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Son of the Black Stallion

When Alec receives the Black Stallion’s first son as a gift, he believes his dreams have come true, but Satan’s savage arrogance makes him dangerous and unpredictable. Still, Alec is resolved to gain the fiery colt’s trust, even if he must risk his life to do it. From the Trade Paperback edition.
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A Special Providence

Bobby is eighteen and lost on the battlefields of Europe, stumbling his way through World War II. He has turned out to be the heroic soldier he imagined and his experience of battle principally involves fear and confusion. Back home, his mother Alice puts all her hopes in her son, and dreams of his return and starting a new life for them both. Richard Yates's novel is both tender and ironic as he follows Bobby's adventures and disasters and reflects on the intense but complicated bond between mother and son.
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The Movie Star Mystery

A mystery involving a popular boy actor coincides with the arrival of many dubious people to Greenfield.
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Gossip From the Forest

A gripping reimagining of the drama, ego, intrigue, and madness at work during the World War I armistice negotiations In November 1918, after four long years of murderous conflict, six men gather in a railroad car in a secluded forest outside Paris, France, to negotiate an end to World War I. A pacifist, left-leaning diplomat with no military knowledge or experience, Matthias Erzberger has been selected by the German high command to represent their surrendering nation, for reasons as baffling to him as to anyone. He is joined by France’s aging, vindictive Marshal Foch and Britain’s unbending Admiral Wemyss in an attempt to bring peace to a war-torn world. In these claustrophobic quarters the future is to be decided by men driven by ego, prejudice, fear, exhaustion, vengeance, delusion, and, in Erzberger’s case, conscience. But the well-meaning diplomat’s futile efforts to secure lenient surrender terms will have devastating consequences for Europe, the Fatherland, and Erzberger himself. Renowned for his enthralling fictional accounts of historical events, award-winning author of Schindler’s List Thomas Keneally once again brings the heart-stopping human drama of history to life, as he brilliantly envisions the earth-shattering events that transpired in the forest of Compiègne, setting the stage for the Treaty of Versailles and the rise of the Third Reich.
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Dying of the Light

In this unforgettable space opera, #1 New York Times bestselling author George R. R. Martin presents a chilling vision of eternal night—a volatile world where cultures clash, codes of honor do not exist, and the hunter and the hunted are often interchangeable.   A whisperjewel has summoned Dirk t’Larien to Worlorn, and a love he thinks he lost. But Worlorn isn’t the world Dirk imagined, and Gwen Delvano is no longer the woman he once knew. She is bound to another man, and to a dying planet that is trapped in twilight. Gwen needs Dirk’s protection, and he will do anything to keep her safe, even if it means challenging the barbaric man who has claimed her. But an impenetrable veil of secrecy surrounds them all, and it’s becoming impossible for Dirk to distinguish between his allies and his enemies. In this dangerous triangle, one is hurtling toward escape, another toward revenge, and the last toward a brutal, untimely demise.   “Dying of the Light blew the doors off of my idea of what fiction could be and could do, what a work of unbridled imagination could make a reader feel and believe.”—Michael Chabon “Slick science fiction . . . the Wild West in outer space.”—Los Angeles Times  * “Something special which will keep Worlorn and its people in the reader’s mind long after the final page is read.”—Galileo magazine   “The galactic background is excellent. . . . Martin knows how to hold the reader.”—*Asimov’s *  “George R. R. Martin has the voice of a poet and a mind like a steel trap.”—Algis Budrys* From the Trade Paperback edition.
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The Champion of Garathorm

The Champion of Garathorm is the second novel in the The Chronicles of Castle Brass series by Michael Moorcock and featuring Duke Dorian Hawkmoon and Ilian of Garathorm. It is a sequel to both Count Brass and to the Erekosë novel Phoenix in Obsidian, and is followed by The Quest for Tanelorn.
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The Space Machine

From the back cover: The story of the War of the worlds as it has never been told before. Mars was invading the earth! Giant, long-legged machines, operated by gruesome, octopus-like creatures, were moving over the globe, leveling all opposition, laying waste to cities and countryside, on the verge of horrifying triumph. This was the War of the Worlds as we know it. Now at last we can learn the story we do not know -- the incredibly enthralling, almost unbearably suspenseful story of a man and a woman from Victorian England who traveled through time and space to a startling and momentous rendezvous with the desitny in ---- The Space Machine
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The Four Loves

The Four Loves summarizes four kinds of human love--affection, friendship, erotic love, and the love of God. Masterful without being magisterial, this book's wise, gentle, candid reflections on the virtues and dangers of love draw on sources from Jane Austen to St. Augustine. The chapter on charity (love of God) may be the best thing Lewis ever wrote about Christianity. Consider his reflection on Augustine's teaching that one must love only God, because only God is eternal, and all earthly love will someday pass away: Who could conceivably begin to love God on such a prudential ground--because the security (so to speak) is better? Who could even include it among the grounds for loving? Would you choose a wife or a Friend--if it comes to that, would you choose a dog--in this spirit? One must be outside the world of love, of all loves, before one thus calculates. His description of Christianity here is no less forceful and opinionated than in Mere Christianity or The Problem of Pain, but it is far less anxious about its reader's response--and therefore more persuasive than any of his apologetics. When he begins to describe the nature of faith, Lewis writes: "Take it as one man's reverie, almost one man's myth. If anything in it is useful to you, use it; if anything is not, never give it a second thought." --Michael Joseph Gross
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Tales of the Jazz Age (Classic Reprint)

A TABLE OF CONTENTS MY LAST FLAPPERS THE JELLY-BEAN Page 3 This is a Southern story, with the scene laid in the small city of Tarleton, Georgia. I have a profound affection for Tarlelon, but somehow whenever I write a story about it I receive letters from all over the South denouncing me in no uncertain terms. "The Jelly-Bean," published in "The Metropolitan," drew its full share of these admonitory notes. It was written under strange circumstances shortly after my first novel was published, and, moreover, it was the first story in which I had a collaborator. For, finding that I was unable to manage the crap-shooting episode, I turned it over to my wife, who, as a Southern girl, was presumably an expert on the technique and terminology of that great sectional pastime. I suppose tluil of all the stories I have ever written this one cost me the least travail and perhaps gave me the most amuse-ment. As to tlte labor involved, it was written during one day in the city of New Orle About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the difficult to read text. Read books online for free at
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Bouvard and Pecuchet

Walter Scott, Alexandre Dumas, Corneille, Racine, Voltaire, Balzac, George Sand. Quiseram saber tudo sobre o amor, o sujeito filosófico, a política, o socialismo, o belo, a estética, o sublime, a escrita, Deus, a Bíblia, a educação. Apaixonaram-se, mas as mulheres revoltavam-nos. Quiseram saber tudo sobre tudo - "mas não tardaram a aborrecer-se, porque os seus espíritos precisavam de um trabalho, as suas vidas de um objectivo", escreve o autor. Flaubert explicou um dia, numa carta a Adèle Perrot, que "Bouvard e Pécuchet" seria "uma enciclopédia da estupidez humana - verá que o sujeito é ilimitado". Mas o autor de "Madame Bovary" não chegou a terminar esta obra, publicada postumamente. Metódico e disciplinado, deixou um plano escrito sobre como deveria acabar o romance. São essas explicações que vêm no final do livro, três páginas de tópicos sobre os destinos dos dois amigos. Aí se verá que a obra é fascinante - não é só um retrato da superficialidade dos conhecimentos, mas uma dura denúncia das banalidades da vida intelectual francesa. Numa carta a Ivan Turgueniev, em Agosto de 1874, Flaubert escreveu: "Parece-me que vou embarcar numa viagem enorme por regiões desconhecidas e de que não voltarei mais." Era mesmo verdade. “O estilo está antes sob as palavras do que nelas.”
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Comet in Moominland

When Moomintroll learns that a comet will be passing by, he and his friend Sniff travel to the Observatory on the Lonely Mountains to consult the Professors. Along the way, they have many adventures, but the greatest adventure of all awaits them when they learn that the comet is headed straight for their beloved Moominvalley.
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Landlocked

In the aftermath of World War II, Martha Quest finds herself completely disillusioned. She is losing faith with the communist movement in Africa, and her marriage to one of the movement's leaders is disintegrating. Determined to resist the erosion of her personality, she engages in the first satisfactory love affair and breaks free, if only momentarily, from her suffocating unhappiness. Landlocked is the fourth novel of Doris Lessing's classic Children of Violence sequence of novels, each a masterpiece in its own right, and collectively an incisive, all encompassing vision of our world in the twentiethcentury. Author Biography: Doris Lessing was born Doris May Taylor in Persia (now Iran) on October 22, 1919. Both of her parents were British: Her father, who had been crippled in World War I, was a clerk in the Imperial Bank of Persia; her mother had been a nurse. In 1925, lured by the promise of getting rich through maize farming, the family moved to the British colony in Southern Rhodesia (now Zimbabwe). Her mother installed Doris in a covenant school, and then later in an all-girls high school in the capital of Salisbury, from which she soon dropped out. She was 13, and it was the end of her formal education. Lessing's life has been a challenge to her belief that people cannot resist the currents of their time, as she fought against the cultural and biological imperatives that fated her to sink without a murmur into marriage and motherhood. Lessing believes that she was freer than most people because she became a writer. For her, writing is a process of "setting a distance," taking the "raw, the individual, the uncriticized, the unexamined, into therealm of the general." Lessing's fiction is deeply autobiographical, much of it emerging out of her experiences in Africa. Drawing upon her childhood memories and her serious engagement with politics and social concerns, Lessing has written about the clash of cultures, the gross injustices of racial inequality, the struggle among opposing elements within an individual's own personality, and the conflict between the individual conscience and the collective good. Over the years, Lessing has attempted to accommodate what she admires in the novels of the 19th century — their "climate of ethical judgment" — to the demands of 20th-century ideas about consciousness and time. After writing the Children of Violence series (1952-1959), a formally conventional bildungsroman (novel of education) about the growth in consciousness of her heroine, Martha Quest, Lessing broke new ground with The Golden Notebook (1962), a daring narrative experiment in which the multiple selves of a contemporary woman are rendered in astonishing depth and detail. Anna Wolf, like Lessing herself, strives for ruthless honesty as she aims to free herself from the chaos, emotional numbness and hypocrisy afflicting her generation. In the 1970s and 1980s, Lessing began to explore more fully the quasi-mystical insight Anna Wolf seems to reach by the end of The Golden Notebook. Her "inner-space fiction" deals with cosmic fantasies Briefing for a Descent into Hell, 1971), dreamscapes and other dimensions (Memoirs of a Survivor, 1974), and science-fiction probings of higher planes of existence (Canopus in Argos: Archives, 1979-1983). These reflect Lessing's interest, since the 1960s, in Idries Shah, whose writings on Sufi mysticism stress the evolution of consciousness and the belief that individual liberation can come about only if people understand the link between their own fates and the fate of society. Lessing's other novels include The Good Terrorist (1985) and The Fifth Child (1988); she also published two novels under the pseudonym Jane Somers (The Diary of a Good Neighbor, 1983, and If the Old Could., 1984). In addition, she has written several nonfiction works, including books about cats, a love since childhood. Under My Skin: Volume One of My Autobiography, to 1949 was recently joined by Walking in the Shade: 1949 to 1962, both published by HarperCollins.
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Menagerie Manor

Menagerie Manor is sure to delight fans of Durrell’s beloved classic My Family and Other Animals and other accounts of his lifelong fascination with members of the animal kingdom. With his unfailing charm, Durrell tells the story of how he finally fulfilled his childhood dream of founding his own private zoo, the Manor of Les Augres, on the English Channel island of Jersey. With the help of an enduring wife, a selfless staff, and a reluctant bank manager, the zoo grows, and readers are treated to a colorful parade of the zoo’s unusual animal inhabitants.
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The Secret of the Old Clock

This is a facsimile reprint of the first ever Nancy Drew book, published 1930. Nancy Drew's keen mind is tested when she searches for Mr. Crowley's missing will.
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Oblomov

The novel evolved and expanded from an 1849 short story or sketch entitled "Oblomov's Dream". The novel focuses on the midlife crisis of the main character, Ilya Ilyich Oblomov, an upper middle class son of a member of Russia's nineteenth century landed gentry. Oblomov's distinguishing characteristic is his slothful attitude towards life. While a common negative characteristic, Oblomov raises this trait to an art form, conducting his little daily business apathetically from his bed. While clearly comedic, the novel also seriously examines many critical issues that faced Russian society in the nineteenth century. Some of these problems included the uselessness of landowners and gentry in a feudal society that did not encourage innovation or reform, the complex relations between members of different classes of society such as Oblomov's relationship with his servant Zakhar, and courtship and matrimony by the elite.
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