When Sugar Pierce is asked to be her adopted sister's Maid of Honor for her Christmas Eve wedding, she gladly steps into the role. As the only snow leopard in the wolf pack, she'd do anything for her adopted family.Alpha lion Maddox Hayes is happy to stand up as Best Man for his only sibling's marriage to a she-wolf. As alpha, he's bound by pride laws to mate a lion female, but he's never met one who makes his beast purr. When he enters the foyer to walk the Maid of Honor down the aisle, he comes face-to-face with the most beautiful woman he's ever seen in his life. When she promptly shifts into a snow leopard, he knows that he's in the presence of his true mate. Her uncontrollable shift is proof of that.Maddox is eager to make Sugar his mate, even if it means relinquishing his position and power as alpha. As he prepares to step down as alpha, usurpers disregard the pride laws and attempt to take control, forcing Maddox to defend his people and his mate. Will the new couple get to... Views: 47
In High School, Jennifer Hollman was the rich princess. Sure she was attracted to sexy bad-boy Rick Engle, but she knew it could never be. When she meets Rick again, ten years later, he appears to need just a little nudge to make himself successful and Jennifer is an expert at rescuing. What she doesn't know is that this project can get tricky... or have huge payoffs. Views: 47
One Man's Bible is the second novel by Nobel Prize-winning author Gao Xingjian to appear in English. Following on the heels of his highly praised Soul Mountain , this later work is as candid as the first, and written with the same grace and beauty. In a Hong Kong hotel room in 1996, Gao Xingjian's lover, Marguerite, stirs up his memories of childhood and early adult life under the shadow of Mao Zedong and the Cultural Revolution. Gao has been living in self-imposed exile in France and has traveled to this Western-influenced Chinese city-state, so close to his homeland, for the staging of one of his plays. What follows is a fictionalized account of Gao Xingjian's life under the Communist regime. Whether in "beehive" offices in Beijing or in isolated rural towns, daily life is riddled with paranoia and fear, as revolutionaries, counterrevolutionaries, reactionaries, counterreactionaries, and government propaganda turn citizens against one another. It is a place where a single sentence spoken ten years earlier can make one an enemy of the state. Gao evokes the spiritual torture of political and intellectual repression in graphic detail, including the heartbreaking betrayals he suffers in his relationships with women and men alike. One Man's Bible is a profound meditation on the essence of writing, on exile, on the effects of political oppression on the human spirit, and on how the human spirit can triumph. *** One Man's Bible belongs to that sad class of books sold on the strength of their authors having won a prize. But a prize is rather a thin argument for reading it, especially in a wooden English translation. Does one want to know more about Gao Xingjian than his first novel translated into English, Soul Mountain, told? That book had just enough exotic colour to survive its translation; from its portentous title onwards, One Man's Bible has much less going for it. It needs more story, structure, people, situations, atmosphere, ideas – anything strong enough to come through the obscuring veil of alien words. When, in 2001, Gao became the first Chinese writer to win a Nobel prize for literature, it came as a surprise. The Chinese literary bureaucrats – today's counterparts of the strange Soviet creatures in Bulgakov's The Master and Margarita – had long been pushing for one of their trusties to win. Gao was certainly not one of those, but neither was he prominent in any of the exiled literary cliques. Since being driven to leave China in the 1980s he had been living in France, writing supposedly experimental, sub-Beckettian plays with Chinese characteristics that some critics in the Chinese-speaking world thought worth discussing. These plays also suited small, subsidised European theatre companies in search of uncommercial exotica full of the timeless wisdom of the east. While still in China, Gao was best known for Bus Stop, a one-acter about people waiting for a bus that never came. What delighted audiences and infuriated the authorities when the play appeared some 20 years ago was its apparent implied message: the never-arriving bus was the wonderful future that the regime promised but could not deliver. Soul Mountain was fiction in the form of an autobiography (or vice versa) that told a fragmented tale of a writer on the run in the wilder reaches of the Yangtze valley. The background chimed with Gao's own flight from the thought police, as well as being a celebration of "authentic" China surviving 40 years of the party state in remote and picturesque areas. There was quite a lot of sex, too. One Man's Bible also invites us to read its central character, again an author, as an alter ego of Gao's. As he looks back from cosmopolitan exile in the present – the book was written in the late 1990s – on his life in China, this author makes much of feeling uncomfortable, and wallows in sententiousness. The book starts with a bourgeois childhood before the Communists seized power in 1949 (when the real Gao was eight or nine), moving on to his family's and his own troubles in the unending series of political campaigns that ran through the Mao era and its aftermath. Much of it deals with the cultural revolution, with our hero as participant as well as victim in a hellish process, and with how all this made him what he is now. Between the earlier life and the recent past there is a gap where Soul Mountain might fit. Like Gao, the central figure in One Man's Bible is an exile based in France who writes fiction and drama in his own language. He enjoys the freedom not to be caught up in politics, and wonders how he came to be what he is. Invitations to events on the international cultural circuit give us scenes in Hong Kong, Sydney, New York, Perpignan and elsewhere, all of which are much the same. None of it seems to matter very much in comparison with the seriously deranged political movements of his youth which, though hindsight tells him they were wrong, he savours the discomfort of remembering. If Soul Mountain explored China and Chineseness, One Man's Bible is all about enjoying feeling guilty, but not too guilty. It is about not being at home anywhere, not even in your own skin, and making the best of it; about the middle-aged worry over what you were when you were younger. As the central figure looks back over his life, he tries to accept the great realisation that it hasn't meant anything. Yet for all his attempts to be sophisticated, he can't help but feel disappointed at the pointlessness of life. He has not got over the Maoist urge to preach, though it is now a different sermon. In the past 20 years, having a hard time under the Communist party dictatorship has been the stuff of a commercially flourishing genre of autobiographical writing in English by people, especially women, who have got out. Gao is not into that sort of soppy stuff. His fiction has rather more in common with a newer popular sub-genre of Chinese fiction for foreign readers: unillusioned fucklit, by younger women writers. The China his central character has left was an awful place, but one that gave him access to plenty of women's bodies. The west has given him freedom and more women for his bed, but not happiness or meaning. It has allowed him to hold forth on life and art, even if what he has to say is banal. As a self-conscious follower of European modernism, Gao does not give us this fictional life in a chronological sequence. He assumes that readers can find their way through the cut-up narrative of the cultural revolution, picking up references as Chinese people of his generation will be able to. Yet most foreigners will simply be confused. They are more likely to follow the novel through the unending couplings with which its subject tries to fill the voids in his past and present lives. We start with a German-Jewish woman in Hong Kong, where one of his plays is being staged. There is another in France, and others collected elsewhere on his travels, as well as the various sexual partners in his earlier life in China. But on the whole, the bodies do not seem to have brains. The ideas in One Man's Bible are commonplace, its characters are ciphers, and it is not redeemed by wit, grace or self-mockery. Its solipsism is banal. I hope we will not have to endure a third novel in this series on the splendours and miseries of being a Nobel prize-winner. WJF Jenner is a translator and expert on Chinese writing. 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"An Arabian Nights–style conclusion to an intriguing cross-cultural love story." — KIRKUSHONORABLE MENTIONS, 2014 NEW YORK BOOK FESTIVALAdam Gibson is a multimillionaire who is not searching for God—or demons—when he finds love with a beautiful woman. Unfortunately, Rania, the one who has captured his heart, has a tormented past. Adam is unaware of his powers, how God makes sure his each prayer is heeded due to his virtue of charity. Adam knows Rania is still the answer to all his silent prayers. But now only time will tell if her soul is destined to be his once again.Rania Ahmed is dead inside. Adam, the man she mistakenly considered to be her soul mate, has crushed her soul into millions of pieces. Due to her broken past, she still believes her curse will keep her from loving ever again. What she does not know is that Adam has made a promise to himself to never give up on her—no matter what. But Adam does not know what he is getting himself into.In this spiritual romance, an... Views: 47
An exhilarating comic satire with the quirky energy of The Wonder Boys and Sideways.Lyndon Song, a renowned sculptor, has fled New York City to become a Brussels sprouts farmer in the small California town of Rosarita Bay. Lyndon has a brother, Woody, an indicted financier turned movie producer, and Woody has a plan, involving a golf-course resort on Lyndon's land and an aging kung-fu diva from Hong Kong with a mean kick and a meaner drinking problem.A dreadlocked buddy with an artificial leg, a small plot of exceptionally lush marijuana, two field biologists studying western snowy plovers, a disgraced museum curator, and Lyndon's great love, the impulsive mayor of Rosarita Bay-these are only some of the complications in Lyndon and Woody's lives over one madcap Labor Day weekend.Hilarious and philosophical, this many-hued novel about the landscape of contemporary "multicultural" America is critically acclaimed Don Lee's best book yet. Views: 47
Another myrockandrolbook by Sigmund Brouwer, this one in the Accidental Detective series. The gang goes to Charleston, South Carolina, and discover things about the Civil War have yet to be settled—including a military theft that hasn't been solved for over a century! With a hurricane approaching and more danger coming in from all directions, they'll learn to trust an unlikely source. Views: 47
Riley Rose, atheist and bad girl, has been tricked into attending Spirit Ranch, a Christian camp. There she meets Dylan Kier, alumni camper and recent paraplegic, who arrives with a chip on his shoulder and a determination to perfect some bad habits. Together they'll turn the camp inside out, and test their faith—in each other. Views: 47
A contemporary historical novel about the ties that bind and wounds that never heal. Views: 47
"Garry, it's Alan. Look, I'm calling because I just felt the need to tell someone that I'm forty-four years old, and about an hour ago, for the first time in my life, I put suntan lotion on my ass. I'll explain later. Bye." In Clothing Optional, Alan Zweibel offers a collection of laugh-out-loud personal narratives, essays, short fiction, dialogues, and even a few whimsical drawings. Zweibel first made a name for himself as one of the original writers for Saturday Night Live, but his career's humble beginnings included creating one-liners for Catskill comedians at seven dollars a pop. That experience is only one of the hysterically inspired anecdotes ("Comic Dialogue") in this quirky compilation.Zweibel confesses his first love, as a young Hebrew school student, for Abraham's wife, Sarah ("At this point, Sarah's husband had been dead for more than three thousand years--so, really, who would I be hurting?"); recounts the time he was sent to a nudist... Views: 47
Ueda Akinari (1734-1809), one of the great writers of Japanese fiction, was also a scholar, poet, physician, and tea master. Anthony H. Chambers is professor of Japanese literature and literary translation at Arizona State University. He has translated many works of Japanese literature, both classical and modern, and is the author of The Secret Window: Ideal Worlds in Tanizaki's Fiction. Views: 47
