Middle-aged, lazy, and out of shape, spellsinger Jon-Tom attempts to break out of domestic drudgery with one last great adventure Jon-Tom and Mudge are bored. Their adventuring days long behind them, the spellsinger and his once-thieving otter sidekick have settled into a life of tepid domesticity, and they are sick of it. They hunger for an old-fashioned adventure, but there are no more great evils to combat. And so they decide to follow the music. Literally. A drifting cloud of lost chords has taken to floating around Jon-Tom, and following it puts them on the trail of an evil that terrifies the spellsinger. Something is stealing music. Finding out who, and why, is responsible for the silencing of the instruments will put Jon-Tom and Mudge into great peril, at the hands of a selfish elephant, a greedy black bear, and a whirlpool with a filthy sense of humor. Seeking adventure, they've stumbled into one turn that may turn out to be their last. Views: 125
Hap and Leonard investigate a racially motivated murder that threatens to tear apart their East Texas town.While Hap, a former 60s activist and self-proclaimed white trash rebel, is recovering from a life-threatening stab wound, Louise Elton comes into Hap and Leonard's PI office to tell him that the police have killed her son, Jamar. Months earlier, a bully cop pulled over and sexually harassed Jamar's sister, Charm. The officer followed Charm over the course of the next couple of months, leading Jamar to videotape and take notes on the cop and his partner. The next thing Louise hears, Jamar got in a fight and is killed in the projects by local hoods. It doesn't add up: he was a straight A student, destined for better things, until he began to ask too many questions about the racist police force. Leonard, a tough black gay Vietnam vet and Republican, joins Hap in the investigation, and they stumble upon the racial divides that have shaped... Views: 125
PRODUCT DESCRIPTION For Stanley, the earthquake is a heaven-sent opportunity. Just before it struck, he was ogling Sheila, a female jogger, and that's not all he'd like to do to her. Now the city lies in ruins, and Sheila lies trapped and naked in her bathtub. Can her husband make it to her before Stanley does?*** From Publishers Weekly In this above-average disaster thriller, Sheila Banner is looking forward to a long, relaxing bath when a massive earthquake hits southern California, trapping her in the tub, naked but intact under two fallen beams. Meanwhile, Sheila's husband, Clint, is stranded at work, his car sitting behind a pair of powerless electronic security gates, while their daughter, Barbara, along with three classmates, is caught in a speeding car with a panicky teacher at the wheel. Through alternating chapters, Laymon (Savage) tells these three tales of survival in his customary speedy, whip-lean prose, eschewing descriptions of fallen bridges and highways to focus on the disintegration of humanity, the violence and predation unleashed by the quake. The imagery is graphic-roving gangs stripping and mutilating the bodies of the living as well as the dead-but, as in the best of Laymon's work, like The Stake, there's an edge of black humor to the proceedings, a faint cackle in the background. Still, this is strong, disturbing fare, not for the thin-skinned.*** From Library Journal Stanley Banks is not the neighbor one would want when Los Angeles is hit by "the Big One," the earthquake that destroys the sprawling city. In the quake's aftermath, the thin veneer that keeps the savages civilized crumbles almost as fast as the real estate. The Banner family is scattered when it hits, and Sheila Banner is trapped in a tub under the wreckage of her house when Stanley, her psychopathic admirer, finds her. Meanwhile, Clint and daughter Barbara are separately struggling to get home to Sheila, walking through Los Angeles while fleeing and fighting gangs that rob, rape, murder, and mutilate. Laymon (Savage, LJ 12/93) expertly lays on the horror here, and at times his Los Angeles seems to have been invaded by aliens, so quickly have the residents turned savage. Horror fans will find this hard to put down. Strongly recommended for public libraries.*** From Booklist Anarchy reigns supreme and altruism is obsolete in Laymon's novel about "the big one." The book opens minutes before an earthquake hits Southern California with the force of an atom bomb. We often hear heartwarming tales of neighbors reaching out to each other and communities pulling together in the wake of sudden disaster. Concentrating on one family, the Banners, whose members are caught on opposite sides of the city by their daily routines, Laymon throws all that out the window, portraying instead a world where normal people become panicked maniacs, perverts find the opportunities to act out their fantasies, and the stable and sane find it increasingly difficult to stay that way. Laymon writes well enough to maintain interest in the fates of the characters, and all the jumping back and forth among the separate Banners' various venues isn't as distracting as you might think. All in all, horror and suspense fans will be satisfied. Views: 124
In the third special "power play" edition, readers must choose the right power objects to bring to the creepiest show on Earth—or risk becoming a real sideshow freak! Views: 124
Craig's the new kid in school. Everyone in town thinks he's a big hero. But the school bullies aren't convinced. They're going to run a little test involving--for starters--a jar filled with tarantulas. Views: 124
