This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. Views: 126
This compelling satire details irresistible characteristics of social status in a small Midwestern town. Mr. and Mrs. Adams and their two children are members of the lower middle-class. Their daughter, Alice, wrestles with this economic classification and attempts to make the society folk of the town appreciate her. Because Alice has no social influence nor wealth and her presence is held in disregard by prospective suitors, Mrs. Adams tries to improve the situation by persuading her husband to leave a job he's held all his life and to establish a new career. After much apprehension and in possession of a glue formula stolen from his previous employer, he resigns his mediocre but satisfying employment which puts him in a predicament that leads to his professional downfall. Tarkington's understanding of class rivalries, social condescension, and financial avarice is evident in this tale where his main point indicates that in every joyless moment hope, though unexpected, is attainable. He illustrates how the Adams' laborious efforts are ultimately unsuccessful. Any intrusion by Alice and her mother on the upper class is unlikely and Tarkington's depiction of such is secretly amusing. Views: 123
A gathering of brilliant and viciously funny recollections from one of the twentieth century’s most famous literary enfants terribles.Written in 1980 but published here for the first time, these texts tell the story of the various farces that developed around the literary prizes Thomas Bernhard received in his lifetime. Whether it was the Bremen Literature Prize, the Grillparzer Prize, or the Austrian State Prize, his participation in the acceptance ceremony—always less than gracious, it must be said—resulted in scandal (only at the awarding of the prize from Austria’s Federal Chamber of Commerce did Bernhard feel at home: he received that one, he said, in recognition of the great example he set for shopkeeping apprentices). And the remuneration connected with the prizes presented him with opportunities for adventure—of the new-house and luxury-car variety. Here is a portrait of the writer as a prizewinner: laconic, sardonic, and shaking his head with biting amusement at the world and at himself. A revelatory work of dazzling comedy, the pinnacle of Bernhardian art.From the Hardcover edition. Views: 121
This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them. Views: 108
The last work of fiction by one of the twentieth century's greatest artists, "Extinction "is widely considered Thomas Bernhard's magnum opus. Franz-Josef Murau--the intellectual black sheep of a powerful Austrian land-owning family--lives in Rome in self-imposed exile, surrounded by a coterie of artistic and intellectual friends. On returning from his sister's wedding on the family estate of Wolfsegg, having resolved never to go home again, Murau receives a telegram informing him of the death of his parents and brother in a car crash. Not only must he now go back, he must do so as the master of Wolfsegg. And he must decide its fate. Written in the seamless, mesmerizing style for which Bernhard wasfamous, "Extinction" is the ultimate proof of his extraordinary literary genius. Views: 95
Instead of the book he’s meant to write, Rudolph, a Viennese musicologist, produces this dark and grotesquely funny account of small woes writ large, of profound horrors detailed and rehearsed to the point of distraction. We learn of Rudolph’s sister, whose help he invites, then reviles as malevolent meddling; his ‘really marvelous’ house, which he hates; the suspicious illness he carefully nurses; his ten-year-long attempt to write the perfect opening sentence; and, finally, his escape to the island of Majorca, which turns out to be the site of someone else’s very real horror story.A brilliant and haunting tale of procrastination, failure, and despair,Concrete is a perfect example of why Thomas Bernhard is remembered as “one of the masters of contemporary European fiction” (George Steiner).Reviews“Certain books—few—assert literary importance instantly, profoundly. This is one of those—a book of mysterious dark beauty.”— Los Angeles Times“A masterpiece. . . . [Bernhard’s] world is so powerfully imagined that it can seem to surround you like little else in literature.”— The New Yorker“Something of a tour-de-force.”— The Washington Post“Where rage of this intensity is directed outward, we often find the sociopath, where inward, the suicide. Where it breaks out laterally, onto the page, we sometimes find a most unsettling artistic vision.”—Sven Birkerts, The New Republic Views: 90
Mascara delves into the dark terrain of identity and disguise when the lives of three people collide. A nameless man with a face no one remembers has the devastating ability to see and capture on film the brutal truths lurking inside each person he encounters. Oriana, a beautiful woman with the memory of an innocent child, is relentlessly pursued by mysterious figures from her past. Doctor Mavirelli is a brilliant and power-hungry plastic surgeon who controls society's most prominent figures by shaping their faces. The twining of these three fates plays out in a climactic unmasking. Views: 82
It is a delightful employment to discover and trace the operations of divine grace, as they are manifested in the dispositions and lives of God’s real children. It is peculiarly gratifying to observe how frequently among the poorer classes of mankind the sunshine of mercy beams upon the heart, and bears witness to the image of Christ which the Spirit of God has impressed thereupon. Among such, the sincerity and simplicity of the Christian character appear unencumbered by those obstacles to spirituality of mind and conversation which too often prove a great hindrance to those who live in the higher ranks. Many are the difficulties which riches, worldly consequence, high connections, and the luxuriant refinements of polished society, throw in the way of religious profession. Happy indeed it is (and some such happy instances I know) where grace has so strikingly supported its conflict with natural pride, self-importance, the allurements of luxury, ease, and worldly opinion, that the noble and mighty appear adorned with genuine poverty of spirit, self-denial, humble-mindedness, and deep spirituality of heart. But, in general, if we want to see religion in its most simple and pure character, we must look for it among the poor of this world who are rich in faith. How often is the poor man’s cottage the palace of God! Many can truly declare that they have there learned the most valuable lessons of faith and hope, and there witnessed the most striking demonstrations of the wisdom, power, and goodness of God. The character which the present narrative is designed to introduce to the notice of my readers is given from real life and circumstances. I first became acquainted with her by receiving the following letter, which I transcribe from the original now before me:— “Rev. Sir, “I take the liberty to write to you. Pray excuse me, for I have never spoken to you. But I once heard you, when you preached at --- Church. I believe you are a faithful preacher to warn sinners to flee from the wrath that will be revealed against all those that live in sin, and die impenitent. Pray go on in the strength of the Lord. And may he bless you, and crown your labour of love with success, and give you souls for your hire! “The Lord has promised to be with those whom he calls and sends forth to preach his word, to the end of time; for without him we can do nothing. I was much rejoiced to hear of those marks of love and affection to that poor soldier of the S. D. militia. Surely the love of Christ sent you to that poor man. May that love ever dwell richly in you by faith! May it constrain you to seek the wandering souls of men with the fervent desire to spend and be spent for his glory! May the unction of the Holy Spirit attend the word spoken by you with power, and convey deep conviction to the hearts of your hearers! May many of them experience the divine change of being made new creatures in Christ! “Sir, be fervent in prayer with God for the conversion of sinners. His power is great, and who can withstand it? He has promised to answer the prayer of faith, that is put up in his Son’s name. ‘Ask what ye will, it shall be granted you.’ How this should strengthen our faith, when we are taught by the word and the Spirit how to pray! Oh, that sweet inspiring hope! how it lifts up the fainting spirits, when we look over the precious promises of God! What a mercy if we know Christ and the power of his resurrection in our own hearts! Through faith in Christ we rejoice in hope, and look up in expectation of that time drawing near when all shall know and fear the Lord, and when a nation shall be born in a day. “What a happy time when Christ’s kingdom shall come! Then shall ‘his will be done on earth as it is in heaven.’ Men shall be daily fed with the manna of his love, and delight themselves with the Lord all the day long. Then what a paradise below they will enjoy! How it animates and Views: 73
The optimism of the early sixties, infused with the excitement of the space race and the menace of the Cold War, is filtered through the rich imagination of high-spirited, eight-year-old Madeleine, who welcomes her family's posting to a quiet Air Force base near the Canadian border. Secure in the love of her beautiful mother, she is unaware that her father, Jack, is caught up in a web of secrets. When a very local murder intersects with global forces, Jack must decide where his loyalties lie, and Madeleine will be forced to learn a lesson about the ambiguity ofhuman morality — one she will only begin to understand when she carries herquest for the truth, and the killer, into adulthood twenty years later. Views: 70
"A worthy addition to the library of resistance." —Kirkus "Dorfman's critique is personal, intellectual, devastating, and at times bitingly funny." —New York Journal of Books Combining elements of memoir, political theory, and literary criticism, Ariel Dorfman's Homeland Security Ate My Speech is an emotionally raw yet measured assessment of the United States after the election of Donald Trump. Dorfman, writing with a bifurcated Latino-American identity, highlights the troubling parallels between Trump and repressive regimes of the past. Specifically, Dorfman relates the election of Trump to the CIA-led coup that installed Pinochet as dictator in Chile: an event that upended Dorfman's life, as well as the fate of the country. With corruption and repression looming, he wonders, can the United States avoid the same kind of political interference it practiced in the past? Reflecting Dorfman's virtuosity across genres, the essays... Views: 69
