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The Tin Roof Blowdown

Tight plotting, Solid Finish Because he’s a damn good writer James Lee Burke knows how to keep a plot going from start to finish with no loose ends or out-of-the-blue surprises that amateurishly attempt to explain and finish off a narrative. He easily weaves several ancillary situations into the story line of The Tin Roof Blowdown. These are of interest on their own, but more importantly they serve to expand and add often curious layers to the main show that centers around the eye of mayhem left behind by a pair of hurricanes. I bring this up since I just finished reading a book by Jeffrey Deaver titled The Cold Moon. The bad guy, a most interesting sociopath called The Watchmaker who is a brilliant killer with machinations of Machiavellian stature, is the author of a poem about a cold moon, so one would suppose that he would figure prominently in the denouement of the novel. He doesn’t. Not at all. He escapes from the cops and vanishes from the book with nearly one-hundred pages left, obviously setting a not-so-subtle stage for a return in another Deaver effort. This strikes me as venal artifice by a writer who certainly has reached a point of financial and critical security where such shenanigans are unnecessary and beneath him. None of this fakery for Burke. From the first book I read by him years ago, The Neon Rain to others that included Black Cherry Blues, The Lost Get-Back Boogie, Jolie Blon’s Bounce, and now this one, Burke has played it straight telling his stories and making sure loose ends are tied up when the last page is read. And like I said he can write. I said he smiled. That’s not quite right. Jude shined the world on and slipped its worst punches and in a fight knew how to swallow his blood and never let people know he was hurt. He had his Jewish mother’s narrow eyes and chestnut hair, and he combed it straight back in a hum, like a character in a 1930s movie. Somehow he reassured others that the earth was a good place, that the day was a fine one, and that good things were about to happen to all of us. Tight, succinct descriptions like the one above or similarly structured vignettes connect and in doing so glide the reader from scene to scene. None of this is as easy as Burke makes it look. That’s called skill. He’s got it in spades. But this is to be expected of a man who’s written more than twenty-five novels, a man who divides his time between seemingly disparate locations – Missoula, Montana and New Iberia, Louisiana. Living in these two places seems to give him an expanded and sympathetic view of the world and those of us who bump and grind our way through it making his characters and their short comings easily assimilated, allowing the reader to experience sympathy and often empathy. The setting of The Tin Roof Blowdown is largely post-apocalypse Louisiana following the devastation wrought by first Hurricane Katrina then Rita. The landscape has been reduced to a naturally nuked wasteland where murder, rape and theft are the order of the day perpetrated by both punks run amok and many cops. Iberia Parish Sheriff’s Detective Dave Robicheaux is deployed to New Orleans, the once grand city now reduced to a feudal state without electrical power, clean water, food or any sense of societal order. Bloated bodies – humans, cats, dogs – float in flooded streets or lie tangled in downed, shattered trees. In this chaos Robicheaux must locate two serial rapists, a morphine-addicted priest, and a vigilante who quite possibly is more dangerous than the thugs looting the city and shooting at rescue helicopters overhead. Based on past books, just another day at the office for Robicheaux. Burke’s got so much going on here that it would be easy for him to inadvertently confuse the reader, if not himself, beyond salvation allowing the book to devolve into a miasma of none-related tales – a rag-tag collection of short stories pretending to be a novel. Again his skill and also confidence as a writer never allows this to happen. Not even close. Each section and chapter advances the drama logically and without undo cliff hangings. A good example is when a killer stalking the detective’s daughter is spotted outside a cabin. Out among the willows, I saw the solitary fisherman lean down in his boat and pick up something from the bottom. He knocked his hat off his head to give himself better vision and raised the rifle to his shoulder. I could not make out the features of his face, but the moon had started to rise and I saw the light gleam on his bald head inside the shadows. I was already out the screen door and running down the slope when he let off the first round. So many mystery writers would then wander off for a chapter or several on another tangent leaving a person wondering what’s going on back at the bayou. Not Burke. He again displays his confidence by moving directly forward with the above scene in the next chapter. He knows that each element in his books can stand on its own and doesn’t need the tired device of leaving the reader up in the air for pages on end to maintain interest in the overall narrative arc. And Burke slips in sharp, humorous observations on the human condition throughout the book like this one following an argument between Robicheaux and his wife, a former nun. I just went outside and started the truck, my face hot, my ears ringing with the harshness of our exchange. The yard had fallen into shadow and cicadas were droning in the trees, like a bad headache that won’t go away. Just as I was backing into the street, regretting my words, trying to accept Molly’s anger and hurt feelings, she came out on the gallery and waved good-bye. That’s what happens when you marry nuns. For those who’ve not yet read Burke, The Tin Roof Blowdown is a great place to start. For those who are already fans of his, this mystery is merely one more top-notch effort by a most talented author.
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Sidney Sheldon's the Silent Widow

New York Times Bestselling Author Young, beautiful and successful, psychotherapist Nikki Roberts should have the world at her feet. Instead, she's mourning her husband after his tragic death in a car accident – her world shattered irrevocably. Nikki's life takes another dark twist when one of her patients is brutally murdered. Before detectives Agnelli and Johnson can catch a break, another victim turns up – Nikki's PA, reformed drug addict Trey Raymond. And when the post-mortem DNA results reveal 'dead' skin cells under the victims' fingernails, LA is gripped by sensational reports of a predatory Zombie Killer. Before long, someone makes an attempt on Nikki's life. And when reports surface challenging the nature of her late husband's 'accident', it's clear that Nikki's number is marked. The question is, why? With the police at a dead end, Nikki drafts in Derek Moody, a PI with a deep and nefarious case history. Moody investigated the infamous Charlotte Clancy missing persons'...
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The Pantheon

They say that lightning never strikes the same place twice, but for Zach Jacobs, that just isn’t true. It’s hard enough being seventeen-- juggling school, football, friends, and teenage romance-- but Zach’s about to find out just how complicated it can get when he begins to suspect that maybe he was the lightning. Teenage woes hardly seem significant when you’ve got lightning shooting from your fingertips and a couple of murderous Titans trying to settle an ancient score.About the AuthorAmy Leigh Strickland is a writer and teacher from Townsend, Massachusetts. She has a BFA from the Savannah College of Art and Design. Amy currently lives outside Birmingham, Alabama with her husband, Kyle and their terrier, Apollo
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Pretty Woman

"Fern Michaels shines," raves Publishers Weekly — and in all of her USA Today and New York Times bestsellers, she touches a chord with women everywhere, creating characters that linger in the heart and mind. Now, take off on the extraordinarily fun and inspiring adventure of an ordinary woman who takes charge of her life by ending her disastrous marriage, losing fifty-five pounds, and getting fit — and finds she has gained more than she ever dreamed possible! Rosie Gardener and Vickie Winters were best friends, closer than sisters. Partners in a successful mail-order company, both women lived comfortably in lush Savannah, Georgia. Svelte and single Vickie only wanted the best for her friend — and she couldn't stay quiet when Rosie, overweight and unable to see her own worth, fell under the spell of Kent Bliss, a two-timing cad whose meal ticket was vulnerable Rosie. The night before Rosie's wedding was the last time Vickie spoke...
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Terry Odell - Mapleton 01 - Deadly Secrets

Mapleton, Colorado’s police chief, Gordon Hepler, would rather be on the streets than behind a desk, but he promised his late mentor he’d accept the position. And to Gordon, a promise is a promise, even if the person you made it to isn’t around anymore. However, doubts creep in, and he wonders if he was shoved into the job because his mentor thought he couldn’t cut it on the streets.Everything changes when a fatal traffic accident well outside Mapleton seems connected to the elderly Rose and Sam Kretzer, two of Mapleton’s most beloved citizens. When Gordon ties the car accident to a grisly murder in Mapleton—the first anyone in town can remember—he’s afraid he’s into more than he bargained for.The arrival of Megan, the Kretzers' grown godchild, and Justin, their grandson, add to Gordon’s troubles when Megan is mugged and someone breaks in and ransacks the Kretzers' home. Gordon’s fears that he’s in over his head are realized when his investigation seems to link the Kretzers to a Nazi war criminal. Can he work with the big-city detective brought in to assist? Will he be able to solve the crime without revealing the secrets of his citizens?
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Texas Pride

A fight for her rights. A job she can't quit. And a man who makes her burn...It's not Shannon Calhoun's first rodeo. She's supposed to be running the show. But since her father's will landed her in a wretched cubicle, typing out press releases for her own family's company, she's been trapped in a job with no prospects, no control—and barely any cash. When her old flame Billy Pagan turns up with a hundred rude questions and a thousand-dollar suit, Shannon isn't sure if the heat she feels is from humiliation, fury, or desire. But whatever else has happened, the chemistry between them has only intensified. Long before he became Houston's best defense attorney, Billy had a thing for the spoiled rich girl who got away. But now that Shannon is hustling to save the family business, she's more irresistible than ever. Too bad about the murder investigation and the fraud that's going to bring the company crashing down around her. Unless, of course, his Texas...
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