Leonardo is the greatest, most multi-faceted and most mysterious of all Renaissance artists, but extraordinarily, considering his enormous reputation, this is the first full-length biography in English for several decades. Prize-winning author Charles Nicholl has immersed himself for five years in all the manuscripts, paintings and artefacts to produce an 'intimate portrait' of Leonardo. He uses these contemporary materials - his notebooks and sketchbooks, eye witnesses and early biographies, etc - as a way into the mental tone and physical texture of his life and has made myriad small discoveries about him and his work and his circle of associates. Among much else, the book identifies what Nicholl argues is an unknown portrait of the artist hanging in a church near Lodi in northern Italy. It also contains new material on his eccentric assistant Tomasso Masini, on his homosexual affairs in Florence, and on his curious relationship with a female model and/or prostitute from... Views: 46
April 1951. It has been twenty years since the death of Rebecca, the hauntingly beautiful first wife of Maxim de Winter, and twenty years since Manderley, the de Winter family's estate, was destroyed by fire. But Rebecca's tale is just beginning.Colonel Julyan, an old family friend, receives an anonymous package concerning Rebecca. An inquisitive young scholar named Terence Gray appears and stirs up the quiet seaside hamlet with questions about the past and the close ties he soon forges with the Colonel and his eligible daughter, Ellie. Amid bitter gossip and murky intrigue, the trio begins a search for the real Rebecca and the truth behind her mysterious death. Views: 46
Enter the spell-binding worlds of best-selling author Robert Stanek and dream a new dream. This book contains: "Absolutes": Expertly melds science fact with science fiction. The brilliant boy scientist, Krzysztof Steelbridge, is blinded by ambition and ultimately consumed by it. "Silence is Golden": In the distant future, the universe is controlled by Majority-1. Their rule is supreme. No one dares oppose them, and so it is against all odds that Ev tries to make a stand against them. To do so, however, she must sacrifice everything and everyone she holds dear. "August Rains": Former teacher and principal John Anderson must face the demons of the past. Views: 46
SUMMARY:
Acclaimed author Anthony Everitt, whose Augustus was praised by the Philadelphia Inquirer as “a narrative of sustained drama and skillful analysis,” is the rare writer whose work both informs and enthralls. In Hadrian and the Triumph of Rome–the first major account of the emperor in nearly a century–Everitt presents a compelling, richly researched biography of the man whom he calls arguably “the most successful of Rome’s rulers.”Born in A.D. 76, Hadrian lived through and ruled during a tempestuous era, a time when the Colosseum was opened to the public and Pompeii was buried under a mountain of lava and ash. Everitt vividly recounts Hadrian’s thrilling life, in which the emperor brings a century of disorder and costly warfare to a peaceful conclusion while demonstrating how a monarchy can be compatible with good governance. Hadrian was brave and astute–despite his sometimes prickly demeanor–as well as an accomplished huntsman, poet, and student of philosophy.What distinguished Hadrian’s rule, according to Everitt, were two insights that inevitably ensured the empire’s long and prosperous future: He ended Rome’s territorial expansion, which had become strategically and economically untenable, by fortifying her boundaries (the many famed Walls of Hadrian), and he effectively “Hellenized” Rome by anointing Athens the empire’s cultural center, thereby making Greek learning and art vastly more prominent in Roman life.With unprecedented detail, Everitt illuminates Hadrian’s private life, including his marriage to Sabina–a loveless, frequently unhappy bond that bore no heirs–and his enduring yet doomed relationship with the true love of his life, Antinous, a beautiful young Bithynian man. Everitt also covers Hadrian’s war against the Jews, which planted the seeds of present-day discord in the Middle East. Despite his tremendous legacy–including a virtual “marble biography” of still-standing structures–Hadrian is considered one of Rome’s more enigmatic emperors. But making splendid use of recently discovered archaeological materials and his own exhaustive research, Everitt sheds new light on one of the most important figures of the ancient world. Views: 46
With ghosts like these, who needs TAPS? If Dana Cummings was inclined to list the best ways to meet men, having one arrest her for burglary—during a tornado, no less—wouldn’t be in the top ten. Dating isn’t high on her agenda, period. She’s sworn to never again fall for know-it-all men with fiery gazes and devastating smiles. Besides, she’s only in Wyoming to help her eccentric aunt find out if horny ghosts really do haunt the family bed. And hopefully bust a hellacious case of writer’s block. Extracurricular activity with a gruff, hunky lawman is off limits, even if he does fire her libido. Witnessing too much of life’s seedy side led Brennan Marshall to live by three simple rules: work hard, play hard, and never fall for a sweet-faced female with a witty tongue and snappy comebacks. Especially the ones with a dollop of vulnerability—like Dana. But their razor-sharp sexual tension cuts right through his defenses and leads them on a dangerous journey. One that will test the limits of their beliefs—and could cost their lives. This book has been previously published. Warning: Contains sexy ghosts doing the hunka chunka in the basement, red hot love scenes, and “spirited” language. Not responsible for paranormal hanky panky that reading this book may stir up. Views: 46
After a devastating breakup Summer Peters knows she needs something to distract her. What better than the arrival of fall, Halloween, and a new client? Just when she thinks she could be ready to move on, her ex-boyfriend Jake returns for a second chance. She’s in for even more of a surprise when she learns her nosy, meddling neighbor is actually a psychic pushing to reveal details of her future. Views: 46
Product DescriptionIrenee Sabel is a good witch, a sophisticated beauty, a member of Chicago’s old-money elite, and a defender of an ancient code of ethics that prohibits the indiscriminate use of power attached to magical possessions. Responsible for confiscating and destroying hidden relics of the sorcery realm still employed by practitioners of the craft for self-centered reasons, she attends an aging warlock’s gala party to burglarize his safe in search of an item of mystical mayhem. But when undercover agent Jim Tylan interrupts her break-in with an undisclosed search warrant from the Department of Justice and Homeland Security, she finds herself not only launched into an escapade after pieces of a legendary evil object but also thrown together with the agent destined to be her soul mate.About the AuthorAnn Macela is a former public school and university teacher and the author of both history and romance books, including the Magic series. She lives in the Chicagoland area.
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Issue #30 of Beneath Ceaseless Skies online magazine, featuring stories by Dru Pagliassotti and Jennifer Greylyn. Views: 46
Twenty-four-year-old Aisha Carlisle has the kind of life most people would envy. Successful and attractive, Aisha not only owns an inner-city dance studio, she has dashing bachelor, Chandler Larson, dangling on her arm and in her heart. Once rooted and grounded in her Christian faith, an unquenchable thirst to make quick cash draws her into a secret society comprised of some of the wealthiest men in the world. The cost she pays for turning against her faith is tremendous. Will the faith she so willingly relinquished free her from the sinful life she has chosen? Will her lust for the forbidden ruin her relationship with the man she loves? Is she too deep into corruption for God to pull her out of the trenches she's dug for herself? Views: 46
UnknownEDITORIAL REVIEW:
***“We’re about to cross the point of no return. God help us; we’re ******flying in the dark and we don’t know where the hell we’re going.”
***Facing down an unprecedented malevolent enemy, the government responds with a nuclear attack. America as it was is gone forever, and now every citizen—from the President of the United States to the homeless on the streets of New York City—will fight for survival.
*Swan Song *is Robert McCammon’s prescient and “shocking” (John Saul) vision of a post- Apocalyptic nation, a grand epic of terror and, ultimately, renewal.
In a wasteland born of rage and fear, populated by monstrous creatures and marauding armies, earth’s last survivors have been drawn into the final battle between good and evil, that will decide the fate of humanity: Sister, who discovers a strange and transformative glass artifact in the destroyed Manhattan streets . . . Joshua Hutchins, the pro wrestler who takes refuge from the nuclear fallout at a Nebraska gas station . . . And Swan, a young girl possessing special powers, who travels alongside Josh to a Missouri town where healing and recovery can begin with Swan’s gifts. But the ancient force behind earth’s devastation is scouring the walking wounded for recruits for its relentless army, beginning with Swan herself. . . .
EDITORIAL REVIEW: ***“We’re about to cross the point of no return. God help us; we’re ******flying in the dark and we don’t know where the hell we’re going.” ***Facing down an unprecedented malevolent enemy, the government responds with a nuclear attack. America as it was is gone forever, and now every citizen—from the President of the United States to the homeless on the streets of New York City—will fight for survival. *Swan Song *is Robert McCammon’s prescient and “shocking” (John Saul) vision of a post- Apocalyptic nation, a grand epic of terror and, ultimately, renewal. In a wasteland born of rage and fear, populated by monstrous creatures and marauding armies, earth’s last survivors have been drawn into the final battle between good and evil, that will decide the fate of humanity: Sister, who discovers a strange and transformative glass artifact in the destroyed Manhattan streets . . . Joshua Hutchins, the pro wrestler who takes refuge from the nuclear fallout at a Nebraska gas station . . . And Swan, a young girl possessing special powers, who travels alongside Josh to a Missouri town where healing and recovery can begin with Swan’s gifts. But the ancient force behind earth’s devastation is scouring the walking wounded for recruits for its relentless army, beginning with Swan herself. . . . I've always thought that any kind of film based on a book or short story can be a fascinating experience for the author---not necessarily because the film is good or bad, but because it's a reflection of how other people visualize the author's words. A writer creates the word pictures, and then people who weren't directly involved in that creation process have the task of making the word pictures solid. But I think the real challenge of being a writer is to create a mental movie: doing the lighting, the costumes, the casting and makeup, the special effects, the directing and making sure all the props are there on cue. I hope the readers do approach my books as films, that they can see in their minds as they read. The devil, it's been said, is in the details. If the details aren't there, a scene often lacks vitality. Which is a long way of getting around to writing that the illustrated version of Swan Song has just been published by Dark Harvest, and it was an interesting experience for me to see how an artist visualized scenes from the mental movie I'd created. The details are right. If something was in the scene, it's there in the illustration. So I want to thank Paul Mikol and the two artists who worked on the book, Charles and Wendy Lang, for an excellent job. Paul Mikol promised me Dark Harvest's production of Swan Song would be a quality work, and the Langs added an extra dimension of quality that I feel very, very proud about. All books are like children. They develop their own personalities as they're written. Some of them are sweet and gentle, others are nasty bullies, some don't want to grow up, others jump ahead so fast they pull you along by the throat. This, strangely enough, has nothing to do with length or complexity. It just is. No book I've ever written has been born in quite the same way, though my work patterns don't vary. Swan Song was a relatively easy birth, in that it flowed smoothly from beginning to end. Stinger was a beast; about sixty pages from the end, I realized I'd made a major goof and had to go back two hundred pages and start from there again. Usher's Passing almost put me under, but Mystery Walk was easy. The Wolf's Hour was really fun to do, probably the easiest birth of all even though it went back and forth between time periods. But my latest book---called MINE---was much tougher, even though the story is simple and straight-ahead. So it's hard to tell what the child will be like until you get into the birthing process. You just have to grit your teeth, hope for the best, and prepare to face the detail devil again. I was asked to talk about how and why I wrote Swan Song. I'd like to tell you why I don't want to do that. Swan Song, even though the new hardback version is out and it looks terrific and I hope it does very well, is ancient history to me. I got a letter not long ago addressed to Robert "Mr. Swan Song" McCammon. Now: let me say first of all that I'm really, really glad readers responded to Swan Song, and that the book continues to speak to people about hope in a world where hope seems to be a dirty word. That's great---but I'm not satisfied. I want more. Not more money, not more fame, not movies and "celebrity status." I want more from myself, and I don't plan on letting anybody believe for a second that Swan Song is going to be a laurel wreath on my head. I'm going to write better books. I'm going to write ones not as good. But the point is, I'm going to write different books. Many people have written urging me to do a sequel to Swan Song. I leave most of my books open for sequels---not so I can write them, but so readers can carry the story line further along in their imaginations. Sequels are never as good as originals, and almost always disappointing. Having said that, I also have to say that I am kicking around the idea of doing a sequel to The Wolf's Hour in three or four years. I would do it because I really enjoyed writing the original, because I would have something different to say, and because I might be interested in doing a series of books that span the continuation of Michael Gallatin's line into modern times. It would not be The Wolf's Hour Part II. Believe it. For me, writing is a great freedom. I don't use an outline. I don't usually know what's going to happen from one point to another, though I develop what I call "signpost scenes" as a kind of free-form roadmap. Writing is a great adventure, a journey of faith into the unknown. Sometimes it's a night trip, and you lose your way for a while. But when you get to your destination, and see the home fires burning, the joy is beyond description. I almost gave it up, a while back. I got really tired of hearing things like "the poor man's Stephen King," and that I was "walking on King and Straub's territory," that I was a rip-off artist and a hack with no style of my own. I almost said to hell with it, and for a while I was looking through the want ads trying to figure what else I could do. When I reached the bottom of that particular pond, I realized there was nothing else I could do besides write. For better or worse, I was married to writing, and I had to keep going no matter what was shoveled at me. So here we are. I'm not always going to write horror novels. The new book, MINE, isn't a horror novel in the supernatural sense, though it certainly is horror in the real world. I may do a fantasy novel next. I have a science-fiction book in the early stages. I'm planning on doing a love story---of a sort---set in the 1600s. I may do a book of the further adventures of Poe's detective, Dupin. Whatever: the point is, writing is the freedom to go and do and be and see, and I have no idea of where the boundaries lie. As I said before, I might write books that are better than others, but of one thing I'm certain: I won't repeat myself. Neither will I stop trying to become a better writer. Easy to say, hard to do. I know where the want ads are; I've seen their gray solemnity and invitation into a world of locks and keys. I can't live there. Again, I want to thank Paul Mikol and the Langs for an excellent job on Dark Harvest's production of Swan Song. And for knowing that the devil is in the details. What's past is preface. We go from here. Views: 46
A key work in the early history of Richard Bolitho. In this, the long awaited conclusion of Alexander Kent's midshipman trilogy, the new year of 1774 seems to offer Richard Bolitho and his friend Martyn Dancer the culmination of a dream. Both have been recommended for promotion, although they have not yet gained the coveted lieutenant's commission. But a routine passage from Plymouth to Guernsey in an untried schooner becomes, for Bolitho, a passage from midshipman to King's officer, tempering the promise of the future with the bitter price of maturity.** Views: 46
