This trilogy of stories follows the complicated relationship Anna has with her Step-Father, Harvey. From being blackmailed into losing her virginity to him, being shared with one of his friends and finally getting pregnant, it is one hell of a sexy rollercoaster ride. Warning: contains explicit descriptions of sex acts between older men and a younger woman and is intended for ADULTS ONLY Views: 41
In The Secrets of Jin-Shei, eight women pledge themselves as sisters in the name of jin-shei, the unbreakable bond, the promise that lasts a lifetime. This sisterhood shapes their lives, their country and their world. The Embers of Heaven begins four hundred years later. In eighteenth-century Syai, and its capital city of Linh-an, things have changed beyond recognition.On the face of it, women are more equal than they have ever been. But the men run the machines, the factories, and the technology. Women have lost the ability to weave their fates and influence the course of events. The foundation of an empire once rested on jin-shei and its customs. It connected women from every walk of life and formed a bond that empowered every woman who swore the oath. The advancement of printing, the developments of technology and the changes in society seem to have improved the daily lives of the underclass, but women have been stripped of this sacred pact.Amais is heir to her poet-ancestress's manuscripts and journals. The journals are all in jin-ashu, the women's tongue, taught sketchily to Amais by her mother. Amais has the clear vision of an outsider looking in. Combined with her deep and instinctive bond to her ancestors and her culture, she determines to reinvent the Women's Country and bring the jin-shei back. But just as her crusade begins, she and her family are caught up in the whirlwind of the Golden Rising – a people's revolution that is fated to destroy much that was once valuable, gracious and beautiful.Source: LoveReading.co.uk Views: 41
Behemoth: B-MaxStarfishlit the fuse. Maelstrom was the explosion. But five years into the aftermath, things aren't quite so simple as they once seemed...Lenie Clarke-rifter, avenger, amphibious deep-sea cyborg-has destroyed the world. Once exploited for her psychological addiction to dangerous environments, she emerged in the wake of a nuclear blast to serve up vendetta from the ocean floor. The horror she unleashed-an ancient, apocalyptic microbe called ßehemoth- has been free in the world for half a decade now, devouring the biosphere from the bottom up. North America lies in ruins beneath the thumb of an omnipotent psychopath. Digital monsters have taken Clarke's name, wreaking havoc throughout the decimated remnants of something that was once called Internet. Governments have fallen across the globe; warlords and suicide cults rise from the ashes, pledging fealty to the Meltdown Madonna. All because five years ago, Lenie Clarke had a score to settle.But she has learned something in the meantime: she destroyed the world for a fallacy.Now, cowering at the bottom of the Atlantic Ocean, rifters and the technoindustrial "corpses" who created them hide from a world in its death throes. But they cannot hide forever: something is tracking them, down amongst the lightless cliffs and trenches of the Midatlantic Ridge. The consequences of past acts reach inexorably towards the very bottom of the world, and Lenie Clarke must finally confront the mess she made.Redemption doesn't come easy with the blood of a world on your hands. But even after five years in purgatory, Lenie Clarke is still Lenie Clarke. There will be consequences for anyone who gets in her way-and worse ones, perhaps, if she succeeds...Behemoth: SeppukuLenie Clarke-amphibious cyborg, Meltdown Madonna, agent of the Apocalypse-has grown sick to death of her own cowardice.For five years (since the events recounted in Maelstrom0, she and her bionic brethren (modified to work in the rift valleys of the ocean floor) have hidden in the mountains of the deep Atlantic. The facility they commandeered was more than a secret station on the ocean floor. Atlantis was an exit strategy for the corporate elite, a place where the world's Movers and Shakers had hidden from the doomsday microbe ßehemoth-and from the hordes of the moved and the shaken left behind. For five years "rifters" and "corpses" have lived in a state of uneasy truce, united by fear of the outside world.But now that world closes in. An unknown enemy hunts them through the crushing darkness of the Mid-Atlantic Ridge. ßehemoth- twisted, mutated, more virulent than ever-has found them already. The fragile armistice between the rifters and their one-time masters has exploded into all-out war, and not even the legendary Lenie Clarke can take back the body count.Billions have died since she loosed ßehemoth upon the world. Billions more are bound to. The whole biosphere came apart at the seams while Lenie Clarke hid at the bottom of the sea and did nothing. But now there is no place left to hide. The consequences of past acts reach inexorably to the very floor of the world, and Lenie Clarke must return to confront the mess she made.Redemption doesn't come easy with the blood of a world on your hands. But even after five years in pitch-black purgatory, Lenie Clarke is still Lenie Clarke. There will be consequences for anyone who gets in her way-and worse ones, perhaps, if she succeeds... Views: 41
The centuries-old, love-hate relationship with our closest neighbour has spawned a plethora of myths and stereotypes. In recent years our stock of received wisdom about the French - land of the sophisticated lover, the wine-fuelled lunch, the gitane-puffing philosopher, the hairy female armpit and the rebarbatively squalid toilet - has been replenished by a new generation of lifestyle myths: that French women don't get fat, that French children don't throw food, that their countryside has been colonized by Boden-clad, Volvo-driving Brits.In THEY EAT HORSES, DON'T THEY?, Piu Das Eatwell explores the background to, and the contemporary evidence for, 45 such myths. She finds that many of them are simply false, and that even those that are broadly true are rather more complicated than at first sight. In the course of her thorough - and thoroughly entertaining - investigations, we discover there is more to our enigmatic Gallic neighbour than 365 types of cheese, and that the... Views: 41
For years, The Year's Best Science Fiction has been the most widely read short science fiction anthology of its kind. Now, after twenty-one annual collections, comes the ultimate in science fiction anthologies, The Best of the Best: 20 Years of the Year's Best Science Fiction, in which legendary editor Gardner Dozois selects the very best short stories for this landmark collection. Contributors include: * Stephen Baxter * Greg Bear * William Bigson * Terry Bisson * Pat Cadigan * Ted Chiang * John Crowley * Tony Daniel * Greg Egan * Molly Gloss * Eileen Gunn * Joe Haldeman * James Patrick Kelly * John Kessel * Nancy Kress * Ursula K. Le Guin * Ian R. MacLeod * David Marusek * Paul McAuley * Ian McDonald * Maureen F. McHugh * Robert Reed * Mike Resnick * Geoff Ryman * William Sander * Lucius Shepard * Robert Silverberg * Brian Stableford * Bruce Sterling * Charles Stross * Michael Swanwick * Steven Utley * Howard Waldrop * Walter Jon Williams * Connie Willis * Gene WolfeWith work spanning two decades, The Best of the Best stands as one of the ultimate science fiction anthologies ever published. Views: 41
