Earth Afire

One hundred years before Ender's Game the aliens arrived on Earth with fire and death. This is the story of the First Formic War. Victor beat the alien ship to Earth, but just barely. But it wasn't enough to convince skeptical governments that there was a threat.
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Sophocles: Philoktetes

This is an English translation of Sophocles’ tragedy of Philoctetes, an archer who had been abandoned on Lemnos by the rest of the Greek fleet while on the way to Troy. Focus Classical Library provides close translations with notes and essays to provide access to understanding Greek culture.
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The Complete Aeschylus, Volume I: The Oresteia

Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Aeschylus' Oresteia, the only ancient tragic trilogy to survive, is one of the great foundational texts of Western culture. It begins with Agamemnon, which describes Agamemnon's return from the Trojan War and his murder at the hands of his wife Clytemnestra, continues with her murder by their son Orestes in Libation Bearers, and concludes with Orestes' acquittal at a court founded by Athena in Eumenides. The trilogy thus traces the evolution of justice in human society from blood vengeance to the rule of law, Aeschylus' contribution to a Greek legend steeped in murder, adultery, human sacrifice, cannibalism, and endless intrigue. This new translation is faithful to the strangeness of the original Greek and to its enduring human truth, expressed in language remarkable for poetic intensity, rich metaphorical texture, and a verbal density that modulates at times into powerful simplicity. The translation's precise but complicated rhythms honor the music of the Greek, bringing into unforgettable English the Aeschylean vision of a world fraught with spiritual and political tensions.
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Mules and Men

Mules and Men is a treasury of black America's folklore as collected by a famous storyteller and anthropologist who grew up hearing the songs and sermons, sayings and tall tales that have formed an oral history of the South since the time of slavery. Returning to her hometown of Eatonville, Florida, to gather material, Zora Neale Hurston recalls "a hilarious night with a pinch of everything social mixed with the storytelling." Set intimately within the social context of black life, the stories, "big old lies," songs, Vodou customs, and superstitions recorded in these pages capture the imagination and bring back to life the humor and wisdom that is the unique heritage of African Americans.
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The Hunger Moon: New and Selected Poems, 1980-2010

This new gathering of Marge Piercy’s poems—energetic, funny, political, full of vitality—brings us the heart of her mature work, the first selected since Circles on the Water in 1982. Here are poems that chart the milestone events and fierce passions of her middle years: the death of her mother, whom we meet first as a young woman, “awkwardly lovely, her face / pure as a single trill perfectly / prolonged on a violin,” and again as an older woman musing on what the afterlife may hold for her. There is a new marriage which she celebrates not only for romantic beginnings but also for the more intimate details that emerge over time: “love cherishes too the backpockets, / the pencil ends of childhood fears.” Some poems convey her long-held, never-wavering political convictions, which she declares in language unmistakably and colorfully her own, as when she encourages her feminist readers to go to the opera instead of the movies because at least there the heroine is real, “fifty and weighs as much as a ’65 Chevy with fins.” Living out to sea on Cape Cod settles her into the rhythm of seasons and provides poems of planting and harvests, odes to tomatoes and roses, tributes to the power and freedom of whales. And in these years she rediscovers her Jewish heritage, celebrating holidays and making of them something new and original. She begins to examine her own legacy: I have worn the faces, the masks of hieroglyphs, gods and demons, bat faced ghosts, sibyls and thieves, lover, loser, red rose and ragweed, these are the tracks I have left on the white crust of time. From the Hardcover edition.
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Half a Man

Revered author Michael Morpurgo remembers the post-war Britain of his childhood in this unflinching and deeply poignant tale of the physical and mental scars of war. From a young age, Michael was both fascinated by and afraid of his grandfather. Grandpa’s ship was torpedoed during the Second World War, leaving him with terrible burns. Every time he came to stay, Michael was warned by his mother that he must not stare, he must not make too much noise, he must not ask Grandpa any questions about his past. As he grows older, Michael stays with his grandfather during the summer holidays, and as he finally learns the story behind Grandpa’s injuries, he gets to know the real man behind the solemn figure from his childhood. Michael can see beyond the burns, and this gives him the power to begin healing some of the scars that have divided his family for so long.
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Yevgeny Onegin (Pushkin Collection)

Bored and aloof, tired of St Petersburg high society, Yevgeny Onegin goes to live on the country estate he has just inherited from his uncle. There he encounters Tatyana, who becomes hopelessly infatuated with him. From this story Pushkin creates his sublime masterpiece of love, death, duelling, rivalry, identity and the search for happiness; the lodestar for all of Russian literature. By turns playful, philosophical, sardonic and mournful, brimming with rich descriptions of Russian life, from drinking and dancing to crisp wintry landscapes, Yevgeny Onegin is a work of thrilling energy. Anthony Briggs’s deft and vibrant new translation brilliantly conveys this vitality, capturing all the supple lightness and humour, as well as the depth, of Pushkin’s luminous verse novel.
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Ariel

Ariel was the second book of Sylvia Plath's poetry to be published, and was originally published in 1965, two years after her death by suicide. The poems in Ariel, with their free flowing images and characteristically menacing psychic landscapes, marked a dramatic turn from Plath's earlier Colossus poems.
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Bertolt Brecht: Mutter Courage und ihre Kinder 6

Widely considered one of the great dramatic creations of the modern stage, "Mother Courage and Her Children" is Bertolt Brecht's most passionate and profound statement against war. Set in the seventeenth century, the play follows Anna Fierling -- "Mother Courage" -- an itinerant trader, as she pulls her wagon of wares and her children through the blood and carnage of Europe's religious wars. Battered by hardships, brutality, and the degradation and death of her children, she ultimately finds herself alone with the one thing in which she truly believes -- her ramshackle wagon with its tattered flag and freight of boots and brandy. Fitting herself in its harness, the old woman manages, with the last of her strength, to drag it onward to the next battle. In the enduring figure of Mother Courage, Bertolt Brecht has created one of the most extraordinary characters in the literature of drama.
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I Am a Cat

I am a cat. As yet I have no name. So begins one of the most original and unforgettable works in Japanese literature. Richly allegorical and delightfully readable, I Am a Cat is the chronicle of an unloved, unwanted, wandering kitten who spends all his time observing human nature - from the dramas of businessmen and schoolteachers to the foibles of priests and potentates. From this unique perspective, author Sōseki Natsume offers a biting commentary - shaped by his training in Chinese philosophy - on the social upheaval of the Meiji era. I Am a Cat first appeared in ten installments in the literary magazine Hotoguisu (Cuckoo), between 1905 and 1906. Sōseki had not intended to write more than the short story that makes up the first chapter of this book. After its great critical and popular success, he expanded it into this epic novel, which is universally recognised as a classic of world literature.
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Touch and Go

1920 play. David Herbert Richards Lawrence (1885-1930) was a very important and controversial English writer of the 20th century, whose prolific and diverse output included novels, short stories, poems, plays, essays, travel books, paintings, translations, literary criticism and personal letters. His collected works represent an extended reflection upon the dehumanizing effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, sexuality, and instinctive behaviour. Lawrence's unsettling opinions earned him many enemies and he endured hardships, official persecution, censorship and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage." He is now generally valued as a visionary thinker and a significant representative of modernism in English literature.
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Circle of Stones

TODAY: Sulis, a teenage girl with a mysterious past, arrives in Bath, England, with a new identity. She feels safe at the King’s Circus, a ring of old, strange stone houses where she lives with her foster family—until she spots the one person she’s been trying to outrun. THREE HUNDRED YEARS AGO: Zac is apprenticed to a mad architect who plans to create the world’s first circular street, King’s Circus. Zac probes the mysticism surrounding the structure, but he has his own secret agenda. THE ANCIENT PAST: The mythical first builder of the city of Bath, a leprous druid king, discovers its healing waters . . . but to what end? In each voice, unexpected mysteries entwine, linking together three haunting stories as they hurtle toward a smart and brilliantly intriguing climax.
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Parnassus on Wheels

I imagined him in his beloved Brooklyn, strolling in Prospect Park and preaching to chance comers about his gospel of good books. "When you sell a man a book," says Roger Mifflin, the sprite-like book peddler at the center of this classic novella, "you don't sell him just twelve ounces of paper and ink and glue—you sell him a whole new life." In this beguiling but little-known prequel to Christopher Morley's belovedHaunted Bookshop, the "whole new life" that the traveling bookman delivers to Helen McGill, the narrator of Parnassus on Wheels, provides the romantic comedy that drives this charming love letter to a life in books. ** The Art of The Novella Series **Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.
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Bertolt Brecht: Mutter Courage und ihre Kinder 4

Widely considered one of the great dramatic creations of the modern stage, "Mother Courage and Her Children" is Bertolt Brecht's most passionate and profound statement against war. Set in the seventeenth century, the play follows Anna Fierling -- "Mother Courage" -- an itinerant trader, as she pulls her wagon of wares and her children through the blood and carnage of Europe's religious wars. Battered by hardships, brutality, and the degradation and death of her children, she ultimately finds herself alone with the one thing in which she truly believes -- her ramshackle wagon with its tattered flag and freight of boots and brandy. Fitting herself in its harness, the old woman manages, with the last of her strength, to drag it onward to the next battle. In the enduring figure of Mother Courage, Bertolt Brecht has created one of the most extraordinary characters in the literature of drama.
Views: 1 034

Miscellaneous Aphorisms; The Soul of Man

A collection of Wilde's aphorisms published posthumously in 1911, together with an essay reprinted from the Fortnightly Review. **
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