Reading Dostoevsky in Afghanistan becomes “crime without punishment” Rassoul remembers reading Crime and Punishment as a student of Russian literature in Leningrad, so when, with axe in hand, he kills the wealthy old lady who prostitutes his beloved Sophia, he thinks twice before taking her money or killing the woman whose voice he hears from another room. He wishes only to expiate his crime and be rightfully punished. Out of principle, he gives himself up to the police. But his country, after years of civil war, has fallen into chaos. In Kabul there is only violence, absurdity, and deafness, and Rassoul’s desperate attempt to be heard turns into a farce. This is a novel that not only flirts with literature but also ponders the roles of sin, guilt, and redemption in the Muslim world. At once a nostalgic ode to the magic of Persian tales and a satire on the dire reality of now, A Curse on Dostoevsky also portrays the resilience and wit of Afghani women, an aspect of his culture that Rahimi never forgets.Review“Rahimi turns his attention to Crime and Punishment and juxtaposes literature against the Muslim world in Kabul, the themes of civil war, chaos, sin, guilt and redemption for Afghani women again being the theme. ‘Crime without punishment?’” —Electric Literature "A darkly comic meditation on life in a lawless land…In restrained prose, Rahimi explores both the personal and the political; it’s both in dialogue with a classic and is daringly outspoken." —Publishers Weekly “Atiq Rahimi brilliantly re-imagines Crime and Punishment and, in a daring feat of creative panache, transplants Dostoevsky’s classic morality tale to modern-day Afghanistan. This is easily Rahimi’s most imaginative and complex work yet, and should cement his reputation as a writer of great and unique vision.” —Khaled Hosseini, author of The Kite Runner and A Thousand Splendid Suns "In a rare imaginative feat, Rahimi renews many of Dostoevsky’s original psychological insights and opens piercing new ones. Unforgettable." —Booklist (Starred) Review “Atiq Rahimi, like the great story tellers of Afghanistan, is a master of using a small moment to tell the sweeping story of the pain and loss of war. In A Curse on Dostoevsky he yet again imprints images in the memory, as he captures both the unspeakable absurdity of the Afghan civil war and the ingenious ways Afghans have found to move beyond it.” —Qais Akbar Omar, author of A Fort of Nine Towers: An Afghan Family Story "Rahimi does a masterful job both in echoing Dostoevsky and in updating the moral complexities his protagonist both creates and faces." —Kirkus “Here, Atiq Rahimi sings an incandescent, raging story, which dissects, in a highly sensitive way, the chaos of his homeland and the contradictions of his people.” —L’Express“In the light of the Russian writer, [Rahimi] describes his country so that we may understand it like we never have before. His latest novel isn’t only breathless, beautiful, and strong, it is indispensable…He dared—and succeeded.” —Le PointAbout the AuthorAtiq Rahimi was born in Afghanistan in 1962 and fled to France in 1984, where he has become an award-winning author (2008 Prix Goncourt) and filmmaker (2004 Prix un certain regard, Cannes). The film adaptation of his novel The Patience Stone, which he co-wrote and directed, was selected as the Afghan entry for the 2012 Oscar for Best Foreign Language Film. In recent years, he has returned to Afghanistan many times to set up a writers’ house in Kabul and offer support and training to young writers and filmmakers. He lives in Paris. Polly McLean is a freelance translator from Oxford, England. Winner of the 2009 Scott Moncrieff Prize, she has translated titles by Catherine Deneuve and Sylvia Kristel, as well as the award-winning Secret by Philippe Grimbert. Views: 37
Published two weeks after his seventieth birthday, Ada, or Ardor is one of Nabokov's greatest masterpieces, the glorious culmination of his career as a novelist. It tells a love story troubled by incest. But more: it is also at once a fairy tale, epic, philosophical treatise on the nature of time, parody of the history of the novel, and erotic catalogue. Ada, or Ardor is no less than the supreme work of an imagination at white heat.This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.From the Trade Paperback edition. Views: 37
This omnibus collection includes all of the author’s early poetry as well as the Four Quartets, Old Possum’s Book of Practical Cats, and the plays Murder in the Cathedral, The Family Reunion, and The Cocktail Party.Amazon.com ReviewEliot's poetry ranges from the massively magisterial ( The Waste Land), to the playfully pleasant ( Old Possum's Book of Practical Cats). This volume of Eliot's poetry and plays offers the complete text of these and most all of Eliot's poetry, including the full text of Four Quartets. Winner of the Nobel Prize in Literature, Eliot exerted a profound influence on his contemporaries in the arts generally and this collection makes his genius clear. About the AuthorThomas Stearns Eliot was born in 1888 in St. Louis, Missouri, and became a British subject in 1927. The acclaimed poet of The Waste Land, Four Quartets, and Old Possum's Book of Practical Cats, among numerous other poems, prose, and works of drama, won the Nobel Prize for Literature in 1948. T.S. Eliot died in 1965 in London, England, and is buried in Westminster Abbey. Views: 37
Life is changing for Saige. Her grandma is still recovering from the accident, and Saige misses the time they spent together. She takes comfort in riding Georgia, her grandma's youngest horse. She knows her grandma needs cheering up, so Saige comes up with a plan to restore their special art afternoons. Inspired by her grandma, she organizes a "Day of Beige" at her school to show how boring the world would be without creativity and color. Things are finally starting to get better, and then grandma tells Saige of plans to sell Georgia. Can Saige find a way to keep the horse she loves—and help save the arts at her school? Views: 37
Welcome to Lenvia, where the young prince has been given a year to choose a wife or have one chosen for him. Hoping for a desperate family to send an innocent into the fray, Edward arranges a series of Bride Balls--outrageous sexual events--and a willing decoy in his bid to find someone who loves him for himself and not his crown. Enter Amber, daughter of a dead lord on his beloved mistress, a servant in her own household. When her irrepressible grandmother pushes her to find a husband or lover to protect her from the wrath of her step-mother, Amber loses more than her virginity...but it’s not a glass slipper that the prince has to track her with. The race is on. Before these two are through, more than one couple may find their way through the traps of poison, lies, and no-win choices forged at a long ago Bride Ball and left to fester through two generations of the royal family. Views: 37
