A timeless novel of a straitlaced village's awakening to joy and sensuality - every page offers a description of chocolate to melt in the mouths of chocoholics, francophiles, armchair gourmets, cookbook readers, and lovers of passion everywhere.
Illuminating Peter Mayle's South of France with a touch of Laura Esquivel's magic realism, Chocolat is a timeless novel of a straitlaced village's awakening to joy and sensuality. In tiny Lansquenet, where nothing much has changed in a hundred years, beautiful newcomer Vianne Rocher and her exquisite chocolate shop arrive and instantly begin to play havoc with Lenten vows. Each box of luscious bonbons comes with a free gift: Vianne's uncanny perception of its buyer's private discontents and a clever, caring cure for them. Is she a witch? Soon the parish no longer cares, as it abandons itself to temptation, happiness, and a dramatic face-off between Easter solemnity and the pagan gaiety of a chocolate festival.
Chocolat's every page offers a description of chocolate to melt in the mouths of chocoholics, francophiles, armchair gourmets, cookbook readers, and lovers of passion everywhere. It's a must for anyone who craves an escapist read, and is a bewitching gift for any holiday.
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When Framboise Simon returns to a small village on the banks of the Loire, the locals do not recognize her as the daughter of the infamous woman they hold responsible for a tragedy during the German occupation years ago. But the past and present are inextricably entwined, particularly in a scrapbook of recipes and memories that Framboise has inherited from her mother. And soon Framboise will realize that the journal also contains the key to the tragedy that indelibly marked that summer of her ninth year. . . .
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The gripping new psychological thriller from Joanne Harris, to follow her bestselling Gentlemen & Players and Blueeyedboy. Perfect for fans of Claire Mackintosh, BA Paris. Paula Hawkins and *Tracy Chevalier. *
After thirty years at St Oswald’s Grammar in North Yorkshire, Latin master Roy Straitley has seen all kinds of boys come and go. But every so often there’s a boy who doesn’t fit the mould. A troublemaker. A boy with hidden shadows inside.
A new broom has arrived, bringing Powerpoint, sharp suits and even sixth form girls to the dusty corridors. But while Straitley does his sardonic best to resist this march to the future, a shadow from his past is stirring. A boy who even twenty years on haunts his teacher’s dreams. A boy capable of bad things.
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Stories are like Russian dolls; open them up, and in each one you’ll find another story.
Come to the house where it is Christmas all year round; meet the ghost who lives on a Twitter timeline; be spooked by a newborn baby created with sugar, spice and lashings of cake.
Conjured from a wickedly imaginative pen, here is a new collection of short stories that showcases Joanne Harris’s exceptional talent as a teller of tales, a spinner of yarns. Sensuous, mischievous, uproarious and wry, here are tales that combine the everyday with the unexpected; wild fantasy with bittersweet reality.
'I'm still rather fond of this first book of mine, in spite of all the time that has elapsed, and in spite of the way my style has evolved.' Joanne Harris
Caution - May contain vampires.
It's never easy to face the fact that a man you once loved passionately has found the girl of his dreams, as Alice discovers when Joe introduces her to his new girlfriend. Then Alice finds an old diary and reads about two men and the mysterious woman who bewitched them both, buried in Grantchester churchyard half a century ago.
As the stories seem to intertwine, Alice comes to realize that her instinctive hatred of Joe's new girlfriend may not just be due to jealousy, as she is plunged into a nightmare world of obsession, revenge, seduction - and blood.
Audere, agere, auferre. To dare, to strive, to conquer. For generations, privileged young men have attended St. Oswald's Grammar School for Boys, groomed for success by the likes of Roy Straitley, the eccentric Classics teacher who has been a fixture there for more than thirty years. But this year the wind of unwelcome change is blowing. Suits, paperwork, and information technology are beginning to overshadow St. Oswald's tradition, and Straitley is finally, and reluctantly, contemplating retirement. He is joined this term by five new faculty members, including one who -- unbeknownst to Straitley and everyone else -- holds intimate and dangerous knowledge of St. Oswald's ways and secrets. Harboring dark ties to the school's past, this young teacher has arrived with one terrible goal: to destroy St. Oswald's.
As the new term gets under way, a number of incidents befall students and faculty alike. Beginning as small annoyances -- a lost pen, a misplaced coffee mug -- they are initially overlooked. But as the incidents escalate in both number and consequence, it soon becomes apparent that a darker undercurrent is stirring within the school. With St. Oswald's unraveling, only Straitley stands in the way of its ruin. The veteran teacher faces a formidable opponent, however -- a master player with a bitter grudge and a strategy that has been meticulously planned to the final move, a secret game with very real, very deadly consequences.
A harrowing tale of cat and mouse, this riveting, hypnotically atmospheric novel showcases New York Times bestselling author Joanne Harris's astonishing storytelling talent as never before.
Seven o’clock on a Monday morning, five hundred years after the end of the world, and goblins had been at the cellar again. . . . Not that anyone would admit it was goblins. In Maddy Smith’s world, order rules. Chaos, old gods, fairies, goblins, magic, glamours–all of these were supposedly vanquished centuries ago. But Maddy knows that a small bit of magic has survived. The “ruinmark” she was born with on her palm proves it–and makes the other villagers fearful that she is a witch (though helpful in dealing with the goblins-in-the-cellar problem). But the mysterious traveler One-Eye sees Maddy’s mark not as a defect, but as a destiny. And Maddy will need every scrap of forbidden magic One-Eye can teach her if she is to survive that destiny.
Each of the twenty-two tales in this enchanting collection is a surprise and a delight, melding the poignant and the possible with the outrageous, the magical, and, sometimes, the eerily haunting. Wolf men, dolphin women, defiant old ladies, and middle-aged manufacturers of erotic leatherwear -- in Jigs & Reels the miraculous goes hand in hand with the mundane, the sour with the sweet, and the beautiful, the grotesque, the seductive, and the disturbing are never more than one step away. Whether she's exploring the myth of beauty, the pain of infidelity, or the wonder of late-life romance, Joanne Harris once again proves herself a master of the storyteller's trade.
Before the sweet delight of Chocolat, before the heady concoction that is Blackberry Wine, and before the tart pleasures of Five Quarters of the Orange, bestselling author Joanne Harris wrote Sleep, Pale Sister -- a gothic tourde-force that recalls the powerfully dark sensibility of her novel Holy Fools.
Originally published in 1994 -- and never before available in the United States -- Sleep, Pale Sister is a hypnotically atmospheric story set in nineteenth century London. When puritanical artist Henry Chester sees delicate child beauty Effie, he makes her his favorite model and, before long, his bride. But Henry, volatile and repressed, is in love with an ideal. Passive, docile, and asexual, the woman he projects onto Effie is far from the woman she really is. And when Effie begins to discover the murderous depths of Henry's hypocrisy, her latent passion will rise to the surface.
Sleep, Pale Sister combines the ethereal beauty of a Pre-Raphaelite painting with a chilling high gothic tale and is a testament to Harris's brimming cornucopia of talents.
This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.
From the author of Chocolat, an intoxicating fairy tale of alchemy and love where wine is the magic elixir.
Jay Mackintosh is a 37-year-old has-been writer from London. Fourteen years have passed since his first novel, Jackapple Joe, won the Prix Goncourt. His only happiness comes from dreaming about the golden summers of his boyhood that he spent in the company of an eccentric vintner who was the inspiration of Jay's debut novel, but who one day mysteriously vanished. Under the strange effects of a bottle of Joe's '75 Special, Jay decides to purchase a derelict yet promising château in Lansquenet-sous-Tannes. There, a ghost from his past waits to confront him, and his new neighbour, the reclusive Marise - haunted, lovely and dangerous - hides a terrible secret behind her closed shutters. Between them, there seems to be a mysterious chemistry. Or could it be magic?
Joanne Harris's previous novel, Chocolat, was both a dazzling literary success and a commercial triumph. Chocolat, the major motion picture directed by Lasse Hallström (The Cider House Rules), was released in December 2000, starring Juliette Binoche, Johnny Depp, Dame Judy Dench, Alfred Molina, and Lena Olin.
From the Trade Paperback edition.
The wind has always dictated Vianne Rocher's every move, buffeting her from the French village of Lansquenet-sous-Tannes to the crowded streets of Paris. Cloaked in a new identity, that of widow Yanne Charbonneau, she opens a chocolaterie on a small Montmartre street, determined to still the wind at last and keep her daughters, Anouk and baby Rosette, safe. But the weather vane soon turns, and Zozie de l'Alba blows into their lives. Charming and enigmatic, Zozie provides the brightness that Yanne's life needs--as her vivacity and bold lollipop shoes dazzle rebellious and impressionable preadolescent Anouk. But beneath their new friend's benevolent facade lies a ruthless treachery--for devious, seductive Zozie has plans that will shake their world to pieces.
I am as brown as brown can be, And my eyes as black as sloe;I am as brisk as brisk can be, And wild as forest doe.
(The Child Ballads, 295)
So begins a beautiful tale of love, loss and revenge. Following the seasons, A Pocketful of Crows balances youth and age, wisdom and passion and draws on nature and folklore to weave a stunning modern mythology around a nameless wild girl.
Only love could draw her into the world of named, tamed things. And it seems only revenge will be powerful enough to let her escape.
Beautifully illustrated by Bonnie Helen Hawkins, this is a stunning and original modern fairytale.
Ragnarok was the End of Worlds.
Asgard fell, centuries ago, and the old gods have been defeated. Some are dead, while others have been consigned to eternal torment in the netherworld - among them, the legendary trickster, Loki. A god who betrayed every side and still lost everything, who has lain forgotten as time passed and the world of humans moved on to new beliefs, new idol and new deities . . .
But now mankind dreams of the Norse Gods once again, the river Dream is but a stone's throw from their dark prison, and Loki is the first to escape into a new reality.
The first, but not the only one to. Other, darker, things have escaped with him, who seek to destroy everything that he covets. If he is to reclaim what has been lost, Loki will need allies, a plan, and plenty of tricks . . .
In the year 1605 a young woman, hiding from her past, takes up the veil becoming Soeur Auguste. Five years later the past has found her and to protect herself and her beloved child she'll have to perform one last act of dazzling daring more audacious than any she has previously attempted.
With her internationally bestselling novels Chocolat, Blackberry Wine, Five Quarters of the Orange, and Coastliners, Joanne Harris has woven intoxicating spells that celebrate the sensuous while exposing the passion, secrets and folly beneath the surface of rustic village life. In Holy Fools, her most ambitious and accomplished novel to date, she transports us back to a time of intrigue and turmoil, of deception and masquerade.
In the year 1605, a young widow, pregnant and alone, seeks sanctuary at the small Abbey of Sainte Marie-de-la-mer on the island of Noirs Moustiers off the Brittany coast. After the birth of her daughter, she takes up the veil, and a new name, Soeur Auguste. But the peace she has found in remote isolation is shattered five years later by the events that follow the death of her kind benefactress, the Reverend Mother.
When a new abbess -- the daughter of a corrupt noble family elevated by the murder of King Henri IV -- arrives at Sainte Marie-de-la-mer, she does not arrive alone. With her is her personal confessor and spiritual guide, Père Colombin, a man Soeur Auguste knows all too well. For the newcomer is Guy LeMerle, a charlatan and seducer now masquerading as a priest, and the one man she fears more than any other.
Soeur Auguste has a secret. Once she was l'Ailée, "The Winged One," star performer of a troupe led by LeMerle, before betrayal forced her to change her identity. But now the past has found her. Before long, thanks to LeMerle, suspicion and debauchery are breeding like a plague within the convent's walls -- fueled by dark rumors of witchcraft, part of the false priest's brilliantly orchestrated scheme of revenge. To protect herself and her beloved child, l'Ailée will have to perform one last act of dazzling daring more audacious than any she has previously attempted.
The squabbling Norse gods and goddesses of Runemarks are back! And there's a feisty new heroine on the scene: Maggie, a girl the same age as Maddy but brought up a world apart - literally, in World's End, the focus of the Order in which Maddy was raised. Now the Order is destroyed, Chaos is filling the vacuum left behind... and is breaching the everyday world.
A chilling prophecy from the Oracle. A conflict between two girls. And with just twelve days to stave off the Apocalypse, carnage is about to be unleashed . . .