Flight Behavior takes on one of the most contentious subjects of our time: climate change. With a deft and versatile empathy Kingsolver dissects the motives that drive denial and belief in a precarious world.
Flight Behavior transfixes from its opening scene, when a young woman's narrow experience of life is thrown wide with the force of a raging fire. In the lyrical language of her native Appalachia, Barbara Kingsolver bares the rich, tarnished humanity of her novel's inhabitants and unearths the modern complexities of rural existence. Characters and reader alike are quickly carried beyond familiar territory here, into the unsettled ground of science, faith, and everyday truces between reason and conviction.
Dellarobia Turnbow is a restless farm wife who gave up her own plans when she accidentally became pregnant at seventeen. Now, after a decade of domestic disharmony on a failing farm, she has settled for permanent disappointment but seeks momentary escape through an obsessive flirtation with a younger man. As she hikes up a mountain road behind her house to a secret tryst, she encounters a shocking sight: a silent, forested valley filled with what looks like a lake of fire. She can only understand it as a cautionary miracle, but it sparks a raft of other explanations from scientists, religious leaders, and the media. The bewildering emergency draws rural farmers into unexpected acquaintance with urbane journalists, opportunists, sightseers, and a striking biologist with his own stake in the outcome. As the community lines up to judge the woman and her miracle, Dellarobia confronts her family, her church, her town, and a larger world, in a flight toward truth that could undo all she has ever believed.
Flight Behavior takes on one of the most contentious subjects of our time: climate change. With a deft and versatile empathy Kingsolver dissects the motives that drive denial and belief in a precarious world. Views: 541
In 1946, June and Bernard set off on their honeymoon. Fired by their ideals and passion for one another, they had planned an idyllic holiday, but in France they witness an event that alters the course of their lives entirely. Forty years on, their son-in-law is trying to uncover the cause of their estrangement and is led back to this moment on honeymoon and an experience of such darkness it was to wrench the couple apart. Views: 541
Compared to some, Henry Powell's life has been lucky, if inauspicious. Yet Henry is impossibly stuck, unable to reconcile the dreams and expectations of his promising youth with the reality of the unassuming, vaguely dissatisfied clothing store clerk he has become.As weeks turn into months and months into years, the shop becomes Henry's only window to the world, where he marks time by the milestones of his former classmates' lives.But his day-to-day measured existence inadvertently conceals a fracture that has caused the disintegration of his family, one that will ultimately reveal the Henry that might have been. Views: 541
A boy is trapped in a possessed car that has stalled in the path of an oncoming train. A girl is dragged into a crypt during a field trip to an eighteenth-century cemetery. A group of friends meet their fate after an unsettling visit with a backwoods psychic. And that's just the beginning. Celebrated author Vivian Vande Velde is at her spine-tingling best in this collection of thirteen scary stories, all of which take place on Halloween night. With tales that range from the disturbing to the downright gruesome, this is one collection that teens will want to read with the lights on . . . and the doors locked. Views: 541
BONUS: This edition contains a The Sweetness at the Bottom of the Pie discussion guide and an excerpt from Alan Bradley's The Weed That Strings the Hangman's Bag.It is the summer of 1950–and at the once-grand mansion of Buckshaw, young Flavia de Luce, an aspiring chemist with a passion for poison, is intrigued by a series of inexplicable events: A dead bird is found on the doorstep, a postage stamp bizarrely pinned to its beak. Then, hours later, Flavia finds a man lying in the cucumber patch and watches him as he takes his dying breath. For Flavia, who is both appalled and delighted, life begins in earnest when murder comes to Buckshaw. “I wish I could say I was afraid, but I wasn’t. Quite the contrary. This was by far the most interesting thing that had ever happened to me in my entire life.”Amazon.com ReviewAmazon Best of the Month, April 2009: It's the beginning of a lazy summer in 1950 at the sleepy English village of Bishop's Lacey. Up at the great house of Buckshaw, aspiring chemist Flavia de Luce passes the time tinkering in the laboratory she's inherited from her deceased mother and an eccentric great uncle. When Flavia discovers a murdered stranger in the cucumber patch outside her bedroom window early one morning, she decides to leave aside her flasks and Bunsen burners to solve the crime herself, much to the chagrin of the local authorities. But who can blame her? What else does an eleven-year-old science prodigy have to do when left to her own devices? With her widowed father and two older sisters far too preoccupied with their own pursuits and passions—stamp collecting, adventure novels, and boys respectively—Flavia takes off on her trusty bicycle Gladys to catch a murderer. In Alan Bradley's critically acclaimed debut mystery, The Sweetness at the Bottom of the Pie, adult readers will be totally charmed by this fearless, funny, and unflappable kid sleuth. But don't be fooled: this carefully plotted detective novel (the first in a new series) features plenty of unexpected twists and turns and loads of tasty period detail. As the pages fly by, you'll be rooting for this curious combination of Harriet the Spy and Sherlock Holmes. Go ahead, take a bite. --Lauren NemroffA Q&A with Alan Bradley Question: With the publication of The Sweetness at the Bottom of the Pie, you’ve become a 70-year-old-first time novelist. Have you always had a passion for writing, or is it more of a recent development? Alan Bradley: Well, the Roman author Seneca once said something like this: “Hang on to your youthful enthusiasms--you’ll be able to use them better when you’re older.” So to put it briefly, I’m taking his advice.I actually spent most of my life working on the technical side of television production, but would like to think that I’ve always been a writer. I started writing a novel at age five, and have written articles for various publications all my life. It wasn’t until my early retirement, though, that I started writing books. I published my memoir, The Shoebox Bible, in 2004, and then started working on a mystery about a reporter in England. It was during the writing of this story that I stumbled across Flavia de Luce, the main character in Sweetness.Q: Flavia certainly is an interesting character. How did you come up with such a forceful, precocious and entertaining personality?AB: Flavia walked onto the page of another book I was writing, and simply hijacked the story. I was actually well into this other book--about three or four chapters--and as I introduced a main character, a detective, there was a point where he was required to go to a country house and interview this colonel.I got him up to the driveway and there was this girl sitting on a camp stool doing something with a notebook and a pencil and he stopped and asked her what she was doing and she said “writing down license number plates“ and he said “well there can't be many in such a place“ and she said, “well I have yours, don’t I? “ I came to a stop. I had no idea who this girl was and where she came from.She just materialized. I can't take any credit for Flavia at all. I’ve never had a character who came that much to life. I’ve had characters that tend to tell you what to do, but Flavia grabbed the controls on page one. She sprung full-blown with all of her attributes--her passion for poison, her father and his history--all in one package. It surprised me.Q: There aren’t many adult books that feature child narrators. Why did you want Flavia to be the voice of this novel?AB: People probably wonder, “What’s a 70-year-old-man doing writing about an 11-year-old-girl in 1950s England? “ And it’s a fair question. To me, Flavia embodies that kind of hotly burning flame of our young years: that time of our lives when we’re just starting out, when anything--absolutely anything!--is within our capabilities. I think the reason that she manifested herself as a young girl is that I realized that it would really be a lot of fun to have somebody who was virtually invisible in a village. And of course, we don’t listen to what children say--they’re always asking questions, and nobody pays the slightest attention or thinks for a minute that they’re going to do anything with the information that they let slip. I wanted Flavia to take great advantage of that. I was also intrigued by the possibilities of dealing with an unreliable narrator; one whose motives were not always on the up-and-up.She is an amalgam of burning enthusiasm, curiosity, energy, youthful idealism, and frightening fearlessness. She’s also a very real menace to anyone who thwarts her, but fortunately, they don’t generally realize it. Q: Like Flavia, you were also 11 years old in 1950. Is there anything autobiographical about her character?AB: Somebody pointed out the fact that both Flavia and I lacked a parent. But I wasn’t aware of this connection during the writing of the book. It simply didn’t cross my mind. It is true that I grew up in a home with only one parent, and I was allowed to run pretty well free, to do the kinds of things I wanted. And I did have extremely intense interests then--things that you get focused on. When you’re that age, you sometimes have a great enthusiasm that is very deep and very narrow, and that is something that has always intrigued me--that world of the 11-year-old that is so quickly lost.Q: Your story evokes such a vivid setting. Had you spent much time in the British countryside before writing this book?AB: My first trip to England didn’t come until I went to London to receive the 2007 Debut Dagger Award, so I had never even stepped foot in the country at the time of writing Sweetness. But I have always loved England. My mother was born there. And I‘ve always felt I grew up in a very English household. I had always wanted to go and had dreamed for many years of doing so. When I finally made it there, the England that I was seeing with my eyes was quite unlike the England I had imagined, and yet it was the same. I realized that the differences were precisely those differences between real life, and the simulation of real life, that we create in our detective novels. So this was an opportunity to create on the page this England that had been in my head my whole life.Q: You have five more books lined up in this series, all coming from Delacorte Press. Will Flavia age as the series goes on?AB: A bit, not very much. I think she’s going to remain in the same age bracket. I don’t really like the idea of Flavia as an older teenager. At her current age, she is such a concoction of contradictions. It's one of the things that I very much love about her. She's eleven but she has the wisdom of an adult. She knows everything about chemistry but nothing about family relationships. I don’t think she’d be the same person if she were a few years older. She certainly wouldn’t have access to the drawing rooms of the village.Q: Do you have a sense of what the next books in the series will be about?AB: The second book, The Weed That Strings the Hangman's Bag, is finished, and I’m working on the third book. I have a general idea of what’s happening in each one of the books, because I wanted to focus on some bygone aspect of British life that was still there in the '50s but has now vanished. So we have postage stamps in the first one... The second book is about the travelling puppet shows on the village green. And one of them is about filmmaking--it sort of harks back to the days of the classic Ealing comedies with Alec Guinness and so forth.Q: Not every author garners such immediate success with a first novel. After only completing 15 pages of Sweetness, you won the Dagger award and within 8 days had secured book deals in 3 countries. You’ve since secured 19 countries. Enthusiasm continues to grow from every angle. How does it feel?AB: It's like being in the glow of a fire. You hope you won't get burned. I’m not sure how much I’ve realized it yet. I guess I can say I‘m “almost overwhelmed”--I’m not quite overwhelmed, but I’m getting there. Every day has something new happening, and communications pouring in from people all over. The book has been receiving wonderful reviews and touching people. But Flavia has been touching something in people that generates a response from the heart, and the most often mentioned word in the reviews is love--how much people love Flavia and have taken her in as if she’s a long-lost member of their family, which is certainly very, very gratifying.(Photo © Jeff Bassett)From Publishers WeeklyFans of Louise Fitzhugh's iconic Harriet the Spy will welcome 11-year-old sleuth Flavia de Luce, the heroine of Canadian journalist Bradley's rollicking debut. In an early 1950s English village, Flavia is preoccupied with retaliating against her lofty older sisters when a rude, redheaded stranger arrives to confront her eccentric father, a philatelic devotee. Equally adept at quoting 18th-century works, listening at keyholes and picking locks, Flavia learns that her father, Colonel de Luce, may be involved in the suicide of his long-ago schoolmaster and the theft of a priceless stamp. The sudden expiration of the stranger in a cucumber bed, wacky village characters with ties to the schoolmaster, and a sharp inspector with doubts about the colonel and his enterprising young detective daughter mean complications for Flavia and enormous fun for the reader. Tantalizing hints about a gardener with a shady past and the mysterious death of Flavia's adventurous mother promise further intrigues ahead. (Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Views: 541
New Yorker fiction writer Cynan Jones returns with a powerful climate crisis story about love and loss that offers a glimpse of a tangible future in which water is commodified and vulnerable to sabotage. "As a tract of written language, it is close to perfect. As a repository for ideas, it is imaginative and far reaching. As a story of and for our times, it is very human, and deadly serious." —Nina Allen, The Guardian Water is commodified. The Water Train that serves the city increasingly at risk of sabotage. As news breaks that construction of a gigantic Ice Dock will displace more people than first thought, protestors take to the streets and the lives of several individuals begin to interlock. A nurse on the brink of an affair. A boy who follows a stray dog out of the city. A woman who lies dying. And her husband, a marksman: a man forged by his past and fearful of the future, who weighs in his hands the possibility of death... Views: 541
Marim, a young Tessilar, travels to Cynnes Tarth and meets a boy whose life she can save only by uncovering the long forgotten secret of the island's magic.Cynnes Tarth has a secret. The people have forgotten what lies within the fog, but they do remember to be careful. Don't let the children play too much in warmlake. Don't go into the forest. Most of all, don't show any interest in the brinlins that live among the reeds. But Marim, a young Tessilar stranded on the island, doesn't know the rules. In hopes of establishing herself as a healer, she agrees to see a boy who is wasting away no matter how much he eats. When she recognizes his affliction as magical in nature, she must deduce what no one can tell her if she hopes to save his life. Views: 541
A classic collection of Irish fairy tales and lore by Nobel Peace Prize-winning author and poet W. B. YeatsOriginally published as two separate volumes in 1800s, this premier collection of Irish stories edited and compiled W. B. Yeats is the perfect gift for any lover of Irish literature and folklore. The lyrical prose and rich cultural heritage of each tale will captivate and enchant readers of all ages and keep them entertained for hours on end.This volume contains more than seventy classic Irish stories, including timeless characters and mythology passed down for generations such as:The Trooping FairiesChangelingsTir-na-n-ógThe LepracaunThe Kildare PookaHow Thomas Connolly met the BansheeAnd many more! Views: 541
Kundera's essay has been written like a novel. In the course of nine separate sections, the same characters meet and cross paths with each other. Stravinsky and Kafka with their odd friends Ansermet and Brod; Hemingway with his biographer; Janácek with his little nation; and Rabelais with his heirs - the great novelists.In the light of their wisdom this book examines some of the great situations of our time. The moral trial of the twentieth century's art, from Celine to Mayakovsky; the passage of time which blurs the boundaries between the 'I' of the present day and the 'I' of the past; modesty as an essential concept in an age based on the individual and indiscretion which, as it becomes the habit and the norm, heralds the twilight of individualism; the testaments, the betrayed testaments - of Europe, of art, of the art of the novel and of artists. Views: 540
After seventeen-year-old Russell Whitford confronts and kills a rabid dog, he seeks to prevent the news from reaching the dog's owner, whose hair-trigger temper is well-known in the small town of Riley, AlabamaAfter seventeen-year-old Russell Whitford confronts and kills a rabid dog, he seeks to prevent the news from reaching the dog's owner, whose hair-trigger temper is well-known in the small town of Riley, Alabama. Russell can count on silence from two of the three witnesses who watched him hack Hector Graham's Bloodhound to death, but the third, Michael O'Brien, isn't like the other two. His allegiance isn't as fixed as Russell would like it to be.When the Centers for Disease Control arrive in town, and dogs begin running away, and gun shots start ringing out in the dead of night, Russell's summer goes from bad to worse. All he wants to do is play his piano and guitar, maybe walk his dog every now and then, not have the weight of the universe hoisted upon his shoulders. Views: 540
A Princess on her own . . .
Mia has been invited to speak at a gala for Domina Rei, an elite society of powerful businesswomen. But what could she possibly have to say? Michael has broken up with her, her bff Lilly won't speak to her, and her parents are forcing her to see a therapist. Even J.P.'s efforts to cheer Mia up (he's being really sweet ) aren't helping.
Just when things couldn't get worse, Mia discovers a long--forgotten diary of a teenage princess of Genovia. It could be just the inspiration Mia needs to write her speech--but what it reveals might change everything. Views: 540
These four Stefan Zweig stories newly translated by the award-winning Anthea Bell, are among his most celebrated and compelling work. The titular tale is a devastating depiction of unrequited love, which inspired a classic Hollywood film, directed by Max Ophüls and starring Joane Fontaine.
Elsewhere in the collection, a young man mistakes the girl he loves for her sister, two erstwhile lovers meet after an age spent apart, and a married woman repays a debt of gratitude to her childhood sweetheart. Expertly paced, laced with the acutely accurate psychological detail and empathy that are Zweig's trademarks, this is a powerful addition to Pushkin's growing collection of his work. Views: 540
