The Black Joke is a rousing sea story in the tradition of the great classic pirate tales. The time is the 1930s. The loot is bootleg liquor, not pirate gold. And the ship is the “Black Joke,” the speediest, nimblest craft on the Newfoundland coast – Jonathon Spence, owner and master. An unwelcome passenger enmeshes the boat and her crew (young Peter and Kye) in danger and near destruction…until the fiercely independent people of the island of Miquelon are caught up in the fate of the “Black Joke” and the cargo aboard her.
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An extraordinary first novel, hailed as one of the great, authentic novels of the Vietnam War, from the bestselling author of Forrest Gump. 1966: Billy Kahn finds himself Executive Officer of Bravo Company, responsible for leading over 100 young men into combat--and drawn into an impassable moral quagmire that could mean his downfall . . . or his redemption.
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"A SURPRISINGLY FRESH AND TREMENDOUSLY THOROUGH CONTRIBUTION to the debate...Weir's book is, no doubt, not the last on this subject, but it might be the best....[She] constructs a devastating case...[and] brilliantly illuminates the nature of late-medieval political power." --The Boston Globe Despite five centuries of investigation by historians, the sinister deaths of the boy king Edward V and his younger brother Richard, Duke of York, remain two of the most fascinating murder mysteries in English history. Did Richard III really kill "the Princes in the Tower," as is commonly believed, or was the murderer someone else entirely? Carefully examining every shred of contemporary evidence as well as dozens of modern accounts, English historian Alison Weir reconstructs the entire chain of events leading to the double murder. We are witnesses to the rivalry, ambition, intrigue, and struggle for power that culminated in the imprisonment of the prince and the hushed-up murders that secured Richard's claim to the throne as Richard III. A masterpiece of historical research and a riveting story of conspiracy and deception, The Princes in the Tower at last provides a solution to this age-old puzzle. "Weir takes on this delicious mystery with a fearsome vengeance. The result is a fascinating and completely credible account." --Milwaukee Journal "Did Richard III do in his nephews or didn't he? How much of the evil-uncle legend was later Tudor propaganda and how much was true?...This is exciting reading." --The Denver Post "A fascinating historical whodunit in which truth is more sordid than fiction." --Kirkus Reviews A MAIN SELECTION OF THE BOOK-OF-THE-MONTH CLUB
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In this exciting story Conan is a mercenary soldier searching for the the treasure of a lost city. After fighting and overcoming several perils, both natural and supernatural, he finds that some things are more valuable than a casket of jewels.
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Shadows in Zamboula is a story in the Conan series which is set over one night in a city filled with cannibals. Robert Ervin Howard was born in Peaster, Texas in 1906. During his youth, his family moved between a variety of Texan boomtowns, and Howard - a bookish and somewhat introverted child - was steeped in the violent myths and legends of the Old South. At fifteen Howard began to read the pulp magazines of the day, and to write more seriously. Howard's most famous character, Conan the Cimmerian, was a barbarian-turned-King during the Hyborian Age, a mythical period of some 12,000 years ago. Conan featured in seventeen Weird Tales stories between 1933 and 1936 which is why Howard is now regarded as having spawned the 'sword and sorcery' genre. The Conan stories have since been adapted many times, most famously in the series of films starring Arnold Schwarzenegger.
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The Snake delves deeper into New York Times bestselling author Michael Grant's world of harsh justice. Fans of Stephen King will be mesmerized by this chilling yet deeply thought-provoking horror story.
The Messenger and Mara witness a crime. Someone is dead. Someone has to pay. But when they travel back through space and time to uncover the truth, they come to learn that two people had wicked intentions. They had seen an act of revenge. In a twisted web of lust and vengeance, only Mara, as Messenger's apprentice, can decide who will play a game for redemption.
Two wrongs don't make a right. . . . Only one will pay the ultimate price.
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When a young strikingly handsome photographer mysteriously disappears, it's up to Inspector Alan Grant to discover whether he accidentally drowned, committed suicide, or met his death at the hands of one of his many female admirers.
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The second novel in Chinua Achebe’s masterful African trilogy, following Things Fall Apart and preceding *No Longer at Ease
When Things Fall Apart ends, colonial rule has been introduced to Umuofia, and the character of the nation, its values, freedoms, religious and socio-political foundations have substantially and irrevocably been altered. Arrow of God, the second novel in Chinua Achebe’s The African Trilogy, moves the historical narrative forward. This time, the action revolves around Ezeulu, the headstrong chief priest of the god Ulu, which is worshipped by the six villages of Umuaro. The novel is a meditation on the nature, uses, and responsibility of power and leadership. Ezeulu finds that his authority is increasingly under threat from rivals within his nation and functionaries of the newly established British colonial government. Yet he sees himself as untouchable. He is forced, with tragic consequences, to reconcile conflicting impulses in his own nature—a need to serve the protecting deity of his Umuaro people; a desire to retain control over their religious observances; and a need to gain increased personal power by pushing his authority to the limits. He ultimately fails as he leads his people to their own destruction, and consequently, his personal tragedy arises. Arrow of God* is an unforgettable portrayal of the loss of faith, and the downfall of a man in a society forever altered by colonialism.
*Praise for Arrow of God
***"My favorite novel." —Chimamanda Ngozi Adichie
Praise for Chinua Achebe
“A magical writer—one of the greatest of the twentieth century.” —Margaret Atwood
“African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison
“Chinua Achebe is gloriously gifted with the magic of an ebullient, generous, great talent.” —Nadine Gordimer
“Achebe’s influence should go on and on . . . teaching and reminding that all humankind is one.” —The Nation
“The father of African literature in the English language and undoubtedly one of the most important writers of the second half of the twentieth century.” —Caryl Phillips, The Observer
“We are indebted to Achebe for reminding us that art has social and moral dimension—a truth often obscured.” —Chicago Tribune
“He is one of the few writers of our time who has touched us with a code of values that will never be ironic.” —Michael Ondaatje
“For so many readers around the world, it is Chinua Achebe who opened up the magic casements of African fiction.” —Kwame Anthony Appiah
“[Achebe] is one of world literature’s great humane voices.” —Times Literary Supplement
“Achebe is one of the most distinguished artists to emerge from the West African cultural renaissance of the post-war world.” —The Sunday Times (London)
“[Achebe is] a powerful voice for cultural decolonization.” —The Village Voice
“Chinua Achebe has shown that a mind that observes clearly but feels deeply enough to afford laughter may be more wise than all the politicians and journalists.” —Time
“The power and majesty of Chinua Achebe’s work has, literally, opened the world to generations of readers. He is an ambassador of art, and a profound recorder of the human condition.” —Michael Dorris
From the Publisher
Set in the Ibo heartland of eastern Nigeria, one of Africa's best-known writers describes the conflict between old and new in its most poignant aspect: the personal struggle between father and son.
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The Story of Civilization, with its tenth volume, Rousseau and Revolution. Around the towering and perplexing personality of Rousseau who set spinning the whirlpool of ideology, both Left and Right, the authors recreate in vivid narrative style the growth of eighteenth century intellectual, moral and political dissent, the summit and decline of autocratic rule, religious disenchantment and democratic stirrings, ""the role of genius in history, of man versus the mass and the state""--in short, that great and continuing debate of which we are now the troubled heirs. The gallery swells with figures as important as the star performer himself: Goethe, Johnson, Voltaire, Catherine and Frederick, Mozart, Kant, Reynolds. The military exploits, the elegance and corruption of court life, the diversity of cultural, economic, and social events, the prejudices and mores of the entire European scene--surely it is a measure of the Durants' comprehensive mastery that so vast a panorama has been handled with so many splendidly interwoven episodes, judicious portraits, and contemporary ramifications.
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Timothy Egan describes his journeys in the Pacific Northwest through visits to salmon fisheries, redwood forests and the manicured English gardens of Vancouver. Here is a blend of history, anthropology and politics.
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Simon Winchester, struck by a sudden need to discover exactly what was left of the British Empire, set out across the globe to visit the far-flung islands that are all that remain of what once made Britain great. He traveled 100,000 miles back and forth, from Antarctica to the Caribbean, from the Mediterranean to the Far East, to capture a last glint of imperial glory.
His adventures in these distant and forgotten ends of the earth make compelling, often funny reading and tell a story most of us had thought was over: a tale of the last outposts in Britain's imperial career and those who keep the flag flying.
With a new introduction, this updated edition tells us what has happened to these extraordinary places while the author's been away.
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Celebrated historian Winston Groom tells the intertwined and uniquely American tales of George Patton, Douglas MacArthur, and George Marshall - from the World War I battle that shaped them to their greatest victory: leading the allies to victory in World War II. These three remarkable men-of-arms who rose from the gruesome hell of the First World War to become the finest generals of their generation during World War II redefined America's ideas of military leadership and brought forth a new generation of American soldier. Their efforts revealed to the world the grit and determination that would become synonymous with America in the post-war years.
Filled with novel-worthy twists and turns, and set against the backdrop of the most dramatic moments of the twentieth century, The Generals is a powerful, action-packed book filled with marvelous surprises and insights into the lives of America's most celebrated warriors.
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Over the past two decades, Antony Beevor has established himself as one of the world's premier historians of WWII. His multi-award winning books have included Stalingrad and The Fall of Berlin 1945. Now, in his newest and most ambitious book, he turns his focus to one of the bloodiest and most tragic events of the twentieth century, the Second World War.
In this searing narrative that takes us from Hitler's invasion of Poland on September 1st, 1939 to V-J day on August 14th, 1945 and the war's aftermath, Beevor describes the conflict and its global reach--one that included every major power. The result is a dramatic and breathtaking single-volume history that provides a remarkably intimate account of the war that, more than any other, still commands attention and an audience.
Thrillingly written and brilliantly researched, Beevor's grand and provocative account is destined to become the definitive work on this complex, tragic, and endlessly fascinating period in world history, and confirms once more that he is a military historian of the first rank.
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He won his fame--and his freedom--in the gory pits of Rome's Colosseum. Yet the greatest challenge for once-legendary gladiator Caros Viriathos comes to him through a slave. His slave, the beautiful and mysterious Pelonia Valeria. Her secret brings danger to his household but offers Caros a love like he's never known....
Should anyone learn she is a Christian, Pelonia will be executed. Her faith threatens not only herself, but her master. Can she convince a man who found fame through unforgiving brutality to show mercy? And when she's ultimately given the choice, will Pelonia choose freedom or the love of a gladiator?
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The Greater Journey is the enthralling, inspiring - and until now, untold - story of the adventurous American artists, writers, doctors, politicians, architects, and others of high aspiration who set off for Paris in the years between 1830 and 1900, ambitious to excel in their work.
After risking the hazardous journey across the Atlantic, these Americans embarked on a greater journey in the City of Light. Most had never left home, never experienced a different culture. None had any guarantee of success. That they achieved so much for themselves and their country profoundly altered American history. As David McCullough writes, "Not all pioneers went west." Elizabeth Blackwell, the first female doctor in America, was one of this intrepid band. Another was Charles Sumner, who enrolled at the Sorbonne because of a burning desire to know more about everything. There he saw black students with the same ambition he had, and when he returned home, he would become the most powerful, unyielding voice for abolition in the U.S. Senate, almost at the cost of his life.
Two staunch friends, James Fenimore Cooper and Samuel F. B. Morse, worked unrelentingly every day in Paris, Cooper writing and Morse painting what would be his masterpiece. From something he saw in France, Morse would also bring home his momentous idea for the telegraph.
Pianist Louis Moreau Gottschalk from New Orleans launched his spectacular career performing in Paris at age 15. George P. A. Healy, who had almost no money and little education, took the gamble of a lifetime and with no prospects whatsoever in Paris became one of the most celebrated portrait painters of the day. His subjects included Abraham Lincoln.
Medical student Oliver Wendell Holmes wrote home of his toil and the exhilaration in "being at the center of things" in what was then the medical capital of the world. From all they learned in Paris, Holmes and his fellow "medicals" were to exert lasting influence on the profession of medicine in the United States.
Writers Ralph Waldo Emerson, Nathaniel Hawthorne, Mark Twain, and Henry James were all "discovering" Paris, marveling at the treasures in the Louvre, or out with the Sunday throngs strolling the city's boulevards and gardens. "At last I have come into a dreamland," wrote Harriet Beecher Stowe, seeking escape from the notoriety Uncle Tom's Cabin had brought her. Almost forgotten today, the heroic American ambassador Elihu Washburne bravely remained at his post through the Franco-Prussian War, the long Siege of Paris and even more atrocious nightmare of the Commune. His vivid account in his diary of the starvation and suffering endured by the people of Paris (drawn on here for the first time) is one readers will never forget. The genius of sculptor Augustus Saint-Gaudens, the son of an immigrant shoemaker, and of painters Mary Cassatt and John Singer Sargent, three of the greatest American artists ever, would flourish in Paris, inspired by the examples of brilliant French masters, and by Paris itself.
Nearly all of these Americans, whatever their troubles learning French, their spells of homesickness, and their suffering in the raw cold winters by the Seine, spent many of the happiest days and nights of their lives in Paris. McCullough tells this sweeping, fascinating story with power and intimacy, bringing us into the lives of remarkable men and women who, in Saint-Gaudens's phrase, longed "to soar into the blue." The Greater Journey is itself a masterpiece.
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