"That boat back there is a complete submarine - in miniature. About fifty feet long, including propeller, rudder and hydroplanes. That reduces your living space to something nearer thirty-five feet. You have no torpedo tubes, no armaments. You're not meant to be found or to fight a battle. From now on you're a sneaker. Inoffensive - until you release your side cargoes. Each one of those holds four tons of amatol explosive and a time clock. You drop those under that Jap cruiser's bottom and then run for your life."Peter Bentley had three weeks to learn to handle the midget submarine - three weeks to accomplish the secret and deadly mission that could be the turning point of the whole war. Views: 155
Tamora Pierce meets Rick Riordian in this riveting fantasy that combines the intriguing abilities to Find what’s missing with pulse-pounding suspense.A great loss has frozen Win’s heart. He cares for nothing. But a plague is spreading like wildfire across the Heartland.Win must use his Wayfinding skills to descend into the great Rift, for beyond it lies the Well of Life. Only its waters will heal the plague.No one has ever returned from a journey into the Rift.But the Heartland depends on him. Can he put his loss behind him and fight for the Heartland? Views: 155
With a sharp eye for the pathos and absurdity of the Cold War, Robert Littell crafted his first novel, the now legendary spy thriller The Defection of A.J. Lewinter. Christopher Lehmann-Haupt of The New York Times called it "a perfect little gem, the best Cold War thriller I've read in years," and the praise kept coming with critics hailing Littell as "the American Le Carré" (New York Times) and raving that his books were "as good as thriller writing gets" (The Washington Post). For his fourteenth novel, Robert Littell creates an engrossing, multigenerational, wickedly nostalgic yet utterly candid saga, bringing to life through a host of characters-historical and imagined-the over 40 years of the CIA-"the Company" to insiders. At the heart of the novel is a stunningly conceived mole hunt involving such rivals and allies as the MI6, KGB, and Mossad. Racing across a canvas that spans the legendary Berlin Base in the 1950s-the front line of the simmering Cold War-to the Soviet invasion of Hungary, the Bay of Pigs, the Afghan war, the Gorbachev putsch, and other major theatres of operation for the CIA, The Company tells a thrilling story of agents imprisoned in double lives, fighting an enemy that was amoral, elusive, formidable. Littell tells it like it was: CIA agents, fighting not only the good fight, but sometimes the bad one as well. Littell also brilliantly lays bare the warring within the Company to add another dimension to the spy vs. spy game: the battles between the counterintelligence agents in Washington, like the utterly obsessive real-life mole hunter James Angleton, and the covert action boys in the field, like The Company's Harvey Torriti-the Sorcerer-a brilliant and brash rule breaker and dirty tricks expert who fights fire with fire, and his Apprentice, Jack McAuliffe, recruited fresh out of Yale, who learns tradecraft and the hard truths of life in the field. As this dazzling anatomy of the CIA unfolds, nothing less than the world's future in the second half of the twentieth century is at stake. At once a celebration of a long Cold War well fought, an elegy for the end of an era, and a reckoning for a profession in which moral ambiguity created a wilderness of mirrors, The Company is the Cold War's devastating truth, its entertaining tale, its last word. Amazon.com ReviewPenzler Pick, March 2002: Robert Littell, long known as one of the best writers of fiction about the Cold War, is not as well known as John le Carré or the great Charles McCarry, but nevertheless has a devoted following among serious aficionados of the literary spy novel. His latest book, which runs close to 900 pages and covers the years 1950 to 1995, is an ambitious one that is destined to become the definitive novel about the CIA. The historical events of that crucial period are well known to most of us. The end of World War II and the division of Germany into sectors by the Allies laid the groundwork for the Cold War and the rise of the OSS, a wartime branch of the American government, into one of the most powerful tools of intelligence.The involvement of that agency in the defection of Burgess and MacLean from Britain to the Soviet Union; the Suez Canal crisis, which ended Britain's role as a superpower; the Bay of Pigs fiasco and the Cuban Missile Crisis; the arming of rebels in Afghanistan to repel the encroaching Soviet forces; the Gulf War--all are well documented here.All these events, which had such major consequences for our own history and that of the world, were well known to, organized by, or played out with the full cooperation of the CIA. These, as well as such minor events as defections on both sides, are the backdrop to this novel which stars a large cast of characters who we get to know as young men and women recruited while still in college. Their personal and public lives are followed as they rise through the ranks of the Company, and we know that one of them is a mole. We don't know who it is any more than the CIA does, and it will take years to unmask the traitor.In the meantime, we have become involved not only with Littell's fictional characters, but also with some of the real people who inhabited that world: William F. Buckley Jr., G. Gordon Liddy, William Casey--and we are privy to conversations in both the Kennedy and Reagan Oval Offices.We also know by the end of this exciting story that the fight is not always the good fight. Compromises are made, mistakes happen, and pragmatism wins out over idealism. We do not live in a perfect world, but it's the only one we have and it is that way because of the events in this book. Don't let its size deter you. This is nothing less than a stunning historical document. --Otto PenzlerFrom Publishers WeeklyThis impressive doorstopper of a book is like a family historical saga, except that the family is the American intelligence community. It has all the appropriate characters and tracks them over 40 years: a rogue uncle, the Sorcerer, a heavy-drinking chief of the Berlin office in the early Cold War days; a dashing hero, Jack McAuliffe, who ages gracefully and never loses his edge; a dastardly turncoat, who for the sake of the reader will not be identified here, but who dies nobly; a dark genius, the real-life James Jesus Angleton, who after the disclosure that an old buddy, British spy Kim Philby, had been a Russian agent all along, became a model of paranoia; a Russian exchange student who starts out with our heroes at Yale but then works for "the other side"; and endless assorted ladyfolk, wives, girlfriends and gutsy daughters who are not portrayed with anything like the gritty relish of the men. Littell, an old hand at the genre (he wrote the classic The Defection of A.J. Lewinter) keeps it all moving well, and there are convincing set pieces: the fall of Budapest, the Bay of Pigs invasion in Cuba and an eerily prescient episode in Afghanistan, in which a character obviously modeled on Osama bin Laden appears, accompanied by a sidekick whose duty is to slay him instantly if his capture by the West seems imminent. It's gung-ho, hard-drinking, table-turning fun, even if a little old-fashioned now that we have so many other problems to worry about than the Russians but it brings back vividly a time when they seemed a real threat. There are some breathtaking real-life moments with the Kennedy brothers, and with a bumbling Reagan, and with Vladimir Putin, now the leader of Russia, who is here given a background that is extremely shady. (Apr.)Forecast: The Afghanistan element will lend itself to handselling, but that will be only icing on the cake of Overlook's full-tilt publicity campaign, which will include national ad/promo, a TV/radio satellite tour and an author tour. Along with Littell's reputation among critics and spy-lit cognescenti, it should all add up to a breakout book with serious bestseller potential. And Overlook's planned reprinting in hardcover of all of Littell's work, beginning with The Defection of A.J. Lewinter, should keep Littell's name in readers' minds for years to come. Copyright 2002 Cahners Business Information, Inc. Views: 152
The ship is only a memory, but the drama unfolds.... The U.S.S. Excalibur has been obliterated. Its captain, Mackenzie Calhoun is gone. Now the surviving crew members are dispersed throughout the galaxy, seeking to forge new lives in the wake of the Excalibur's destruction. For Dr. Selar, the ship's former medical officer, that means facing a very personal crisis. Following the birth of her child, the Vulcan doctor returned to her homeworld, determined to raise the child exclusively in the way of logic. But the child's father, the Hermat Lieutenant Commander Burgoyne, has hir own views regarding their offspring's future, and s/he intends to fight for hir paternal rights, even if it means appealing to the highest authorities of two worlds! Elsewhere in the Alpha Quadrant, Lieutenant Robin Lefler and her enigmatic mother travel to the pleasure planet Risa where they encounter a genuine Starfleet legend.... Views: 151
Answering a distress call from a planet under attack by the Borg, the Enterprise crew meet a hate-filled alien with a desire for revenge. Now the Enterprise crew must try to contain her fury before it wreaks destruction on countless innocents. Views: 150
Nine vivid tales of the Second World War building up to a tense and imaginative climax. Views: 148
Growing up an orphan in an isolated cottage in the woods, young Terence never expected much adventure. But upon the arrival of Gawain, his life takes a surprising turn. Gawain is destined to become one of the most famous knights of the Round Table. Terence becomes Gawain's squire and leaves his secluded life for one of adventure in King Arthur's court. In no time Terence is plunged into the exciting world of kings, wizards, knights, wars, magic spells, dwarfs, damsels in distress, and enchanters. As he adjusts to his new life, he proves to be not only an able squire but also a keen observer of the absurdities around him. His duties take him on a quest with Gawain and on a journey of his own, to solve the mystery of his parentage. Filled with rapier-sharp wit, jousting jocularity, and chuckleheaded knights, this is King Arthur's court as never before experienced. Views: 148
A killer is watching . . .
The brutal murders of three young boys paralyze the citizens of Platte City, Nebraska. What's worse is the grim realization that the man recently executed for the crimes was a copycat. When Sheriff Nick Morrelli is called to the scene of another grisly murder, it becomes clear that the real predator is still at large, waiting to kill again.
Morreli understands the urgency of the case terrorizing his community, but it's the experienced eye of FBI criminal profiler Maggie O'Dell that pinpoints the true nature of the evil behind the killings -- a revelation made all the more horrific when Morrelli's own nephew goes missing.
Maggie understands something else: the killer is enjoying himself, relishing his ability to stay one step ahead of her, making this case more personal by the hour. Because out there, watching, is a killer with a heart of pure and perfect evil. Views: 147
"In the same way Salinger carved out the niche of male adolescence ....Beller approaches that mutable boy-to-man territory."—San Francisco ChronicleWriting with the sparkling wit and insight of his highly praised debut, Seduction Theory ("Brilliantly captures the great expectations and recurring ambivalence of youth."—The New York Times), Thomas Beller continues to plumb the adventures of his hero, Alex Fader, a youthful existentialist and sensualist with an insatiable appetite for trouble. The Sleep-Over Artist is an account of critical stages in Alex's life, mapping his progress from youthful delinquent to filmmaker whose career begins when he makes a documentary film exposing the prep school from which he has been expelled. Alex longs for the taste of family life that the early death of his father has denied him. As a young boy he sleeps over at his friends' houses and ingratiates himself with their families; as a young man he extends... Views: 147
Amazon.com ReviewThe hero of Daniel Woodrell's Tomato Red is the most endearingly out-of-control loser you're likely to meet. Sammy Barlach looks like a person "who should in any circumstances be considered a suspect"; clerks follow him through the supermarket when he shops, and the police pull him over simply from habit. But in spite of his looks, Sammy only wants to be loved, even if it's just by "the bunch that would have me"--and in the hardscrabble world of West Table, Missouri, that's a bunch you wouldn't necessarily want to meet. The novel begins with a heady Methedrine rush, as Sammy celebrates payday by letting himself be talked into robbing a nearby mansion. Even when his newfound friends disappear as he's breaking in, he persists: "You might think I should've quit on the burglary right there, but I just love people, I guess, and didn't." The break-in leads Sammy into an unlikely alliance with the Merridew family: Jamalee and Jason and their mother Bev, a prostitute in the town's ironically named Venus Holler. Flame-haired Jamalee dreams constantly of a different kind of life, and she plans on using Jason's extraordinary beauty as her ticket out of West Table. Jason, however, seems to be shaping up as what Sammy calls "country queer"--which, as Sammy observes, "ain't the easiest walk to take amongst your throng of fellow humankind."Unfortunately for Jamalee, Woodrell's Ozarks is a place that rewards ambition with disaster. Here as in his five previous "country noir" novels, Woodrell writes with a keen understanding of class and a barely contained sense of rage. The residents of West Table's trailer parks and shotgun shacks share Sammy's sense of limited possibilities. "I ain't shit! I ain't shit! shouts your brain," Sammy thinks while wandering around the mansion, "and this place proves the point." Even when Jason sticks up for his own family, the way he does so is heartbreaking: "This expression of utter frankness takes over Jason's beautiful face, and he says, 'I don't think we're the lowest scum in town.' He didn't argue that we weren't scum, just disputed our position on the depth chart." With her mildewing etiquette guides and grandiose plans, Jamalee is the only character who doesn't share their sense of defeat, and she's the only one who, in the end, gets away--though she leaves behind her a trail of betrayal and heartache. By the time the novel's final tragedy rolls around, it seems both senseless and inevitable, as tragedies do in real life. Told in a voice that crackles with energy and wit, Tomato Red is sharp, funny, and more importantly, true. --Mary ParkFrom Publishers Weekly"You're no angel, you know how this stuff comes to happen: Friday is payday and it's been a gray day sogged by slow ugly rain and you seek company in your gloom...." So begins the bravura first paragraph of Woodrell's sixth novel (after Give Us a Kiss). As readers of Woodrell's previous fiction will expect, we are in the Ozarks?in West Table, Mo., to be specific. Sammy Barlach, our narrator, is a case?at the moment, he's employed in the dog food industry, but he's just met a girl "with teeth the size of shoe-peg corn" who's well supplied with crank and, toward the end of their weekend spree, suggests that they rob a mansion whose owners are (notoriously) on vacation. In the course of executing this plan, Sammy meets fellow burglars Jamalee and Jason Meridew?a sister and brother pair from Venus Hollow who break into wealthy houses in order to try on clothes and make believe they are rich. Jamalee, however, plans to make it big by using her brother's remarkable looks to seduce, then blackmail, the wives of the rich. (The hitch: Jason's tenuous, possibly nonexistent, interest in hetero sex.) Meanwhile, Bev Meridew, their mother, supports herself as a freelance goodtime girl and occasional snitch. Sammy moves in with this incestuous group as Jamalee's idea of muscle until even he can't protect them or their dreams from the nastier elements of Venus Hollow. The dialogue and characters are what keeps this awkwardly plotted little number plugging along. Woodrell isn't interested in Li'l Abner cutouts. These figures are all bluff and sorrow, and Woodrell succeeds in giving their misfit poetry a genuine C&W resonance that lingers beyond the last page. (Aug.) FYI: Ang Lee is currently directing a movie from Woe to Live On, Woodrell's second novel.Copyright 1998 Reed Business Information, Inc. Views: 145
