Harry White is a man haunted by a satyr's lust and an obsessive need for sin and retribution. The more Harry succeeds -- a good marriage, a good corporate job -- the more desperate he becomes, as a life of petty crime leads to fraud and murder and, eventually, to apocalyptic violence.
Author of the controversial cult classic, Last Exit to Brooklyn, Hubert Selby began as a writer of short fiction. He plunges the reader head-first into the densely realized worlds of his protagonists, in which the details of daily life rub shoulders with obsession and madness. Although fundamentally concerned with morality, Selby's own sense of humility prevents him from preaching. He offers instead a passionate empathy with the ordinary dreams and aspirations of his characters, a brilliant ear for the urban vernacular and for the voices of conscience and self-deceit that torment his characters.
For years, critics have acclaimed the power of James Lee Burke's writing, the luminosity of his prose, the psychological complexity of his characters, the richness of his landscapes. Over the course of twenty novels and one collection of short stories, he has developed a loyal and dedicated following among both critics and general readers. His thrillers, featuring either Louisiana cop Dave Robicheaux or Billy Bob Holland, a hardened Texas-based lawyer, have consistently appeared on national bestseller lists, making Burke one of America's most celebrated authors of crime fiction.
Now, in a startling and brilliantly successful departure, Burke has written a historical novel -- an epic story of love, hate, and survival set against the tumultuous background of the Civil War and Reconstruction.
At the center of the novel are James Lee Burke's own ancestors, Robert Perry, who comes from a slave-owning family of wealth and privilege, and Willie Burke, born of Irish immigrants, a poor boy who is as irreverent as he is brave and decent. Despite their personal and political conflicts with the issues of the time, both men join the Confederate Army, choosing to face ordeal by fire, yet determined not to back down in their commitment to their moral beliefs, to their friends, and to the abolitionist woman with whom both have become infatuated.
One of the most compelling characters in the story, and the catalyst for much of its drama, is Flower Jamison, a beautiful young black slave befriended, at great risk to himself, by Willie and owned by -- and fathered by, although he will not admit it -- Ira Jamison. Owner of Angola Plantation, Ira Jamison is a true son of the Old South and also a ruthless businessman, who, after the war, returns to the plantation and re-energizes it by transforming it into a penal colony, which houses prisoners he rents out as laborers to replace the slaves who have been emancipated.
Against all local law and customs, Flower learns from Willie to read and write, and receives the help and protection of Abigail Dowling, a Massachusetts abolitionist who had come south several years prior to help fight yellow fever and never left, and who has attracted the eye of both Willie and Robert Perry. These love affairs are not only fraught with danger, but compromised by the great and grim events of the Civil War and its aftermath.
As in all of Burke's writings, White Doves at Morning is full of wonderful, colorful, unforgettable villains. Some, like Clay Hatcher, are pure "white trash" (considered the lowest of the low, they were despised by the white ruling class and feared by former slaves). From their ranks came the most notorious of the vigilante groups, such as the Ku Klux Klan, the White League and the Knights of the White Camellia. Most villainous of all, though, are the petty and mean-minded Todd McCain, owner of New Iberia's hardware store, and the diabolically evil Rufus Atkins, former overseer of Angola Plantation and the man Jamison has placed in charge of his convict labor crews.
Rounding out this unforgettable cast of characters are Carrie LaRose, madam of New Iberia's house of ill repute, and her ship's-captain brother Jean-Jacques LaRose, Cajuns who assist Flower and Abigail in their struggle to help the blacks of the town.
With battle scenes at Shiloh and in the Shenandoah Valley of Virginia that no reader will ever forget, and set in a time of upheaval that affected all men and all women at all levels of society, White Doves at Morning is an epic worthy of America's most tragic conflict, as well as a book of substance, importance, and genuine originality, one that will undoubtedly come to be regarded as a masterpiece of historical fiction.
"The definition of an owl had always pleased him: a night bird of prey...sharp talons and soft plumage which permits noiseless flight...applied figuratively to a person of nocturnal habits. 'I am The Owl,' he would whisper to himself after he had selected his prey, 'and nighttime is my time.'"
Jean Sheridan, a college dean and prominent historian, sets out to her hometown in Cornwall-on- Hudson, New York, to attend the twenty-year reunion of alumni of Stonecroft Academy, where she is to be honored along with six other members of her class. There is, however, something uneasy in the air: one woman in the group about to be feted, Alison Kendall, a beautiful, high-powered Hollywood agent, died just a few days before, drowned in her pool during an early- morning swim, the fifth woman in the class whose life has come to a sudden, mysterious end.
Also adding to Jean's sense of unease is a taunting, anonymous fax she has just received, referring to her daughter, Lily, a child she had given up for adoption twenty years ago, the offspring of a romance between her and a West Point cadet killed in an accident a week before graduation. She had always kept the child's existence a secret, so who has found out? And why the implied threat now?
Struggling to conceal her fears, Jean arrives at the hotel where the reunion is being held. One by one she sees the other honorees, including Laura Wilcox, the class beauty, whose dazzling exterior belies the fact that her television career is sinking, and the four men who, like Jean, had spent four bitterly unhappy years at Stonecroft: Carter (formerly Howie) Stewart, an acerbic and successful playwright, once the class nerd; renowned child psychiatrist and talk-show celebrity Mark Fleischman, who has never been able to resolve the pain of his own adolescence; Gordon Amory, a media mogul, hardly recognizable as the awkward boy who was the butt of cruel jokes; Robby Brent, a popular comedian, whose caustic humor emanates from a childhood of rejection. Omnipresent is an old classmate, Jack Emerson, the chairman of the reunion, whose reasons for spearheading the event may be motivated by something other than class spirit.
At the award dinner, Jean is introduced to Sam Deegan, a detective obsessed for years by the unsolved murder of a young woman in Cornwall, who may also hold the key to the identity of the Stonecroft killer and the source of the anonymous threat to her child. She does not suspect that among the distinguished people she is greeting is The Owl, a murderer nearing the countdown on his mission of vengeance against the Stonecroft women who had mocked and humiliated him, with Jean his final intended victim.
In Nighttime Is My Time, Mary Higgins Clark creates a riveting novel of psychological suspense, penetrating behind the pervading façade of status and respectability to depict the mind of a killer.
Nancy Harmon long ago fled the heartbreak of her first marriage, the macabre deaths of her two little children, and the shocking charges against her. She changed her name, dyed her hair, and left California for the windswept peace of Cape Cod. Now remarried, she has two more beloved children, and the terrible pain has begun to heal -- until the morning when she looks in the backyard for her little boy and girl and finds only one red mitten. She knows that the nightmare is beginning again....
Harry Bosch is California's newest private investigator. He doesn't advertise, he doesn't have an office, and he's picky about who he works for, but it doesn't matter. His chops from thirty years with the LAPD speak for themselves.
Soon one of Southern California's biggest moguls comes calling. The reclusive billionaire is nearing the end of his life and is haunted by one regret. When he was young, he had a relationship with a Mexican girl, his great love. But soon after becoming pregnant, she disappeared. Did she have the baby? And if so, what happened to it?
Desperate to know whether he has an heir, the dying magnate hires Bosch, the only person he can trust. With such a vast fortune at stake, Harry realizes that his mission could be risky not only for himself but for the one he's seeking. But as he begins to uncover the haunting story--and finds uncanny links to his own past--he knows he cannot rest until he finds the truth.
At the same time, unable to leave cop work behind completely, he volunteers as an investigator for a tiny cash-strapped police department and finds himself tracking a serial rapist who is one of the most baffling and dangerous foes he has ever faced.
In this moving collection of short stories, James Lee Burke elegantly marries his flair for gripping storytelling with his lyrical writing style and complex, fascinating character portraits. The backdrop of the hurricane-ravaged Gulf Coast is a versatile setting for Burke's stories, which cover the scope of the human experience -- from love and sex to domestic abuse to war, death, and friendship.
I'm dreaming of the boy in the tree. I tell him stories. About the Jellicoe School and the Townies and the Cadets from a school in Sydney. I tell him about the war between us for territory. And I tell him about Hannah, who lives in the unfinished house by the river. Hannah, who is too young to be hiding away from the world. Hannah, who found me on the Jellicoe Road six years ago.
Taylor is leader of the boarders at the Jellicoe School. She has to keep the upper hand in the territory wars and deal with Jonah Griggs—the enigmatic leader of the cadets, and someone she thought she would never see again.
And now Hannah, the person Taylor had come to rely on, has disappeared. Taylor's only clue is a manuscript about five kids who lived in Jellicoe eighteen years ago. She needs to find out more, but this means confronting her own story, making sense of her strange, recurring dream, and finding her mother—who abandoned her on the Jellicoe Road.
The moving, joyous and brilliantly compelling new novel from the best-selling, multi-award-winning author of Looking for Alibrandi and Saving Francesca.
In Sloane’s world, true feelings are forbidden, teen suicide is an epidemic, and the only solution is The Program.
Sloane knows better than to cry in front of anyone. With suicide now an international epidemic, one outburst could land her in The Program, the only proven course of treatment. Sloane’s parents have already lost one child; Sloane knows they’ll do anything to keep her alive. She also knows that everyone who’s been through The Program returns as a blank slate. Because their depression is gone—but so are their memories.
Under constant surveillance at home and at school, Sloane puts on a brave face and keeps her feelings buried as deep as she can. The only person Sloane can be herself with is James. He’s promised to keep them both safe and out of treatment, and Sloane knows their love is strong enough to withstand anything. But despite the promises they made to each other, it’s getting harder to hide the truth. They are both growing weaker. Depression is setting in. And The Program is coming for them.
The 'Lincoln Lawyer' grapples with a haunting case in a gripping thriller from bestselling author Michael Connelly.
Mickey Haller gets the text 'Call me ASAP - 187', and the California penal code for murder immediately gets his attention.
Suddenly, Mickey's not just trying to get his client off a murder charge, but there is a more personal connection: the victim was Gloria Dayton - his own former client, a prostitute he thought he had rescued and put on the straight and narrow. Far from saving her, Haller may have been her downfall.
Haunted by the ghosts of his own past, and with his own guilt or redemption on the line, he desperately needs to find out who Gloria really was and who, ultimately, was responsible for her death.
Glenda Vaillot is at the local Christmas parade when her little boy is kidnapped. Hearing impaired, and counting only on Zufolo, her service dog, Glenda hunts down the kidnappers.Unwed Glenda Vaillot has been fighting for the custody of her son, Norbert since the day he was born, three years ago. The parents of Norbert’s father, now deceased, want custody of their grandson, trying to exploit the fact that Glenda is hearing impaired. With the complicity of a disbarred lawyer they take advantage of the confusion of a Christmas parade and kidnap the boy.But unwavering motherly love and the resolve of fighting against all odds drive enraged Glenda to hunt down the kidnappers. She is helped by Zufolo, a service dog trained to alert her of the most important sounds. Will she make it against fraud and evil?
Everyone in Kenton Hills knows that short-tempered, tongue-tied Bob Talbert wasn't the one responsible for the brutal crime that ended Josie Eddleman's life. Nevermind that he was the last one to see her alive.
But in a town filled with the likes of an amoral tabloid reporter known only as The Captain, a district attorney who'll do anything for a confession, and Bob's parents, who care as little for Bob as they do for each other, guilt and innocence are little more than a matter of perspective.
In a masterfully woven tapestry of multiple points of view, THE CRIMINAL explores the nature of guilt and responsibility in a psychological thriller of an entire town under the spell of an act of brutal violence. Jim Thompson unlike you're ever read him before.
Ben Hartman is vacationing in Zurich, Switzerland when he chances upon his old friend Jimmy Cavanaugh—a madman who's armed and programmed to assassinate. In a matter of minutes, six innocent bystanders are dead. So is Cavanaugh. But when his body vanishes, and his weapon mysteriously appears in Hartman's luggage, Hartman is plunged into an unfathomable nightmare…
Meanwhile, Anna Navarro, field agent for the Department of Justice, has been asked to investigate the sudden, random deaths of eleven men throughout the world. The only thing that connects them? A secret file, over a half-century old, that's linked to the CIA—and is marked with the same puzzling codename: Sigma.
As Anna follows the connecting thread—and Hartman finds himself on the run—she ends up in the shadows of a relentless killer who is one step ahead of her…victim by victim. Now, she and Hartman together must uncover the diabolical secrets long held behind Sigma. It will threaten everything they think they know about themselves—and confirm their very worst fears...
Jonathan and Jeremiah Belmont are about to experience an encounter with a creature unknown to man. Their lives will never again be the same.Call them dysfunctional, crazy, rednecks or trash - they're the only family I've got. I'd wager that the reader also knows all too well people just like them, and for that and many other things, we can be thankful.
In 1818 Geneva, men built with clockwork parts live hidden away from society, cared for only by illegal mechanics called Shadow Boys. Two years ago, Shadow Boy Alasdair Finch’s life shattered to bits.
His brother, Oliver—dead.
His sweetheart, Mary—gone.
His chance to break free of Geneva—lost.
Heart-broken and desperate, Alasdair does the unthinkable: He brings Oliver back from the dead.
But putting back together a broken life is more difficult than mending bones and adding clockwork pieces. Oliver returns more monster than man, and Alasdair’s horror further damages the already troubled relationship.
Then comes the publication of Frankenstein and the city intensifies its search for Shadow Boys, aiming to discover the real life doctor and his monster. Alasdair finds refuge with his idol, the brilliant Dr. Geisler, who may offer him a way to escape the dangerous present and his guilt-ridden past, but at a horrible price only Oliver can pay…
Tommy Carver may be every inch the angry, rebellious young man his teachers and parents accuse him of being. But sometimes, there are reasons for a fury like Tommy's.
Tommy's relationship with Donna, the daughter of a man he hates almost as much as his own father, has led to more outbursts than anything else in Tommy's firecracker existence. With her unearthly beauty and a passion that rivals Tommy's own, he couldn't help but fall for her. But as everybody knows, the stories of star-crossed lovers never have happy endings--especially not with explosive parties like these.
CROPPER'S CABIN is Jim Thompson's hair-raising thriller of what no writer has known better before or since--the hardscrabble existence of small-town American lives set to blow.