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This is the story of Chicago's ruthless and tireless mafia. The intensely real characters, the brutal overlords, their faithful lackeys and their vengeful enemies all collide in acts of loyalty, lust, greed and death. Power hungry Don, Jimmy Collucci, is out to become the kingpin of Chicago's "Honored Society." However his rise to the top can only be thwarted by one man fueled by revenge set out to destroy it, the "Black Warrior" Jessie Taylor. When ambitions collide, guns are drawn and blood is spilled. This is the original mafia story. Views: 140
Mark Twain (or Samuel Langhorne Clemens) was born on 30th Nov, 1835 and died on 21st April,1910. He was an American author and humourist. His famous works include: The Adventures of Tom Sawyer (1876), and its sequel, Adventures of Huckleberry Finn (1885), the latter often called "the Great American Novel." Views: 140
An Unfinished Life is the first major, single-volume life of John F. Kennedy to be written by a historian in nearly four decades. Drawing upon previously unavailable material and never-before-opened archives to tell Kennedy's story.We learn for the first time just how sick Kennedy was, what medications he took and concealed from all but a few, and how severely his medical condition affected his actions as President. We learn for the first time the real story of how Bobby was selected as Attorney General. Dallek reveals exactly what Jack's father did to help his election to the presidency, and he follows previously unknown evidence to show what path JFK would have taken in the Vietnam entanglement had he survived.Dallek (LIFTS) JFK out of the gossips and back onto the world stage, showing that while he was the son of privilege, he faced great obstacles and fought on with remarkable courage. Never shying away from Kennedy's weaknesses, Dallek also brilliantly explores his strengths. The result is a portrait of a bold, brave, human Kennedy, once again a hero. Views: 140
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery. Views: 137
Sketches New and Old, Part 2. is presented here in a high quality paperback edition. This popular classic work by Mark Twain is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of Mark Twain then we highly recommend this publication for your book collection. Views: 136
Amazon.com ReviewIt speaks to the failure of medieval Europe, writes popular historian William Manchester, that "in the year 1500, after a thousand years of neglect, the roads built by the Romans were still the best on the continent." European powers were so absorbed in destroying each other and in suppressing peasant revolts and religious reform that they never quite got around to realizing the possibilities of contemporary innovations in public health, civil engineering, and other peaceful pursuits. Instead, they waged war in faraway lands, created and lost fortunes, and squandered millions of lives. For all the wastefulness of medieval societies, however, Manchester notes, the era created the foundation for the extraordinary creative explosion of the Renaissance. Drawing on a cast of characters numbering in the hundreds, Manchester does a solid job of reconstructing the medieval world, although some scholars may disagree with his interpretations. From Publishers WeeklyUsing only secondary sources, Manchester plunges readers into the medieval mind-set in a captivating, marvelously vivid popular history that humanizes the tumultuous span from the Dark Ages to the dawn of the Renaissance. He delineates an age when invisible spirits infested the air, when tolerance was seen as treachery and "a mafia of profane popes desecrated Christianity." Besides re-creating the arduous lives of ordinary people, the Wesleyan professor of history peoples his tapestry with such figures as Leonardo, Machiavelli, Lucrezia Borgia, Erasmus, Luther, Henry VIII and Anne Boleyn. Manchester ( The Arms of Krupp ) devotes much attention to Magellan, whose globe-straddling voyage shattered Christendom's implicit belief in Europe as the center of the universe. His portrayal of the Middle Ages as a time when the strong and the shrewd flourished, while the imaginative, the cerebral and the unfortunate suffered, rings true. Illustrations. Copyright 1992 Reed Business Information, Inc. Views: 135
Amazon.com ReviewChelsea Cain steps into a crowded, blood-soaked genre with Heartsick, a riveting, character-driven novel about a damaged cop and his obsession with the serial killer who...let him live. Gretchen Lowell tortured Detective Archie Sheridan for ten days, then inexplicably let him go and turned herself in. Cain turns the (nearly played out) Starling/Lecter relationship on its ear: Sheridan must face down his would-be killer to help hunt down another. What sets this disturbing novel apart from the rest is its bruised, haunted heart in the form of Detective Sheridan, a bewildered survivor trying to catch a killer and save himself. --Daphne Durham Questions for Chelsea CainAmazon.com: Gretchen Lowell haunts every page of Heartsick. Even when she actually appears in the jail scenes with Sheridan, she reveals nothing, and yet it's obvious she's anything but one-dimensional. What is her story? Cain: I purposely didn't reveal Gretchen's past, beyond a few unreliable hints. I thought there was a really interesting tension in not knowing what had driven this woman to embrace violence so enthusiastically. The less we know about killers' motives, the scarier they are. Maybe that's why people spend so much time watching 24-hour news channels that cover the latest horrible domestic murder. We want to understand why people kill. Because if we can peg it on something, we can tell ourselves that they are different than us, that we aren't capable of that kind of brutality. Plus this is the launch of a series and I thought it would be fun for readers to get to learn more about Gretchen as the series continues. I just finished Sweetheart, and I promise there's a lot more Gretchen to come. Amazon.com: As a first-time thriller author, you've got to be elated to see early reviews evoke the legendary Hannibal Lecter. Did you anticipate readers to make that connection, or are there other serial series (on paper or screen) that inspired the story of Gretchen and Sheridan? Cain: I thought that the connection to Lecter was inevitable since Heartsick features a detective who visits a jailed serial killer. But I wasn't consciously inspired by Silence of the Lambs (or Red Dragon, which is the Harris book it more accurately echoes). I grew up in the Pacific Northwest when the Green River Killer was at large, and I was fascinated by the relationship between a cop who'd spent his career hunting a killer (as many of the cops on the Green River Task Force did) and the killer he ends up catching. I'd seen an episode of Larry King that featured two of the Green River Task Force cops and they had footage of one of the cops with Gary Ridgway (the Green River Killer) in jail and they were chatting like old friends. They were both trying to manipulate one another. The cop wanted Ridgway to tell him where more bodies were. Ridgway is a psychopath and wanted to feel in control. But on the surface, they seemed like buddies having a drink together at a bar. It was kind of disturbing. I wanted to explore that. Making the killer a woman was a way to make the relationship even more intense. Making her a very attractive woman upped the ante considerably. Amazon.com: Reading Heartsick I was actually reminded of some of my favorite books by Stephen King. Like him, you have an uncanny ability to make your geographical setting feel like a character all its own. Do you think the story could have happened in any other place than Portland? Cain: Heartsick Hawaii would definitely have been a different book. (Archie Sheridan would have been a surfer. Susan would have worked at a gift shop. And Gretchen would have been a deranged hula girl.) I live in Portland, so obviously that played into my decision to set the book here. All I had to do was look out the window. Which makes research a lot easier. But I also think that the Pacific Northwest makes a great setting for a thriller, and it's not a setting that's usually explored. Portland is so beautiful. But it’s also sort of eerie. The evergreens, the coast, the mountains--the scale is so huge, and the scenery is so magnificent. But every year hikers get lost and die, kids are killed by sneaker waves on the beach, and mountain climbers get crushed by avalanches. Beauty kills. Plus it has always seemed like the Northwest is teeming with serial killers. I blame the cloud cover. And the coffee. Amazon.com: In a lot of ways, Heartsick is more about the killer than the killings, and it’s hard not to suspect that Gretchen killed only to get to Sheridan. That begs the question: is the chase always better than the catch? As a writer, is it more exciting for you to imagine the pursuit--with its tantalizing push-and-pull--than the endgame? Cain: The most interesting aspect of the book to me is the relationship between Archie and Gretchen. Really, I wrote the whole book as an excuse to explore that. The endgame is satisfying because it's fun to see all the threads come together, but it's the relationship that keeps coming back to the computer day after day. Amazon.com: Your characters--Susan Ward in particular--are raw, tautly wired, imperfect but still have this irresistible tenderness. It's their motives and experiences that really drive the story and ultimately elevate it way beyond what you might expect going into a serial killer tale. How did you resist falling into something more formulaic? Did you know what shape Susan and the others would take going in? Cain: I knew I wanted flawed protagonists. I'm a sucker for a Byronic hero. Thrillers often feature such square-jawed hero types, and I wanted a story about people just barely hanging on. The psychological component is really interesting to me, and I liked that Susan's neuroses are, in their own ways, clues. In many ways, I embraced formula. I love formula--there’s a reason it works. And I decided early on that I wasn't going to avoid clichés for the sake of avoiding them. Some clichés are great. My goal was not to write a literary thriller, but to take all the stuff I loved from other books and TV shows and throw them all together and then try to put my own spin on it. Heartsick is a pulpy page-turner with, I hope, a little extra effort put into the writing and the characters. Basically, I just wrote the thriller that I wanted to read. (photo credit: Kate Eshelby) From Publishers WeeklyStarred Review. In this outstanding thriller, the first in a new series, Cain (_Confessions of a Teen Sleuth_) puts a fresh spin on a scenario familiar to fans of Thomas Harris's The Silence of the Lambs. When someone starts dumping the bodies of teenage girls around Portland, Ore., after soaking them in tubs of bleach, Archie Sheridan, a police detective addicted to pain killers, turns for help to Gretchen Lowell, an imprisoned serial killer who once tortured him (the big scar on his chest was shaped like a heart). Covering the crimes is reporter Susan Ward, a smart-alecky punk with pink hair and authority issues. The suspense builds as the narrative shifts between Sheridan's new case and his ordeal with Lowell, who in her own way is as memorable a villain as Hannibal Lecter. The damp Portland locale calls to mind the kind of Pacific Northwest darkness associated with Ted Bundy and Kurt Cobain. A vivid literary style lifts this well above the usual run of suspense novels. 200,000 first printing; author tour. (Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Amazon.com ReviewChelsea Cain steps into a crowded, blood-soaked genre with Heartsick, a riveting, character-driven novel about a damaged cop and his obsession with the serial killer who...let him live. Gretchen Lowell tortured Detective Archie Sheridan for ten days, then inexplicably let him go and turned herself in. Cain turns the (nearly played out) Starling/Lecter relationship on its ear: Sheridan must face down his would-be killer to help hunt down another. What sets this disturbing novel apart from the rest is its bruised, haunted heart in the form of Detective Sheridan, a bewildered survivor trying to catch a killer and save himself. --Daphne Durham Questions for Chelsea CainAmazon.com: Gretchen Lowell haunts every page of Heartsick. Even when she actually appears in the jail scenes with Sheridan, she reveals nothing, and yet it's obvious she's anything but one-dimensional. What is her story? Cain: I purposely didn't reveal Gretchen's past, beyond a few unreliable hints. I thought there was a really interesting tension in not knowing what had driven this woman to embrace violence so enthusiastically. The less we know about killers' motives, the scarier they are. Maybe that's why people spend so much time watching 24-hour news channels that cover the latest horrible domestic murder. We want to understand why people kill. Because if we can peg it on something, we can tell ourselves that they are different than us, that we aren't capable of that kind of brutality. Plus this is the launch of a series and I thought it would be fun for readers to get to learn more about Gretchen as the series continues. I just finished Sweetheart, and I promise there's a lot more Gretchen to come. Amazon.com: As a first-time thriller author, you've got to be elated to see early reviews evoke the legendary Hannibal Lecter. Did you anticipate readers to make that connection, or are there other serial series (on paper or screen) that inspired the story of Gretchen and Sheridan? Cain: I thought that the connection to Lecter was inevitable since Heartsick features a detective who visits a jailed serial killer. But I wasn't consciously inspired by Silence of the Lambs (or Red Dragon, which is the Harris book it more accurately echoes). I grew up in the Pacific Northwest when the Green River Killer was at large, and I was fascinated by the relationship between a cop who'd spent his career hunting a killer (as many of the cops on the Green River Task Force did) and the killer he ends up catching. I'd seen an episode of Larry King that featured two of the Green River Task Force cops and they had footage of one of the cops with Gary Ridgway (the Green River Killer) in jail and they were chatting like old friends. They were both trying to manipulate one another. The cop wanted Ridgway to tell him where more bodies were. Ridgway is a psychopath and wanted to feel in control. But on the surface, they seemed like buddies having a drink together at a bar. It was kind of disturbing. I wanted to explore that. Making the killer a woman was a way to make the relationship even more intense. Making her a very attractive woman upped the ante considerably. Amazon.com: Reading Heartsick I was actually reminded of some of my favorite books by Stephen King. Like him, you have an uncanny ability to make your geographical setting feel like a character all its own. Do you think the story could have happened in any other place than Portland? Cain: Heartsick Hawaii would definitely have been a different book. (Archie Sheridan would have been a surfer. Susan would have worked at a gift shop. And Gretchen would have been a deranged hula girl.) I live in Portland, so obviously that played into my decision to set the book here. All I had to do was look out the window. Which makes research a lot easier. But I also think that the Pacific Northwest makes a great setting for a thriller, and it's not a setting that's usually explored. Portland is so beautiful. But it’s also sort of eerie. The evergreens, the coast, the mountains--the scale is so huge, and the scenery is so magnificent. But every year hikers get lost and die, kids are killed by sneaker waves on the beach, and mountain climbers get crushed by avalanches. Beauty kills. Plus it has always seemed like the Northwest is teeming with serial killers. I blame the cloud cover. And the coffee. Amazon.com: In a lot of ways, Heartsick is more about the killer than the killings, and it’s hard not to suspect that Gretchen killed only to get to Sheridan. That begs the question: is the chase always better than the catch? As a writer, is it more exciting for you to imagine the pursuit--with its tantalizing push-and-pull--than the endgame? Cain: The most interesting aspect of the book to me is the relationship between Archie and Gretchen. Really, I wrote the whole book as an excuse to explore that. The endgame is satisfying because it's fun to see all the threads come together, but it's the relationship that keeps coming back to the computer day after day. Amazon.com: Your characters--Susan Ward in particular--are raw, tautly wired, imperfect but still have this irresistible tenderness. It's their motives and experiences that really drive the story and ultimately elevate it way beyond what you might expect going into a serial killer tale. How did you resist falling into something more formulaic? Did you know what shape Susan and the others would take going in? Cain: I knew I wanted flawed protagonists. I'm a sucker for a Byronic hero. Thrillers often feature such square-jawed hero types, and I wanted a story about people just barely hanging on. The psychological component is really interesting to me, and I liked that Susan's neuroses are, in their own ways, clues. In many ways, I embraced formula. I love formula--there’s a reason it works. And I decided early on that I wasn't going to avoid clichés for the sake of avoiding them. Some clichés are great. My goal was not to write a literary thriller, but to take all the stuff I loved from other books and TV shows and throw them all together and then try to put my own spin on it. Heartsick is a pulpy page-turner with, I hope, a little extra effort put into the writing and the characters. Basically, I just wrote the thriller that I wanted to read. (photo credit: Kate Eshelby) From Publishers WeeklyStarred Review. In this outstanding thriller, the first in a new series, Cain (_Confessions of a Teen Sleuth_) puts a fresh spin on a scenario familiar to fans of Thomas Harris's The Silence of the Lambs. When someone starts dumping the bodies of teenage girls around Portland, Ore., after soaking them in tubs of bleach, Archie Sheridan, a police detective addicted to pain killers, turns for help to Gretchen Lowell, an imprisoned serial killer who once tortured him (the big scar on his chest was shaped like a heart). Covering the crimes is reporter Susan Ward, a smart-alecky punk with pink hair and authority issues. The suspense builds as the narrative shifts between Sheridan's new case and his ordeal with Lowell, who in her own way is as memorable a villain as Hannibal Lecter. The damp Portland locale calls to mind the kind of Pacific Northwest darkness associated with Ted Bundy and Kurt Cobain. A vivid literary style lifts this well above the usual run of suspense novels. 200,000 first printing; author tour. (Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Views: 135
A thrilling original novel set in the universe of Star Trek: The Next Generation / Deep Space Nine!In 2367, Captain Benjamin Maxwell of the starship Phoenix ordered the destruction of a Cardassian warship and a supply vessel, killing more than six hundred crew members. Maxwell believed that the Cardassians were arming for a new attack on the Federation, and though history eventually proved he was probably correct, the Federation had no choice but to court martial and incarcerate him. Almost twenty years have passed, and now Maxwell is a free man, working as a maintenance engineer on the private science station Robert Hooke, home to crackpots, fringe researchers, and, possibly, something much darker and deadlier. Maxwell's former crewmate, Chief Miles O'Brien, and O'Brien's colleague, Lieutenant Commander Nog, have come for a visit. Unfortunately, history has proven that whenever O'Brien and Nog leave Deep Space 9 together, unpredictable... Views: 134
The author of Sergeant Lamb's America continues the fictionalized account of an Irish soldier fighting for the British during the Revolutionary War. This is the second in a two-book series telling the story of Sgt. Roger Lamb, a non-commissioned officer in the British Army, who served in America during the American War of Independence. Captured with Gen. Johnny Burgoyne after the Battle of Saratoga, he made a daring escape and later served under General Cornwallis. Following closely to Sergeant Lamb's personal memoirs, renowned poet, classicist, and novelist Robert Graves traces the sergeant's harrowing time in the service, providing a compelling, only barely fictionalized eyewitness account of a crucial point in American history. Views: 134
The Vietnam War journal of Patrick Seamus Flaherty is now available in paperback, with an exciting repackaging!Determined to do his duty for his country, Patrick Seamus Flaherty joins the Marines right after graduation to fight in the Vietnam War. But Southeast Asia is a far cry from Patrick's hometown of Boston, and as soon as he arrives, he realizes that he's made a terrible mistake.Confronted with oppressive heat, dense jungles, and an enemy that is everywhere, Patrick is overwhelmed by life on the battlefield. With the help of his comrades, Patrick slowly starts to find a way to deal with the harsh realities he faces. But under constant assault by the North Vietnamese, Patrick isn't sure he'll ever make it home again, and as the months drag on, he and his unit question whether they're actually making a difference. Writing in the journal his father gave him before shipping out, Patrick brings Khe Sanh to vivid life through the smells, tastes, sounds, horrors, loneliness,... Views: 134
