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Oceanic Page 3
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you think her nerves are left a little more electric
after she is caught? Sometimes if you put an ear
to the dark slash between my hip bones, you can hear
a soft hum. Pretend it’s a skit of bees in late spring.
The Cockroach Responds
…and when I turn on the light you scuttle
into the corners and there is this hiss upon the land.
Anne Sexton
But of course you didn’t stick around for the bloom
of babies. And whatever evil I was given,
I swallowed, which is more than I can say
for some women. It became a beautiful swell
in my side and when my body could not bear it,
I stood on my head and offered myself up
to the lavender lining of the clouds: the world
and all I knew could be would be good again.
I have another chance. My young will learn
to land safe, even though they can never
sprout wings. I’ll teach them the fine trick
of walking up jelly-smeared aquarium glass.
You can bet these babies will always remember
to watch out for sticky-tongue and beak.
Andromache Begs Hector to Reconsider
Think of the wheat fields you clipped
and ran through in your youth. Don’t you
want your son to feel a kingdom
of grain in his little clenched hand?
Don’t you want to be the one
to give him that first fistful
of grain and corn? No armor
or plumed helmet could ever
protect me from the poison
given in mercy by the sun. I need you
and your warm calves in my bed.
Don’t let me trace the moon-glow crawl
of worms across your torn body. I won’t know
what shape to spoon into, or where.
When I’m Away from You, I Feel like the Second-Place Winner in a Bee-Wearing Contest
who practiced all year, only
to lose to a guy whose
every inch was covered
in hum. And I am in awe
to learn one cheeky bee
clambered into the winner’s
sugared ear, another
slid into his nostril, and still—
he didn’t flip. Just calmly
waited for the bell to ring
a victory. But even
fifty-seven pounds of bees
can’t stop the music I hear
when I return to you, the music
I hear when you walk near me.
Like I’m always carried in enough
good sting and thrum to remember
our life. I’ll always return home
to you—my honeycomb, my sweet—
my one faithful and true buzz.
In the Museum of Glass Flowers
CAMBRIDGE, MASSACHUSETTS
In the museum of glass flowers, a hemlock branch threatens
to leave bite marks, so crisp and pointy. Even the red bell-buds
have the same bit of waxy residue the real-life ones do.
There are cold noodles in the refrigerator that I could share
with you. The curator forgot. There is one key left
in the pitcher plant display case. I am tempted to turn it.
Make it click. You are the kind of person who wears
a rabbit T-shirt. I wear pink loafers. Inside this locket
is a picture of my two loves. I wear this amulet to protect me
from people like me who would contemplate touching
a glass flower at Harvard. Even though there are explicit
signs everywhere: Do not touch the glass displays!
A teacher once told me to never use an exclamation mark
unless I were writing the line, “Watch out, there’s a bus!”
The bus ride would only be five hours. I’d meet you there
and we could talk over a dandelion coffee. You once
said hummingbirds called my name. But I think the thrum
was something else. Something wild and hairy. I’d meet you
there. Like something hiding under a bridge, the stuff
of fairy tales and ribboned girls who dance and dance
and never notice the singular toad watching them
from the edge of a marbled bench. See him sleep. See him
burp. See how he catches a crunchy gnat, and that
singular snack satisfies him sometimes for a whole day.
Dangerous
The rooster talks to the donkey.
The turtle whispers to the rabbit.
The mouse conspires with the lion.
I have been reading fairy tales
and I know you are dangerous.
I see it in your shiny teeth. You
might as well be hiding in a bed
with the covers pulled up
to your nose, waiting for me
and my red cape. I have a baby
at home and another in a basket.
I have a spider that lives just above
my spice rack. I’ve dusted his web
with paprika and turmeric,
and I will throw it all into a stew
I might feed you one day. You might
as well take an extra pause when you
press into my chest and hear my heart
clap through my thin blouse. That’s
all I can do. That’s all I can say.
Travel Mommy Ghazal
Before I boarded the plane, my son sighed, I wish I had another mommy
with thirty-three teeth and she can be called: Travel Mommy.
We could sit by our fireplace and I could make hot cocoa
while the snow piles into pillows, but inside: just Mom and me.
That mother with a shiny extra tooth will sneak and fly and teach
poetry to big kids. Not my pretty, thirty-two toothed mommy.
But now I’m on the plane and searching the horizon for a prayer
to keep my family safe, something I learned from my own mom.
I find an answer in my coat pocket, a folded note my son sneaked
there while we waited at the ticket counter, addressed, To: Mommy.
Probably by the time you read this, Daddy is quiet and driving us home.
I aim my gaze to the almost-planets. Isn’t the sky colored like a parrot, Mom?
Flowers at the Taj Mahal
I question you, poppy,
paper-thin bloom
and spindly rubber neck.
I accuse you of a mouth
cupped open like
a slobbering jackal’s,
like happy rats in cheese.
There is no greater victory
than seeing you like this
after all these years:
thin legs, all teeth and eyes
and a frayed sari cottoned
around you. I look
to your shadows—how you
glow in sunrise or sunset,
marbleizing the wet eyes
of tourists and their stupid
toothpaste smell. After two
houses, four states, a new car,
and two sons pulled from me—
how could I love another
mountain, monsoon, another
man? How could I love
a mausoleum I never met?
While Riding an Elephant, I Think of Unicorns
PERIYAR NATIONAL PARK, INDIA
The elephant takes me deeper into the bamboo forest,
and I start to worry about what other animals
might be hiding here. The stalks so thick and clustered
in tight walls of green, it makes me wonder
about the tiger preserve nearby and how
this would make a lovely place to find
a dinner date, if I were a disgruntled tiger.
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Or if I were a unicorn—and needed some peace
and privacy—this would definitely be the ideal spot.
And when I daydream about unicorns, I can’t help
but think of that little frog in the lower-right corner
of that famous medieval tapestry, Unicorn
in Captivity. That fat and sassy unicorn—almost
smiling in repose—while it munches pomegranate seeds
fallen from the swollen tree under which it sits.
The unicorn seems oblivious to the wily frog
in the lower right-hand corner who hides in a bed
of violets. And the lesson that this frog teaches me
here atop this elephant, deep in this bamboo—
is to not panic. Even when so clearly out of place
and nothing seems familiar. Enjoy the view.
There will be plenty of time for delicious
and comfortable water-spots. That frog
doesn’t know he will be part of history’s
most memorable image of the unicorn.
He just sits there, enjoying the view
in his wee wool-warp, silk and gilt wefts,
grateful for the fields of flowered finery.
Self-Portrait as an Egg-Tempera Illuminated Manuscript from 1352
Notice my halo, how the craquelure in the paint
doesn’t even diminish the shine. Notice how
fun it is to say craquelure. And it makes
even the stoic guy who painted me bite
the inside of his cheek to steady himself when
he picks up his gilder’s knife to lay the gold leaf
in delicate flakes. Like what you know to be fish food,
is what I know of ash from the bottom of a porridge pot.
I live across the fourth pew in a little Spanish church now,
but my nose still wrinkles at the memory of chicken
and eggshell, how he tapped each yolk into a wooden tray
to mix with clay. How he had to paint me so quickly
before the paint dried and toughened into a satin skin
across my waist. Of course I fell for him (though
my sisters warned me not to), but who could resist
those dark eyes the dimple that mouth with the tiny scar
like lightning just under his nose? Six hundred sixty-three
years from now this planet will be granted an extra second.
I know I’ll be spending that moment still wanting him
to come back, apply just one more coat of verdaccio pigment
and quietly tip in another layer of gold leaf
on the hem of my robe—just to make sure
everyone can see what might have been hidden
under toughened paint, and lost all these slow years.
Letter to the Northern Lights
The light here on earth keeps us plenty busy: a fire
in central Pennsylvania has been burning since 1962,
whole squads of tiny squid blaze up the coast of Japan
before sunrise. Of course you didn’t show when we went
searching for you, but we found other lights: firefly,
strawberry moon, a tiny catch of it in each other’s teeth.
Someone who saw you said they lay down
in the middle of the road and took you all in,
and I guess you’re used to that—people falling
over themselves to catch a glimpse of you
and your weird mint-glow shushing itself over the lake.
Aurora, I’d rather stay indoors with him—even if it meant
a rickety hotel and its wood paneling, golf carpeting
in the bathrooms, and grainy soapcakes. Instead
of waiting until just the right hour of the shortest
blue-night of the year when you finally felt moved
enough to collide your gas particles with sun particles—
I’d rather share sunrise with him and loon call
over the lake with him, the slap of shoreline threaded
through screen windows with him—my heart
slamming in my chest, against my shirt—a kind
of kindling you’d never be able to light on your own.
Perch Bones and Apple Aubade
Forgive her the want to press against your plaid shirt
and weep with her eyes closed. The want for the sky
to crack into rain. The want of those lady beetles pouring
out of perch bones strewn along the shore of Lake Erie.
The want for hollyhocks to falter this year, one less set
of seeds to collect in a glassine envelope. If the yard
is too wet for tomatoes, too dry for morning glories
to twist and furl, she could race ahead to fall
and be a fleshy tulip bulb, tamped into the ground
to sleep a fitful sleep until you return. We never see
the sky as it is, but only as it was. What if she came to you
in the middle of the night and said she can’t sleep?
That she needs to hear a bedtime story, perhaps a tale
from your youth? Would you tell her of the time
you first hit someone’s face, split his sweet cheek?
What did the blood smell like and does its sound still
linger in your fist? She wishes her unsleeping hips under
those same palms. And that desire is the cool water sloshed
into a trough at dawn. How all the horses amble over
to get that first fresh drink. She is the ground exactly
two horse-steps away from that first swallow. She is littered
with apple cores and salt blocks packed down. Once you cross
that space, you will always taste the memory of her
on your beard. No tack cloth or stable rag can wipe it away.
She hopes to never see where you live. She doesn’t
want to picture what chair, what cup, what bed and whom.
This Sugar
When you ask me to split a dessert with you, I wince
because I don’t like to share my restaurant food
and there is the matter of who pays for what.
If I don’t order a drink and just have a salad
always the person in the group who gobbled steak,
a glass of wine, and two appetizers says, Let’s just split
the check equally! But you, you raise your eyebrows
when the waitress mentions a brambleberry tart and maybe
so do I. When she sets down the piping-hot pie dish
with two funnels of steam and two spoons, you look
at me and say, Dig in. We have already tasted
from each other’s lips when we’ve shared cold glasses
before. I’m fairly certain across this table across the slide
of the fork, even the knife we both use—this is how
thumbnail-size coquina clams feel when they tumble
and toss into the shoreline from an impending storm—
how they gasp and slide their foot trying to brace
themselves, then thwap—another wave. And after
that tumble, the sunlight glows below you, and then
above you, where it should be, and I wipe my mouth
with the pink napkin, and in the folds of that napkin
is a lipstick kiss where the kiss should be—never
between your neck and shoulder. Our mouths will press
only on this sugar, this glaze, and this caramelized topping.
Too Many Cooks Spoil the Broth
Too many needles spoil the cloth.
Too many parrots spoil the talk.
Too many chapped lips spoil the gloss.
Too many teasel burs spoil the paw.
Too many bubbles spoil the froth.
Too many doorbells spoil the knock.
Too many seeds spoil the floss.
Too many feathers
spoil the claw.
Too many lightbulbs spoil the moth.
Too many holes spoil the sock.
Too many sunbeams spoil the moss.
Too many kisses spoil the jaw.
Too many wolves spoil the flock.
Too many necks spoil the block.
Psyche & Cupid: A Reimagining
This is not the cupid with bare bum and a quiver of arrows flying high
with other putti in the foothills of Mount Olympus. But a story of the
man, grown—fierce as an archangel. This is also the story of a woman who
learned lip who learned lava who learned love and lagoon who learned to
never fear wheat or wide sky.
The parents were told that unless their maiden daughter Psyche was pushed
off the crumbly edge of the tallest mountain on the outskirts of the village,
the whole town would suffer famine and disease. This was to be the sacrifice
to appease Aphrodite, the jealous mother of Cupid. There was no other way.
The surrender must be made. The parents wept and ripped their clothes with
each of Psyche’s small steps.