Cecile, a beautiful young window, falls in love with a notorious womanizer, and for that reason must endure intense suffering and pain in the midst of polite society. Ecstasy’s tranquil setting in late 19th-century Holland belies the stormy waters in which Cecile finds herself, as she abandons herself to love – to thwarted and unspoken passion. Views: 10
By the award-winning author of A History of Reading"For me, words on a page give the world coherence--Words tell us what we, as a society, believe the world to be--I believe there is an ethic of reading--a commitment that is both political and private in the act of turning the pages. And I believe that sometimes, beyond the author's intentions and beyond the reader's hopes, a book can make us better and wiser."Through personal stories and literary reflections, in a style rich in humour and gentle erudition, Manguel leads us, the readers, to reflect upon the pleasures and responsibilities of reading, and the links that exist between the world we live in, and the words we live amongst. Into the Looking-Glass Wood is a voyage into the subversive heart of words - a voyage fired by the author's humanity and extraordinary breadth of vision.From the Trade Paperback edition. Views: 10
He underestimated me. The girl with the red hair and green eyes. But I also underestimated him. We’re both good at what we do. Together, we’re unstoppable. But I’ll have to be careful. Last time I played him and he's not going to take the betrayal lightly. I'll have to watch my back... and my heart. Views: 10
Moving from fable and historical fiction to contemporary realism, this book of stories from Barry Lopez is erotic and wise, full of irresistible characters doing things they shouldn't do for reasons that are mysterious and irreducible. In "The Letters of Heaven," a packet of recently discovered 17th-century Peruvian love letters presents a 20th-century man with the paralyzing choice of either protecting or exposing their stunning secret. When some young boys on the lookout for easy money get caught with a truckload of stolen horses, thievery quickly turns into redemption. For a group of convicts, a gathering of birds in the prison yard may be the key to transcendence, both figurative and literal. And, with the title story, Lopez enters a territory of unmitigated evil reminiscent of Conrad. Here are saints who shouldn't touch, but do; sinners who insist on the life of the spirit; a postcard paradise that turns into nightmare.Light Action in the Caribbean has... Views: 10
The classic ghost story by Susan Hill: a chilling tale about a menacing spectre haunting a small English town.Arthur Kipps is an up-and-coming London solicitor who is sent to Crythin Gifford--a faraway town in the windswept salt marshes beyond Nine Lives Causeway--to attend the funeral and settle the affairs of a client, Mrs. Alice Drablow of Eel Marsh House. Mrs. Drablow's house stands at the end of the causeway, wreathed in fog and mystery, but Kipps is unaware of the tragic secrets that lie hidden behind its sheltered windows. The routine business trip he anticipated quickly takes a horrifying turn when he finds himself haunted by a series of mysterious sounds and images--a rocking chair in a deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and, most terrifying of all, a ghostly woman dressed all in black. Psychologically terrifying and deliciously eerie, The Woman in Black is a remarkable thriller of the first rate. Views: 10
From Publishers WeeklyIf there still remains any doubt, this novel confirms Lethem's status as the poet of Brooklyn and of motherless boys. Projected through the prism of race relations, black music and pop art, Lethem's stunning, disturbing and authoritatively observed narrative covers three decades of turbulent events on Dean Street, Brooklyn. When Abraham and Rachel Ebdus arrive there in the early 1970s, they are among the first whites to venture into a mainly black neighborhood that is just beginning to be called Boerum Hill. Abraham is a painter who abandons his craft to construct tiny, virtually indistinguishable movie frames in which nothing happens. Ex-hippie Rachel, a misguided liberal who will soon abandon her family, insists on sending their son, Dylan, to public school, where he stands out like a white flag. Desperately lonely, regularly attacked and abused by the black kids ("yoked," in the parlance), Dylan is saved by his unlikely friendship with his neighbor Mingus Rude, the son of a once-famous black singer, Barnett Rude Jr., who is now into cocaine and rage at the world. The story of Dylan and Mingus, both motherless boys, is one of loyalty and betrayal, and eventually different paths in life. Dylan will become a music journalist, and Mingus, for all his intelligence, kindness, verbal virtuosity and courage, will wind up behind bars. Meanwhile, the plot manages to encompass pop music from punk rock to rap, avant-garde art, graffiti, drug use, gentrification, the New York prison system-and to sing a vibrant, sometimes heartbreaking ballad of Brooklyn throughout. Lethem seems to have devoured the '70s, '80s and '90s-inhaled them whole-and he reproduces them faithfully on the page, in prose as supple as silk and as bright, explosive and illuminating as fireworks. Scary and funny and seriously surreal, the novel hurtles on a trajectory that feels inevitable. By the time Dylan begins to break out of the fortress of solitude that has been his life, readers have shared his pain and understood his dreams.Copyright 2003 Reed Business Information, Inc. FromDylan Ebdus is a white kid on a black-and-brown street. As he struggles through public school in 1970s Brooklyn, he is "yoked"--put in a headlock--and frisked for change on a daily basis. Testing into a good Manhattan school, he steps into a long-lasting role: vulnerable among street kids, he's street-smart compared to his new, privileged pals, and loathes himself as a poseur with both crowds. When he finds a ring that grants the power of flight, he's afraid to use it, but his black friend, Mingus, is not. They try their hand at crime fighting, but like many teenage endeavors, the project fizzles out. Lethem is a tremendous writer, and in the first half he uses magnificent language to capture the complexity of a child's worldview. When he jump-cuts to Dylan's adulthood, however, his switch to a more conventional narrative style is disappointing. The story regains momentum when Dylan rediscovers the ring and a new power it offers, then returns to his old street and ponders a sacrifice: whether to give the ring to the boy who yoked him the most. Lethem explores many avenues: the origins of gentrification, the development of soul music, the genealogy of graffiti, the seeds of the crack epidemic. The different concepts converge in the closing pages, but this often-excellent novel labors under the weight of its ambition. Keir GraffCopyright © American Library Association. All rights reserved Views: 10
In this novel Burroughs focuses on another a younger member of the family established by John Carter and Dejah Thoris, protagonists of the first three books in the series. The heroine this time is their daughter Tara, princess of Helium, whose hand is sought by the gallant Gahan, Jed (prince) of Gathol. Both Helium and Gathol are prominent Barsoomian city states. Views: 10
