"A riveting look inside the world of classical musicians and an intimate study of friendships." —Marie ClaireThe addictive novel about four young friends navigating the cutthroat world of classical music and their complex relationships with each other, as ambition, passion, and love intertwine over the course of their lives.Jana. Brit. Daniel. Henry. They would never have been friends if they hadn't needed each other. They would never have found each other except for the art which drew them together. They would never have become family without their love for the music, for each other.Brit is the second violinist, a beautiful and quiet orphan; on the viola is Henry, a prodigy who's always had it easy; the cellist is Daniel, the oldest and an angry skeptic who sleeps around; and on first violin is Jana, their flinty, resilient leader. Together, they are the Van Ness Quartet. After the group's youthful, rocky... Views: 11
The love between a daughter and her mother—and the dark secrets they keep from each other— An isolated town.The remains of a mysterious cult.And a woman who disappears. It's 1985. Pony Darlene Fontaine has lived all her fifteen years in "the territory," a settlement founded decades ago by a charismatic cult leader. In this strange town run on a sinister economic resource, the women crimp their hair and wear shoulder pads, and the teenagers listen to Nazareth and Whitesnake on their Walkmans. Pony's family lives in the bungalow at the farthest edge of town, where the territory borders the rest of the wider world—a place none of the townspeople have ever been. Except for Billie Jean Fontaine, Pony’s mother. When Billie Jean arrived in the territory seventeen years prior—falling from the open door of a stolen car—the residents took her in and made her one of their own. She was the first outsider they had ever laid eyes on. Pony adores and idolizes her mother, but like everyone else in the territory she is mystified by her. Billie Jean refuses to describe the world she came from.
One night, Billie Jean grabs her truck keys, bolts barefoot into the cold October darkness—and vanishes. Beautiful, beloved, and secretive, Billie Jean was the first person to be welcomed into the territory. Now, with a frantic search under way for her missing mother, Pony fears: Will she be the first person to leave it too?
Told from the three unforgettable perspectives of a daughter, a killer dog, and a teenage boy named Supernatural, this novel is startling in its humor and wrenching in its wisdom about the powers, limits, and dangers of love. Heartbreaker is an electrifying page-turner about a woman reinventing herself in order to survive—and a daughter who must race against the clock to untangle the mysteries left in her mother’s wake. Views: 11
What's a witch to do when her boss turns up poisoned right after she'd wished him dead? Witch Destiny Maganti loves working at a tiki bar on the Enchanted Coast, a beach getaway for paranormals. Between delivering drinks to mermaids and serving rare steaks to werewolves, she meets all sorts of interesting people. Plus, as a water witch, she's right at home on the ocean. Views: 11
A collection of rare ghosts and horror stories by the brothers of one of the finest writers of the genre, E. F. Benson. The Benson brothers – Arthur Christopher, Edward Frederic and Robert Hugh – were one of the most extraordinary and prolific literary families, between them writing more than 150 books. Arthur alone left four million words of diary, although his most lasting legacy is the words to Elgar's Land of Hope and Glory, while Fred is acknowledged as one of the finest writers of Edwardian supernatural fiction: the name E. F. Benson is mentioned in the same breath as other greats such as M. R. James and H. R. Wakefield. In fact, all three brothers wrote ghost stories, although the work of Arthur and Hugh in this field has long been overshadowed by their brother's success. Now the best supernatural tales of A. C. and R. H. Benson have been gathered into one volume by anthologist Hugh Lamb, whose introduction examines the lives and writings of these two complex and... Views: 11
Leaping from ballet to quiltmaking, from the The Nutcracker to an Annie-B Parson interview, Idiophone is a strikingly original meditation on risk-taking and provocation in art and a unabashedly honest, funny, and intimate consideration of art-making in the context of motherhood, and motherhood in the context of addiction. Amy Fusselman's compact, beautifully digressive essay feels both surprising and effortless, fueled by broad-ranging curiosity, and, fundamentally, joy. Views: 11
