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After London; Or, Wild England

This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
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Magic Cottage, Das Haus auf dem Land

Midge und Mike, zwei junge Künstler, haben ein romantisches Landhaus bezogen. Die magischen Kräfte, die von dieser Idylle ausgehen, schlagen in nacktes Grauen um, als Mitglieder einer seltsamen Sekte auftauchen.
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Jacques and his Master

Jacques and His Master is a deliciously witty and entertaining 'variation' on Diderot's novel Jacques le fataliste, written for Milan Kundera's 'private pleasure' in the aftermath of the Russian invasion of Czechoslovakia. When the 'heavy Russian irrationality' fell on Czechoslovakia he felt drawn to the spirit of the eighteenth century - 'And it seemed to me that nowhere was it to be found more densely concentrated than in that banquet of intelligence, humour and fantasy, Jacques le Fataliste'. This translation by Simon Callow has delighted Kundera's admirers throughout the English-speaking world.
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Death in Kenya

Written by celebrated author M. M. Kaye, Death in Kenya is a wonderfully evocative mystery... When Victoria Caryll is offered a position at Flamingo, her aunt's family estate in Kenya's Rift Valley, she accepts-knowing full well that the move will give her a chance to see Eden DeBrett once again, the man she was previously engaged to. But she doesn't realize that coming to her aunt's home will introduce her to an unstable region still recovering from the bloody Mau Mau revolt, and to a household thrown into grief by a recent murder. Distinguished by its mystery, romance, and exotic setting, Death in Kenya is as graceful as it is chilling-it is the beloved novel of one of our finest and most accomplished writers.
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The Fable of Us

Her heart can’t be destroyed by the same person twice. At least that’s what Clara Abbot finds herself hoping when she runs into Boone Cavanaugh less than an hour after returning to Charleston. As kids, Clara and Boone had been each other’s firsts, and no one or nothing could stand in the way of their forever. But all kids have to grow up sometime. The troubled son of the town drunk winding up with the firstborn daughter of the local royalty was a happy ending even the most imaginative of fairy tales couldn’t make believable. Their fable came to an end as most do: tragically. Boone might have done the leaving, but it was Clara who got away and made a new life for herself in California. But after seven years of dodging her hometown, she’s only back in Charleston for seven days to celebrate her sister’s wedding. She won’t let her overbearing family or her run-in with Boone rattle her—though rattling her is obviously Boone’s primary objective. Boone is her past and her past is behind her, a mere speck in the rearview. So why does she feel it coming back every time she looks at him? Why does she see it every time he looks back? Just when Clara’s life can’t possibly get more complicated, the ground shifts, and she discovers just how far her family was willing to go to keep the wrong boy out of her life. Was it really Boone who left her? Or was it Clara who left him? The truth will be hard to face. Especially when she discovers most of her life has been built on lies.
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Why Read the Classics?

From the internationally-acclaimed author of some of this century's most breathtakingly original novels comes this posthumous collection of thirty-six literary essays that will make any fortunate reader view the old classics in a dazzling new light. Learn why Lara, not Zhivago, is the center of Pasternak's masterpiece, Dr. Zhivago, and why Cyrano de Bergerac is the forerunner of modern-day science-fiction writers. Learn how many odysseys The Odyssey contains, and why Hemingway's Nick Adams stories are a pinnacle of twentieth-century literature. From Ovid to Pavese, Xenophon to Dickens, Galileo to Gadda, Calvino covers the classics he has loved most with essays that are fresh, accessible, and wise. Why Read the Classics? firmly establishes Calvino among the rare likes of Nabokov, Borges, and Lawrence--writers whose criticism is as vibrant and unique as their groundbreaking fiction.   From the Trade Paperback edition.
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The Weed That Strings the Hangman's Bag: A Flavia De Luce Novel

BONUS: This edition includes an excerpt from Alan Bradley's A Red Herring Without Mustard, discussion questions, and an essay by the author.Flavia de Luce, a dangerously smart eleven-year-old with a passion for chemistry and a genius for solving murders, thinks that her days of crime-solving in the bucolic English hamlet of Bishop’s Lacey are over—until beloved puppeteer Rupert Porson has his own strings sizzled in an unfortunate rendezvous with electricity. But who’d do such a thing, and why? Does the madwoman who lives in Gibbet Wood know more than she’s letting on? What about Porson’s charming but erratic assistant? All clues point toward a suspicious death years earlier and a case the local constables can’t solve—without Flavia’s help. But in getting so close to who’s secretly pulling the strings of this dance of death, has our precocious heroine finally gotten in way over her head?Amazon.com ReviewAmazon Exclusive: An Essay by Alan Bradley Flavia de Luce walked into my life one winter day, parked herself on a campstool, and refused to be budged.It took me quite a while to realize that she wasn’t even faintly interested in the mystery novel I was attempting to write at the time: the one into which she had wandered. I found out quickly enough that Flavia wanted her own book--and that was that.And it was just the beginning. There were still more problems to come.The first was this: Flavia lived in 1950, while I was writing about her in 2006 and 2007.As an author, it’s not as easy as you might think projecting--and keeping--your mind in a different century from your body--not without forever being yanked back into the present by everyday annoyances such as frozen water pipes, expiring license plates, incessantly barking dogs, and the need to shop for food.Another problem was this: I lived on Canada’s west coast, where the clocks are set to Pacific Time, while Flavia lived in Bishop’s Lacey, England, which is on Greenwich Mean Time--a difference of nine hours. In practical terms, this meant that Flavia was raring to go every day just as I was getting ready for bed. Because there was no point in either of us being tired and cranky, we finally managed to work out a compromise in which I began awakening at 4:00 a.m. to write, while Flavia (rather impatiently) hung around until after lunch, waiting for me to show up.As The Sweetness at the Bottom of the Pie progressed, I soon learned that Flavia wouldn’t be pushed around--especially by me. Because she had so many of her own ideas, she had little patience with mine. Occasionally, if I were tired, I’d find myself trying to put words in her mouth: to push her, as it were. But Flavia would have none of it."Blot that," she seemed to be saying. "Let’s back up and start again."And of course we did.Then there was the problem of the chemistry. While Flavia knew everything about chemistry that could be known, my own knowledge of the subject could be put into a thimble with room left over for a finger. If I protested that I was in doubt about the precise details of one of her more bizarre chemical experiments, Flavia would snap her metaphorical fingers and say, "Well, you can look it up in your spare time."Almost from the outset I realized that the tale Flavia had to tell could never be contained in a single book. And that’s how the series was born. Fortunately, my editors were in total agreement!We liked the idea of each book revolving around some now-vanished English custom, or way of life, and of being able, gradually, to get to know the de Luce family, giving each of them the time and the space to--eventually--tell his or her own story.Of course, to convey authentic 1950s voices, the pacing would have to be slower than we are used to in the 21st century. On the other hand, a more relaxed narrative would allow for an additional overall richness of description that might not be found in a more breakneck series of thrillers.But I needn’t have worried: Flavia had her own voice and insisted on being listened to.It was I who had to do the learning. --Alan Bradley(Photo © Shirley Bradley)From BooklistFlavia, the precocious, imaginative, and adorable 11-year-old sleuth, returns for her second adventure. It’s a mystery in itself how a mature male author can pen the adventures of such a young female child and keep readers believing in the fantasy. Flavia’s world is 1950s England—specifically, a very old country house that just happens to have a long-abandoned chemistry laboratory. And Flavia just happens to be fascinated by chemistry—particularly poisons. This helps her solve mysteries because, as Flavia says, “There’s something about pottering with poisons that clarifies the mind.” This time she becomes involved with the members of a traveling puppet show that features the tale of Jack and the Beanstalk. When the puppetmaster is mysteriously electrocuted during the show, Flavia knows it can’t be an accident and eventually finds the murderer. The rest of Flavia’s family are also eccentric, to say the least, and add greatly to the overall fun. Thank goodness Bradley is not allowing Flavia to grow up too quickly; we need more sleuths whose primary mode of transportation is a bicycle. --Judy Coon
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In the Valley

From bestselling and award-winning writer Ron Rash ("One of the great American authors at work today."—The New York Times) comes a collection of twelve searing new stories and the return of the villainess who propelled Serena to national acclaim, in a long-awaited novella.Ron Rash has long been a revered presence in the landscape of American letters. A virtuosic novelist, poet, and story writer, he evokes the beauty and brutality of the land, the relentless tension between past and present, and the unquenchable human desire to be a little bit better than circumstances would seem to allow (to paraphrase Faulkner). In these twelve stories, Rash spins a haunting allegory of the times we live in—rampant capitalism, the severing of ties to the natural world in the relentless hunt for profit, the destruction of body and soul with pills meant to mute our pain—and yet within this world he illuminates acts of...
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Let's Meet on Platform 8

After knocking her down while rushing to catch the 6:07 from London, Jamie Duncan bandages Teri Carter's knee, buys her new stockings, seats her on the train with her foot in his lap and taxis her home from the station. Who says chivalry is dead?Not only is Jamie a romantic hero--tall, dark, with greeny-gold eyes and a Scottish burr--he's witty, charming and eager to share their daily commute. Suddenly Teri's life is Brief Encounter meets Wuthering Heights. But then she discovers Mr. Right is also Mr. Married. Jamie's not the type to cheat, and Teri doesn't want him to...or does she? After dating Mr. Lazy, Mr. Greedy, Mr. Completely Selfish and Mr. Downright Perverted, can she renounce Mr. Perfect?
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Gora

Nobel Prize-winning author Rabindranath Tagore's most ambitious work Gora unfolds against the vast, dynamic backdrop of Bengal under British rule, a divided society struggling to envisage an emerging nation. It is an epic saga of India's nationalist awakening, viewed through the eyes of one young man, an orthodox Hindu who defines himself against the British colonialist culture and finds himself approaching his nationalist identity through the prism of organized religion. First published in 1907, Gora questions the dogmas and presuppositions inherent in nationalist thought like few books have dared to do. This new, lucid and vibrant translation brings the complete and unabridged text of the classic to a new generation of readers, underlining its contemporary relevance.
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Everafter

The sweeping saga of Ivy and Tristan comes to a breathtaking conclusion in this final book of the all-new arc in the New York Times bestselling Kissed by an Angel series. It seems the odds are forever against Ivy and her fallen angel. Tristan is still trapped in the body of an accused murderer, and as the two star-crossed lovers try to clear his name, they must battle the dark forces that would keep them apart and destroy them both. The danger is especially great for Tristan since, as a fallen angel, death would mean losing his soul. It’s up to Ivy to save the one she loves and, hopefully, find a way for the two of them to be together…for all eternity.
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