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The Season

Portia and Emily meet to launch their daughters on an unsuspecting Society for the London Season of 1913. Both are determined that their offspring, Phyllis and Edith, will catch the eye of their friend May's son, a future Duke. If that were all, the Season would be a relatively simple affair, but since Portia is recently widowed and Emily is away from her husband, life is bound to get more interesting. Meanwhile, their arch-enemy Daisy Lanford, fallen on hard times due to extravagance and too many lovers, is busy launching American heiresses. However, her protegee, Sarah Hartley Lambert, whilst an engaging girl, is not the wild success Daisy hopes for. This is largely due to the machinations of Phyllis, who, having formed an unholy alliance with Edith, is intent on spoiling the American girl's chances.As always, the Season is fraught with dangers for both the young and the middle-aged, while the old observe, knowing it has all gone on before. It will be a minor miracle if...
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Heart of the Hill

In Volume Three of The Summer of Magic Quartet, Adam's turn to lead the adventure has arrived. The Wise One, Myrddin, needs Adam to retrieve his staff from the Crystal Cave deep inside Glastonbury Tor. The quest grows more dangerous, however, and fear rises. Equus and Ava are far away, the Lady will not wake, and Myrddin is in human guise, unable to use magic without alerting the Dark Being. The four children are on their own. And as the Dark Being approaches, the children discover that danger can find them even in their dreams.
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The Dragoons 4

In a land as savage as the Indians who lived on its vast prairies and burning deserts, the U.S. Dragoons were the only law. Short on rations but long on courage, they were the first cavalry soldiers to ride the great western frontier and fight to keep the peace.After thirty years of duty, Captain Darcy Hays was looking forward to a peaceful retirement—until a whiskey-soaked bunch of Sioux renegades wiped out an entire wagon caravan and took a young woman hostage. Only Chief Eagle Talons would lead Hays and his Dragoons to the gang of gunrunners who were supplying his people with the weapons and firewater that had turned the once-proud Sioux warriors into cutthroats and drunks. Rollo Kenshaw was the outlaw they were looking for. And now it was up to the trail-hardened cavalry soldiers to stop Kenshaw and his gun-toughs before they drowned the Wyoming Territory in innocent blood!
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Cut Off His Tale: A Hollis Grant Mystery

The starter's gun explodes, and Hollis Grant excitedly begins her very first marathon race, only to stumble almost immediately over a body lying in the road, the body of the Reverend Paul Robertson, her soon-to-be ex-husband. When the crush of runners passes and the medics arrive, it becomes clear that the Reverend has not collapsed from the rigours of the race, but has been brutally stabbed. Although Hollis has emotionally distanced herself from her husband some time ago, her challenge now - before the police make her, as the estranged wife, the prime suspect - is to find out who, among his many detractors, would hate the Reverend enough to stick a knife in his back. Could it be a parishioner at his church who dislikes his activist stance towards gay marriage? Could it be one troubled soul among the many who have sought his psychological counselling and then found themselves laid bare in the Reverend's latest book? Or could it be the angry husband of one of the church ladies whom the charming Reverend has bedded? As Hollis and Detective Rhona Simpson probe the secretive life of Paul Robertson, they discover multiple motives for hatred and murder. As the murderer comes after Hollis herself, the solution to his murder takes on the urgency of life and death.
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The Look of Love

You can’t fight love…   There’s only one thing MMA fighter Gunnar Wells is more devoted to than his career, and that’s his mother, “Queen” Elizabeth. An elegant African American woman who adopted Gunnar and his two white brothers, Elizabeth was there when they needed her, and they’ll do anything for her. For Gunnar, that means running her hair salon when she suddenly falls ill. And if that’s not awkward enough for the champion fighter, he’ll have to work alongside Eboni Danielson, the other love of his life. The one he left behind to pursue his dream. The one he’s never forgotten…   Between the salon and her volunteer work, Eboni keeps busy to keep her mind off the man who broke her heart. So when Gunnar shows up again, she does her best to stay cool—on the outside. But the more she watches Gunnar step up and help out, the less she can deny her feelings. Soon Gunnar is doing everything he can to convince Eboni to give him a fighting chance. Can she trust him again—even when old secrets and new dangers come between them once more?     Visit us at www.kensingtonbooks.com
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How to Seduce a Ghost

This compelling page-turner is the first novel in a new series about a romantic buy highly neurotic ghostwriter whose new assignment is a ticket to mayhem and murder.From Publishers WeeklyIn the pseudonymous McIntyre's sprightly debut, ghostwriter Lee Bartholomew has a lovely life in London's fashionable Notting Hill. Lee's career is humming along, an American soap opera diva having recently asked Lee to ghost her autobiography. Lee's only problem is one most heroines of Brit chick-lit would kill for: Tommy, her beau of eight years, is pressing Lee to marry, and Lee's not sure she's ready. Then Lee's neighbor, a star of children's TV, dies in a ghastly house fire, and the police begin whispering about arson and murder. Soon, tragedies and tribulations pile up, and Lee's once-simple life grows ever more complicated—and dangerous. Lee's garden shed, which she's been renting out to a Marilyn Monroe lookalike, goes up in flames. Her father leaves her mum for a French mistress. Too much to keep straight? Perhaps the unnecessary appearance of Lee's estranged childhood best friend as the local cop's new girlfriend is, shall we say, overkill. But all in all, McIntyre delivers a page-turner with a socially redeeming message. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From BooklistStarred Review Its flippant title aside, this sparkling debut is a winner all the way. It stars Londoner Lee Bartholomew, one of the most engaging protagonists to come along in ages. As clueless about love as Bridget Jones and as filled with neuroses as Inspector Morse, Lee barely survives each day without some new calamity threatening to destroy her world. Her vulnerabilities make her all the more lovable, both to readers and to the two very different men in her life: dependable long-term boyfriend Tommy and the dashing and dangerous Buzz Kempinski. In this adventure, Lee, who works as a ghostwriter, agrees to work with soap-star Selma Walker on a tell-all book, but she is distracted by a series of mysterious fires in her colorful Notting Hill neighborhood. Meanwhile, Lee can't seem to put out the fire between her and Buzz, Selma's manager. Colorful characters populate the book, from Lee's zany mother to her saucy young boarder. The pseudonymous McIntyre knows exactly how to temper the wacky parts of her story with more serious bits, balancing the whole stew perfectly. Both hilarious and heart wrenching, this beguiling mix of chick lit and hip thriller--Helen Fielding meets Janet Evanovich--is the must-read of the crime-fiction fall season. Jenny McLarinCopyright © American Library Association. All rights reserved
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At Wick's End (Book 1 in the Candlemaking Mysteries)

Harrison Black knows nothing about candlemaking when he gets a call telling him that his great aunt has died. Harrison inherits Belle's candle shop, and he soon learns that her death was anything but accidental. As he explores the world of candlemaking, he also must investigate her murder.
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Blameless

From the bestselling author of The Art Forger In Blameless, a psychological thriller set in Boston's Back Bay, psychologist Diana Marcus must fight to save her good name, career, and marriage when a patient, James Hutchins—who suffers from borderline personality disorder—commits suicide, and his family files charges of malpractice, sexual abuse, and wrongful death against her. Although she is far from blameless, Diana clears her name by proving that James did not commit suicide—a revelation that throws her into a battle for her life, as well as that of her unborn child, when she becomes the prime suspect in James's murder—and perhaps the real murderer's next victim.
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Blame It on the Blackout

EDITORIAL REVIEW: WHAT HAPPENS IN THE ELEVATOR STAYS IN THE ELEVATOR In the pitch blackness, trapped between floors, Peter Reynolds had almost convinced himself that the woman in the suddenly too-cramped-for-comfort elevator car was *not* off-limits...and that the desperate passion they shared would *not* change everything. But then the lights came on, and Peter knew that he'd crossed more than one line. For Lucy Grainger was his secretary...and now, quite possibly, pregnant. If Peter were any other man, Lucy would make the perfect wife and mother to his children. But he was not the marrying kind for reasons Lucy could never understand. Yet, if that were true, why was he secretly hoping that the stick turned blue?
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The Winding Road Home

Popular fiction author Sally John's first series The Other Way Home (more than 65,000 copies sold) comes to life with a fresh, new cover for a new audience of readers. In A Winding Road Home, the fourth book of the series, two stories are beautifully woven together. Kate Kilpatrick has only one goal—a byline above the fold in a high profile newspaper. But Tanner Carlucci challenges her determination to put career above everything. Adele Chandler gave up on love long ago. A single mom, her priorities are raising her teenage daughter and directing the community's nursing home. Then two men enter her life and change it forever. Sorting through new decisions and consequences, Adele is forced to look at her heart and wonder if love can bloom there again. The Winding Road Home is an inspiring story about how God is a sure Guide through unplanned detours along life's way.
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The Delicious Torment

The second in a series of novels by bondage connoisseur Alison Tyler features heroine Samantha progressing with her predilections and exploring the deepest recesses of her master's dungeon and her heart. The Delicious Torment is a Story of O meets 9 1/2 Weeks coming-of-age tale fueled by lust, longing, and based on the author's personal diaries. The Delicious Torment takes readers to Sunset Strip, way up in the sky in a penthouse apartment overlooking Los Angeles with a love affair ensconced in an S&M relationship filled with corsets, crops, and plenty of kink. In the introduction Tyler notes, "This is a novel with me at the center. That is, my heroine is based on me. I've sketched her with broad strokes, but at our core we are the same. She's gotten herself entwined with an older man — nothing new there. But now she has to learn how to maneuver a 24/7 relationship."
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Hum

From Hum: Things are incidental Someone is weeping I weep for the incidental The days are beautiful Tomorrow was yesterday The days are beautiful Since the mid-1970s, Ann Lauterbach has explored the ways in which language simultaneously captures and forfeits our experience. In Hum, her seventh collection of poetry, loss and the unexpected (the title poem was written directly in response to witnessing the events of 9/11) play against the reassurances of repetition and narrative story. By turns elegant, fierce, and sensuous, her musically charged poems move from the pictorial or imagistic to a heightened sense of the aural or musical in order to depict the world humming with vibrations of every kind from every source—the world as a form of life. From Publishers Weekly"Maybe what is interesting will also be beautiful," writes Lauterbach at the opening of her seventh collection of poems, knowingly marking out a world that exists after beauty, after emotion, after nature—after everything that traditionally makes poetry. Her speaker is determined to make the absence of beauty beautiful without being postmodern; the poems are abstract and slippery, and yield their meanings with reluctant late modernist grace. The book is organized into three sections, the first attending chiefly to sound, the second to visual art, the third to 9/11. The poems limn a space somewhere between the world-as-given and the ideal, concentrating on language's dual relationship to experience, "[a]s if 'life' could touch its metaphors." The title poem addresses 9/11 in a series of simple declarative sentences, which repeat at intervals: "The days are beautiful./ The towers are yesterday." A poem about a Malevich painting argues for abstraction always derived from the concrete: "the square was only/ a boy with his knapsack/ a woman crossing his path." When her speaker, at intervals, simply gives it up ("I'm lonely for the integrity of sacred life, not religion, but love's/ trove, its coil around sex"), the hum of this book becomes a chorus of angels. (Apr.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From BooklistA new book of poems and an essay collection showcase the subtle and philosophical work of a rarefied yet captivating poet.In Hum, Lauterbach taps into both the sensual and the cerebral aspects of consciousness. Her exquisite lyric poems are like lacework, netting feeling and thought, and embodying the inner flickering of light and dark, presence and absence. As Lauterbach gambols between sense and sensibility, elusiveness and lucidity, she sketches a poetic universe similar in topography and weather to that of Stevens and Ashbery. She meditates on the music of Mahler and the art of Botticelli and Gerhard Richter, and, like a particle accelerator, her whirling poems atomize experience. In her most focused and moving poems, Lauterbach, like so many writers, including Jorie Graham in Overlord (2005), traces the concussive emotional effects of 9/11. The nimble and glimmering essays in The Night Sky offer many insights into Lauterbach's life and poetics. She writes of her journalist father's early death. She muses on the nature of myth, and the difference between information and knowledge. She does write of stars and constellations and the dark, but for all the wonder of the sensuous, she confides that for many poets "language is the material of the world." It is a pleasure to see the forthright and communal side of Lauterbach, the side, one imagines, that inspires her to teach; the source, too, of her gracefully articulate arguments on behalf of poetry and all of art. And how perceptively she marvels over the vitality of today's poetry in spite of its utter neglect by society-at-large, and how eloquently she concludes that art is crucial to living a "life well spent" and to the well-being of a democratic society. Donna SeamanCopyright © American Library Association. All rights reserved
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