Richmond Noir

The River City emerges as a hot spot for unseemly noir. Brand-new stories by: Dean King, Laura Browder, Howard Owen, Yazmina Beverly, Tom De Haven, X.C. Atkins, Meagan J. Saunders, Anne Thomas Soffee, Clint McCown, Conrad Ashley Persons, Clay McLeod Chapman, Pir Rothenberg, David L. Robbins, Hermine Pinson, and Dennis Danvers. FROM THE INTRODUCTION TO RICHMOND NOIR: "In The Air-Conditioned Nightmare, Henry Miller tosses off a hard-bitten assessment of the City on the James: 'I would rather die in Richmond somehow,' he writes, 'though God knows Richmond has little enough to offer.' As editors, we like the dying part, and might point out that in its long history, Richmond, Virginia has offered up many of the disparate elements crucial to meaty noir. The city was born amid deception, conspiracy, and violence . . . "These days, Richmond is a city of winter balls and garden parties on soft summer evenings, a city of private clubs where white-haired old gentlemen, with their martinis or mint juleps in hand, still genuflect in front of portraits of Robert E. Lee. It's also a city of brutal crime scenes and drug corners and okay-everybody-go-on-home-there's-nothing-more-to-see. It's a city of world-class ad agencies and law firms, a city of the FFV (First Families of Virginia) and a city of immigrants--from India, Vietnam, and Africa to Massachusetts, New York, and New Jersey. It's a city of finicky manners (you mustn't ever sneeze publicly in Richmond) and old-time neighborliness, and it's a city where you think twice about giving somebody the finger if they cut you off on the Powhite Parkway (that's pronounced Pow-hite, not Po-white, thank you very much) because you might get your head blown off by the shotgun on the rack . . ."
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Thank You, Jeeves

When Bertie insists upon playing the banjolele, to the distress of his neighbors and his impeccable valet Jeeves, Jeeves is forced to take drastic action. He leaves B.'s service. But Bertie is entirely dedicated to his art, and decides to rent one of his friend Lord Chuffnell's cottages so as to pursue his banjolele studies away from the madding (and maddened) crowd... only to learn that Jeeves has taken employment as Chuffy's valet at Chuffnell Hall. Right-ho, then. There is the usual romantic imbroglio; a former fiancée of Bertie's, Pauline Stoker, enters the picture as Chuffy's guest while her father, the American millionaire J. Washburn Stoker, considers the purchase of Chuffnell Hall. Of course Pauline and Chuffy proceed to fall madly in love, and when they fall out, it's up to Bertie to set things to rights again.
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04-Mary Poppins in the Park

From the moment Mary Poppins arrives at Number Seventeen Cherry-Tree Lane, everyday life at the Banks house is forever changed. This classic series tells the story of the world's most beloved nanny, who brings enchantment and excitement with her everywhere she goes. Featuring the charming original cover art by Mary Shepard, these new editions are sure to delight readers of all ages.Only the incomparable Mary Poppins can lead the Banks children on one marvelous adventure after another. Together they meet the Goosegirl and the Swineherd, argue with talking cats on a distant planet, make the acquaintance of the folks who live under dandelions, and celebrate a birthday by dancing with their own shadows. And that’s just for starters!Review"As good as ever, and that's very good."--Providence Sunday-JournalReview"As good as ever, and that's very good."--Providence Sunday-Journal
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The Lover

After twenty years of contentedly playing the role of home-maker and mother, Frances Copeland's life is shattered by the sudden death of her husband. With no career to fall back on and her son and daughter leaving home, the solitude of bereavement hits particularly hard. When new love beckons, in the form of a handsome young man fifteen years her junior, Frances is torn. She longs to open her heart again but does not dare to trust her feelings. Turning to her closest friends for help, she is met by a wall of judgemental attitudes and envy. Distracted by the predicament, her fragile confidence wavering, she fails to observe the crises spiralling out of control in the lives of her two children. A sudden tragic accident brings her to her senses, but it may already be too late. Not even the strongest love cannot sit around for ever.
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Disney Fairies: Four Clues for Rani

For two weeks, Pixie Hollow has been in a terrible dry spell. Everyone is frazzled, especially Rani and the other the water-talent fairies. When the dry spell finally ends, Queen Clarion decides it's time for a treat-a fairy treasure hunt! But on the day of the treasure hunt, Rani wakes up late. Her friends all have partners already, so Rani is stuck with the slowest-moving sparrow man around. To make things worse, she has a bet with Vidia. If Vidia finishes before her, Rani will have to do whatever the fast-flying fairy wants. This is one contest Rani can't let herself lose!
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The Custom of the Country

Edith Wharton’s lacerating satire on marriage and materialism in turn-of-the-century New York features her most selfish, ruthless, and irresistibly outrageous female character.Undine Spragg is an exquisitely beautiful but ferociously acquisitive young woman from the Midwest who comes to New York to seek her fortune. She achieves her social ambitions—but only at the highest cost to her family, her admirers, and her several husbands. Wharton lavished on Undine an imaginative energy that suggests she was as fascinated as she was appalled by the alluring monster she had created. It is the complexity of her attitude that makes The Custom of the Country—with its rich social and emotional detail and its headlong narrative power—one of the most fully realized and resonant of her works.Review"Edith Wharton's finest achievement."--Elizabeth Hardwick About the AuthorEdith Wharton (1862-1937) was born into high society in New York City. After divorcing her husband in 1913 she took up permanent residence in France. Her many stories and novels were critical successes as well as bestsellers and she won the Pulitzer Prize for The Age of Innocence in 1921.
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