Joyce Radway walks out on her cousins and into a graveyard cover-up. But will the men trailing her ruin all chances of a new life? Views: 92
SUMMARY: It's 1978, and Ave Maria Mulligan is the thirty-five-year-old self-proclaimed spinster of Big Stone Gap, a sleepy hamlet in the Blue Ridge Mountains of Virginia. She's also the local pharmacist, the co-captain of the Rescue Squad, and the director of The Trail of the Lonesome Pine, the town's long-running Outdoor Drama. Ave Maria is content with her life of doing errands and negotiating small details-until she discovers a skeleton in her family's formerly tidy closet that completely unravels her quiet, conventional life. Suddenly, she finds herself juggling two marriage proposals, conducting a no-holds-barred family feud, planning a life-changing journey to the Old Country, and helping her best friend, the high-school band director, design a halftime show to dazzle Elizabeth Taylor, the violet-eyed Hollywood movie star who's coming through town on a campaign stump with her husband, senatorial candidate John Warner.Filled with big-time eccentrics and small-town shenanigans, Big Stone Gap is a jewel box of original characters, including sexpot Bookmobile librarian Iva Lou Wade; Fleeta Mullins, the chain-smoking pharmacy cashier with a penchant for professional wrestling; the dashing visionary Theodore Tipton; Elmo Gaspar, the snake-handling preacher; Jack MacChesney, a coal-mining bachelor looking for true love; and Pearl Grimes, a shy mountain girl on the verge of a miraculous transformation. Comic and compassionate, Big Stone Gap is is the story of a woman who thinks life has passed her by, only to learn that the best is yet to come. Views: 92
"An American epic in the truest sense...Blake humanely but grippingly explores the heart of a country whose past is based in prejudice." —Entertainment WeeklyThe thought-provoking new novel by New York Times bestselling author Sarah BlakeA lifetime of secrets. A history untold.No. It is a simple word, uttered on a summer porch in 1936. And it will haunt Kitty Milton for the rest of her life. Kitty and her husband, Ogden, are both from families considered the backbone of the country. But this refusal will come to be Kitty's defining moment, and its consequences will ripple through the Milton family for generations. For while they summer on their island in Maine, anchored as they are to the way things have always been, the winds of change are beginning to stir.In 1959 New York City, two strangers enter the Miltons' circle. One captures the attention of Kitty's daughter, while the... Views: 92
Nau cannot remember a time when she was not one with the world around her: with the fast breeze, the green grass, the high clouds, and the endless blue sky above the Shingled Spit. But her greatest joy is to visit the sea, where whales gather every morning to gaily spout rainbows. Then, one day, she finds a man in the mist where a whale should be: Reu, who has taken human form out of his Great Love for her. Together these first humans become parents to two whales, and then to mankind. Even after Reu dies, Nau continues on, sharing her story of brotherhood between the two species. But as these origins grow more distant, the old woman's tales are subsumed into myth—and her descendants turn increasingly bent on parading their dominance over the natural world. Buoyantly translated into English for the first time by Ilona Yazhbin Chavasse, this new entry in the Seedbank series is at once a vibrant retelling of the origin story of the Chukchi, a timely parable about the... Views: 92
Memorial Day, 1938: New York socialite Lily Dane has just returned with her family to the idyllic oceanfront community of Seaview, Rhode Island, expecting another placid summer season among the familiar traditions and friendships that sustained her after heartbreak. That is, until Greenwalds decide to take up residence in Seaview.Nick and Budgie Greenwald are an unwelcome specter from Lily’s past: her former best friend and her former fiancé, now recently married—an event that set off a wildfire of gossip among the elite of Seaview, who have summered together for generations. Budgie’s arrival to restore her family’s old house puts her once more in the center of the community’s social scene, and she insinuates herself back into Lily's friendship with an overpowering talent for seduction...and an alluring acquaintance from their college days, Yankees pitcher Graham Pendleton. But the ties that bind Lily to Nick are too strong and intricate to ignore, and the two are drawn back into long-buried dreams, despite their uneasy secrets and many emotional obligations. Under the scorching summer sun, the unexpected truth of Budgie and Nick’s marriage bubbles to the surface, and as a cataclysmic hurricane barrels unseen up the Atlantic and into New England, Lily and Nick must confront an emotional cyclone of their own, which will change their worlds forever.Review Praise for *A Hundred Summers*“[A] fast-paced love story…the scorching sun illuminates a friend’s betrayal and reignites a romance.” — O, The Oprah Magazine“Perfect for fans of the Gossip Girl series.” — People“Summer of 1938: A scandalous love triangle and a famous hurricane converge in a New England beach community. Add in a betrayal between friends, a marriage for money, and a Yankee pitcher, and it’s a perfect storm.” —Good Housekeeping“A candidate for this year’s big beach read.” —Kirkus“Novels as masterfully done as A Hundred Summers come along only about that often. Beatriz Williams delivers an intricately woven tale of friendship, betrayal, old families, and closely guarded secrets. It is what every beach book should aspire to be – smart and engrossing.”—Elin Hilderbrand, author of Beautiful Day and the bestselling Summerland"Smart, delicious writing... Williams adds a signature touch of historic drama." —Library Journal "Williams' sweeping saga of betrayal, sacrifice, and redemption trenchantly examines the often duplicitous nature of female friendships and family friendships." —BooklistA Hundred Summers sparkles like the New England summer sun. A brilliantly told tale of love lost and found, of friendship, and of family ties that strangle… Definitely a book for my keeper shelf.—Karen White New York Times-bestselling author of Sea ChangeAbout the AuthorBeatriz Williams lives with her husband and children in Greenwich, Connecticut. She is the author of Overseas. Views: 92
Fifteen-year-old Virginia Shreves has a larger-than-average body and a plus-size inferiority complex, especially when she compares herself to her slim, brilliant, picture-perfect family. But that's before a shocking phone call—and a horrifying allegation—about her rugby-star brother changes everything. With irreverent humor and surprising gravity, Carolyn Mackler creates an endearingly blunt heroine who speaks to every teen who struggles with family expectations, and proves that the most impressive achievement is to be true to yourself. Views: 92
A story that will make you question everything you thought you knew about love and hate. I don't believe in fairy-tales and Prince Charming. I believe in fear. He taught me how to be afraid. We first met on a playground during a wonderful summer day. It was the first time he hurt me and it wasn't the last. For ten years he's been my tormentor and I've been his forbidden. But then he went away and yet I was still afraid. Now he's back and wants more than just my tears. You see...he thinks I sent him away so now he wants revenge...and he knows just how to get it. Views: 92
Lucia is one of the great comic characters in English literature. Outrageously pretentious, hypocritical and snobbish, Queen Lucia, as by right divine rules over the toy kingdom of Riseholme based on the Cotswold village of Broadway. Her long-suffering husband Pepino is her prince-consort, the outrageously camp Georgie is her gentleman-in-waiting, the village green is her parliament, and her subjects, such as Daisy Quantock, are hapless would-be Bolsheviks. In Lucia in London, the prudish, manically ambitious Lucia launches herself into the louche world of London society. Her earnest determination to learn all about modern movements makes her the perfect comic vehicle for Benson s free-wheeling satire of salon society, and of the dominant fads and movements of the 1920s, including vegetarianism, yoga, palmistry, Freudianism, séances, Post-Impressionist art and Christian Science. Meanwhile in Tilling, clearly modelled on Benson s home town of Rye, Miss Mapp consumed by chronic rage and curiosity sits at her window, armed with her light-opera glasses keeping baleful watch on her neighbours. Anger and the gravest suspicions about everybody had kept her young and on the boil : and Benson transmutes her boiling into a series of small humiliations in his witty, malicious comedy. In his insightful Introduction Keith Carabine shows that these books are excruciatingly funny because Benson, like Jane Austen, invites the reader to view the world through the self-deluded fabrications and day-dreams of Lucia and the self-deluded chronic anger and jaundiced suspicions of Elisabeth. Carabine also concentrates on the novels disturbing, bitchy, camp humour whenever that horrid thing which Freud calls sex is raised.The last three wonderful comic novels drolly record the battle between Lucia and Elisabeth Mapp for social and cultural supremacy in the village of Tilling (based on Rye). Their constant skirmishes ensure that every game of bridge, tea or dinner-party, church service, council meeting or art exhibition are thrilling encounters that ensure Tilling is always on a very agreeable rack of suspense . Both Elisabeth and Lucia are gross hypocrites, snobs and bullies, the huge differences in temperament and style ensure the battle is usually unequal. Elisabeth is incurably mean-spirited and Lucia suffers from splendid delusions of grandeur and personal prestige. Driven by demons of revenge, Elisabeth always acts impulsively, and therefore every revelation of her meanness allows Lucia, the consummate actress, to kill her ally with a sickening kindness. In his insightful Introduction Keith Carabine shows that these books are excruciatingly funny because Benson, like Jane Austen, invites the reader to view the world through the self-deluded chronic anger and jaundiced suspicions of Elisabeth and through the self-deluded fabrications and day-dreams of Lucia. Carabine also concentrates on the novels disturbing, bitchy, camp humour whenever that horrid thing which Freud calls sex is raised. Views: 92
When his attempts to get to know his dying father fail, William Bloom makes up stories that recreate his father's life in heroic proportions.Amazon.com ReviewIn Big Fish, Daniel Wallace angles in search of a father and hooks instead a fictional debut as winning as any this year. From his son's standpoint, Edward Bloom leaves much to be desired. He was never around when William was growing up; he eludes serious questions with a string of tall tales and jokes. This is subject matter as old as the hills, but Wallace's take is nothing if not original. Desperate to know his father before he dies, William recreates his father's life as the stuff of legend itself. In chapters titled "In Which He Speaks to Animals," "How He Tamed the Giant," "His Immortality," and the like, Edward Bloom walks miles through a blizzard, charms the socks off a giant, even runs so fast that "he could arrive in a place before setting out to get there." In between these heroic episodes, Bloom dies not once but four times, working subtle variations on a single scene in which he counters his son's questions with stories--some of which are actually very witty, indeed. After all, he admits, "...if I shared my doubts with you, about God and love and life and death, that's all you'd have: a bunch of doubts. But now, see, you've got all these great jokes." The structure is a clever conceit, and the end product is both funny and wise. At the heart of both legends and death scenes live the same age-old questions: Who are you? What matters to you? Was I a good father? Was I a good son? In mapping the territory where myth meets everyday life, Wallace plunges straight through to fatherhood's archaic and mysterious heart. --Mary ParkFrom Publishers Weekly"People mess things up, forget and remember all the wrong things. What's left is fiction," writes Wallace in his refreshing, original debut, which ignores the conventional retelling of the events and minutiae of a life and gets right to the poetry of a son's feelings for and memories of his father. William Bloom's father, Edward, is dying. He dies in fact in four different takes, all of which have William and his mother waiting outside a bedroom door as the family doctor tells them it's time to say their goodbyes. He intersperses the four takes with stories (all filtered through William's mind and voice) about the elusive Edward, who spent long periods of time on the road away from home and admitted once to his son that he had yearned to be a great man. The father and son deathbed conversations have son William playing earnest straight man, while his father is full of witticisms and jokes. In a plainspoken style dotted with transcendent passages, Wallace mixes the mundane and the mythical. His chapters have the transformative quality of fable and fairy tale, and the novel's roomy structure allows the mystery and lyricism of the story to coalesce. Agent, Joe Regal; author tour. (Oct.) FYI: Wallace is an illustrator who designs T-shirts, refrigerator magnets and greeting cards.Copyright 1998 Reed Business Information, Inc. Views: 92
