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A Love That Destroyed Time

A surprise pregnancy. A hidden father hiding as a guard. An oncoming war.To save his peaceful race, a king abuses the trust of his Protector. With treason over his head, the Protector watches over the mother of his children without sharing his secret.Ezra is one of the few pure ones left. After her life is ruined after one night, her old friend comes back to take care of her. Uneasy, yet delighted at the same time, a new bond occurs between them.But allies have left in great numbers, and events overshadow the inevitable end. Could one pregnancy make a difference, or is everyone doomed to become a soulless pink-eyed rat tail?
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Every Woman for Herself

Charlotte—Charlie—Rhymer's husband wants a divorce. Charlie isn't sure what she wants, but after the incident with the frying pan, even she has to concede that their differences may be irreconcilable after all. Returning home to her native Yorkshire and the bosom of her family seemed like a good idea at the time. Even if Charlie's father has never quite forgiven Charlie or her siblings (Anne, Emily and Branwell) for failing to live up to their more literary (as in Bronte) namesakes.Upvale Parsonage, the family home to which Charlie has retreated, is presided over by her sister Em. Em's hobbies are composing inspirational verses, dabbling in the Ancient Black Arts, and fighting off the incursions of Father's latest mistress. When the current mistress actually moves in, family loyalties are sorely tried. Still, Charlie is determined to bounce back from disaster and strike a blow for deserted older wives everywhere. But when she meets brooding actor Mace...
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Soulless: The Story of Shayan (Prequel to The Soul Quest Trilogy)

What could make a spirit fall from Arcadia, defy his creator and turn his back on his spiritual companions? Shayan, the Oracle of Humanity, has done the unthinkable. Learn what ails Shayan and has led to his evil descention into darkness. Shayan's quest to rule the world has prompted the inevitability of many of the worlds most horrific and historical disasters.
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A Clockwork Orange (UK Version)

In Anthony Burgess’s A Clockwork Orange, Burgess creates a gloomy future full of violence, rape and destruction. In this dystopian novel, Burgess does a fantastic job of constantly changing the readers’ allegiance toward the books narrator and main character, Alex. Writing in a foreign language, Burgess makes the reader feel like an outsider. As the novel begins, the reader has no emotional connection to Alex. This non-emotional state comes to a sudden halt when Alex and his droogs begin a series of merciless acts of violence. The reader rapidly begins to form what seems to be an irreversible hatred toward the books narrator. However, as time progresses, Burgess cleverly changes the tone of his novel. Once wishing only the harshest punishments be bestowed upon him, it is these same punishments that begin to change how the reader feels. In fact, by the end of the book, one almost begins to have pity for Alex. The same character that was once hated soon emerges as one of many victims taken throughout the course of the book. Throughout Alex’s narration, Burgess manages to change the readers’ allegiance toward a once seemingly evil character. Alex is the type of character one loves to hate; he makes it all too easy to dislike him. He is a brutal, violent, teenage criminal with no place in society. His one and only role is to create chaos, which he does too well. Alex’s violent nature is first witnessed during the first chapter, and is soon seen again when Alex and his gang chose to brutally beat an innocent drunkard. This beating off the homeless man serves no purpose other then to amuse Alex’s gang. The acts committed were not performed for revenge, the one reason given was that Alex did not enjoy seeing a homeless drunk, “I could never stand to see a moodge all filthy and rolling and burping and drunk, whatever his age might be, but more especially when he was real starry like this one was”. Alex continues to explain his reason for dislike, “his platties were a disgrace, all creased and untidy and covered in cal”, from this explanation one realizes his reasons for nearly killing a man are simply based on pleasure, desire, and a dislike toward the untidy. By the end of the second chapter Burgess’s inventive usage of a different language to keep the reader alienated from forming opinions about Alex ceases to work. At this point in time Alex’s true nature is revealed, and not even his unfamiliar Nadsat language can save him from being strongly disliked by the reader. The more the reader learns of Alex, the more and more he is disliked; Alex’s relationship with his parents only builds on ones already negative opinions toward Alex. Coming from a normal family and a sturdy household free of domestic violence, there is no excuse for Alex’s violent nature. In fact, Alex’s loving parents are just as baffled by his immoral personality as the reader, although because of their naivete, they know much less of what he does. This leaves the reader uninformed and wondering: why is Alex the way he is? Fortunately, just as one begins to question Alex’s motives, Alex gives an answer, “badness is of the self, the one…is not our modern history, my brothers the story of brave malenky selves fighting these big machines? I am serious with you, brothers, over this. But what I do I do because I like to do”. He could not have explained it more clearly. While from one point of view Alex visions himself as a revolutionary, even simpler then that, he is basically admitting he commits violent acts because he enjoys doing so. Later in the book Alex offers another solution for his violent nature, “Being young is like being one of these malenky machines…and so it would itty on to like the end of the world”. These malenky machines he is referring to are very similar to the clockwork orange Burgess talks to in his introduction. Whatever reasons he gives, none of them are valid enough to prevent the reader from hating Alex. In spite of all the hatred aimed toward Alex at this point, seemingly it is not enough to prevent the pity one begins to feel when Alex is abandoned by his “droogs”. Knowing he is the leader of his group, Alex constantly gives orders to his gang. Unfortunately it is due to his tendency to need leadership that a quarrel begins with his gang. After settling the original dispute that arises, Alex and his “droogs” are not so successful at ending their second squabble. Framed by his friends, Alex is arrested while they run away. Furthermore, he is beaten by the police, and sentenced to fourteen years of jail. It only takes two of them for the reader to realize the difficulties that Alex is living through. Throughout the first part of the book, there is in fact only one sign that Alex is not utterly evil, that being his music. Along with his abandonment from friends, it is the music that Burgess uses to help change the readers opinion, and eventually to have pity toward his young antagonist. As the reader continues to pry deeper into Alex’s life it is shocking to learn of the music he listens to, it is because of this music and the actions taken against him that one truly begins to feel sorry for Burgess’s little Alex. The music that Alex chooses to listen is very ironic. While it causes him to do evil things, the fact remains that he listens to normal music, one of the first things he is not disliked for, “lying there on my bed with glazzies tight shut and rookers behind my gulliver, I broke and spattered and cried aaaaaaah with the bliss of it". His particular interest in Ludwig Van arises during one of his sessions while undergoing Ludivico’s Technique. Upon hearing what he perceives to be heavenly music Alex cry’s out about the injustice in the procedure, “I don’t mind about the ultra-violence and all that cal. I can put up with that. But it’s not fair on the music”. It is during this same treatment that the reader really begins to feel sympathy toward him. Striped of his ability to choose right from wrong, and now the same clockwork orange that F. Alexander earlier told him about, Alex becomes one of the governments’ machines. Forced to do exactly what they want him to, become their “true Christian”, Alex poses the question to his doctors, “How about me? Where do I come into all this? Am I like just some animal or dog…am I to be just like a clockwork orange?” Alex is all alone in the world, no longer capable of performing cruel deeds, he is denied by all whom he once knew. The same character one used to wish the harshest punishment upon received it, and when he got it, it becomes strikingly evident that it was much more then even the worst person would ever deserve. Burgess does a magical job at making the reader quickly forget the horrible deeds Alex once committed. Instead by making powerful moral statements, Burgess goes so far that the reader not only turns the other cheek toward Alex’s crimes, but also feels genuinely sorry for him. Alex may not be completely cured, but that is not the issue at hand. Through means of pity and by playing with the readers’ emotions throughout the book, during A Clockwork Orange, Burgess is constantly playing with the reader’s allegiances.
Views: 17

The Triplets' Cowboy Daddy

FROM CITY GIRL TO SINGLE MOM When Nora Carpenter becomes sole guardian of her triplet goddaughters, she needs backup—fast. So she heads home to the family ranch in Hope, Montana. But when she arrives, Nora learns that her great-grandparents' house now belongs to Easton Ross. Easton and Nora used to be friends, back when Easton was a lanky ranch hand who was always there for her. Now he's a rugged cowboy who hasn't forgiven her for leaving town. Easton lets Nora and the triplets bunk with him and can't help fall head over heels for the adorable babies. But Nora can't stay. For the triplets, living in Hope would mean a lifetime of gossip. And Nora has to put her new daughters first, even if it breaks her own heart.
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Insatiable

Sick of hearing about vampires? So is Meena Harper. But her bosses are making her write about them anyway, even though Meena doesn't believe in them. Not that Meena isn't familiar with the supernatural. See, Meena Harper knows how you're going to die. (Not that you're going to believe her. No one ever does.) But not even Meena's precognition can prepare her for what happens when she meets – then makes the mistake of falling in love with – Lucien Antonescu, a modern-day prince with a bit of a dark side. It's a dark side a lot of people, like an ancient society of vampire hunters, would prefer to see him dead for. The problem is, Lucien's already dead. Maybe that's why he's the first guy Meena's ever met whom she could see herself having a future with. See, while Meena's always been able to see everyone else's future, she's never been able look into her own. And while Lucien seems like everything Meena has ever dreamed of in a boyfriend, he might turn out to be more like a nightmare. Now might be a good time for Meena to start learning to predict her own future… If she even has one.
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One Child

The birth of one child forever changed the world two thousand years ago. On a snowy Christmas night in Lancaster County, another child changes the world for two very different couples.
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Chance Developments

Inspired by vintage photographs, these five lyrical stories capture the surprising intersections of love and friendship that alter life's journeys. Charming and poignant, they are a testament to the power of human connection, and brim with a grace and humor that could come only from the pen of Alexander McCall Smith.(With black-and-white photographs throughout.)From the Hardcover edition.
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When All Else Fails

Out and proud Andrea Slade carries around doubts soul deep, her family and job have taught her hard lessons about love. When she meets Eva Lange and starts working with the beautiful, curvy woman, she wants things to be different. Although, she settles for being her friend and boss.As time passes, Andrea finds it's not an ideal situation, but she tricks herself into thinking that it's for the best. That is until the sexy, femme fatale shows up in her office one day in a figure-hugging outfit with plans for seduction.Full-figured Eva is in touch with her body, embraces the curves, but part of her looks at successful and gorgeous Andrea and decides friends is better than a failed love affair with the somewhat jaded and commitment-phobic divorce attorney. That is, until she decides to take what she wants.Despite scars and insecurities, when all else fails, there's love.
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Shell Collector

A remarkable collection of stories from a young American writer of huge potential: 'A show-stopping debut, as close to faultless as any writer could wish for' Los Angeles Times 'His fingers dug the shell up, he felt the sleek egg of its body, the toothy gap of its aperture. It was the most elegant thing he'd ever held. "That's a mouse cowry," the doctor said. "A lovely find. It has brown spots, and darker stripes at its base, like tiger stripes. You can't see it, can you?" But he could. He'd never seen anything so clearly in his life.' In this assured, exquisite debut, Anthony Doerr takes readers from the African coast to the suburbs of Ohio, from sideshow pageantry to harsh wilderness survival, conjuring nature in both its beautiful abundance and its crushing power. The blind hero of the title story spends his days roaming the beaches of Kenya, his fingers ploughing through sandy granules of grace and intrigue, his German shepherd at his side. And then there are whale-watchers and fishermen, hunters and mystics, living lives uncompleted or undone, caught, memorably, as they turn toward the reader. A natural storyteller, Doerr explores the human dilemma in all its manifestations: longing, grief, indecision, heartbreak and slow, slow recuperation. Shimmering with elegance and invention, The Shell Collector is an enchanting and imaginative book by a young writer just setting off on what will surely be a hugely compelling literary odyssey.
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Talking to Animals

New York Times bestselling author Jon Katz offers us a deeper understanding of the inner and outer lives of animals and teaches us how we can more effectively communicate with them, made real by his own remarkable research and experiences with a wide array of creatures great and small.Eighty years ago, in 1928, author and naturalist Henry Beston issued an important call in his beloved book Outermost House: humans must develop a more intuitive understanding of animals. But despite the book's continued popularity, Beston's call was never truly answered. We seem to need animals in our disconnected lives more and more, yet we understand them less and less. In Talking to Animals, New York Times bestselling author Jon Katz—who left his Manhattan life behind two decades ago for life on a farm where he is surrounded by dogs, cats, sheep, horses, cows, goats, and chickens—marshals his experience to offer us a deeper insight into animals...
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10th Anniversary wmc-10

Detective Lindsay Boxer's long-awaited wedding celebration becomes a distant memory when she is called to investigate a horrendous crime: a badly injured teenage girl is left for dead, and her newborn baby is nowhere to be found. Lindsay discovers that not only is there no trace of the criminals - but that the victim may be keeping secrets.  At the same time, Assistant District Attorney Yuki Castellano is prosecuting the biggest case of her life - a woman who has been accused of murdering her husband in front of her two young children. Yuki's career rests on a guilty verdict, so when Lindsay finds evidence that could save the defendant, she is forced to choose. Should she trust her best friend or follow her instinct?  Lindsay's every move is watched by her new boss, Lieutenant Jackson Brady, and when the pressure to find the baby starts interfering with her new marriage to Joe, she wonders if she'll ever be able to start a family of her own.
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Little Egypt (Salt Modern Fiction)

Little Egypt was once a well-to-do country house in the north of England. Now it’s derelict and trapped on a small island of land between a railway, a dual carriageway and a superstore, and although it looks deserted it isn’t. Nonagenarian twins, Isis and Osiris, still live in the home they were born in, and from which in the 1920s their obsessive Egyptologist parents left them to search for the fabled tomb of Herihor – a search from which they never returned. Isis and Osiris have stayed in the house, guarding a terrible secret, for all their long lives until chance meeting between Isis and young American anarchist Spike, sparks an unlikely friendship and proves a catalyst for change.
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