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Birmingham, almost a decade after the end of the Great War, and the women of Lilac Street have had more than their fair share of troubles... Rose Southgate is trapped, bringing up her daughter in a loveless marriage. Shy and isolated, she tries to make the best of her life, until she meets a man who changes everything. Jen Green is desperately struggling to make ends meet, with a sick husband, and five children to support. Aggie, her eldest daughter, is twelve years old and longs for excitement. But she finds that prying into the adult world shows her more than she had bargained for. And Phyllis Taylor is a widow who has managed to put a dark and traumatic past behind her. The return of Phyllis daughter Dolly, harbouring a secret of her own, threatens to overturn the life Phyllis has built and reveal everything she has fought to hide for so long. These women, along with their neighbours, find strength in friendship, as they discover that... Views: 41
A Child's Only Hope When widower Nathan Porter brings his grieving son, Zach, to Wyndermere House's camp, he is desperate for a lifeline. Nathan's hoping the change of scenery to the woods of upstate New York will help mend his son's heart. But the counselor assigned to his son's care seems too young--and too pretty--to be qualified. Paige McFarlane's learned what loving someone--and losing them--costs. But soon her efforts with Zach reveal that to help the son she must also help the dad. As Nathan and Paige work together to mend the boy's broken spirit, they realize the walls around their own hearts could be crumbling, as well.When widower Nathan Porter brings his grieving son, Zach, to Wyndermere House's camp, he is desperate for a lifeline. Nathan's hoping the change of scenery to the woods of upstate New York will help mend his son's heart. But the counselor assigned to his son's care seems too young--and too pretty-- to be qualified. Paige McFarlane's... Views: 41
The toast of London is about to get burned. Priscilla Tate, most celebrated debutante of 1815 London, is determined to make a brilliant match to save the family fortunes. She's well on her way to wringing a proposal out of the Season's most eligible bachelor, the Duke of Rottenford, when blackmail notes start arriving, threatening to expose a dark secret unless she ceases her pursuit. It's up to her dear friends, Lady Emily Southwell and Ariadne and Daphne Courdebas, to help her uncover the mastermind before disaster strikes. But more than one secret is waiting to be revealed, not the least of which is Priscilla's growing feelings for a most unlikely ally, Nathan Kent, the duke's personal secretary. But will Nathan, no, no, the duke, understand if her secret should be revealed? This clean romantic mystery set in the Regency period features kisses only.Praise for Art and Artifice, the previous book in the series:"A charming, expertly crafted traditional Regency romance."—The... Views: 41
In 1863, Natchez, Mississippi, peacefully surrendered to the Union Army - but not everyone surrendered peacefully, especially not Shaelyn Cavanaugh. With both her brother and her intended off to war, her home, Magnolia House, and her beloved steamboats are taken over by Major Harte and his small contingent of men. Shae will use every mischievous weapon at her disposal to show Major Harte he has chosen unwisely. She begins by putting vinegar in his coffee.But instead of being upset with his doctored drink and later molasses in his boots, Major Remy Harte is intrigued. Actually, he finds Shae�s attempts to make him leave her home amusing and he doesn�t feel slighted in the least. What the major does feel is a growing attraction, one that Shae shares as well, despite the fact she is a spoken for woman of the South and he is most definitely an available man from the North. Making circumstances worse, Shae is accused of espionage and they are ultimately betrayed - by one of... Views: 41
A National Poetry Series winner, chosen by Edward Sanders.“What power. Smith’s poetry is all poetry. And visceral. Her poems get under the skin of their subjects. Their passion and empathy, their real worldliness, are blockbuster.”—Marvin Bell“I was weeping for the beauty of poetry when I reached the end of the final poem.”—Edward Sanders, National Poetry Series judgeFrom Lollapalooza to Carnegie Hall, Patricia Smith has taken the stage as this nation’s premier performance poet. Featured in the film Slamnation and on the HBO series Def Poetry Jam, Smith is back with her first book in over a decade—a National Poetry Series winner weaving passionate, bluesy narratives into an empowering, finely tuned cele-bration of poetry’s liberating power.From Publishers WeeklyStarred Review. Smith appears to be that rarest of creatures, a charismatic slam and performance poet whose artistry truly survives on the printed page. Present at the creation of the slam in early-'80s Chicago and included in seminal films and anthologies, Smith (Big Towns, Big Talk, 1992) receded from the scene in recent years after her career as a newspaper journalist ended in scandal. This National Poetry Series–winning volume marks a triumphal return, showing an energetic writer with four urgent subjects. She depicts endangered children. She celebrates sex and sexuality, from the public display of celebrities to the power of the female orgasm: "Don't hate me because I'm multiple." She considers the heritage of black American art, in musical performance and in writing. Finally, she describes the experience of performance itself, with all its pride and embarrassment: "Angry, jubilant, weeping poets... we are all/ saviors, reluctant hosannas in the limelight." Several poems also animate the troubled lives of famous blues singers; elsewhere, a mother considers how her incarcerated son became a "jailhouse scribe." A superb variety of lines and forms—short and long, hesitant and rapid-fire—gives the book additional depth. Smith even offers fine advice: "Breathe/ like your living depends on it." (Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Review"[A] rich, dense feast of poetry."—Hazel and Wren “Smith appears to be that rarest of creatures, a charismatic slam and performance poet whose artistry truly survives on the printed page. Present at the creation of the slam in early-’80s Chicago and included in seminal films and anthologies, Smith (Big Towns, Big Talk, 1992) receded from the scene in recent years after her career as a newspaper journalist ended in scandal. This National Poetry Series–winning volume marks a triumphal return, showing an energetic writer with four urgent subjects. She depicts endangered children. She celebrates sex and sexuality, from the public display of celebrities to the power of the female orgasm: ‘Don’t hate me because I’m multiple.’ She considers the heritage of black American art, in musical performance and in writing. Finally, she describes the experience of performance itself, with all its pride and embarrassment: ‘Angry, jubilant, weeping poets… we are all/ saviors, reluctant hosannas in the limelight.’ Several poems also animate the troubled lives of famous blues singers; elsewhere, a mother considers how her incarcerated son became a ‘jailhouse scribe.’ A superb variety of lines and forms—short and long, hesitant and rapid-fire—gives the book additional depth. Smith even offers fine advice: ‘Breathe/ like your living depends on it.’” —Publishers Weekly (starred review) “Smith writes the way Tina Turner sings.” —E. Ethelbert Miller “Teahouse of the Almighty is searing, honest, well-crafted, and full of the real world transformed by Patricia Smith’s fine ear for nuance and the shaking of the soul’s duties. I was weeping for the beauty of poetry when I reached the end of the final poem.”—Edward Sanders, National Poetry Series judge “What power. Smith’s poetry is all poetry. And visceral. Her poems get under the skin of their subjects. Their passion and empathy, their real worldliness, are blockbuster.” —Marvin Bell “Not many poets will make you laugh out loud, grow uneasily warm with the recognition of self, sit riveted by the sheer shock of contending with human suffering, and feel as if you are alone with her as she tells her stories. But not many poets are Patricia Smith and not many books are as delightful and moving as her splendid Teahouse of the Almighty. Her secret is an absolute comfort in her own voice—her poems arrive with assurance and force.” —Kwame Dawes “These poems are so fierce and tender, so unflinching, so loud and exquisite, so carefully crafted, so important, so right-on. They can make you gasp, rage, weep, belly-laugh, throw your arms open to them and the worlds they contain, push away or punch at the wrongs they chronicle. They bear such terrible beauty. Brava to Miss Patricia Smith, who pulls poems from the center of the earth.” —Elizabeth Alexander Views: 40
It's 1948. The war is over but there is still tension in Germany. The allied forces have been divided by politics and economics. Now there is a new enemy is lurking on the horizon... Charlie thought he'd done his part for the war effort and could enjoy peacetime with a bit of grace. Having a job with a commercial airline means he can do what he does best, but without getting shot at. Or so he thinks. When the situation in Berlin between the allies and the Russian forces begins to escalate – every company with aircraft and able pilots is pulled back to the action. Plane after plane is flown into Germany making essential drops of food and medicine to help the starving populace survive. Charlie has a girl in each airport and a scheme in every country. But when the people he loves are threatened by the effects of the blockade he must take a desperate chance to smuggle them out of the country... Views: 40
If you haven't read Cat Sebastian, what are you waiting for?"—Lorraine Heath, New York Times bestselling author Once beloved by London's fashionable elite, Hartley Sedgwick has become a recluse after a spate of salacious gossip exposed his most-private secrets. Rarely venturing from the house whose inheritance is a daily reminder of his downfall, he's captivated by the exceedingly handsome man who seeks to rob him.Since retiring from the boxing ring, Sam Fox has made his pub, The Bell, into a haven for those in his Free Black community. But when his best friend Kate implores him to find and destroy a scandalously revealing painting of her, he agrees. Sam would do anything to protect those he loves, even if it means stealing from a wealthy gentleman. But when he encounters Hartley, he soon finds himself wanting to steal more than just a painting from the lovely, lonely man—he wants to steal his heart. Views: 40
