Sequel to Joey Pigza Loses Control, a Newbery Honor Book Are they flirting or fighting? This is Joey Pigza's question when the fireworks suddenly start to explode between his long-separated mom and dad, whom he's never really had a chance to see together. The more out of control his parents get, the less in control Joey feels and the more he wants to help make things better. But Joey's ailing tell-it-like-it-is grandmother wants her grandson to see it like it is with his unpredictable parents. Knowing that she is fading fast, she needs Joey to hurry up and show that he can break the Pigza family mold by making a friend in the outside world. The only potential candidate, however, is Olivia Lapp -- Joey's blind homeschooling partner, who brags that she is "blind as a brat" and acts meaner to Joey the more desperate he gets for her friendship -- even if Joey senses there's more to her than meets the eye. In this dazzling episode, Jack Gantos's acclaimed hyperactive hero discovers that settling down isn't good for anything if he can't find a way to stop the people he cares about from winding him up all over again.What Would Joey Do? is a 2003 Bank Street - Best Children's Book of the Year. Views: 39
When Jenny finds out that the couple next door are having trouble in the bedroom, she confronts the man of the house to find out what's wrong, telling him that she would do anything to help save their marriage since she's grown attached to their family since they've lived so close. Did she really mean ANYTHING? Views: 39
Open these pages and discover 14 remarkable stories of fantasy by a grand master of the genre. A wonderful writer, as well as successful and beloved by fans across the world, Anne McCaffrey has created an exciting collection of telepaths, secret gifts, dangerous missions, dragonriders, and more.From the Paperback edition. Views: 39
Murder and intrigue reach epidemic proportions when a devastating plague sweeps the country. Dr. Marissa Blumenthal of the Atlanta Centers for Disease Control investigates—and soon uncovers the medical world’s deadliest secret… Views: 39
From Publishers Weekly Mayle's breezy, uncomplicated fifth novel (Chasing Cezanne, etc.) and ninth book follows 30-something Max Skinner from a sabotaged financial career in London to his adoption of the Provençal lifestyle on an inherited vineyard in France. Max spent holidays at his Uncle Henry's vineyard as a child, so when he inherits the place, the prospect of returning is tempting; a generous "bridging loan" from ex-brother-in-law Charlie seals the deal. The estate, Le Griffon, is in a dire state of disrepair and the wine cellar is filled with bottles of a dreadful-tasting swill, but it's nothing that vineyard caretaker Claude Roussel and prim housekeeper Madame Passepartout can't resolve. Max settles into his new life easily thanks to the attentions of local notary Nathalie Auzet and busty cafe owner Fanny. The arrival of young Californian "wine brat" Christie Roberts, Uncle Henry's long-lost daughter, complicates matters for Max, but her surprise offer and Charlie's arrival lessen the impact of a vicious vineyard scandal involving a delicious, high-priced, discreetly produced wine called Le Coin Perdu. Mayle's simple story provides lighthearted if unadventurous reading and a fond endorsement of the pleasures of viniculture. From The Washington Post Even a hyperactive terrier will sometimes melt to the floor, paws in the air and tongue alop, when he's approached by someone he trusts. But will he get a soul-satisfying belly rub this time or just a quick pat and tickle? The expectant pooch never knows. So it is for fans of Peter Mayle, who became the adoptive bard of Provence with his phenomenally successful A Year in Provence. Will admirers open the ex-advertising man's ninth book and find the Mayle whose eye for detail and ear for language make for satisfying wallows in the south of France (the original Year, Hotel Pastis, Anything Considered) or the Mayle who sometimes slices the saucisson a bit thin in an effort to perpetuate his franchise (Toujours Provence, Encore Provence)? The short answer is that A Good Year, Mayle's latest fictional confection, winds up slightly in the latter category. Once again we have the beleaguered Brit at an unhappy crossroad. In Hotel Pastis it was Simon Shaw being stripped bare by his newly minted ex-wife; in Anything Considered it was Bennett, the Brit on his uppers trying to score by flushing toilets in closed-up manor houses to keep an invented strain of dung beetles from invading the plumbing lines (that actually was funny). And once again the sunny south comes to the rescue, with the potential for making a living without losing one's soul, with a rasher of busty, leggy women and, of course, with good food and drink. But, as the creators of television's "Law and Order" understand, why tamper with a winning formula? And thus are we launched into the marginal life of Max Skinner, a London investment banker suddenly deal-less and jobless on the streets of the City, where the day's weather forecast is for "scattered showers, followed by outbreaks of heavier rain, with a chance of hail." And all this is followed, in Peter Mayle's classic caper formula, by timely good luck (inheritance, on the very day he loses his job, of a beloved uncle's big old house and vineyard in the hilly Luberon region of Provence), more good luck (dishy village maidens and a languid new lifestyle to explore), a halfway-engaging intrigue (an unknown American rival for the estate and the mysterious interest in vines that seem to produce nothing but pipi de chat – you know, cat pee) and then more good luck (they all drink happily every after). Coming soon to a movie theater near you, thanks to filmmaker Ridley Scott, whose "nose for a good story" got Mayle started on the rather thin plot and who already has "A Good Year" in production. Are we just being cranky? Maybe. There really is a comfort factor that assures long, profitable lives to characters – fictional detectives, for instance – whose next formula book readers learn to anticipate. But when the formula is presented practically bare-bones, with only cursory attempts at embellishment, heretofore faithful readers may walk away feeling they've been snookered. Mayle's deftness with detail – grace notes rather than entire imagery-laden passages – has been thoroughly catalogued. But there's detail that moves you right along: "He turned off the N7 toward Rognes and followed the narrow road that twisted through groves of pine and oak, warm air coming through the open window, the sound of Patrick Bruel whispering 'Parlez-moi d'amour' trickling like honey from the radio." (Okay, moves you along with a little huffing and puffing.) And then there's detail that stops you cold: " 'Air France to Marseille?' The girl at the desk didn't even bother to consult her computer. 'Out of luck there, sir. Air France doesn't fly direct to Marseille from London anymore. I could try British Airways.' " Yes, by all means, please do. The caper in A Good Year revolves around a mysterious small-batch cult wine that never makes it to the wine store and trades as an investment. But given that the bulk of Mayle's faithful are presumed Francophiles and therefore at least marginally interested in viticulture, the false note on page 90 is perplexing. As Max inspects his vineyard for the first time he finds a piece of his land that "sloped away gently down to the east… the surface appeared to consist entirely of jagged limestone pebbles, blinding white in the sun, warm to the touch, an immense natural radiator. It seemed unlikely that even the most undemanding of weeds could find sufficient nourishment to grow here. And yet the vines appeared to be healthy." Perhaps Max has never read descriptions of the poor, gravelly soil in many of the finest districts of Bordeaux, source of some of the priciest wines in the world. But those who have done so are doomed to spend the next 197 pages wondering why Mayle would give the game away so early. Kindly interpretation: We're meant to read on, smiling slightly, feeling superior to poor Max. Or, darker thought: Mayle thinks we're clueless enough to fall for this. Even as venerable a novelist as Graham Greene recognized that lighter fare – Our Man in Havana, Stamboul Train – had a role to play in his life as a writer and ours as readers. He nonetheless flinched slightly, labeling these works "entertainments." As entertaining as Peter Mayle can be, he might aim a bit higher – if not for his own entertainment, then for ours. Wafer-thin saucisson, oui. Pipi de chat on the rocks? Non! *** In A Good Year, Max Skinner's London career has just taken a nosedive when he suddenly inherits his uncle's vineyard in Provence. Leaving one life behind to start another, Max soon discovers that the wine made on his uncle's land is swill, but he's captivated by the village, landscape, weather, and the beautiful notaire. He can't understand why the caretaker is so eager to buy the land when the wine is so bad, and then a woman claiming to be his uncle's long-lost daughter arrives from California with her claim on the property. Max's new life threatens to fall out from under him before it can even take off. Peter Mayle (author of A Year in Provence) has written a light-hearted novel that has received positive reviews. BookPage says, "Brimming with colorful, eccentric characters, A Good Year offers both a behind-the-scenes peek at the high-stakes wine business and a voyeuristic portrait of Provencal village life. Richly evocative of the pleasures of both place and palate, Mayle's latest is sure to entertain and delight his many devotees." Views: 39
Mankind is strung out across interstellar space, and human consciousness is digitally freighted between the stars and downloaded into bodies, but some things never change, so when Takeshi is downloaded into the body of a ex-thug and presented with a catch-22 offer he shouldn't be surprised.
Awards Philip K Dick Award Views: 39
Our "American Girl" of horses, each novel in the Breyer Horse Collection—based on Breyer Animal Creations' top-selling horse breeds—tells a compelling story that captures the true essence and personality of each horse. And now, for the first time, we have a historical novel. Annie Wedekind takes us back to Europe in World War II—a time and place that tested the courage of the noble Lipizzaner horses. In 1930's Austria, life for Favory Mercurio, a Lipizzaner stallion bearing the crest of the renowned Piber stud, begins with his mother's abandonment. From that moment on, the young horse feels different, as if he has a missing piece— even though, despite his doubters, he has talent enough to be accepted into the famed Spanish Riding School. Slowly, but doggedly, Mercury perseveres through the rigors of his years of training. But then, as the war bears down on Vienna and the school is forced to flee two advancing armies, his beloved... Views: 39
Scarred physically and emotionally after a car accident, Kirsty Mitchell fears that her two-year-old marriage may be falling apart. Her husband Adam has cancelled their planned holiday cruise to the Caribbean, as he has to work in London. After a blazing row, the couple part on seriously bad terms.As Kirsty approaches her thirtieth birthday, she is looking ahead to six weeks' holiday from her job as a classroom assistant in a primary school in Glasgow. She is facing a long, lonely summer in her city-centre flat.Encouraged by her friend Freda, Kirsty decides to spend some time on the Isle of Mull, the Scottish island of which she has happy memories of visiting her late grandmother. She finds accommodation in a small guest house run by the Fergusons, a couple she knew from her younger days. Another friend she first met on the island as a teenager, Amy Wilson, now also lives on Mull, and Kirsty plans to make contact with her.At the guest house, she comes into contact with Finn, a... Views: 39
Anna Caldwell had'nt planned on spending her honeymoon dodging bullets in the Texas chaparral. Views: 39
Amidst the myth and folklore of Tavistock in 1322, one tale above all others strikes fear into the hearts of the town's inhabitants - that of the murders on the Abbot's Way. One cold winter, many years ago, a young acolyte eager for distraction led a group of fellow novices in the theft of their abbot's wine store. Later, crippled with guilt and fear of discovery, Milbrosa was driven to commit still more crimes in an effort to disguise his sins. But his soul had been destroyed with his first sip of illicit wine, and, as legend has it, the devil himself appeared to mete out his punishment, leading the unwitting Milbrosa and his cohorts to their deaths on the treacherous Devon moors. Now, in the autumn of 1322, it looks as though history may be repeating itself. Abbot Robert has found his wine barrel empty, and a body has been discovered on the moors. Bailiff Simon Puttock, in Tavistock for the coining, is called upon to investigate, but the case seems only to get more complicated with time. It soon becomes apparent that it's not just wine that's gone missing from the abbey, and the body on the moor isn't the last. With the arrival of Sir Baldwin Furnshill, Keeper of the King's Peace, the townspeople hope the mystery will finally be solved - but do the terrors of the past provide the key to their present turmoil? Views: 39
