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Oceanic Page 4
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Dolomite and quartz pebbles slid from the toes of her sandals—the plunge
below was so steep, she could not hear where they landed. With one final
look back to her parents and sister— Her leg lifted and set down again in a
place where there was only air. She bit her lip.
So this is what it means to fall:
a taste of metal and a rush of feathers in her mouth. Her family ran
to her, a sad effort to change her mind, but it was too late. The last
sound they heard of Psyche sounded like a sack of heavy fruit
and something like
a wing?
When Psyche woke she found herself in a magnificent house. Citrus-smell
and each heavy wooden door studded in seashell and coins made of mother-
of-pearl. A table piled with honey cakes and bowls and bowls of wet berries.
Jams and rolls and sweetmeats and plates of cheese chilling over ice. She ate
and ate thinking this was to be her last meal and with a heavy heart full of
sorrow over missing her family, she at last climbed the stairs to bed.
Just when the moon and rings of a milk planet sat high and seemed to jump
a little in the night sky, she felt a rush of wind—
Venus Instructing Cupid to Torment Psyche
after the painting of the same name by Jakob de Wit
Perhaps you think this fig
is my heart—shriveled,
cold, filled with black seed.
Today a child looks seaward
to the boats hauling a fine catch
of dogfish. But instead of helping
the fishermen, he kneels,
collects abalone shells in a sack
not for my temple—but to decorate
Psyche’s doorstep. I will send
a frilled shark to snatch him.
I will explain later to the parents.
I tell you this: if you do not whip
knots into her hair, or cover
her toes with weeping blisters
so wet no bandage could sop
the blood—you are not a god
you are not my good son.
Psyche Considers Her Last Letter from Cupid
All of them collected
in a box with blue ribbon,
like a vein across
her stupid ribcage.
His blocky letters, such
a strange architecture.
What buildings and what
windows make up
this dark village, her heart?
But
there is only one brick,
only one wild(er)ness
that will ever match his—
of jungle and blue skunk
sky. If you try to catch
a butterfly, a thousand
filaments of feather
will dissolve into dust
on your finger
and good thumb.
Of course
when you find a new
& bright beetle without
wings, you’ll get the urge
to pin her to a linen-covered
board. So you do
and you do and you do.
Upon Hearing the News You Buried Our Dog
I have faith in the single glossy capsule of a butterfly egg.
I have faith in the way a wasp nest is never quiet
and never wants to be. I have faith that the pile of forty
painted turtles balanced on top of each other will not fall
as the whole messy mass makes a scrabble-run
for the creek and away from a fox’s muddy paws.
I have been thinking of you on these moonless nights—
nights so full of blue fur and needle-whiskers, I don’t dare
linger outside for long. I wonder whether scientists could classify
us as a double star—something like Albireo, sixteen hundred
light-years away. I love that this star is actually two—one blue
one gold, circling each other, never touching—a single star
soldered and edged in two colors if you see it on a clear night
in July. And if this evening, wherever you are,
brings you face-to-face with a raccoon or possum—
be careful of the teeth and all that wet bite.
During the darkest part of the night, teeth grow longer
in their mouths. And if the oleander spins you still
another way—take a turn and follow it. It will help you avoid
the spun-light sky, what singularity we might’ve become.
The Body
Something poisons the sea stars
in the Pacific. They rip themselves apart,
twist their arms in gummy knots.
The arms just walk away from the body:
the pull, the pull—what a stroll—until the arms
detach entirely and spill their creamy innards
onto the ocean floor. I want to do that with my arms—
maybe just my left one—the one that keeps
reaching back to your yellow house
and those slow summers when we grilled out
almost every night. I want to pull off my arm,
or maybe just a finger, or three, so I don’t point
to the playground where our blue dog jumped
through the rows of swings that still squeak
their mild annoyance from each slobbery leap
they endured. Maybe I just want to rid myself
of knuckles so I can’t knock on the door you now share
with another—just so I can see her sweet, blank face—
so I can laugh and say, Sorry, sorry: wrong house!
Forgive me, I am nothing but a thumbnail. Yes—that’s
what I’d get rid of—my nail now blackened
with each thump of a sentence. See how
I accidentally brought you up again
when I picked up this nail, this hammer?
The Pepper Kingdom
KERALA
Never has the world seen so much rumble
and sail over such a small berry. Small,
dark meteor, perfect pop of fire—you docked
millions of boats to the southern coast of India,
kept so many folds of pale flesh awake and skittled
at night. Dreams of quicker trade routes, maps
and battle-plans inked in case anyone
tried to stop them from bringing back
sackfuls of peppercorn. Every kingdom
must have a king. Will he ask her to sit
beside him? Where is the crown,
the silly dog, the jester? Any minute now,
all the linalool near their noses will set
them with delightful, rightful sneezes.
One-Star Reviews of the Taj Mahal
a found poem
Too bad it was man-made.
As a stand-alone attraction I guess it’s passable
but compared to the McDonald’s at Celebration Mall
it’s just meh.
Not for Indians. Very tacky.
There was no cloakroom at the South Gate!
The garden is also very basic. Everything is basic.
We were ripped off by asking local shopkeepers to hold our bags for us.
You will be swarmed, swarmed by street vendors and children swarmed by
camels and parking lot goons and children and cheat cameramen and stalker
tourist guides and camel children and footwear thieves, so: MIND YOUR
BELONGINGS!
It’s just an old love story.
But is it love or hate?
I was told to get out with my selfie stick!
Don’t even think about seeing it under a full moon.
Can you believe this tomb has no rides?
First Time on the Funicular
MONTE SAN SALVATORE, SWITZERLAND
All I can think is what happens if the cables snap
and we slide down this striped Swiss mountain
made of oceanic quartz on its edelweiss-covered face.
At the amethyst peak is a lightning museum
where you can bolt a bright coin of knowledge
into your neck like the pale-green monster
of classic horror movies, back when no blood
was ever seen, never pulsed or throbbed
on-screen. And the lightning collector has not
seen action in ages, no arcing low to engulf
a tree in flame because most lightning here
catches between clouds. Our kids play back home
with their grandparents, and what have we done—
first we dared eat the finest risotto, drink wine
over a white tablecloth before noon, and now
we are sliding up a mountain to see about lightning.
Serves us right if we are struck. But our landing
is soft, the glossy red doors of the funicular open
and spill us all a few steps away from the cinnabar
summit, dotted with blue moths. Even in thinned air
I still reach for your hand. Before our fingers
laced, I’m certain the old ladies who stared
at us the whole way up saw it, too: the spark,
the crackle, the brilliant strike between us.
One-Star Reviews of the Great Wall of China
a found poem
This is not an experience of a lifetime.
It was awful. I couldn’t enjoy
the scenery because I was too busy
trying not to trample
or be trampled. Besides that,
it was great. Ha ha, just kidding:
I hated it.
The crowds are crazy!
The pollution is crazy!
No one can speak English!
Back in my day the walls were more beautiful and they didn’t have to be so
tall. I didn’t feel good with my leg that day, and my wife really wanted to
visit all the Chinese Wall and I said “Ok, let’s do it!” but I soon got tired. I
failed in front of my wife because of this wall, so I’m not going back.
It was raining.
It was foggy.
It was raining.
Too much fog.
Too much rain.
It’s just a wall.
The Pepper King Returns
He listens to the tock of two clocks—
neither is synced. The Pepper King
does not know how to walk on ice:
his boots slide with every fourth step or so.
He is used to fine sand and root sludge,
full of rock salt and shell pieces. The soles
of his feet are as thick as stale ends of bread.
They will laugh at him, but when he returns
home he will prepare such a fine soup, his son
will wake from his rabbit dreams and ask for
an umbrella. It sometimes rains indoors,
and his child knows this. The child will learn
the songs of ice and snow. The Pepper King
finds it natural to name his knives. One for slicing
the delicate skin of tomato, a jagged one
for dark meats, still another to debone a fine
and flaky fish. When the Pepper King serves
his son winter soup full of potatoes and cumin,
the boy will eat and eat and clink his spoon
until you hear something like bells. The snow
yeasts itself in banks and slopes against
the boards of his house. The Pepper King never
knew the rising of his breath in the pineapple fields,
such a sweet and silent thanksgiving.
Starfish and Coffee
after the song of the same name by Prince
Prince knows the sexiest meal of the day is breakfast—
the meal that separates the sexy from the selfish
after a night so wild the fitted sheets slough
halfway off the bed like Velella velella jellyfish—
the bluesail left on the shore after a riotous night.
And that’s how you feel after tumbling
like sea stars on the ocean floor over each other.
A night where it doesn’t matter
which are arms or which are legs
or what radiates and how—
only your centers stuck together.
Underwater volcanoes send up pillow lava,
and after a night like that you rest
your head on it, caring not about
the burn but the startle of falling asleep
with his lip just inside yours.
All the shifts and small adjustments
with this fish-bright and beautiful body.
A nightstand knocked clean of its clock.
What care and flair goes into the person
who rises after a night like that to mix
flour, sugar, eggs, and oil—who puts on
a pot of hickory coffee, a fine butter dish,
a vial of syrup on the table—then goes back
to the bed where you lie: cheeks still rosy,
one hand still clutching a fistful of pillow,
hair tentacled over the side of the bed
your three hearts so full, so hungry, so purple.
Naming the Heartbeats
I’ve become the person who says Darling, who says Sugarpie,
Honeybunch, Snugglebear—and that’s just for my children.
What I call my husband is unprintable. You’re welcome. I am
his sweetheart, and finally, finally—I answer to his call and his
alone. Animals are named for people, places, or perhaps a little
Latin. Plants invite names for colors or plant-parts. When you
get a group of heartbeats together you get names that call out
into the evening’s first radiance of planets: a quiver of cobras,
a maelstrom of salamanders, an audience of squid, or an ostentation
of peacocks. But what is it called when creatures on this earth curl
and sleep, when shadows of moons we don’t yet know brush across
our faces? And what is the name for the movement we make when
we wake, swiping hand or claw or wing across our face, like trying
to remember a path or a river we’ve only visited in our dreams?
Chess
Exactly four different men have tried
to teach me how to play. I could never
tell the difference between a rook
and bishop, but I knew the horse meant
knight. And that made sense to me,
because a horse is night: soot-hoof
and nostril, dark as a sabled evening
with no stars, bats, or moon-blooms.
It’s a night in Ohio where a man sleeps
alone one week, and the next, the woman
he will eventually marry leans her body
into his for the first time, leans a kind
of faith, too—filled with white crickets
and bouquets of wild carrot. And
the months and the honeyed years
after that will make all the light
and dark squares feel like tiles
for a kitchen they can one day build
together. Every turn, every sacrificial
move—all the decoys, the castling,
the deflections—these will be both
riotous and unruly, the exact opposite
of what she thought she ever wanted
in the endgame of her days.
My South
O glistening perfumed South! my South!
Walt Whitman
My South started with sugar
boiled and spilled for birds
green as my mom’s signature
ring, three emeralds in a band
across her finger. When I first
moved here, I hardly knew anyone
except for some brushy armadillos
who stood and showed their bellies,
hissing when my little Chihuahua
and I walked too close. And when
you start with sugar you think
you’d end in salt: spicy shrimp
and grits, a rim of a glass, a rind
of peppered bacon. My South runs
a bit of beaver spit along the edges
of crepe myrtles, towhee feathers
lost in leaf litter, and a bit of ladybug
blood from the curdle of them slow-
crawling over the sunset side
of my house. I never thought I could