Hamilton Stark

Hamilton Stark is a New Hampshire pipe fitter and the sole inhabitant of the house from which he evicted his own mother. He is the villain of five marriages and the father of a daughter so obsessed that she has been writing a book about him for years. Hamilton Stark is a boor, a misanthrope, a handsome man: funny, passionately honest, and a good dancer. The narrator, a middle-aged writer, decides to write about Stark as a hero whose anger and solitude represent passion and wisdom. At the same time that he tells Hamilton Stark's story, he describes the process of writing the novel and the complicated connections between truth and fiction. As Stark slips in and out of focus, maddeningly elusive and fascinatingly complex, this beguiling novel becomes at once a compelling meditation on identity and a thoroughly engaging story of life on the cold edge of New England.
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Mummy Told Me Not to Tell

When Reece arrives at Cathy's door aged 7 years old, he has already passed through the hands of four different carers in four weeks. As the details of his short life emerge, it becomes clear that to help him, Cathy will face her biggest challenge yet. Reece is the last of six siblings to be fostered. Having been in care for four months his aggressive and disruptive behaviour has seen him passed from carer to carer. Although only 7, he has been excluded from school, and bites people so often that his mother calls him 'Sharky'. Cathy wants to find the answers for Reece?s distressing behaviour, but he has been sworn to secrecy by his mother, and will not tell them anything. As the social worker prepares for the final hearing, he finds five different files on Reece?s family, and is incredulous that he had not been removed from them as a baby. When the darkest of family secrets is revealed to Cathy, Reece?s behaviour suddenly starts to make sense, and together they can begin to rebuild...
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The Day of Battle

Amazon.com ReviewAmazon Best of the Month, November 2007: Topping a Pulitzer Prize-winning effort is tough; finding originality in a World War II narrative is even tougher. Yet Rick Atkinson accomplishes both with The Day of Battle: The War in Sicily and Italy, 1943-1944. His previous work, An Army at Dawn, won the 2003 Pulitzer in history, but Atkinson has managed to set the bar even higher with his second installment in "The Liberation Trilogy." He descends upon each battlefield with rich historical perspective, tactical analysis, and chilling frontline observations. Cocksure Hollywood bravado is sparse, as Atkinson depicts soldiers fighting for honor, not glory. "We did it because we could not bear the shame of being less than the man beside us," explains one soldier's diary. "We fought because he fought; we died because he died." The result is an incredible portrayal of the courage, sorrow, and determination that came to define our greatest generation. --Dave CallananFrom Publishers WeeklyStarred Review. Atkinson surpasses his Pulitzer-winning An Army at Dawn in this empathetic, perceptive analysis of the second stage in the U.S. Army's grassroots development from well-intentioned amateurs to the most formidable fighting force of World War II. The battles in Sicily and Italy developed the combat effectiveness and the emotional hardness of a U.S. Army increasingly constrained to bear the brunt of the Western allies' war effort, he argues. Demanding terrain, harsh climate and a formidable opponent confirmed the lesson of North Africa: the only way home was through the Germans: kill or be killed. Atkinson is pitilessly accurate demonstrating the errors and misjudgments of senior officers, Field Marshal Sir Harold Alexander, Gen. Mark Clark and their subordinates commanding corps and divisions. The price was paid in blood by the men at the sharp end: British and French, Indians and North Africans—above all, Americans. All that remained of the crew of one burned-out tank were the fillings of their teeth, for one example. The Mediterranean campaign is frequently dismissed by soldiers and scholars as a distraction from the essential objective of invading northern Europe. Atkinson makes a convincing case that it played a decisive role in breaking German power, forcing the Wehrmacht onto a defensive it could never abandon. (Oct. 2) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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2012 The War for Souls

December 21, 2012, may be one of the most watched dates in history. Every 26,000 years, earth lines up with the exact center of our galaxy. At 11:11 on December 21, 2012, this event happens again, and the ancient Maya calculated that it would mark the end, not only of this age, but of human consciousness as we know it. But what will actually happen? The end of the world? A new age for mankind? Nothing? The last time this happened, Cro-Magnon man suddenly began creating great art in the caves of southern France, which to this day remains one of the most inexplicable changes in human history. Now Whitley Strieber explores 2012 in a towering work of fiction that will astound readers with its truly new insights and a riveting roller-coaster ride of a story. A mysterious alien presence unexpectedly bursts out of sacred sites all over the world and begins to rip human souls from their bodies, plunging the world into chaos it has never before known. Courage meets cowardice, loyalty meets betrayal as an entire world struggles to survive this incredible end-all war. Heroes emerge, villains reveal themselves, and in the end something completely new and unexpected happens that at once lifts the fictional characters into a new life, and sounds a haunting real-world warning for the future.
Views: 93

Billy

Barton Royal, a deranged misfit, kidnaps twelve-year-old Billy Neary from the video arcade at the Crossland Mall and imprisons him in the secret black room beneath his house, in a tale of madness and evil
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Cloudsplitter

A triumph of the imagination and a masterpiece of modern storytelling, Cloudsplitter is narrated by the enigmatic Owen Brown, last surviving son of America's most famous and still controversial political terrorist and martyr, John Brown. Deeply researched, brilliantly plotted, and peopled with a cast of unforgettable characters both historical and wholly invented, Cloudsplitter is dazzling in its re-creation of the political and social landscape of our history during the years before the Civil War, when slavery was tearing the country apart. But within this broader scope, Russell Banks has given us a riveting, suspenseful, heartbreaking narrative filled with intimate scenes of domestic life, of violence and action in battle, of romance and familial life and death that make the reader feel in astonishing ways what it is like to be alive in that time.Amazon.com ReviewThe cover of Russell Banks's mountain-sized novel Cloudsplitter features an actual photo of Owen Brown, the son of John Brown--the hero of "The Battle Hymn of the Republic" whose terrorist band murdered proponents of slavery in Kansas and attacked Harpers Ferry, Virginia, in 1859 on what he considered direct orders from God, helping spark the Civil War. A deeply researched but fictionalized Owen narrates this remarkably realistic and ambitious novel by the already distinguished author of The Sweet Hereafter. Owen is an atheist, but he is as haunted and dominated by his father, John Brown, as John was haunted by an angry God who demanded human sacrifice to stop the abomination of slavery. Cloudsplitter takes you along on John Brown's journey--as period-perfect as that of the Civil War deserter in Cold Mountain--from Brown's cabin facing the great Adirondack mountain (called "the Cloudsplitter" by the Indians) amid an abolitionist settlement the blacks there call "Timbuctoo," to the various perilous stops of the Underground Railroad spiriting slaves out of the South, and finally to the killings in Bloody Kansas and the Harpers Ferry revolt. We meet some great names--Frederick Douglass, Ralph Waldo Emerson, and a (fictional) lover of Nathaniel Hawthorne--but the vast book keeps a tight focus on the aged Owen's obsessive recollections of his pa's crusade and the emotional shackles John clamped on his own family. Banks, a white author, has tackled the topic of race as impressively as Toni Morrison in novels such as Continental Drift. What makes Cloudsplitter a departure for him is its style and scope. He is noted as an exceptionally thorough chronicler of America today in rigorously detailed realist fiction (he championed Snow Falling on Cedars). Banks spent half a decade researching Cloudsplitter, and he renounces the conventional magic of his poetical prose style for a voice steeped in the King James Bible and the stately cadences of 19th-century political rhetoric. The tone is closer to Ken Burns's tragic, elegiac The Civil War than to the recent crazy-quilt modernist novel about John Brown, Raising Holy Hell. A fan of Banks's more cut-to-the-chase, Hollywood-hot modern style may get impatient, but such readers can turn to, say, Gore Vidal's recently reissued Lincoln, which peeks into the Great Emancipator's head with a modern's cynical wit. Banks's narrator is poetical and witty at times--Owen notes, "The outrage felt by whites [over slavery] was mostly spent on stoking their own righteousness and warming themselves before its fire." Yet in the main, Banks writes in the "elaborately plainspoken" manner of the Browns, restricting himself to a sober style dictated by the historical subject. Besides, John Brown's head resembles the stone tablets of Moses. You do not penetrate him, and you can't declare him mad or sane, good or evil. You read, struggling to locate the words emanating from some strange place between history, heaven, and hell. From Library JournalAt first glance, aside from the setting, this massive novelized life of Abolitionist John Brown, told from the viewpoint of one of his sons, has nothing in common with Banks's book of outlaw excess, Rule of the Bone (HarperCollins, 1995). Yet both deal with single-mindedness, rebellion, and codes?except that Brown's versions of these are more honorable (he would have agreed with Dylan that "to live outside the law you must be honest"). This book has all the stark beauty of the Adirondacks setting and of Brown's religion, and the elderly, reclusive narrator's coming to terms with himself and his father is an achievement in its own right. Besides, like the works of Thomas Mallon and Thomas Gifford, this is not just a fine novel (and a wonderfully structured one at that) but a way to participate in history. Recommended, without hyperbole, for all collections.-?Robert E. Brown, Onondaga Cty. P.L., Oswego, N.Y.Copyright 1998 Reed Business Information, Inc.
Views: 92

The Girl in the Mirror

Bestselling author Cathy Glass returns with her first novel. The Girl in the Mirror is a moving and gripping story of a young woman who tries to piece together her past and uncovers a dreadful family secret that has been buried and forgotten. When Mandy learns her much-loved Grandpa is dying, she is devasted and returns to the house where she spent so many wonderful summers as a child. But the childhood visits ended abruptly and those happy days are now long gone. Having lost touch with the rest of her family, Mandy returns as a virtual stranger to her aunt's house to nurse her grandfather. Mandy hardly recognises the house that she loved so much as a child and it is almost as though her mind has blanked it out. But as certain memories come back to her, Mandy begins to piece together the events that brought a sudden end to her visits that fateful summer. What she discovers is so painful and shocking that she understands why it was buried and never spoken of by the family for all...
Views: 92

Remembering Satan

In 1988 Ericka and Julie Ingram began making a series of accusations of sexual abuse against their father, Paul Ingram, who was a respected deputy sheriff in Olympia, Washington. At first the accusations were confined to molestations in their childhood, but they grew to include torture and rape as recently as the month before. At a time when reported incidents of "recovered memories" had become widespread, these accusations were not unusual. What captured national attention in this case is that, under questioning, Ingram appeared to remember participating in bizarre satanic rites involving his whole family and other members of the sheriff's department.Remembering Satan is a lucid, measured, yet absolutely riveting inquest into a case that destroyed a family, engulfed a small town, and captivated an America obsessed by rumors of a satanic underground. As it follows the increasingly bizarre accusations and confessions, the claims and counterclaims of police, FBI...
Views: 92

Happy Kids

A fresh and practical guide to successfully managing children s behaviour from babies to young adults.Cathy Glass has been a foster carer for over 20 years, during this time fostering more than 50 children, as well as bringing up three of own. Many of these children have had severe behavioural difficulties and have come to Cathy as a last resort, when their parents or carers were no longer able to cope.Drawing on a combination of years of training and extensive personal experience, in this comprehensive guide, Cathy passes on her tried and tested methods for guiding, nurturing and disciplining children.Approaching child development chronologically, this book guides you through Cathy's incredibly simple and effective 3Rs technique: Request, Repeat and Reassure.Within this framework, Cathy addresses a host of childcare issues, including, amongst others, why children misbehave and what parents can do to the change this, how diet can affect children's behaviour, what parents can do to avoid sibling rivalry, and how to spot and address the behavioural symptoms of special needs such as dyslexia, autism, ADHD and bipolar.Applicable to all age groups - from newborn babies to young adults - Happy Kids is a clear and concise guide to raising confident, well-behaved and happy children.
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Suicide of the West

**“Epic and debate-shifting.” —David Brooks With his trademark blend of political history, social science, economics, and pop culture, two-time NYT bestselling author, syndicated columnist, National Review senior editor, and American Enterprise Institute fellow Jonah Goldberg makes the timely case that America and other democracies are in peril as they lose the will to defend the values and institutions that sustain freedom and prosperity. Instead we are surrendering to populism, nationalism and other forms of tribalism. ** Only once in the last 250,000 years have humans stumbled upon a way to lift ourselves out of the endless cycle of poverty, hunger, and war that defines most of history—in 18th century England when we accidentally discovered the miracle of liberal democratic capitalism. As Americans we are doubly blessed that those radical ideas were written into the Constitution, laying the groundwork for our uniquely prosperous society: ·         Our rights come from God not from the government. ·         The government belongs to us; we do not belong to the government. ·         The individual is sovereign. We are all captains of our own souls. ·         The fruits of our labors belong to us. In the last few decades, these political virtues have been turned into vices. As we are increasingly taught to view our traditions as a system of oppression, exploitation and “white privilege,” the principles of liberty and the rule of law are under attack from left and right. At a moment when authoritarianism, tribalism, identity politics, nationalism, and cults of personality are rotting our democracy from within, Goldberg exposes the West’s suicidal tendencies on both sides of the ideological aisle. For the West to survive, we must renew our sense of gratitude for what our civilization has given us and rediscover the ideals that led us out of the bloody muck of the past – or back to the muck we will go. Suicide is painless, liberty takes work. **
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Flying to America

Donald Barthelme was one of the most influential and inventive writers of the 20th century. In this volume of unpublished and previously uncollected stories, he transforms the absurd and strange into the real in his usual epiphanic, engaging, and richly textured style. The stories delve further into themes that often interested Barthelme: the perils of the unfulfilled existence; the relationships between politics, art, sex, and life; and the importance of continuing to ask questions even though we are unable to learn the answers. This collection will delight both old fans and new readers.
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