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Cornwall for Christmas: A Polwenna Bay novella

Sometimes the best Christmas presents are the ones you aren't expecting ... When Kat James exchanges the city for a solitary Yuletide in a Cornish fishing village she's fully expecting a quiet time. What she isn't prepared for is a little meddling from her well-meaning best friend and a visit from the Ghost of Boyfriends Past. Romance, festive or otherwise, isn't on Kat's Christmas list. The last thing she is looking for is love. Is coming to Cornwall for Christmas a big mistake for Kat? Has her broken heart set harder than the granite cliffs? Or will Polwenna Bay and its inhabitants work a little festive magic after all? CORNWALL FOR CHRISTMAS is a festive return to Polwenna Bay, the warm -hearted Cornish set series by the bestselling author of ESCAPE FOR THE SUMMER and KATY CARTER WANTS A HERO.  * * * * * Praise for Ruth Saberton: "Fresh, fast paced and funny" Company Magazine "A real treat of a read" Fiona Walker "Clever and fresh" Richard Madeley "A roller coaster of a read - I was gripped by emotion" Krafti Reader
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Robert Ludlum's (TM) the Bourne Enigma

A NEW JASON BOURNE NOVEL! On the eve of Russian General Boris Karpov's wedding, Jason Bourne receives an enigmatic message from his old friend and fellow spymaster. In Moscow, what should be a joyous occasion turns bloody and lethal. Now Bourne is the only one who can decipher Karpov's cryptogram. He discovers that Karpov was willing to betray his Sovereign to warn Bourne of a crippling disaster about to be visited on the world. Bourne has only four days to discover the nature of the disaster and stop it. The trail Karpov has been following leads Bourne to Cairo and the doorstep of Ivan Borz, the elusive international arms dealer infamous for hiding behind a never-ending series of false identities, a man Bourne has been hunting ever since he abducted former Treadstone director Soraya Moore and her two-year-old daughter, and brutally murdered her husband. In war-torn Syria and then Cyprus Bourne moves ever closer to discovering the astonishing truth,...
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At the End of the Street in the Shadow

The films of Orson Welles inhabit the spaces of cities—from America's industrializing midlandto its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character. This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities—the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes. The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars. Viewing Welles as a radical filmmaker... The films of Orson Welles inhabit the spaces of cities -- from America’s industrializing midland to its noirish borderlands, from Europe’s medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character. This ambitious new study explores Welles’s vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles’s cinematic cities—the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes. The book’s critical scope draws on extensive research in international archives and builds on the work of previous scholars. Viewing Welles as a radical filmmaker whose innovative methods were only occasionally compatible with the commercial film industry, this volume examines the filmmaker’s original vision for butchered films, such as The Magnificent Ambersons (1942) and Mr. Arkadin (1955), and considers many projects the filmmaker never completed—an immense “shadow oeuvre” ranging from unfinished and unreleased films to unrealized treatments and screenplays. Matthew Asprey Gear is an honorary academic at Macquarie University, Sydney. He has lectured in film studies and screenwriting and is the founding coeditor of Contrappasso magazine. Visit www.matthewaspreygear.com
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Blind Sight

The extraordinary new Mallory novel from one of the most acclaimed crime writers in America.A blind child and a Catholic nun disappear from a city sidewalk in plain sight of onlookers. There, then gone—vanished in seconds. Those who witnessed the event still cannot believe it happened. It was all too real. Detective Kathy Mallory and the NYPD's Special Crimes Unit enter the investigation when the nun's body is found with three other corpses in varying stages of decomposition left on the lawn of Gracie Mansion, home to the mayor of New York City. Sister Michael was the last to die. The child, Jonah Quill, is still missing. Like Jonah, the police are blind. Unknown to them, he is with a stone killer, and though he has unexpected resources of his own, his would-be saviors have no suspect, no useful evidence, and no clue — except for Detective Mallory's suspicions of things not said and her penchant for getting to the truth beneath lies. Behind...
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The Lady of the Forest (Knights of Destiny)

When her elderly husband dies, Lady Katherine fakes her own death and disappears into the forest with others escaping the brutish new lord. Determined to protect her people, she knocks the wrong man senseless. But Lord Henry isn't an enemy, he’s the brother of her childhood friend. Although his tender confidence tempts her, she’s bound by duty. Henry of Chauvere has found the one lady he wants for his own, never mind she’s tied him hand and foot. When he learns the king has ordered her to wed Stonehill’s ruthless new master, he insists Kate seek haven with his sister. But she won’t desert her friends. Henry vows to solve her problem, provided he catches a traitor before the threat from Kate's past catches her. When a daring rescue compels Henry and Kate to join forces, their attraction grows into love. If only duty didn’t drive them apart.
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