Amazon.com ReviewFor the MacDonalds, the past is not a foreign country. This Cape Breton clan may have lived in the New World since 1779, when Calum Ruadh ("the red Calum") and his wife, 12 children, and dog landed. Scotland, however, remains their true home. So profound is their connection to their lost land that on brief visits they find themselves welcomed by strangers. When one descendent tells a Scotswoman that she's from Canada, she is offered a gentle rejoinder: "That may be.... But you are really from here. You have just been away for a while." In some ways this is unsurprising, since the MacDonalds either have deep black hair or their ancestor's coloring. And those with the latter have "eyes that were so dark as to be beyond brown and almost in the region of glowing black. Such individuals would manifest themselves as strikingly unfamiliar to some, and as eerily familiar to others." Another sport of nature? Many are fraternal twins, including Alistair MacLeod's narrator, Alexander, and his sister.But No Great Mischief is far more than the straightforward saga of one family over the generations. Instead the author has created a painfully beautiful myth in which the long-ago is in many ways more present than modern existence. Even in the last decades of the 20th century, the MacDonalds fall into Gaelic--its inflections, rhythms, and song--with deep nostalgia. This is a family that is used to composing itself in the face of disaster. They often assure one another, "My hope is constant in thee," and in the light of their many losses, the clan must cling to its motto. No Great Mischief begins with Alexander's visit to Toronto, where his eldest brother now subsists on a diet of drink and memories. The narrator, a successful orthodontist, doesn't have much to do with the former but is unable (or unwilling) to escape the latter. As the novel proceeds, Alexander fills in his family history, including such key episodes as his great-great-grandfather's self-exile from Scotland. Though Calum Ruadh had intended to leave his dog behind, it broke away and tried to catch up with him. MacLeod piercingly captures the animal's struggle as her master first tries to make her head for shore and then--realizing she won't desert him--spurs her on. Throughout No Great Mischief various people recall this incident, an emblem of intensity, hope, and dependence. A descendant of the bitch is also on hand when Alexander's parents and one of his brothers disappear under the ice on a cold spring night. She persists in searching for her people and tries to protect their lighthouse from the new keeper, receiving in return "four bullets into her loyal waiting heart." When Alexander's grandfather hears of her death, he uses a phrase that becomes one of the book's litanies, "It was in those dogs to care too much and to try too hard." This is a MacDonald characteristic as well. A good deal of No Great Mischief's strength stems from scenes of longing and despair--for those who die for a lost cause, whether in 1692 when one leader is killed ("the redness of his hair dyed forever brighter by the crimson of his blood") or in an Ontario uranium mine where one brother is decapitated. MacLeod evokes his clan, and the elemental beauty of their landscape, in quiet, precise language that gains power with each repetition. (A sentence such as "All of us are better when we're loved" comes to acquire a near proverbial ring.) If he occasionally tips his hand too much, pressing home his point that present-day prosperity isn't all it's cracked up to be, no matter. I doubt that this inspired and elegiac novel will ever leave those who are lucky enough to read it--proving after all the persistence of the clann Chalum Ruaidh. --Kerry FriedFrom Publishers WeeklyMacLeod, a Canadian of Scottish lineage, has earned a sterling reputation north of the border based on two collections of stories (Barometer Rising; As Birds Bring Forth the Sun), and with his first novel he will only add to that acclaim. Already a bestseller in Canada, No Great Mischief (the title comes from General Wolfe's callous reaction to the death of Highlanders enlisted in Britain's efforts to wrestle Canada from France--"No great mischief if they fall") tells the sprawling story of one Scottish clan, the MacDonalds, who come to Cape Breton from Scotland in the 18th century and struggle valiantly to maintain their pride and identity up through the end of the millennium. The narrative is in the hands of a rather staid Ontario orthodontist, Alexander MacDonald, who comes to Toronto to aid his alcoholic older brother, Calum, who is down on his luck in a shabby rooming house and in need of company and a supply of liquor. The two will eventually drive to their beloved Cape Breton where the family patriarch is buried at the edge of a cliff, and along the way the family saga is relived, retold, recast. Alexander, it turns out, was orphaned at age three, along with his twin sister, when both parents fell through the ice when returning to the lighthouse where Alex's father was the keeper. His three much older brothers were already on their own, fishing off the Breton coast, tangling with French-Canadians in mineral mines, drinking hard in bunkhouses, while the twins are raised in relative comfort by doting grandparents. Calum, who seems to carry the legacy of the original Calum MacDonald (who lost his wife on the voyage from Scotland in 1779, leaving him with six children, to which he would add six more), is the dark light, like a bottle of whiskey, through which MacLeod's account is refracted. What emanates is a loving retrieval of a people's native strategy of survival through history and across a changing landscape. Though at times the narrative is confusing, it is cannily so: there are three Alexander MacDonalds to keep track of; there are familial ties that seem filial, then avuncular and then estranged. But the overall effect is authenticity, and the lack of irony is as bracing as the cold spray of the North Atlantic. (May) Copyright 2000 Reed Business Information, Inc. Views: 61
From Ross Raisin, the massively acclaimed author of God's Own Country and one of the best young British novelists today, comes Waterline, a devastating and definitive novel of our times.Mick Little used to be a shipbuilder on the Glasgow yards. But as they closed one after another down the river, the search for work took him and his beloved wife Cathy to Australia, and back again, struggling for a living, longing for home. Thirty years later the yards are nearly all gone and Cathy is dead. And now Mick will have to find a new way to live: to get away, start again, and try to deal with the guilt he feels over her death. In Waterline, Ross Raisin brings vividly to life the story of an ordinary man caught between the loss of a great love and the hard edges of modern existence.'A poignant, shocking, cunningly crafted classic ... the definitive novel for our times' Scotsman'Heartbreaking ... brilliant. There are rare novels that embed themselves in your sensibility so profoundly you can imagine conversations arising between characters that never occurred on the page . . . A work of grace: a human being rendered by a triumph of ventriloquism and empathy' Alan Warner, GuardianRoss Raisin was born in 1979 in West Yorkshire. His first novel, God's Own Country was published in 2008 and was shortlisted for nine literary awards including the Guardian First Book Award and the John Llewellyn Rhys Prize. In 2009 Ross Raisin was named the Sunday Times Young Writer of the Year. He lives in London. Views: 61
Outside of a dog, a book is man's best friend. Inside of a dog, it's too dark to read. Groucho MarxOutside of a Dog is the captivating account of twenty-five books drawn from the fields of literature, psychology and philosophy, and a memoir of a reading self.Tracing the formative role books have played in his life, Rick Gekoski trains the same ironic and analytic eye on these books and their authors as he does on himself. The result is unique: a sustained, witty book dedicated to the proposition that we are what we read. Outside of A Dog might be described as an intellectual bibliomemoir, except that the author regards the noun 'intellectual' as a term of abuse.Gekoski's twenty-five include: Dr. Seuss, Horton Hatches the Egg; Magnus Hirschfeld Sexual Anomalies and Perversions; Allen Ginsberg, Howl; J.D. Salinger, The Catcher in the Rye; T.S. Eliot, The Waste Land; Descartes,... Views: 61
In the Emma Lazarus retirement home in uptown Manhattan, the Jewish inmates embark on a chaotic, bitchy production of Hamlet. Comedy and tragedy combine as our hero, Otto Korner, directs his quirky, libidinous fellow residents in the play and looks back over his adventures in Germany, Zurich, (where he met Lenin and inadvertently invented Dada), Auschwitz and America. Winner of the National Jewish Book Award and finalist for the National Book Critics Circle Award. Views: 61
In this globetrotting adventure story, the villain Amir is very much the driving force that defines the narrative. Tess is a strong heroine who must deal with a fascinating and complicated man who is obsessed with her. Views: 61
THE SHADOWS OF HISTORY ARE THEIR HOME. THE BLOOD OF HUMANS IS THEIR SUSTENANCE. NOW THE FUTURE BELONGS TO THEM….
It began at the dawn of history, when a darkness rose from deep within an Egyptian tomb. For thousands of years — long before earth was plunged into an intergalactic battle for its survival — four deathless creatures sowed seeds of destruction and chaos. Surviving on the spilled blood of warriors and innocents from ancient Greece to the ashes of Nazi Germany, the creatures have played a role in conflicts great and small. Now, bound by their common ancestry, separated by their own devious ambitions, and armed with mankind's own modern tools of destruction, the deathless ones know that their time has come — and they have been called together by one brilliant leader. His name is Nosferatu. His vision is to become a god on earth. His ultimate weapon will be a Holy Grail, a force that no mortal man can defeat… but his deadliest enemy may be one of his own…. Views: 61
Sylvia Stanton has to wonder how every other man on campus can appreciate her except for that sorry, no-good Chad. After a bad decision on Sylvia's part, Chad is intent on making her pay for her indiscretion. Will Chad's actions on that traumatizing night pave the way for all of Sylvia's future relationships?
They're all the same-the Chads, the Peters, the Williams-and now there's Terrance. All Sylvia is looking for is a man that has some of the same qualities as her father. She isn't looking for drop-dead good looks or money. All she needs to be happy is a good, strong man who is intelligent, who will love her for the woman she is, and with whom she can grow old. After all, there are women who don't have half the charm and good looks that she has, and they're walking around arm in arm with some beautiful brothers. At least that's the way it seems on the outside looking in.
Sylvia would do anything to keep a man happy and satisfied. Yet here she is-stuck in Atlanta, still wishing and hoping. Will she ever find Mr. Right? Views: 61
Danielle Steel's dazzling new novel invites readers into the ultra-glamorous
world of a five-star New York hotel, and brings to vivid life the man who builds
it as his dream, the girl who grows up in its loving embrace, and the colorful
guests and staff who make its magic complete. HOTEL
VENDÔMEThe hotel was old, run-down. But to Swiss-born Hugues
Martin, a young, ambitious hotelier trained in the most illustrious European
traditions, it is a rough diamond, tucked away on a quiet, perfectly situated
Manhattan street. After begging and borrowing every penny he can scrape
together, Hugues purchases the building - and transforms it into one of the
world's finest luxury hotels.Under Hugues's tireless, exacting
supervision, the Hotel Vendôme is soon renowned for its elegance, its
efficiency, its unparalleled service and discretion - the ideal New York refuge
for the rich and famous, as well as a perfect home for Hugues's beautiful young
wife and their daughter. But when his wife runs off with a notorious rock star,
Hugues is suddenly a single parent to four-year-old Heloise - who will grow up
happily regardless, amid a fascinating milieu of celebrities, socialites,
politicians, world travelers, and the countless hotel employees who all adore
her.As the years pass, Hugues and the hotel are the center of Heloise's
life, a universe of unexpected mysteries and pleasures, crises and celebrations
that make every day magical. She longs to follow in her father's footsteps and
one day run the Vendôme with him. New challenges mark her way: an unexpected
romance for Hugues and her own journey to hotel school in Switzerland. The
lessons she has learned at her father's side, in their exciting
upstairs/downstairs world, will carry her through it all, as they illuminate a
story no reader will forget.Welcome to the Hotel Vendôme. Views: 61
