In his fourth book, Colum McCann turns to the "troubles" in Northern Ireland and reveals the reverberations of political tragedy in the most intimate lives of men and women, parents and children. In the title story, a teenage girl must choose between allegiance to her Catholic father and gratitude to the British soldiers who have saved the family's horse. The young hero of * Hunger Strike, a novella, tries to replicate the experience of his uncle, an IRA prisoner on hunger strike. And in Wood*, a small boy does his part for the Protestant marches, concealing his involvement from his blind father. Views: 322
Magic or Murder? When miserly landlord Henry Deutch is found dead of an apparent heart attack, no one is happier than Anna Young. It was Henry who evicted Anna's mother from his Catskill tenement, which eventually led to her death. Anna swore a blood oath of vengence, but her alleged attacks were purely metaphysical. Yet, some claim them mortally effective; those who frequent her tiny shop for love charms and protective amulets attest that Anna Young is a master of black magic. Now a politically ambitious prosecuter has filed first-degree murder charges against Anna, contending that her spell casting litteraly frightened old Henry to death. And though the public remains divided among those who believe in Anna's powers and those who think she's a murderous fraud, one Del Pearson, her court appointed lawyer, is about to discover the truth: whether Anna Young is a harmless charlatan, a cold blooded killer...or quite something else indeed. Views: 317
No one tells a story like Peter Straub. He dazzles with the complexity of his plots. He delights with the sophistication and eloquence of his prose. He startles you into laughter in the face of events so dark you begin to question your own moral compass. Then he reduces you to jelly by spinning a tale so terrifying-and surprising-you wind up sleeping with the lights on.
With Magic Terror, the bestselling author of Ghost Story and The Talisman (with Stephen King) has given us one of the most imaginatively unsettling collections in years. The terrain of these extraordinary stories is marked by brutality, heart-break, despair, wonder, and an unexpected humor that allows empathy to blossom within the most unlikely contexts.
"Bunny Is Good Bread" takes us into the mind of a small boy trapped in grotesque circumstances to portray the creation of a serial killer in a manner that compels pity, sorrow, comprehension, and grief-as well as judgment. "Hunger, an Introduction," narrated by the ghost of a pompous, self-pitying murderer, evokes a profoundly beautiful vision of earthly life, one appreciated far more by the dead than the living. The award-winning novella "Mr. Clubb and Mr. Cuff," a masterpiece of black comedy, draws upon Melville's "Bartleby the Scrivener" to create a revenge tale in which torture is a moral art and the revenger undergoes a transforming, albeit painful, education.
In the words of Mrs. Asch, the visionary narrator of "Ashputtle," "The main feature of adventure is that it goes forward into unknown country." Straub's devotees will be entranced by what their fearless guide has in store for them. Those as yet uninitiated are in for a harrowing literary journey. Enjoy the ride. Views: 311
Howard Roger Garis was a prolific author of children\'s fiction. Some of his most famous series include The Mystery Boys series and the Larry Dexter series. Views: 306
The Arrival Is Imminent
Joe Haldeman's novel The Comingis a tightly constructed near future thriller which begins by recapitulating a classic science fictional motif: the moment of first contact with an alien intelligence.
The story begins on October 1, 2054. Aurora (Rory) Bell, a professor of astrophysics at the University of Florida, has just made the discovery of the century. A sophisticated sensing device called a gamma ray burst detector has picked up a message from somewhere beyond the solar system. The easily decrypted message contains two unambiguous words: We're coming. Subsequent analysis reveals that the source of the message is heading directly toward Earth and is scheduled to arrive on the first day of January 2055. A media circus inevitably ensues, as the citizens of Earth attempt to prepare for a wholly unprecedented event.
From this point forward, Haldeman focuses not on the alien spaceship but on the social, political, and environmental conditions of a rapidly deteriorating planet. He envisions a 21st century marked by unpredictable weather patterns and geopolitical chaos, a world in which corruption is an endemic element both of private enterprises and governmental institutions. Controversial -- i.e., gay -- sexual practices have been outlawed. The electoral process has become a joke, ushering in a new generation of leaders who are incompetent and uninformed but intensely photogenic. Most significantly, the nations of Europe are flexing their muscles once again, marshaling their forces for an inevitable -- and catastrophic -- global conflict.
Haldeman's portrait of the century to come is at once familiar and strange, enlivened by a steady flow of imaginative details: automated traffic control systems, virtual reality pornography, designer drugs tailored to the individual DNA. Haldeman shows us this world from the constantly shifting perspective of a variety of characters. Included among them are Rory Bell, whose initial discovery jump-starts the narrative; Norman Bell, a middle-aged composer with a history of "illegal" sexual behavior; Willie Joe Capra, a sadistic bagman with delusions of grandeur; and a nameless "historian," whose ruminations illuminate the cyclical patterns of violence present throughout recorded history.
As always, Haldeman writes with clarity, economy, and wit, skillfully moving his extensive cast toward a climactic moment of revelation in which "hope and caution" predominate. The Coming is both a provocative, cleverly conceived entertainment and a compelling meditation on the eternal human propensity for violent solutions. It is speculative fiction of the highest order and reaffirms its author's position as a modern master of the form.
--Bill Sheehan
Bill Sheehan reviews horror, suspense, and science fiction for Cemetery Dance, The New York Review of Science Fiction, and other publications. His book-length critical study of the fiction of Peter Straub, At the Foot of the Story Tree, has just been published by Subterranean Press (www.subterraneanpress.com). Views: 306
How does the most famous woman in the world hide in plain sight? The beautiful young widow of the President of the United States thought she was free of the White House, but circumstances have forced her back into the role of First Lady. Not for long, however, because she's made up her mind to escape -- if only for a few days -- so she can live the life of an ordinary person. All she needs is the perfect disguise . . . and she's just found it. An entire nation is searching for her, but the First Lady is in the last place anybody would think to look: in the company of a man, an infuriatingly secretive and quietly seductive stranger whose charm, good looks, and sensuous appeal are awakening the forgotten woman within the dignitary. And with two adorable little orphaned girls in need of a family along for the ride, they're heading out across the heartland chasing their own American Dream -- on a wild journey of love, adventure, and glorious rebirth. First Lady: A star-spangled, richly emotional story of self-discovery, celebrity, love, and family. Views: 306
Our Review
When in Rome
A stolen masterpiece with arcane allegorical significance; a decades-old political kidnapping and murder; and, of course, a tantalizing artwork of unknown provenance -- in his seventh Jonathan Argyll art mystery, The Immaculate Deception, English art historian Iain Pears returns with a virtuosic display of ingenious plotting and literary trompe l'oeil.
Pears's clever and effortlessly erudite art mysteries have found a select readership on both sides of the Atlantic. But the phenomenal success of Pears's 1998 literary thriller, An Instance of the Fingerpost -- a multifaceted Restoration whodunit on a par with Umberto Eco's The Name of the Rose -- has dramatically increased stateside interest in the author's earlier work. The Immaculate Deception once again centers on the exploits of the affable and perpetually distracted English art dealer Jonathan Argyll; the beautiful and formidable Flavia di Stefano of the Italian Art Theft Squad; and her
erstwhile boss, General Taddeo Bottando, along with several of the series' usual -- or, more appropriately -- unusual supporting cast of suspects.
When a masterpiece on loan for the opening of an international exhibition is stolen in a manner calculated to embarrass the Italian government, Flavia di Stefano is ordered by the newly installed prime minister to recover the painting at all costs. Her deceptively simple mandate quickly reveals itself to be a politically fraught, no-win situation. If is she meets the thief's ransom demands, she'll almost certainly be disgraced -- and perhaps go to jail; if she refuses the order, she'll be summarily removed from her post. With Jonathan jaunting through the Tuscan countryside on the trail of an interesting art collection, Flavia turns to her old
friend and confidant General Bottando for advice. As a seasoned survivor of the Roman political arena himself, he suggests that she follow the time-honored convention and do as other Romans: "When faced with deviousness, you must be devious yourself."
Working together, Flavia and Bottando devise a plan to recover the painting. But no sooner has the ransom been paid than the art-napper -- a former '60s radical turned bourgeois performance artist -- is found dead under highly suspicious circumstances. Worse, Bottando himself has disappeared without a trace, leaving Flavia to face her first major crisis as head of the Art
Squad alone. Risking official censure and hounded by a sinister journalist, Flavia explores the tenuous connection between a decades-old act of terrorism and recent events, only to discover a secret conspiracy that could topple the government -- or cost her her life.
Like Michael Dibdin's award-winning Aurelio Zen novels, Pears's Jonathan Argyll mysteries go beyond genre fundamentals to immerse readers in every aspect of contemporary Italian culture -- from its legendary art and cuisine to the labyrinthine bureaucracy of the political and criminal justice systems to candid, unexpectedly breathtaking portrayals of everyday life. The Immaculate Deception is a splendid addition to a mystery series of the first order, and an exuberant confirmation of Iain Pears as a modern
master of the form.
--Greg Marrs Views: 305
The ordered calm of Gloucester Abbey is shattered by the disappearance of one of the resident monks. Two novices, Elaf and Kenelm, show little concern for the missing Brother Nicholas. Rebelling against monastic discipline, they indulge in secret midnight adventures. Fearing discovery during their latest exploit, they hide in the Bell Tower, certain that they won’t be found. Elaf, stumbling in the dark, trips over something and realizes, to his horror, that it is a dead body. Brother Nicholas has been found, his throat slit from ear to ear.The Abbey becomes paralyzed with fear. The Abbot is ill-equipped to deal with such a heinous crime and is still reeling from his conversation with the sheriff, who is convinced that one of the other brothers must be a killer. After all, who else would have access to the Abbey Church? Domesday commissioners Ralph Delchard and Gervase Bret arrive, sent to resolve a land dispute. The vicious murder takes immediate priority, however, and they doubt the local sheriff’s ability to solve the baffling case. Before long, Ralph and Gervase realize that the killing is just a symptom of a sinister presence that threatens the whole community and must be stopped at any cost. Inspired by real entries in the historic Domesday Book, The Owls of Gloucester is the tenth mystery in Edward Marston’s spellbinding and richly drawn eleventh-century crime series. Views: 304
Written in 1821-22 at a crucial point in Cooper\'s life and based on some of his most cherished youthful memories, The Pioneers today evokes the American pioneering experience with astonishing vibrance of authentic detail and a largeness of philosophic grasp seldom if ever equaled in our fiction. The circumstances behind the composition and publication of the book are here explained for the first time; and the text, originally set without competent supervision in the midst of the yellow fever epidemic in New York in 1822, is presented with the cumulative improvements of Cooper\'s "strenuous pen" in five subsequent revisions, without the customary accumulation of compositorial errors. Quite possibly America\'s first bestseller (3,500 copies were sold within hours of publication), The Pioneers became the first of the world-famous Leatherstocking Tales. Its verbal pictures "excited a sensation among the artists, altogether unprecedented in the history of our domestic literature" and helped establish the style of the Hudson River School, our first group of landscape painters. Translated early into all the major languages of Europe, The Pioneers was one of the first American novels to carry distinctive, authoritative American experience to the world. Views: 304
Amazon.com ReviewLorimer Black may suffer from a serious sleep disorder and an obsession with the labyrinths of the British class system, but Armadillo's peculiar protagonist is the star insurance adjuster of London's Fortress Sure PLC, unaffectionately known as the Fort. At the very start of William Boyd's noir-ish seventh novel, however, things take a decided swerve for the worse. On a bleak January morning one of his cases has apparently chosen to kill himself rather than talk: "Mr. Dupree was simultaneously the first dead person he had encountered in his life, his first suicide and his first hanged man and Lorimer found this congruence of firsts deceptively troubling."Soon our hero, who himself has a lot to hide, finds himself threatened by a dodgy type whose loss he has adjusted way down and embroiled with the beautiful married actress Flavia Malinverno. "People who've lost something, they call on you to adjust it, make the loss less hard to bear? As if their lives are broken in some way and they call on you to fix it," Flavia dippily wonders. Lorimer also has his car torched and instantly goes from an object of affection to one of deep suspicion at the Fort. Then there is another case, the small matter of the rock star who may or may not be faking the Devil he says is sitting on his left shoulder. Needless to say, Lorimer is "becoming fed up with this role of fall guy for other people's woes." Boyd adds a deep layer of psychological heft and a lighter level of humor to this thinking-person's thriller by exploring Lorimer's manifold personal and social fears. This is a man who desperately collects ancient helmets even though he knows they offer only "the illusion of protection." Another of Armadillo's many pleasures: its dose of delicious argot. Should Lorimer "oil" the apparent perpetrator of the Fedora Palace arson before he's oiled himself? Or perhaps he just needs to "put the frighteners" on him. Boyd definitely puts the frighteners on his readers more than once in this cinematically seedy and dazzling literary display. --Kerry FriedFrom Publishers WeeklyThe ever inventive Boyd?whose highly praised first novel, A Good Man in Africa, was followed by others set in Africa and America, sets this latest work in contemporary London, which he observes with the close attention of someone seeing it for the first time. In fact, his protagonist, Lorimer Black, is not exactly a native: his ancestry derives from an obscure Central European Gypsy clan who made it to London after the war. Lorimer is the only truly Anglicized one among them, from his name to his careful sense of what to wear and say on every occasion. He is a loss adjuster at a big insurance company, whose day begins unsettlingly with the suicide of an insured client he was about to visit. Then a new hotel building, mysteriously overinsured, burns down, and his boss, the overbearing and cheerfully philosophical Mr. Hogg, seems to want Lorimer to investigate. A dreadful new colleague comes into his life and tries to make Lorimer his best friend; Lorimer falls hard for a mysterious actress glimpsed in one of his company's TV commercials; his car is vandalized, and he is attacked in the street; his elderly father dies suddenly; and Hogg turns nasty and fires him. Throughout all this, poor Lorimer, stricken with a severe sleep disorder, tries to get some rest at a sleep clinic where he seeks what he calls "lucid dreams," which?unlike his waking life?he can control. Boyd's comic writing is zesty and brilliantly on-target about contemporary Londoners, high and low, and Lorimer's adventures have enough of an alarming edge to keep a reader constantly, and delightedly, off balance. The only flaw in an otherwise sparkling performance is an odd and unlikely journal Lorimer keeps, which is designed to fill the gaps in his previous life, but which never sounds like anything other than the author's voice. Editor, Vicky Wilson; agent: Georges Borchardt. Copyright 1998 Reed Business Information, Inc. Views: 303
Both as a hit song and as a New York Times best selling book, I Hope You Dance has captured the hearts of people the world over. The words of inspiration created by Mark D. Sanders and Tia Sillers are so moving that thousands of people have told of buying the book and then going back to buy copies for their friends, children, or bridesmaids.Now, fans of this beloved book can record their own journey of getting everything out of life that it has to offer, in this attractive journal.Featuring new text written by Sanders and Sillers, the I Hope You Dance Journal will be a wonderful gift for anyone who has enjoyed either the book or the song.Living might mean taking chances,But they're worth taking... Views: 301
Wilma Sturtz is invisible and miserable at school. So when an old lady on the subway offers her a wish, Wilma immediately asks for popularity -- in fact, she asks to be the most popular kid at school.
Suddenly, Wilma has more friends than she can keep track of, forty dates to the Grad Night Dance, and a secret admirer writing her love poems. Everything is great, until she realizes there's a loophole in her wish, and her time in the spotlight has almost run out. Views: 301
The third book in the D\'Artagnan Romances series. It is now 1660, and although promised the captaincy of the musketeers at the close of Twenty Years After, D\'Artagnan is still trailing his sword in the Louvre as a lowly lieutenant. Louis XIV is well past the age where he should rule, but the ailing Cardinal Mazarin refuses to relinquish the reins of power. Meanwhile, Charles II, a king without a country, travels Europe seeking aid from his fellow monarchs. Athos still resides at La Fère while his son, Raoul de Bragelonne, has entered into the service in the household of M. le Prince. As for Raoul, he has his eyes on an entirely different object than his father – his childhood companion, Louise de la Vallière, with whom he is hopelessly in love. Porthos, now a baron, is off on some mysterious mission along with Aramis, who is now the Bishop of Vannes. Views: 297
