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The Deadly Daiquiri

What's a witch to do when her boss turns up poisoned right after she'd wished him dead? Witch Destiny Maganti loves working at a tiki bar on the Enchanted Coast, a beach getaway for paranormals. Between delivering drinks to mermaids and serving rare steaks to werewolves, she meets all sorts of interesting people. Plus, as a water witch, she's right at home on the ocean.
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Ghosts in the House

A collection of rare ghosts and horror stories by the brothers of one of the finest writers of the genre, E. F. Benson. The Benson brothers – Arthur Christopher, Edward Frederic and Robert Hugh – were one of the most extraordinary and prolific literary families, between them writing more than 150 books. Arthur alone left four million words of diary, although his most lasting legacy is the words to Elgar's Land of Hope and Glory, while Fred is acknowledged as one of the finest writers of Edwardian supernatural fiction: the name E. F. Benson is mentioned in the same breath as other greats such as M. R. James and H. R. Wakefield. In fact, all three brothers wrote ghost stories, although the work of Arthur and Hugh in this field has long been overshadowed by their brother's success. Now the best supernatural tales of A. C. and R. H. Benson have been gathered into one volume by anthologist Hugh Lamb, whose introduction examines the lives and writings of these two complex and...
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Idiophone

Leaping from ballet to quiltmaking, from the The Nutcracker to an Annie-B Parson interview, Idiophone is a strikingly original meditation on risk-taking and provocation in art and a unabashedly honest, funny, and intimate consideration of art-making in the context of motherhood, and motherhood in the context of addiction. Amy Fusselman's compact, beautifully digressive essay feels both surprising and effortless, fueled by broad-ranging curiosity, and, fundamentally, joy.
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Thorn-Field

The fictional town of Liverwood's main employer is the potash mine that seems to arc over the town and everything people do. With a novel-like persistence to detail, Trettwer's stories observe how the townspeople thread their way through the thorn-fields of their relationships, which are complicated by their addictions and obsessions and by the numbing constancy of their lives. In the background the mine looms large, its four-rotor boring machines rumble deep under the earth, while six kilometers away, Liverwood town life embraces their rhythm. In assembling Trettwer's links between stories, we witness elimination of the romanticism often associated with small-town simplicity, and see the exposure of the unhappiness, corruption, and the exploitation that drive the town's human affairs. The stories disclose the fears of those whom the mine has orphaned, like Lourdes whose life forward was always fraught with uncertainty that had to be met with bravado; the stories describe all...
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