From one of the most beloved Western authors comes an epic historical tale of adventure and romance in the great wilderness.Against the epic backdrop of the building of the Union Pacific Railroad across plains and deserts and through the mountains to meet up with the Southern Pacific in Utah comes a sprawling, historical tale. Warren Neale is a brilliant civil engineer who is constantly confronted with construction problems. He is sided by Larry Red King, a Texas gunfighter and friend. Allie Lee, who is heading east from California on a wagon train, is the sole survivor of an Indian raid in the Black Hills. Neale and a small company of US cavalry find Allie hidden at the scene and nearly out of her mind in terror. Al Slingerland, a trapper and buffalo hunter, has a cabin in a nearby valley, and Allie is taken there to recover.Benton is the wild town set up overnight to service the vices of the multitude of railroad workers. The only law is that which the soldiers... Views: 56
The authenticity of background detail, the lilting prose rhythms and the appealing conceptual audacity that won many fans for The Clan of the Cave Bear and The Valley of the Horses continue to work their spell in this third installment of Auel's projected six-volume Earth's Children saga set in Ice Age Europe. The heroine, 18-year-old Ayla, cursed and pronounced dead by the "flathead" clan that reared her, now takes her chances with the mammoth-hunting Mamutoi, attended by her faithful lover, Jondalar. Gradually overcoming the prejudice aroused by her flathead connection, Ayla wins acceptance into the new clan through her powers as a healer, her shamanistic potential, her skill with spear and slingshot and her way with animals (she rides a horse, domesticates a wolf cub, both "firsts," it would seem, and even rides a lion). She also wins the heart of a bone-carving artist of "sparkling wit" (not much in evidence), which forces her to make a painful choice between the curiously complaisant Jondalar, her first instructor in love's delights, and this more charismatic fellow. The story is lyric rather than dramatic, and Ayla and her lovers are projections of a romantic rather than a historical imagination, but readers caught up in the charm of Auel's story probably won't care. 750,000 first printing; $300,000 ad/promo; paperback rights to Bantam; Literary Guild and Doubleday Book Club dual main selections; author tour. Views: 56
No one is more surprised than Lem Altick when it turns out he's actually good at peddling encyclopedias door to door. He hates the predatory world of sales, but he needs the money to pay for college. Then things go horribly wrong. In a sweltering trailer in rural Florida, a couple Lem has spent hours pitching to is shot dead before his eyes, and the unassuming young man is suddenly pulled into the dark world of conspiracy and murder. Not just murder: assassination – or so claims the killer, the mysterious and strangely charismatic Melford Kean, who has struck without remorse and with remarkable good cheer. But the self-styled ethical assassin hadn't planned on a witness, and so he makes Lem a deal: Stay quiet and there will be no problems. Go to the police and take the fall. Before Lem can decide, he is drawn against his will into the realm of the assassin, a post-Marxist intellectual with whom he forms an unlikely (and perhaps unwise) friendship. The ethical assassin could be a charming sociopath, eco-activist, or vigilante for social justice. Lem isn't sure what is motivating Melford, but Lem realizes that to save himself, he must unravel the mystery of why the assassinations have occurred. To do so, he descends deeper into a bizarre world he never knew existed, where a group of desperate schemers are involved in a plot that could keep Lem from leaving town alive. Views: 56
After causing his first wife to be murdered and his mistress exiled, the puny, semi-impotent Louis X becomes besotted with the lovely Clemence, his new Queen. Vacillating between self-pity and vainglory he is caught between the vaulting ambitions of proud, profligate barons...This is the third book of "The Accursed Kings" series of historical novels by Maurice Druon about the decadent, criminal and incompetent monarchs who ruled over early fourteenth century France and brought the country to the utter prostration and weakness which the English invaders exploited in the Hundred Years War. Views: 56
EDITORIAL REVIEW: Jack Reacher is back. The countdown has begun. Get ready for the most exciting 61 hours of your life. #1 *New York Times* bestselling author Lee Child’s latest thriller is a ticking time bomb of suspense that builds electric tension on every page. Sixty-one hours. Not a minute to spare.A tour bus crashes in a savage snowstorm and lands Jack Reacher in the middle of a deadly confrontation. In nearby Bolton, South Dakota, one brave woman is standing up for justice in a small town threatened by sinister forces. If she’s going to live long enough to testify, she’ll need help. Because a killer is coming to Bolton, a coldly proficient assassin who never misses.Reacher’s original plan was to keep on moving. But the next 61 hours will change everything. The secrets are deadlier and his enemies are stronger than he could have guessed—but so is the woman whose life he’ll risk his own to save. In **61 Hours**, Lee Child has written a showdown thriller with an explosive ending that readers will talk about for a long time to come. Views: 56
Anticipating a peaceful and relaxing year in which to write and illustrate a book, college professor Jan Ryerson and his artist wife Alix move to the isolated Cape Despair Lighthouse on a desolate stretch of Oregon coast. But their well-laid plans are twisted awry shortly after their arrival. Jan experiences several terrifying blackouts, but conceals them from his wife, fearing that she will leave him if she knows that he will soon be blind. The villagers, suspicious of the couple from the start, become increasingly hostile and resentful. And when the murdered body of a young woman is discovered, they are quick to blame the stranger in town… FB2Library.Elements.CiteItem FB2Library.Elements.CiteItem FB2Library.Elements.CiteItem Views: 56
HG Wells virtually defined modern science fiction with the two tales featured in this double volume, a welcome addition to the SF Masterworks series. The Time Machine is the classic tale of a time traveller's journey to the world of 802,701 AD where humanity is divided between the bad and the beautiful, a simplistic vision at first glance but a prophetic take on a future that may not be so far removed from a reality yet to take hold, simply lurking in the shadows and waiting for the human race to bring it about by its own hand.Product DescriptionOn October 30, 1938, Orson Welles terrified American radio listeners by describing a Martian invasion of Earth in a broadcast that became legendary. Forty years earlier, H. G. Wells had first penned the story: The War of the Worlds, a science-fiction classic that endures in our collective subconscious.Deeply concerned with the welfare of contemporary society, Wells wrote his novel of interplanetary conflict in anticipation of war in Europe, and in it he predicted the technological savagery of twentieth century warfare. Playing expertly on worldwide security fears, The War of the Worlds grips readers with its conviction that invasion can happen anytime, anywhere—even in our own backyard. Introduction to War of the WorldsThe Martians also reflect Wells himself. Just as the bicycle liberated Wells from the limitations of a weak body, the machines used by the Martians, who are weighed down because the pull of gravity is stronger on Earth than it is on Mars, enable them to move swiftly and attack without warning. The machine is an extension of a body, a kind of prosthetic device that supplies an ability the body lacks. The Martian sitting on top of a huge, three-legged fighting machine striding across Surrey toward London resembles nothing so much as Wells piloting his bicycle around the countryside. And the Martians, like Wells, tend to work alone. That is, while they are involved in a collective activity—the invasion and conquest of England, which is, by extension, the world—they work alone in their fighting machines or their aluminum manufacturing devices. Except for their time in the space capsule, they are rarely together. Wells's first problem was to decide how to tell such a tale. He could use an external, omniscient narrator, but that would cut down on the immediacy of the action and make it seem much more like history. A single first-person narrator would be possible, but that person would have to travel long distances at almost superhuman speed in order to see everything involved in the Martian invasion. Wells opts for a device Robert Louis Stevenson (1850-1894) uses in Treasure Island (1883), having a first-person narrative become two first-person narratives by introducing a second character who tells us about what happened elsewhere. This is, admittedly, an awkward device because the two characters—brothers in The War of the Worlds—are not in communication with each other. Their separate stories become a single story because the primary narrator takes control of his brother's tale, treating him in the same way an omniscient narrator would treat a character. The primary narrator, then, is both witness and author, a modification of the narrator of The Time Machine, who transcribes the story of the Time Traveller. The personality of this narrator is a vexing matter, and it is here Wells departs from traditional novelistic practice. Wells clearly had many options in this situation: He could make his nondescript, suburban science writer into a hero by having him either subdue the Martians or lay the foundations for an organized defense. That solution does not suit Wells's hidden intention, which is to warn those people capable of understanding that their world is rotten and will fall at the first blow from an outside force. Wells does what in both human and novelistic terms makes the most sense: He makes his narrator a man of science, but a conventional thinker and not a man in the line of the Time Traveller. He is not a leader, not a warrior, but a man imbued with curiosity. He wants to understand the Martians, wants to observe their machines, and wants to survive to tell the tale. His psychological depth is slight: He loves his wife, detests the mad clergyman who almost manages to deliver him to the Martians, feels guilt about being responsible for the man's death, and has a nervous breakdown after learning that the Martians all die because of Earth's bacteria. The second central figure, the narrator's brother, is no more developed than the narrator. He is a "medical student, working for an imminent examination", but that is all we know of him. When, in the final chapter of book one, Wells feels he no longer needs the brother, he simply has him board a ship, witness a navy vessel ram two Martian fighting machines, and sail to Europe. We then return to the adventures of our primary narrator. This sacrifice of character depth to action explains the success of The War of the Worlds. If Wells had transformed his narrator into a preachy precursor of his New Republicans, the reader would probably begin to cheer for the Martians. Instead, he uses both brothers as innocent points of view, reporters telling us what they saw. That they have emotions is merely incidental to their role as informants. Wells relegates his ideas to the minor characters, carefully linking them to human imperfections so that the novel does not degenerate into sermon or essay. Probably the most interesting example of this is the artilleryman. In book one, chapter 11, the narrator, hiding inside his Woking house, sees a man trying to escape the Martians. He invites the man in and learns he is a soldier, "a driver in the artillery" whose unit has been wiped out by the Martians. The two separate in chapter 12, and we think we've seen the last of the artilleryman until suddenly in book two, chapter 7, he reappears, and now it is he who extends hospitality to the narrator. Views: 56
"Sweet Southern Christmas" Both Ruby and Cliff have returned home to their small Arkansas town after serving in World War II. As snow blankets the town and Christmas draws near, will their wounded hearts find healing and love? "Small-Town Christmas" Sophia never expected to return to her hometown, but she's converting her grandparents' Victorian mansion into a cafe. Then her childhood friend Jon walks into her cafe and back into her life. As Chrstmas descends upon the Ozark hills, Jon woos Sophie with a tender love that makes her feel like she's come home. Views: 56
Meet Toby—a very special dog with a very important purpose—featured in A Dog's Journey, soon to be a major motion picture! Young readers will love this story in the popular A Dog's Purpose Puppy Tales series by bestselling author W. Bruce Cameron.Toby is a beagle who doesn't seem to have a purpose. While all of his littermates are adopted right away, Toby is left behind because he's not as energetic as they are. But because he is so quiet, he is adopted by a girl named Mona and her mother, who works at a nursing home. As Toby comforts the residents of the home, he discovers that his purpose may be the most important of all! Toby's Story is another uplifting tale of the bond that exists between humans and their cherished animal companions. Young fans of Ellie's Story, Bailey's Story, Molly's Story, and Max's Story will welcome this new addition to the bestselling series.... Views: 56
FB2Library.Elements.CiteItem Forty years in the future. The once-great city of Bohane on the west coast of Ireland is on its knees, infested by vice and split along tribal lines. There are the posh parts of town, but it is in the slums and backstreets of Smoketown, the tower blocks of the Northside Rises and the eerie bogs of Big Nothin’ that the city really lives. For years, the city has been in the cool grip of Logan Hartnett, the dapper godfather of the Hartnett Fancy gang. But there’s trouble in the air. They say his old nemesis is back in town; his trusted henchmen are getting ambitious; and his missus wants him to give it all up and go straight… And then there’s his mother. City of Bohane is a visionary novel that blends influences from film and the graphic novel, from Trojan beats and calypso rhythms, from Celtic myth and legend, from fado and the sagas, and from all the great inheritance of Irish literature. A work of mesmerising imagination and vaulting linguistic invention, it is a taste of the glorious and new. Review FB2Library.Elements.CiteItem FB2Library.Elements.CiteItem FB2Library.Elements.CiteItem FB2Library.Elements.CiteItem FB2Library.Elements.CiteItem FB2Library.Elements.CiteItem Views: 56
After ten years of wandering, during which he has lived the life of a gambler and learned the ways of devious men, Tom Keene returns home, only to find his father alone and dying. Old John Keene's sole legacy to his son is a Bible, so with his father's passing, Tom Keene renounces his selfish, worthless past and sets out to preach to others that the greatest happiness is born of trust in one another. Tom gets a chance to demonstrate his new way of life when he rescues a little girl who has fallen into a well. He learns that the little girl comes from the country's wealthiest family, now in financial straits. The family's head, John Carver, is an improvident man who is at times cruel to his dependents, and Tom Keene's good intentions are about to cost him more than he knows. Tom is jailed for a crime he did not commit, beaten and bullied until he changes again, this time into a cunning, calculating man whose sole purpose now is to be avenged for the wrongs done to him. Once... Views: 56
