The William Hope Hodgson Megapack Read online




  Contents

  COPYRIGHT INFO 4

  A NOTE FROM THE PUBLISHER 5

  THE MEGAPACK SERIES 7

  A NOTE ABOUT HODGSON, by Darrell Schweitzer 13

  NOTES ON HODGSON, by H. P. Lovecraft 17

  THE MYSTERY OF THE DERELICT 20

  A TROPICAL HORROR 33

  OUT OF THE STORM 44

  THE FINDING OF THE “GRAIKEN” 49

  ELOI ELOI LAMA SABACHTHANI 71

  THE TERROR OF THE WATER-TANK 89

  THE ALBATROSS 105

  THE HAUNTING OF THE LADY SHANNON 120

  THE SHAMRAKEN HOMEWARD-BOUNDER 135

  ON THE BRIDGE 148

  THE CAPTAIN OF THE ONION BOAT 152

  THE WEED MEN 165

  THE SEA HORSES 176

  MY HOUSE SHALL BE CALLED THE HOUSE OF PRAYER 200

  FROM THE TIDELESS SEA 209

  THROUGH THE VORTEX OF A CYCLONE 255

  THE DERELICT 282

  THE BAUMOFF EXPLOSIVE 309

  DEMONS OF THE SEA 327

  JACK GREY, SECOND MATE 338

  THE STONE SHIP 378

  THE THING IN THE WEEDS 409

  THE VOICE IN THE NIGHT 424

  THE GATEWAY OF THE MONSTER (Carnacki the Ghost Finder No. 1) 438

  THE HOUSE AMONG THE LAURELS (Carnacki the Ghost Finder No. 2) 459

  THE WHISTLING ROOM (Carnacki the Ghost Finder No. 3) 479

  THE HORSE OF THE INVISIBLE (Carnacki the Ghost Finder No. 4) 497

  THE SEARCHER OF THE END HOUSE (Carnacki the Ghost Finder No. 5) 523

  THE THING INVISIBLE (Carnacki the Ghost Finder No. 6) 549

  THE GHOST PIRATES 574

  THE HOUSE ON THE BORDERLAND 713

  THE BOATS OF THE “GLEN CARRIG” 838

  GREY SEAS ARE DREAMING OF MY DEATH (poem) 980

  COPYRIGHT INFO

  The William Hope Hodgson Megapack is copyright © 2014 by Wildside Press. Published by Wildside Press LLC. All rights reserved. Cover art copyright © 2014 by Saiheng / Fotolia.com

  “A Note About Hodgson,” by Darrell Schweitzer, is copyright © 2005 by Wildside Press. “Notes on Hodgson,” by H. P. Lovecraft, is taken from Supernatural Horror in Literature, first published in 1927 in The Recluse and later revised circa 1933–1934.

  A NOTE FROM THE PUBLISHER

  Just a quick note for this volume; the essay on Hodgson by author Darrell Schweitzer and the introduction by H.P. Lovecraft (extracted from Supernatural Horror in Literature) are fairly definitely assesments of the author and his classic works.

  Enjoy.

  —John Betancourt, Publisher

  Wildside Press LLC

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  THE MEGAPACK SERIES

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  The First Mystery Megapack

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  The Achmed Abdullah Megapack

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  The First R. Austin Freeman Megapack

  The Second R. Austin Freeman Megapack*

  The Third R. Austin Freeman Megapack*

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  The Pulp Fiction Megapack

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  The Red Finger Pulp Mystery Megapack, by Arthur Leo Zagat*

  The Sherlock Holmes Megapack

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  The Classic American Short Stories Megapack, Vol. 1.

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  THE GOLDEN AGE OF SCIENCE FICTION MEGAPACKS

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  7. H.B. Fyfe

  8. Milton Lesser (Stephen Marlowe)

  SCIENCE FICTION & FANTASY

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  The Eighth Science Fiction Megapack

  The Ninth Science Fiction Megapack

  The Edward Bellamy Megapack

  The First Reginald Bretnor Megapack

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  The E. Nesbit Megapack

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eynolds Megapack

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  The Science-Fantasy Megapack

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  The Space Opera Megapack

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  The Time Travel Megapack

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  The William Hope Hodgson Megapack

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  The Haunts & Horrors Megapack

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  The Arthur Machen Megapack**

  The Mummy Megapack

  The Occult Detective Megapack

  The Darrell Schweitzer Megapack

  The Vampire Megapack

  The Weird Fiction Megapack

  The Werewolf Megapack

  The William Hope Hodgson Megapack

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  AUTHOR MEGAPACKS

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  The Virginia Woolf Megapack

  The William Hope Hodgson Megapack

  * Not available in the United States

  ** Not available in the European Union

  ***Out of print.

  OTHER COLLECTIONS YOU MAY ENJOY

  The Great Book of Wonder, by Lord Dunsany (it should have been called “The Lord Dunsany Megapack”)

  The Wildside Book of Fantasy

  The Wildside Book of Science Fiction

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  Contents

  COPYRIGHT INFO

  A NOTE FROM THE PUBLISHER

  THE MEGAPACK SERIES

  A NOTE ABOUT HODGSON, by Darrell Schweitzer

  NOTES ON HODGSON, by H. P. Lovecraft

  THE MYSTERY OF THE DERELICT

  A TROPICAL HORROR

  OUT OF THE STORM

  THE FINDING OF THE “GRAIKEN”

  ELOI ELOI LAMA SABACHTHANI

  THE TERROR OF THE WATER-TANK

  THE ALBATROSS

  THE HAUNTING OF THE LADY SHANNON

  THE SHAMRAKEN HOMEWARD-BOUNDER

  ON THE BRIDGE

  THE CAPTAIN OF THE ONION BOAT

  THE WEED MEN

  THE SEA HORSES

  MY HOUSE SHALL BE CALLED THE HOUSE OF PRAYER

  FROM THE TIDELESS SEA

  THROUGH THE VORTEX OF A CYCLONE

  THE DERELICT

  THE BAUMOFF EXPLOSIVE

  DEMONS OF THE SEA

  JACK GREY, SECOND MATE

  THE STONE SHIP

  THE THING IN THE WEEDS

  THE VOICE IN THE NIGHT

  THE GATEWAY OF THE MONSTER (Carnacki the Ghost Finder No. 1)

  THE HOUSE AMONG THE LAURELS (Carnacki the Ghost Finder No. 2)

  THE WHISTLING ROOM (Carnacki the Ghost Finder No. 3)

  THE HORSE OF THE INVISIBLE (Carnacki the Ghost Finder No. 4)

  THE SEARCHER OF THE END HOUSE (Carnacki the Ghost Finder No. 5)

  THE THING INVISIBLE (Carnacki the Ghost Finder No. 6)

  THE GHOST PIRATES

  THE HOUSE ON THE BORDERLAND

  THE BOATS OF THE “GLEN CARRIG”

  GREY SEAS ARE DREAMING OF MY DEATH (poem)

  A NOTE ABOUT HODGSON, by D
arrell Schweitzer

  Among those fiction writers who have elected to deal with the shadowlands and borderlands of human existence, William Hope Hodgson surely merits a place with the very few that inform their treatment of such themes with a sense of authenticity. His writing itself, as Mr. Lovecraft justly says, is far from equal in stylistic merit: but it would be impossible to withhold the rank of master from an author who has achieved so authoritatively, in volume after volume, a quality that one might term the realism of the unreal. In some ways, Hodgson’s work is no doubt most readily comparable to that of Algernon Blackwood. But I am not sure that even Blackwood has managed to intimate a feeling of such profound and pervasive familiarity with the occult as one finds in The house on the Borderland. Hideous phantoms and unknown monsters from the nightward gulf are adumbrated in all their terror, with no dispelling of their native mystery; and surely such things could be described only by a seer who has dwelt overlong on the perilous verges and has peered too deeply into the regions veiled by invisibility from normal sight.

  —Clark Ashton Smith

  William Hope Hodgson (1877-1918) was an Englishman who went to sea for several years as a young man and seems to have had a thoroughly unpleasant time of it, and later argued in print that the British Merchant Marine was not worth joining. He also became a body-builder, and, according to his biographer Sam Moskowitz, took a certain delight in beating up sailors who had mistreated him. Despite this, the sea gave Hodgson the formative experience of his life, and surely contributed to the sense of vastness, solitude, and cosmic strangeness found in his best work. More overtly, it provided him with much of his subject matter, many of his settings, and any number of tentacular monstrosities which bedevil his characters. Hodgson has no peer, or even a serious challenger, as an author of creepy sea stories. Perhaps his prose is not as graceful as that of Joseph Conrad, and he does not delve far into character, but when it comes to haunted derelicts and hideous, fungoid transformations, there is no one else like him.

  Hodgson’s earlier work centers on four novels, which, subsequent research seems to indicate, were actually written in reverse of the order in which they were published. But as this is still uncertain, the dates given are those of publication.

  The Boats of “The Glen Carrig” (1907) tells how survivors of a sunken ship encounter numerous monsters and undergo strange adventures in a seaweed-choked Sargasso Sea.

  The House on the Borderland (1908) drew some of its inspiration from H.G. Wells’s The Time Machine (1895), but is a terrific creation in its own right, a novel told in the form of a manuscript found in a crumbling ruin, tell how the hapless protagonist was besieged by a series of horrific monstrosities swarming out of a dimensional rift. Amid the novel’s potent sense of terror and inevitable doom, there is also a vision of the far future, of a remote, post-human Earth.