Warning: For Mature Adult Audiences 18+. Contains language and actions some may deem offensive. Sexually explicit content. Ménage – MFM. In book six of KO Ink: Brit Williams plans of visiting her friend and then going back to her structured life and job went out the window the minute she stepped into crazy family central. Add in the two men who are bigger than life, and Brit finds herself wanting to run, she just hasn't figured out in what direction: away from them or into their waiting arms—like they are going to give her a choice. Sean O’Malley has been labeled the serious one in the family. The observer, the one who quietly supports his family members and expects nothing in return. He has watched his brothers fall fast and hard for their women, but his plan, find her, take her, and give her no option to run. Jackson “Jet” Tolsen has found the loving family he never had growing up as the only child of two aging parents who were more interested in their professions than him. He has a job he enjoys, a friend who shares the same dreams, a family that has proven to him love and acceptance comes from the heart, not because you share the same blood, and a woman to share it all with. Well, that is once he and Sean have dazzled and dazed her enough that she's caught and doesn't realize it until it's too late. The men are getting closer to finding out who is behind the fighting ring. The question is, can they do it before anyone else is hurt or killed?
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A "virtually faultless" account of the final weeks of World War II in the Pacific and the definitive history of the battle for Stalingrad together in one volume (The New York Times Book Review). Author William Craig traveled to three different continents, reviewed thousands of documents, and interviewed hundreds of survivors to write these New York Times–bestselling histories, bringing the Eastern Front and the Pacific Theater of World War II to vivid life. The Fall of Japan masterfully recounts the dramatic events that brought an end to the Pacific War and forced a once-mighty nation to surrender unconditionally. From the ferocious fighting on Okinawa to the all-but-impossible mission to drop the second atom bomb, and from Franklin D. Roosevelt's White House to the Tokyo bunker where tearful Japanese leaders first told the emperor the war was lost, Craig draws on Japanese and American perspectives to capture the pivotal... Views: 68
*This is a special digital edition of Me You: A Diary, and does not include calendar pages. To keep a working diary alongside Dawn, we recommend the hardback edition of Me You: A Diary, or write personal entries inside a separate paper journal. * 'START A JOURNAL alongside Dawn's witty outlook on life. This will have you laughing about your year' Prima 'This book is inspired!!!' Nadiya Hussain '[It's] beautiful, like Dawn, and stuffed full of goodies' Jo Brand ——————————————This special digital edition takes you on a year-long journey with Dawn, to read her honest, moving memoir, filled with photos and her very own musings about life. Dawn has just turned 60 and she has written a diary just for you. As Dawn writes about the four seasons you'll discover more about her life. This book is about the... Views: 68
Jayden knows he’s a monster. The people he killed were horrible, but it didn’t change what he was. And being taken in by Stephan Everwood at fifteen hadn’t changed his homicidal tendencies. Yet ten years later he finds himself struggling to be someone he's not. Then, despite thinking he lost most of his emotions years ago, Jayden discovers that not only is he not as empty inside as he thought, but that his monster is more present than ever before.
Stephan freely admits he has some issues. His self-doubts could be unrelenting and Stephan’s need to fix things tended to go too far. It blinded him to Jayden’s struggles. In the end his refusal to listen to what Jayden was trying to tell him has unfortunate results. When Stephan finally accepts who Jayden is, he must also face all that he had locked away inside.
Their difficulties brought them together. Their love healed them. And when the past tries to tear them apart, their darkness saved them. Views: 68
It is a perennial embarrassment to the Left that some of the greatest creative minds of the 19th and 20th centuries were men of the Right, and not just conservatives, but men of the far Right, such as fascists and National Socialists—or their precursors and fellow travelers.K. R. Bolton’s More Artists of the Right offers political profiles of seven immensely accomplished artists and critics who made significant contributions to Right-wing political thought: Richard Wagner, Aleister Crowley, T. S. Eliot, P. R. Stephensen, A. R. D. Fairburn, Count Potocki of Montalk, and Yukio Mishima.CONTENTSForeword by Greg Johnson1. Richard Wagner2. Aleister Crowley3. T. S. Eliot4. P. R. Stephensen5. A. R. D. Fairburn6. Count Potocki of Montalk7. Yukio MishimaIndex (print editions only)About the AuthorPraise for the first Artists of the Right volume:“Kerry Bolton’s book Artists of the Right blows away the notion of right-wing philistinism and, instead, leads to a radically different assessment of the arts during the first half of the 20th century. For it now appears that almost every significant artist of the period rejected both materialism and the egalitarian solutions of the Left. Bolton’s analysis is brash, opinionated, peppery, honest, and trail-blazing. In the biographies of his major figures he tends to include the material which is habitually left out or skirted over.”—Jonathan Bowden“Kerry Bolton is a maverick among scholars. In Artists of the Right he distills for us the political, social, and religious thinking of some of the most outstanding artists of the 20th century in infinitely readable prose. This is a book that belongs on the shelf of every free-thinking patriot and defender of European man.”—Leo Yankevich“K. R. Bolton’s Artists of the Right is something that we have needed for a long time: a clear and unapologetic study of those literary and artistic figures of the last century who explicitly and forthrightly rejected leftism and left-liberalism. Marxist and socialist ideologies are too easily assumed to be the natural badges of modern artists. Bolton shows that was certainly not the case for a great many major figures of the 20th century. His straightforward exposition of the lives and work of these men shows two things: first, that many important poets, novelists, and thinkers of the 20th century were profoundly rightist in their political views; and second, that they by no means presented a seamless front of solidarity in their opinions. Their independence of mind saved them from leftist groupthink, but it also guaranteed that even among themselves they would be strongly divided on many issues. Bolton’s approach is sympathetic and appreciative, and that in itself is a welcome departure from the condemnatory or patronizing tone that a typical liberal academic would have brought to this task.”—Dr. Joseph S. Salemi, Hunter College, C.U.N.Y.“Kerry Bolton is the Noam Chomsky of the New Right. His double doctorates in theology and encyclopedic knowledge of 20th century history qualify him as a guru, and as such I recommend his writings on geopolitics, culture, and spirituality to anyone with more than a passing interest in these subjects. Every day since VE Day has been a Marxist holiday for the culture makers of the West. Artists of the Right is a declaration of the manifest bankruptcy of this legacy.”—Charles Krafft“Eye-opening, exhilarating, and inspiring, Bolton examines figures both familiar and almost unknown, constructing a counter-canon to show that, no matter what your teachers told you, the great minds of the 20th century were culturally, politically and spiritually of the Right.”—James J. O’MearaAbout the Author:K. R. Bolton holds Doctorates in Theology and a Ph.D. h.c. He is a contributing writer for Foreign Policy Journal and a Fellow of the Academy of Social and Political Research in Greece. His books include Revolution from Above (London: Arktos Media, 2011), Artists of the Right (San Francisco: Counter-Currents, 2012), Stalin: The Enduring Legacy (London: Black House Publishing, 2012), The Parihaka Cult (London: Black House Publishing, 2012), The Psychotic Left (London: Black House Publishing, 2013), The Banking Swindle: Money Creation and the State (London: Black House Publishing, 2013), Babel Inc.: Multicultralism, Globalisation, and the New World Order (London: Black House Publishing, 2014), Perón and Perónism (London: Black House Publishing, 2014), and Zionism, Islam, and the West (London: Black House Publishing, 2015). Views: 68
Nineteen-year-old Aldine McKenna is stuck at home with her sister and aunt in a Scottish village in 1929 when two Mormon missionaries ring the doorbell. Aldine’s sister converts and moves to America to marry, and Aldine follows, hoping to find the life she’s meant to lead and the person she’s meant to love.
In New York, Aldine answers an ad soliciting a teacher for a one-room schoolhouse in a place she can’t possibly imagine: drought-stricken Kansas. She arrives as farms on the Great Plains have begun to fail and schools are going bankrupt, unable to pay or house new teachers. With no money and too much pride to turn back, she lives uneasily with the family of Ansel Price—the charming, optimistic man who placed the ad—and his family responds to her with kind curiosity, suspicion, and, most dangerously, love. Just as she’s settling into her strange new life, a storm forces unspoken thoughts to the surface that will forever alter the course of their lives.
Laura McNeal’s novel is a sweeping and timeless love story about leaving—and finding—home.
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“A stunning, pitch-perfect tale of a star-crossed, Depression-era love triangle. National Book Award finalist Laura McNeal is a magnificent writer.” —Lily King, author of *Euphoria*
“Laura McNeal’s tale of Aldine McKenna’s journey from Scotland to the drought-stricken wheat fields of Kansas is written with a deftness and lyricism that recalls Colm Tóibín’s Brooklyn. It is at once about an immigrant’s journey, a family’s epic, and a necessary history told straight from the heart. It’s the kind of book readers will return to again and again.” —Douglas Unger, author of Leaving the Land and Voices from Silence
“A vibrant, stirring gem of a book.” —Ron Hansen, National Book Award Finalist for *Atticus*
“The novel, in its understated and brilliantly imagined scenes, draws us into the everyday joys and the wrenching struggles of Aldine McKenna’s journey. It opens up her heart to us.” —Darrell Spencer, author of *Bring Your Legs With You*
“The memorable characters, well-constructed setting, and beautiful prose make the novel shine. Dust, lust, and human drama rendered with sensitivity, depth, and breadth.” —*Kirkus Reviews*
About the Author
Laura Rhoton McNeal holds an MA in fiction writing from Syracuse University and is the author, with her husband, Tom, of four critically acclaimed young adult novels, including Crooked (winner of the California Book Award in Juvenile Literature) and Zipped (winner of the Pen Center USA Literary Award in Children’s and Young Adult Literature). Laura’s solo debut novel, Dark Water, was a finalist for the National Book Award. She lives with her family in Coronado, California. Views: 68
