Like all good coaching inns, the Green Man is said to boast a resident ghost: Dr Thomas Underhill, a notorious seventeenth-century practitioner of black arts and sexual deviancy, rumoured to have killed his wife. However, the landlord, Maurice Allington, is the sole witness to the renaissance of the malevolent Underhill. Led by an anxious desire to vindicate his sanity, Allington strives to uncover the key to Underhill's satanic powers. All while the skeletons in the cupboard of Allington's own domestic affairs rattle to get out too. Views: 7
A powerful and luminous story of grief and coming-of-age and a beautiful tribute to the relationship between a father and daughter.Alexandra "Al" Silber seems to have everything: brilliance, beauty, and talent in spades. But when her beloved father dies after a decade-long battle with cancer when she is just a teenager, it feels like the end of everything. Lost in grief, Al and her mother hardly know where to begin with the rest of their lives.Into this grieving house burst Al's three friends from theatre camp, determined to help out as only drama students know how—and they're moving in for the duration. Over the course of that winter, the now five-strong household will do battle with everything Death can throw at them—meddling relatives, merciless bureaucracy, soul-sapping sadness, the endless Tupperware. They will learn (almost) everything about love and will eventually return to the world, altered in different ways by their time in a home by a... Views: 7
From The Washington Post Reviewed by Judy Budnitz Does government-sanctioned suicide offer the same potential for satire as, say, the consumption of children? Possibly. One need only look to Kurt Vonnegut's story "Welcome to the Monkey House," with its "Federal Ethical Suicide Parlors" staffed by Juno-esque hostesses in purple body stockings. Or the recent film "Children of Men," in which television commercials for a suicide drug mimic, to an unsettling degree, the sunsets-and-soothing-voices style of real pharmaceutical ads. Now, Christopher Buckley ventures into a not-too-distant future to engage the subject in his new novel, Boomsday. Here's the set-up: One generation is pitted against another in the shadow of a Social Security crisis. Our protagonist, Cassandra Devine, is a 29-year-old public relations maven by day, angry blogger by night. Incensed by the financial burden soon to be placed on her age bracket by baby boomers approaching retirement, she proposes on her blog that boomers be encouraged to commit suicide. Cassandra insists that her proposal is not meant to be taken literally; it is merely a "meta-issue" intended to spark discussion and a search for real solutions. But the idea is taken up by an attention-seeking senator, Randy Jepperson, and the political spinning begins. Soon Cassandra and her boss, Terry Tucker, are devising incentives for the plan (no estate tax, free Botox), an evangelical pro-life activist is grabbing the opposing position, the president is appointing a special commission to study the issue, the media is in a frenzy, and Cassandra is a hero. As a presidential election approaches, the political shenanigans escalate and the subplots multiply: There are nursing-home conspiracies, Russian prostitutes, Ivy League bribes, papal phone calls and more. Buckley orchestrates all these characters and complications with ease. He has a well-honed talent for quippy dialogue and an insider's familiarity with the way spin doctors manipulate language. It's queasily enjoyable to watch his characters concocting doublespeak to combat every turn of events. "Voluntary Transitioning" is Cassandra's euphemism for suicide; "Resource hogs" and "Wrinklies" are her labels for the soon-to-retire. The opposition dubs her "Joan of Dark." It's all extremely entertaining, if not exactly subtle. The president, Riley Peacham, is "haunted by the homophonic possibilities of his surname." Jokes are repeated and repeated; symbols stand up and identify themselves. Here's Cassandra on the original Cassandra: "Daughter of the king of Troy. She warned that the city would fall to the Greeks. They ignored her… Cassandra is sort of a metaphor for catastrophe prediction. This is me. It's what I do." By the time Cassandra asks Terry, "Did you ever read Jonathan Swift's 'A Modest Proposal'?" some readers may be crying, "O.K., O.K., I get it." Younger readers, meanwhile, may find themselves muttering, "He doesn't get it." The depiction of 20-somethings here often rings hollow, relying as it does on the most obvious signifiers: iPods, videogames, skateboards and an apathetic rallying cry of "whatever." But Buckley isn't singling out the younger generation. He's democratic in his derision: boomers, politicians, the media, the public relations business, the Christian right and the Catholic Church get equal treatment. Yet despite the abundance of targets and the considerable display of wit, the satire here is not angry enough – not Swiftian enough – to elicit shock or provoke reflection; it's simply funny. All the drama takes place in a bubble of elitism, open only to power players – software billionaires, politicians, lobbyists, religious leaders. The general population is kept discretely offstage. Even the two groups at the center of the debate are reduced to polling statistics. There are secondhand reports of them acting en masse: 20-somethings attacking retirement-community golf courses, boomers demanding tax deductions for Segways. But no individual faces emerge. Of course, broadness is a necessary aspect of satire, but here reductiveness drains any urgency from the proceedings. There's little sense that lives, or souls, are at stake. Even Cassandra, the nominal hero, fails to elicit much sympathy. Her motivations are more self-involved than idealistic: She's peeved that her father spent her college fund and kept her from going to Yale. And she's not entirely convincing as the leader and voice of her generation. Though her blog has won her millions of followers, we never see why she's so popular; we never see any samples of her blogging to understand why her writing inspires such devotion. What's even more curious is that, aside from her blog, she seems to have no contact with other people her own age. Her mentors, her lover and all of her associates are members of the "wrinklies" demographic. Though I was willing for the most part to sit back and enjoy the rollicking ride, one incident in particular strained my credulity to the breaking point: Cassandra advises Sen. Jepperson to use profanity in a televised debate as a way of wooing under-30 voters, and the tactic is a smashing success. If dropping an f-bomb were all it took to win over the young folks, Vice President Cheney would be a rock star by now. Views: 7
"It was a huge and powerful ship with a tall, handsome pilothouse and big smoking stacks, no place for a girl, though I loved it, I cannot tell you how much I loved it." In her eighty-fifth year, Fern Halvorson tells the story of a childhood journey across Lake Michigan and the secret she has kept since that ill-fated voyage.As his wife lies dying in the brutally cold winter of 1936, Henrik Halvorsen takes his daughter Fern away with him. He captains a great coal-fired vessel, the Manitou, transporting railroad cars across the icy lake. The five-year-old girl revels in the freedom of the ferry, making friends with a stowaway cat and a gentle young deckhand. The sighting of a ghost ship, though, presages danger for all aboard. Views: 6
A publishing landmark--the first major collection of poems by one of the late twentieth century's literary mastersGerman-born W. G. Sebald is best known as the innovative author of Austerlitz, the prose classic of World War II culpability and conscience that The Guardian called "a new literary form, part hybrid novel, part memoir, part travelogue." Its publication put Sebald in the company of Nabokov, Calvino, and Borges. Yet Sebald's brilliance as a poet has been largely unacknowledged--until now.Skillfully translated by Iain Galbraith, the nearly one hundred poems in Across the Land and the Water range from those Sebald wrote as a student in the sixties to those completed right before his untimely death in 2001. Featuring eighty-eight poems published in English for the first time and thirty-three from unpublished manuscripts, this collection also brings together all the verse he placed in books and journals during his... Views: 6
A beautiful, vibrant memoir about growing up motherless in 1970s and ’80s San Francisco with an openly gay father.After his wife dies in a car accident, bisexual writer and activist Steve Abbott moves with his two-year-old daughter to San Francisco. There they discover a city in the midst of revolution, bustling with gay men in search of liberation—few of whom are raising a child. Steve throws himself into San Francisco’s vibrant cultural scene. He takes Alysia to raucous parties, pushes her in front of the microphone at poetry readings, and introduces her to a world of artists, thinkers, and writers. But the pair live like nomads, moving from apartment to apartment, with a revolving cast of roommates and little structure. As a child Alysia views her father as a loving playmate who can transform the ordinary into magic, but as she gets older Alysia wants more than anything to fit in. The world, she learns, is hostile to difference.In Alysia’s teens, Steve’s friends—several of whom she has befriended—fall ill as AIDS starts its rampage through their community. While Alysia is studying in New York and then in France, her father tells her it’s time to come home; he’s sick with AIDS. Alysia must choose whether to take on the responsibility of caring for her father or continue the independent life she has worked so hard to create.Reconstructing their life together from a remarkable cache of her father’s journals, letters, and writings, Alysia Abbott gives us an unforgettable portrait of a tumultuous, historic time in San Francisco as well as an exquisitely moving account of a father’s legacy and a daughter’s love.10 illustrationsReview“Fairyland is [a] daughter's compassionate, clear-eyed reckoning with [the] truths that defined her singular girlhood at the dawn of the gay liberation movement.” (Alexandra Styron - *New York Times Book Review*)“In Alysia Abbott’s gorgeous account of her 1980s San Francisco childhood, a whimsical gay poet becomes an intelligent father, his motherless daughter a forceful and articulate young woman, and a rich, dizzy fairyland is shuttered by a plague. As a chronicle of the moment when the San Francisco of Armistad Maupin became the city of Harvey Milk, when gay and experimental poetry flourished in California, Fairyland is vivid and indelible. As the portrait of a conspiracy of love between a father and a daughter, it is heartrending, a brilliant addition to the literature of American memoir.” (Honor Moore, Author of *The Bishop’s Daughter*)“The striking photo on the cover of Fairyland looks like it could have been taken one hundred years ago. It gives a sense of the otherworldly childhood that Abbott recounts in this memoir about growing up with her openly gay, single father in San Francisco in the nineteen-seventies and eighties. The memoir doubles as a portrait of a city and a community at a crucial point in history. Her memoir is funny, strange, and sweet— she remembers playing dress-up with her father's flamboyant friends, learning about sex and gender without a mother, being immersed in art and creativity and, finally, watching as the AIDS epidemic decimated the life she knew.” (New Yorker)“A vivid, sensitively written account of a complex but always loving relationship. This is not only a painfully honest autobiography but also a tribute to old-fashioned bohemian values in a world that is increasingly conformist and materialistic. I couldn't put it down!” (Edmund White, author of *A Boy's Own Story*)“At once a father-daughter love story, a testament to survival, a meditation on profound loss, and a searing chronicle of a complex coming of age, Fairyland is a beautiful, haunting book that instructs, even as it breaks our hearts.” (Dani Shapiro, author of *Devotion: A Memoir*)“Generous, precise, and deeply moving, Fairyland is a love story that not only brings a new generational perspective to a history we’re in danger of forgetting, but irrevocably shifts the way we think about family itself.” (Alison Bechdel, author of *Are You My Mother?*)“Clear-eyed and heartrending, Fairyland captures a singular time and place in American history. It also captures something much more important: what it means to be truly loved—and to love truly. A beautiful book.” (Andrew McCarthy, author of *The Longest Way Home*)“Insightful and well-crafted, this book is useful both as a memoir and as a historical portrait of one of America's oldest gay communities.” (Library Journal)“Alysia beautifully remembers the innocence of the age between the disappearance of the Beats and the onset of AIDS.” (San Francisco Chronicle)“As a chronicle of American culture, Abbott's story matters.” (Boston Globe)“Starred review. She writes up to a standard that would do any writer-parent proud. If there's plenty of emotion in her recollections, they lack all sentimentality, sensationalism, and special pleading. Like Ira Wagner's, Growing Up Amish (2011), a tale of another radically different, unusual upbringing, Fairyland is written in shiningly clear, precise prose that gives it literary as well as testimonial distinction.” (Booklist)“What makes this story especially successful is the meticulous way the author uses letters and her father’s cartoons and journals to reconstruct the world she and her father inhabited. As she depicts the dynamics of a unique, occasionally fraught, gay parent–straight child relationship, Abbott offers unforgettable glimpses into a community that has since left an indelible mark on both the literary and social histories of one of America’s most colorful cities. A sympathetic and deeply moving story.” (Kirkus Reviews) About the AuthorAlysia Abbott's work has appeared in Real Simple, Salon, and TheAtlantic.com. She is a graduate of the New School's MFA program and was a contributing producer at WNYC radio. She lives in Cambridge, Massachusetts, with her husband and two children. Views: 6
Journalist Abigail Pogrebin is many things--wife, mother, New Yorker--but the one that has defined her most profoundly is "identical twin." As children, she and her sister, Robin, were inseparable. But when Robin began to pull away as an adult, Abigail was left to wonder not only why, but also about the very nature of twinship. What does it mean to have a mirror image? How can you be unique when somebody shares your DNA?In One and the Same, Abigail sets off on a quest to understand how genetics shape us, crisscrossing the country to explore the varied relationships between twins, which range from passionate to bitterly resentful. She speaks to the experts and tries to answer the question parents ask most--is it better to encourage their separateness or closeness? And she paints a riveting portrait of twin life, yielding fascinating truths about how we become who we are.From the Trade Paperback edition. Views: 6
Relax with Alice, sit and chat over a cup of tea, as she invites you into her life. See an old press overflowing with the linen collection of two generations, the oil lamps and clocks inherited and collected over many years, and the books of people who once lived here. Alice tells you of the sad loss of her beautiful dogs Kate and Lolly, friends of the heart, and takes you around her village to meet her neighbours, join a meitheal to plant trees, and visit the fairy doors in the nearby wood. But Alice’s home and community are not a perfect place: hear about the split in the local GAA club, blocked off rights of way, the donations of the local canine population on the footpaths! Visit a restored famine graveyard and hear about the landlords who once owned this village and the landmarks they left on the landscape and the people. This is life in a small Irish village in 2016, one hundred years after the Rising. This Bestselling book... Views: 6
We’ve all heard of wedding day disasters, like when a jealous ex-lover crashes the ceremony and causes a scene or the photographer cancels at the last minute. Now let me tell you about my wedding day—the day thousands of demonic spiders chased my fiancé and me off the elevator and into the Devil’s den. And don’t get me started on hellacious honeymoons. I spent the night shaking horny Monkey Hitler off my leg.Instead of sipping margaritas on a sunny beach with a rock on my finger and the man of my dreams beside me, I’m demonic and deserted, stuck inside Hell’s Hotel with a bad case of fleas, praying our sadistic host doesn’t throw us out. To say my wedding day was a disaster would have to be the understatement of the millennium. I just hope our friends can save us before it’s too late, because that squirming thing on my fork definitely doesn’t taste like chicken, and I forgot to pack my SPF 10,000 sunblock. Views: 6
An illuminating debut following three women in sub-Saharan Africa as they search for home and familyLeona, an isolated American anthropologist, gives birth to a baby girl in a remote Maasai village and must decide how she can be a mother, in spite of her own grim childhood. Jane, a lonely expat wife, follows her husband to the tropics and learns just how fragile life is. Simi, a barren Maasai woman, must confront her infertility in a society in which females are valued by their reproductive roles. In this affecting debut novel, these three very different women grapple with motherhood, recalibrate their identities and confront unforeseen tragedies and triumphs.In beautiful, evocative prose, Adrienne Benson brings to life the striking Kenyan terrain as these women's lives intertwine in unexpected ways. As they face their own challenges and heartbreaks, they find strength traversing the arid landscapes of tenuous human connection. With gripping poignancy, The... Views: 6
The newest Oprah’s Book Club 2.0 selection: this special eBook edition of The Invention of Wings by Sue Monk Kidd features exclusive content, including Oprah’s personal notes highlighted within the text, and a reading group guide. Writing at the height of her narrative and imaginative gifts, Sue Monk Kidd presents a masterpiece of hope, daring, the quest for freedom, and the desire to have a voice in the world. Hetty “Handful” Grimke, an urban slave in early nineteenth century Charleston, yearns for life beyond the suffocating walls that enclose her within the wealthy Grimke household. The Grimke’s daughter, Sarah, has known from an early age she is meant to do something large in the world, but she is hemmed in by the limits imposed on women. Kidd’s sweeping novel is set in motion on Sarah’s eleventh birthday, when she is given ownership of ten year old Handful, who is to be her handmaid. We follow their remarkable journeys over the next thirty five years, as both strive for a life of their own, dramatically shaping each other’s destinies and forming a complex relationship marked by guilt, defiance, estrangement and the uneasy ways of love. As the stories build to a riveting climax, Handful will endure loss and sorrow, finding courage and a sense of self in the process. Sarah will experience crushed hopes, betrayal, unrequited love, and ostracism before leaving Charleston to find her place alongside her fearless younger sister, Angelina, as one of the early pioneers in the abolition and women’s rights movements. Inspired by the historical figure of Sarah Grimke, Kidd goes beyond the record to flesh out the rich interior lives of all of her characters, both real and invented, including Handful’s cunning mother, Charlotte, who courts danger in her search for something better. This exquisitely written novel is a triumph of storytelling that looks with unswerving eyes at a devastating wound in American history, through women whose struggles for liberation, empowerment, and expression will leave no reader unmoved. Please note there is another digital edition available without Oprah’s notes. Go to Oprah.com/bookclub for more OBC 2.0 content Amazon.com ReviewIn the early 1830s, Sarah Grimké and her younger sister, Angelina, were the most infamous women in America. They had rebelled so vocally against their family, society, and their religion that they were reviled, pursued, and exiled from their home city of Charleston, South Carolina, under threat of death. Their crime was speaking out in favor of liberty and equality and for African American slaves and women, arguments too radically humanist even for the abolitionists of their time. Their lectures drew crowds of thousands, even (shockingly, then) men, and their most popular pamphlet directly inspired Harriet Beecher Stowe’s Uncle Tom's Cabin--published 15 years later. These women took many of the first brutal backlashes against feminists and abolitionists, but even their names are barely known now. Sue Monk Kidd became fascinated by these sisters, and the question of what compelled them to risk certain fury and say with the full force of their convictions what others had not (or could not). She discovered that in 1803, when Sarah turned 11, her parents gave her the “human present” of 10-year-old Hetty to be her handmaid, and Sarah taught Hetty to read, an act of rebellion met with punishment so severe that the slave girl died of "an unspecified disease" shortly after her beating. Kidd knew then that she had to try to bring Hetty back to life (“I would imagine what might have been," she tells us), and she starts these girls' stories here, both cast in roles they despise. She trades chapters between their voices across decades, imagining the Grimké sisters’ courageous metamorphosis and, perhaps more vitally, she gives Hetty her own life of struggle and transformation. Few characters have ever been so alive to me as Hetty and Sarah. Long after you finish this book, you'll feel its courageous heart beating inside your own. -- Mari MalcolmFrom BooklistStarred Review Inspired by the true story of early-nineteenth-century abolitionist and suffragist Sarah Grimké, Kidd paints a moving portrait of two women inextricably linked by the horrors of slavery. Sarah, daughter of a wealthy South Carolina plantation owner, exhibits an independent spirit and strong belief in the equality of all. Thwarted from her dreams of becoming a lawyer, she struggles throughout life to find an outlet for her convictions. Handful, a slave in the Grimké household, displays a sharp intellect and brave, rebellious disposition. She maintains a compliant exterior, while planning for a brighter future. Told in first person, the chapters alternate between the two main characters’ perspectives, as we follow their unlikely friendship (characterized by both respect and resentment) from childhood to middle age. While their pain and struggle cannot be equated, both women strive to be set free—Sarah from the bonds of patriarchy and Southern bigotry, and Handful from the inhuman bonds of slavery. Kidd is a master storyteller, and, with smooth and graceful prose, she immerses the reader in the lives of these fascinating women as they navigate religion, family drama, slave revolts, and the abolitionist movement. HIGH-DEMAND BACKSTORY: Beginning with her phenomenally successful debut, The Secret Life of Bees (2002), Kidd’s novels have found an intense readership among library patrons, who will be eager to get their hands on her latest one. --Kerri Price Views: 5
