The Carved Lions

It is already a long time since I was a little girl. Sometimes, when I look out upon the world and see how many changes have come about, how different many things are from what I can remember them, I could believe that a still longer time had passed since my childhood than is really the case. Sometimes, on the contrary, the remembrance of things that then happened comes over me so very vividly, so very real-ly, that I can scarcely believe myself to be as old as I am.
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Tell Me a Story

The children sat round me in the gloaming. There were several of them; from Madge, dear Madge with her thick fair hair and soft kind grey eyes, down to pretty little Sybil—Gipsy, we called her for fun,—whom you would hardly have guessed, from her brown face and bright dark eyes, to be Madge’s “own cousin.” They were mostly girls, the big ones at least, which is what one would expect, for it is not often that big boys care much about sitting still, and even less about anything so sentimental as sitting still in the twilight doing nothing. There were two or three little boys however, nice round-faced little fellows, who had not yet begun to look down upon “girls,” and were very much honoured at being admitted to a good game of romps with Madge and her troop.It was one of these—the rosiest and nicest of them all, little Ted—who pulled my dress and whispered, but loud enough for every one to hear, with his coaxingest voice—“Tell me a story, aunty.” And then it came all round in a regular buzz, in every voice, repeated again and again—“O aunty! do; dear, dear aunty, tell us a story.”I had been knitting, but it had grown too dark even for that. I could not pretend to be “busy.” What could I say? I held up my hands in despair.“O children! dear children!” I cried, “truly, truly, I don’t know what stories to tell. You are such dreadfully wise people now-a-days—you have long ago left behind you what I used to think wonderful stories—‘Cinderella,’ and ‘Beauty and the Beast,’ and all the rest of them; and you have such piles of story-books that you are always reading, and many of them too written for you by the cleverest men and women living! What could I tell you that you would care to hear? Why, it will be the children telling stories to amuse the papas and mammas, and aunties next, like the ‘glorious revolution’ in ‘Liliput Levée!’ No, no, your poor old aunty is not quite in her dotage yet. She knows better than to try to amuse you clever people with her stupid old hum-drum stories.”I did not mean to hurt the poor dear little things—I did not, truly—I spoke a little in earnest, but more in jest, as I shook my head and looked round the circle. But to my surprise they took it all for earnest, and the tears even gathered in two or three pairs of eyes.“Aunty, you know we don’t think so,” began Madge, gentle Madge always, reproachfully.And “It’s too bad of you, aunty, too bad,” burst out plain-speaking Dolly. And worst of all, Ted clambered manfully up on to my knees, and proceeded to shake me vigorously. “Naughty aunty,” he said, “naughty, naughty aunty. Ted will shake you, and shake you, to make you good.”What could I do but cry for mercy? and promise anything and everything, fifty stories on the spot, if only they would forgive me?“But, truly children,” I said again, when the hubbub had subsided a little, “I am afraid I do not know any stories you would care for.”“We should care for anything you tell us,” they replied, “about when you were a little girl, or anything.”I considered a little. “I might tell you something of that kind,” I said, “and perhaps, by another evening, I might think over about some other people’s ‘long agos’—your grandmother’s, for instance. Would that please you?”Great applause.“And another thing,” I continued, “if I try to rub up some old stories for you, don’t you think you might help? You, Madge, dear, for instance, you are older than the others—couldn’t you tell them something of your own childish life even?”CONTENTSChapter One. Introduction.Chapter Two. The Reel Fairies.Chapter Three. Good-Night, Winny.Chapter Four. Con and the Little People.Chapter Five. Mary Ann Jolly.Chapter Six. Too Bad.Chapter Seven. Charlie’s Disappointment.
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The Factory Boy

TAKE a cup of porridge, Johnny, dear. It\'s too cold to go to work without something warm." Johnny looked in the bowl which stood on the hearth, near a few smouldering brands, and shook his head as he answered,—"I\'m not very hungry, mother. There\'s only enough for you and Ella." Then without another word he hurried away, for the factory bell was ringing; and he knew that he must not be late.
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The Camp Fire Girls Behind the Lines

Margaret Vandercook is the "Queen of the Campfire Stories," as many of her books were perfect reading for kids and young adults alike, whether the setting was on the ranch or the frontier. Nearly 60 years after her death, her books continue to be read across the world today.
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That Girl in Black; and, Bronzie

Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com
Views: 152

Sweet Content

“Sweet Content.” That was my name when I was a very tiny child. It may sound rather conceited to tell this of myself, but when I have told all the story I am now beginning, I don’t think, at least I hope, you, whoever you are that read it, won’t say I am conceited. Indeed, if I thought any one I knew, or rather that knew me, would be likely to read it and to know that the “I” of it was me, I am not by any means sure that I would write it. But, of course, it is not at all certain that it ever will be printed or seen by any one (except, perhaps, by my children, if, when I am grown up, I am married and have any) who ever heard of me. The world seems to me a very big place; there are such lots and lots of people in it, old ones and children, and middling ones; and they are all busy and taken up about their own affairs.Some other children might like to read my story, just as a story, for I do think some parts of it are rather extra interesting; but it is not probable that any of them would recognise me, or the other “characters” (I think that is the right word) in it. Except—except some of the other characters themselves! They don’t know I am writing it, perhaps they never will know about it; but if they did—yes, even if they read every word of it—I don’t think I’d mind. They are so truly—no, I mustn’t begin telling about them like that; you will understand, all in good time, why, least of any people in the world, perhaps, I should mind their reading the exactly how it was of everything I have to tell. This shows how perfectly I can trust them.And in saying even that, though I really couldn’t help it, I’m afraid I have already got rather out of the proper orderly way of telling a story.I will start clearly now. What I have written already is a sort of preface or introduction. And it has a much better chance of being read than if I had put it separately.As I began about my baby name, and as I am going to use it for a title—for several reasons, as you will see—I will first explain about it.CONTENTS1. An “Only” Baby.2. Papa’s Bit of News.3. The Yew Trees.4. All My Own Fault.5. A Large Family.6. New Ideas.7. A Trio of Friends.8. Found Wanting.9. The Strange Old Woman.10. The Look on Papa’s Face.11. Nothing Venture, Nothing Win.12. True Hearts.
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Here We Are Now

A book about love, loss, and the power of music, perfect for fans of Nick Hornby and Fangirl. Taliah Sahar Abdallat lives and breathes music. Songs have always helped Tal ease the pain of never having known her father. Her mother, born in Jordan and very secretive about her past, won't say a word about who her dad really was. But when Tal finds a shoebox full of old letters from Julian Oliver—yes, the indie rock star Julian Oliver—she begins to piece the story together.She writes to Julian, but after three years of radio silence, she's given up hope. Then one day, completely out of the blue, Julian shows up at her doorstep, and Tal doesn't know whether to be furious or to throw herself into his arms. Before she can decide, he asks her to go on a trip with him to meet her long-estranged family and to say good-bye to his father, her grandfather, who is dying.Getting to know your father after sixteen years of estrangement doesn't...
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The Animals of Madame Malone's Music Hall

Summer by the seaside isn't working out as Callie hoped. Instead of enjoying sunshine and ice cream, she's stuck helping Gran's drama group put on a show to save the local theatre. Worst of all, they've asked her to star in their play. With Callie's stage fright, there's not a chance that's happening. But when she goes exploring backstage, Callie stumbles into an altogether different world – another theatre, run by a wise fox and her troupe of rather quarrelsome talking animals. Forced to face her fears, will Callie be able to put on a good show in the final fight to save Madame Malone's Music Hall? A cast of creative creatures take centre stage in this theatrical Barrington Stoke debut from Blue Peter Book Award shortlisted author Laura Wood.
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The League of Unexceptional Children--The Kids Who Knew Too Little

The final book in a smart, funny, and exceptional middle grade series about unexceptionals from author Gitty Daneshvari! When unexceptionals Jonathan and Shelley travel to Europe to infiltrate a secret society and kind of maybe sort of accidentally save the day one last time, everything comes to a head in this action-packed finale of the League of Unexceptional Children series!
Views: 151

Rebound

From the New York Times bestselling author Kwame Alexander comes Rebound, a dynamic novel in verse and companion to his Newbery Award-winner, The Crossover, illustrated with striking graphic novel panels. Before Josh and Jordan Bell were streaking up and down the court, their father was learning his own moves. In this prequel to Newbery Medal winner The Crossover, Chuck Bell takes center stage, as readers get a glimpse of his childhood and how he became the jazz music worshiping, basketball star his sons look up to. A novel in verse with all the impact and rhythm readers have come to expect from Kwame Alexander, Rebound will go back in time to visit the childhood of Chuck "Da Man" Bell during one pivotal summer when young Charlie is sent to stay with his grandparents where he discovers basketball and learns more about his family's past.
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The Makedown

Anna Norton used to be fat. Correction: Anna Norton used to be a fat, nerdy, overeater with low self esteem. When she moves from suburban Ohio to Manhattan at age 23, her life does a total 180. With guidance from her boss, an unlikely Fairy Godmother in the form of a chic caterer and excellent cook, Anna loses all the weight and-though still not quite Kate Moss-finally drops her inferiority complex, brushes the crumbs off her skirt, and enters the world of feeling good, looking good, and . . . finally having sex. When Anna meets Ben, the man of her dreams (and of every other person's dreams who isn't blind) she almost can't believe she is dating the Ken Doll. Deep down, she is still the chubby nerd who wrote in a diary called Hello Fatty. But not everything is perfect; her hot boyfriend is a huge flirt, and every leggy blond who crosses his path is a threat to Anna. She just can't escape the feeling that Ben is way out of her league and that everyone thinks she is dating up and he's dating down. It gets so bad, she decides she will do anything to make these women go away. Enter the Makedown. The reverse makeover. As Anna was made up, so will Ben be made down. Where she went from shabby to chic, he will go from prince to frog. Anna will sabotage his hotness for the sake of her own sanity, and to bring this man into more of what she considers her own league. Enter Nair to induce premature balding, Sears catalogs to inspire bad dressing, and secret additions of cream to her cooking and SKOR bars in granola bar wrappers to induce weight gain. Hilarity ensues, but in the end, Anna must find out if Ben's makedown will save their relationship, or end it.
Views: 147