherian Gambit 05 Under My Heel - The Kurtherian Gambit 06 Kneel or Die - The Kurtherian Gambit 07 We Will Build - The Kurtherian Gambit 08 It's Hell To Choose - The Kurtherian Gambit 09 Release The Dogs of War - The Kurtherian Gambit 10 Short Stories Tied in to the Main Series include: You Don't Mess with John's Cousin - Frank Kurns Stories of the UnknownWorld 01 Bitch's Night Out - Frank Kurns Stories of the UnknownWorld 02 **
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Crazy Ex-Ghoulfriend

Janie Parker is in love with the boy next door, but he's dating Miss Popular. That is, until she wraps her car around a tree and bites the dust. Just when things settle down and Janie thinks that she might have a shot at going to prom with the boy next door, Miss Popular comes back from the grave, and she's one crazy ex-ghoulfriend.
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Before I Sleep

Carey Justice is doing her call-in radio show when she learns that the governor has signed a death warrant for John Otis, a man she helped convict as an assistant prosecutor five years earlier. Convinced of his innocence, she attempts to save him before it's too late. Her ex-lover, the cop who arrested Otis, is the only man who can help her clear him.
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First Lord's Fury ca-6

For years he has endured the endless trials and triumphs of a man whose skill and power could not be restrained. Battling ancient enemies, forging new alliances, and confronting the corruption within his own land, Gaius Octavian became a legendary man of war-and the rightful First Lord of Alera. But now, the savage Vord are on the march, and Gaius must lead his legions to the Calderon Valley to stand against them-using all of his intelligence, ingenuity, and furycraft to save their world from eternal darkness.
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Deadlocked: A Sookie Stackhouse Novel

It’s vampire politics as usual around the town of Bon Temps, but never before have they hit so close to Sookie’s heart... Growing up with telepathic abilities, Sookie Stackhouse realized early on there were things she’d rather not know. And now that she’s an adult, she also realizes that some things she knows about, she’d rather not see—like Eric Northman feeding off another woman. A younger one. There’s a thing or two she’d like to say about that, but she has to keep quiet—Felipe de Castro, the Vampire King of Louisiana (and Arkansas and Nevada), is in town. It’s the worst possible time for a human body to show up in Eric’s front yard—especially the body of the woman whose blood he just drank. Now, it’s up to Sookie and Bill, the official Area Five investigator, to solve the murder. Sookie thinks that, at least this time, the dead girl’s fate has nothing to do with her. But she is wrong. She has an enemy, one far more devious than she would ever suspect, who’s set out to make Sookie’s world come crashing down.Amazon.com ReviewA conversation with Charlaine Harris, best-selling author of Deadlocked, and Laurell K. Hamilton, best-selling author of Kiss the DeadQuestion: Did you ever imagine that your series would run as long as it has?Charlaine Harris: I was just glad to sell the first book. It took two years of my agent sending it out to get a bite. I never even dreamed that Sookie would be so popular, that I would find so much to say about her and her world.Laurell K. Hamilton: No. I had over two hundred rejections for the first Anita Blake novel. They were the nicest rejections, with editors suggesting other publishing houses to send it to, but they, themselves, couldn't figure out how to market it. When I got that first three book contract, I remember thinking, "Well, at least I'll get to write three of them." I actually did think I had at least ten books in Anita and her world, but I don't think anyone can plan to write twenty-one novels in a series and still be excited about starting the twenty-second.Did you ever dream paranormal would be this hot?LKH: I remember being told that mixed genre didn't sell, before the term paranormal became a genre. I was also told that no one wanted to read about vampires. More than one editor told me that particular monster was dead and gone. I thought there was life left in the old legends, but I never saw this level of popularity coming. CH: Yes, even my agent didn't expect Dead Until Dark would be an easy sell, maybe especially since my books contained a lot of humor. Vampires were passé, and books that crossed genres (Except for yours: I think you had three or four books out when I wrote the first Sookie, and I was so glad to discover them!) were called "unshelvable.’ I could never have anticipated shelves and shelves of cross-genre books. Does fan response play a part in your planning process?CH: Not in the sense of changing plot direction in my novels. This is my story to tell, and I have to write it the way I see it. But every now and then when reader response to a character is unexpectedly enthusiastic--or the opposite--I'll take a second look at that character to see why he/she is coming across in a way I didn't expect or anticipate. LKH: I don't change plot direction for fan reaction either. My story, my world, my books, my stuff, my way. The only people who can change the direction of my novels are my characters. It's their life, after all, so if they're really insistent on a different plot, then they win. I agree that reader response to a character can make me puzzle over them more, but it doesn't usually change how often the character is on stage, or how big their role is, because weirdly if the fans are interested, then I'm already intrigued. Best example is Edward who started out as this cold blooded assassin, almost a bad guy, and now he's one of Anita's best friends, and he's a U. S. Marshal. So, not what I had planned for him. Have you ever had a character totally surprise you with their choices?LKH: A lot of my characters have minds of their own. Edward went away on his own and got himself engaged to a woman with two children from her first marriage. Edward-- assassin, ex-military, current police officer, taking a six-year-old to ballet lessons with all the other moms both amuses and hurts my head. Anita's love life went into a completely different direction than I'd ever anticipated. I so didn't see Anita dating this many men, or being in love with more than one man, and having everyone she loved okay with that. CH: I've discovered some surprising things about my characters as I wrote them. I know that their minds are really my mind, but sometimes it doesn't feel that way. It's like knowing a character has a secret (I'm thinking of Bill), and then suddenly realizing what that secret is. I was genuinely aghast. Sometimes my creative brain thinks a lot faster than my conscious brain. And it's certainly a lot more devious. How do you keep a world with paranormal elements credible?CH: I anchored my skewed world with real-life elements. Sookie has to pay her bills, she has to do her laundry, and she has family obligations. My vampires buy their clothes at the mall. My werewolf runs a surveying business. One of my fairies works in customer service at a department store. Readers seem to enjoy the fact that no matter what creature you may be, there's a process of surviving that has to be gone through; but there's all these other elements that make that process so different. LKH: I make sure any real life facts are as real and well-researched as possible. Because I'm asking people to believe in vampires, wereanimals, and zombies, I need to make sure the guns, cars, and real crime are as realistic as possible. Once a reader catches me wrong in an area where they are expert they won't believe my monsters are real. But I have found if I'm right on the hard facts even experts will let me fudge, or take that next fantastic leap, because I've proven myself by laying the foundation of reality to make my leap into the unknown. Do people ever expect you to be your characters?LKH: If I had known people would get confused between fiction and fact I'd have made Anita look less like me, but it just never occurred to me that there would be a problem. I've had fans want to know what weapons I'm carrying. They assume all the men are based on real people, and they aren't. I don't actually base characters on real people. Since I can't lighten Anita's hair, I've lightened my own and I get less fan confusion. I've had fans ask for the phone numbers of the men and get angry when I tried to explain I couldn't give them the contact info for a fictional character. CH: Ha! Well, I'm much older and rounder than Sookie, so I'm definitely no stand-in for Sookie. In fact, readers who have never met me before are usually astonished when they meet me; so were the actors on True Blood. Some of my readers who came to me after watching True Blood get the characters in the books sort of conflated with the actors who play them on television. In their minds, Alexander Skarsgard IS Eric, Stephen Moyer IS Bill. It can lead to some confusing questions when I'm at signings. What scenes in your novels are the most fun for you to write? Action? Sex? Relationship drama?CH: All of those are fun, depending on the outcome! But I have to say, I love to write a good fight scene. I find the "relationship" scenes a challenge. When people talk about their relationships, it's a messy conversation. People aren't too articulate about their innermost feelings. And such conversations don't proceed in a linear way, but jag back and forth as each speaker voices the issues that are most important to that person. So it's hard to make sound realistic, coherent, and yet condense such a conversation enough to make it tolerable. LKH: It depends on my mood. Sometimes a good fight scene can be very therapeutic, and give a productive outlet for negative emotions. The more people involved in the action the more complex the fight choreography can become, and that can be a challenge, and slow down the emotional content for me. I enjoy doing sex scenes, but they are a different kind of challenge. On a day when I can get in the mood for the scene, they’re great, but on a day when real life interferes, it’s a bit like real sex. It’s hard to concentrate on it when you have too many interruptions from the non-sexy side of your life. I guess that’s true of all writing, though, too many interruptions disrupt the process in general. The biggest challenge for the sex scenes is that sex is a very personal and individual activity, so I have the same girl involved, but different men and I want each man’s style to be unique. Relationship drama? Yuck, can I just say, yuck again? This kind of drama isn’t fun in real life and the only thing that makes fictional relationship drama tolerable is that it’s fictional, and I’m not having to endure it in my real life, but other than that it sucks just as much. It also tends to complicate my life as a writer, because almost nothing screws up a story arc like relationship choices, though I have had action scenes go so differently from what I’d planned that an entire third of a book had to be thrown out. It was a better book for it, but still, near deadline that was hard. What’s the hardest thing about writing such a long running series?LKH: The beginning of the book is easy, because you always want that to be interesting and lure in both old and new readers. It’s the middle of the book that becomes more complicated. As a writer you always have to think that you may have brand new readers picking up your book, so you have to explain the characters, the world, everything, but you don’t want to over explain to the long time readers. The other problem with a series is that each book needs to stand alone as much as possible, but you also want character growth and world development from novel to novel, so again, it’s a balancing act. I make sure that each opening is different enough that you won’t be left wondering, did I read that already. It’s an issue I’ve had with other series that I read. It gets very challenging when you get in double digits to make everything fresh, but familiar. I’m lucky that I’m still discovering new things about Anita, Jean-Claude, Edward, Nathaniel, everyone, and the world continues to grow and surprise me. My fictional world is like the real one, I never know quite what’s coming next. CH: The hardest thing is keeping track of previous developments and details. My memory just wasn't up to it, and I had to hire someone (the fabulous Victoria Koski). When you create a world, there are a thousand small things that make it credible, and it's easier than you'd think to forget whether someone is a werefox or a werelynx, or whether it's still daytime during the narrative or if you've passed into darkness. I think it's important to catch as many little errors as you can, so readers don't get yanked out of the world. I'm not the kind of reader who notices, but there are many readers who do.Photo Laurell K. Hamilton © Stefan HesterPhoto Charlaine Harris © Sigrid EstradaReview“Harris is a master at taking several paranormal worlds and plunging them into our reality with humor.” *Tulsa World“The Sookie Stackhouse series seamlessly mixes sensuality, violence and humor as readers experience the people of small-town Louisiana through Sookie’s eyes.” Boulder Weekly*
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Blood Goblet (Bloodline Awakened Supernatural Thriller Series Book 4)

A whole mess of stuff happens and then other stuff happens and then it all comes to an end.
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Witches of Lychford

Traveler, Cleric, Witch.The villagers in the sleepy hamlet of Lychford are divided. A supermarket wants to build a major branch on their border. Some welcome the employment opportunities, while some object to the modernization of the local environment.Judith Mawson (local crank) knows the truth — that Lychford lies on the boundary between two worlds, and that the destruction of the border will open wide the gateways to malevolent beings beyond imagination.But if she is to have her voice heard, she's going to need the assistance of some unlikely allies...
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Unseen os-3

After Cassiel and Warden Luis Rocha rescue an adept child from a maniacal Djinn, they realize two things: the girl is already manifesting an incredible amount of power, and her kidnapping was not an isolated incident. This Djinn—aided by her devoted followers—is capturing children all over the world, and indoctrinating them so she can use their strength for herself. With no other options, Cassiel infiltrates the Djinn's organization—because if Cassiel cannot stop the Djinn's apocalyptic designs, all of humanity may be destroyed.
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