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  DESTINATION: SANCTUARY!

  Logan was doomed by time. The red flower imprinted on his hand had blinked black and his life was officially over. The Thinker had so decreed. Youth must control society.

  Now Logan, a DS man who carried a Gun that could explode any prey, would himself become a Runner, pursued by a Sandman.

  Guided by the glow-flicker of the Follower, the Sandman sees his quarry is ahead, sees Logan and the girl. But it is not wise to attempt a chase in these caverns. The Sandman smiles. They are moving through the scrub toward the high grass.

  He has them now.

  There is nowhere for them to go.

  Metro-Goldwyn-Mayer

  presents

  A Saul David Production

  starring

  Michael York

  Jenny Agutter

  Richard Jordan

  Roscoe Lee Browne

  Farrah Fawcett-Majors

  and

  Peter Ustinov

  Screenplay by

  David Zelag Goodman

  Based on the novel "Logan's Run" by

  William F. Nolan and George Clayton Johnson

  Music—Jerry Goldsmith

  Produced by Saul David

  Directed by

  Michael Anderson

  Filmed in Todd-AO and Metrocolor

  Released thru United Artists

  A Transamerica Company

  This low-priced Bantam Book

  has been completely reset in a type face

  designed for easy reading, and was printed

  from new plates. It contains the complete

  text of the original hard-cover edition.

  NOT ONE WORD HAS BEEN OMITTED

  LOGAN'S RUN

  A Bantam Book / published by arrangement with

  The Dial Press

  PRINTING HISTORY

  Dial edition published September 1967

  Bantam edition / May 1976

  All rights reserved.

  Copyright © 1967 by William F. Nolan and

  George Clayton Johnson.

  This book may not be reproduced in whole or in part, by

  mimeograph or any other means, without permission.

  For information address: The Dial Press,

  245 East 47th Street, New York, N.Y. 10017

  ISBN 0-553-02517-1

  Published simultaneously in the United States and Canada

  Bantam Books are published by Bantam Books, Inc. Its trademark, consisting of the words "Bantam Books" and the protrayal of a bantam, is registered in United States Patent Office and in other countries. Marca Registrada. Bantam Books, 666 Fifth Avenue, New York, New York 10019.

  PRINTED IN THE UNITED STATES OF AMERICA

  CONTENTS

  Title

  Copyright

  Dedication

  Logan's Run

  10

  9

  8

  7

  6

  5

  4

  3

  2

  1

  About The Authors

  TO ALL THE WILD FRIENDS

  WE GREW UP WITH—

  and who were with us when we wrote this book:

  To Frankenstein and Mickey Mouse

  To Jack, Doc and Reggie and The Temple of the Vampires

  To Fu Manchu, Long John Silver, Tom Mix and Buck Jones

  To The Iliad and The Odyssey, Superman and The Green Hornet

  To Jack Armstrong, the All-American Boy, and The Hunchback of Notre Dame

  To Gunga Din, King Kong and The Land of Oz

  To Mr. Hyde and The Phantom of the Opera

  To The Sea Wolf, Captain Nemo and The Great White Whale

  To Batman and Robin, Black Country, Ted Surgeon and The Ears of Johnny Bear

  To Rhett Butler and Jiminy Cricket

  To Matthew Arnold, Robert Frost and The Demolished Man

  To What Mad Universe

  To Dante, Dr. Lao and Dick Tracy

  To Punch, the Immortal Liar: and The Girls in Their Summer Dresses

  To The Man in the Iron Mask

  To Marco Polo and The Martian Chronicles

  To Bogie and The Maltese Falcon

  To Flash Gordon, Prince Valiant, Krazy Kat and The Dance of the Dead

  To Thomas Wolfe

  To The Unicorn in the Garden

  To Hammett and Chandler and You Play the Black and the Red Comes Up

  To Papa Hemingway, Mickey Spillane and Popeye the Sailor Man

  To Fancies and Goodnights

  To a Diamond as Big as the Ritz and a Blood Wedding in Chicago

  To Beauty and the Beast

  To The Daredevil Dogs of the Air, The Dawn Patrol and The Long, Loud Silence

  To Doug Fairbanks; Errol Flynn and The Keystone Kops

  To Tarzan and The Land That Time Forgot

  To Tom Swift, Huck Finn and Oliver Twist

  To Citizen Kane, Sinbad and They Shoot Horses, Don't They?

  To Ali Baba, The Marx Brothers and Dangerous Dan McGrew

  To The Beanstalk

  To The Lone Ranger; Little Orphan Annie and The Space Merchants

  To The Day The Earth Stood Still

  To The Highwayman

  To Kazan, The Time Machine and Don't Cry for Me

  To Captain Midnight and Lights Out

  To Shackleton, Terry and the Pirates, Richard the Lionheart and The Rats in the Walls

  To The Most Dangerous Game

  To Lil' Abner, S. J. Perelman and Smoky Stover

  To The Seven Dwarfs and Mandrake the Magician

  To Billy the Kid, Geronimo, Stephen Vincent Benet and The House of Usher

  To The Hound of the Baskervilles and The Ship of Ishtar

  To Robin Hood, Scarface and Tommy Udo

  To Frederick Schiller Faust who was Max Brand who was Evan Evans who was George Challis who was . . .

  To Astounding, Amazing, Fantastic, Startling, Unknown, Galaxy, Weird Tales, Planet Stories, Black Mask and The Magazine of Fantasy and Science Fiction

  To Rhysling, Blind Singer of the Spaceways AND WITH LOVE

  To The Green Hills of Earth

  The seeds of the Little War were planted in a restless summer during the mid-1960s, with sit-ins and student demonstrations as youth tested its strength.

  By the early 1970s over 75 per cent of the people living on earth were under twenty-one years of age.

  The population continued to climb—and with it the youth percentage.

  In the 1980s the figure was 79.7 per cent.

  In the 1990s, 82.4 per cent.

  In the year 2000—critical mass.

  Her hair was matted, her face streaked and swollen. One knee oozed slow blood; she's cut it on a steel abutment.

  A stitching pain lived in her side.

  She ran.

  There was a high lovers' moon and the night was full of shapes. Shadows slid on shadows.

  When had she crossed the river? Was it last night or the night before? Where was she now? She didn't know.

  Off to her right she could see an unending length of metalmesh beyond a stretch of dead asphalt. Far out on the pavement sea was a cluster of teeter-swings. An industrial nursery; it had to be Stoneham or Sunrise.

  Perhaps her baby was there!

  She veered to the left, away from the mesh, into the deep night-black between buildings. Abruptly she found her passage blocked by a high board barrier. She turned. Maybe she could double back over the river.

  If she could only rest.

  Wait! She froze, remained motionless. There was someone in the shadows ahead. A silent scream ripped at her throat.

  Sandman!

  Panic drove her heart against her chest in shuddering strokes. She spun a
bout, clawed at the blistered boards, her fingernails breaking as she sought a grip on the coarse wood. The fence was too high.

  For an instant (a century?) she clung there, trying to will her muscles to lift her oh-so-heavy body, but all the energy was gone. Something tore inside her, and she crumpled at the base of the wood.

  Huddled into herself, she studied the char-black flower crystal centered in the palm of her right hand. A few days ago it had been a warm blood-red—just as seven years before it had been electric-blue, and seven years earlier, sun-yellow. A color for each seven years of her life. Now she was twenty-one and her flower was dull black. Sleep black. Death black.

  The figure moved calmly toward her, across the moon-pavement. She didn't look up. She stared at her palm, because her future and her past were written there. All of her days and her nights and her fears and her hopes.

  Why had she believed in Sanctuary? Insane. Impossible. Why hadn't she been like all the others who had accepted Sleep?

  Now the dark figure, in black, stood over her, but she did not look up. She didn't beg because begging was useless.

  Instead she remade the world.

  She was not here, outlawed and condemned, shamed and terrified; she was in Sanctuary—on a wide, wind-lazy meadow beside a cool stream of silver—a world in which time did not exist.

  Then why was her hand scrabbling under her torn clothing for the vibroknife she'd hidden there? Why the urgency to plunge the buzzing steel through breast and rib into her heart? Why?

  She saw the Gun come up.

  The homer!

  She saw the moonlight dazzle off the dark-blue barrel.

  The homer!

  She saw the pale, tight-set face of the Sandman, and saw his eyes above the Gun, as his fingers whitened on the trigger.

  The homer!

  There was a soft explosion.

  That was the last thing she heard.

  And the last thing she felt was raw, blinding agony, as the homer struck, burned, ripped and unraveled her.

  Logan was tired, but the little man kept talking.

  "You know how it is, citizen." he said "Nobody feels like he's done it all. All the traveling, all the girls, all the living. I'm no different from anybody else. I'd like to live to be twenty-five, thirty . . . but it just isn't going to happen. And I can accept that. I've got no regrets. None to linger on, I mean. I've lived a good life. I've had my share and nobody can say that Sawyer is a whiner."

  He was talking compulsively. As long as he talked he didn't have to think. Logan had seen a lot of them on Lastday, talking away the final hours.

  "You know what I'm going to do?" asked the man, whose palm-flower was blinking red, then black, then red. He didn't wait for a reply. He went on in a rapid voice, telling Logan exactly what he was going to do.

  Logan had changed to grays back in DS Headquarters, and he wondered if the man would be talking to him if he were in his black tunic. No doubt he would Sawyer was obviously the type who went through life unworried about Deep Sleep men and Guns. Which was proper. He was a good citizen, and good citizens made a stable world.

  "—and then I'm going over to the Castlemont Glasshouse and get myself three of the youngest, prettiest girls in the stagroom. One will be blond. You know, with deep-blue eyes and blue-white hair. Then I'll get one with short black hair and one with golden-brown skin. Three beauties. I hear they'll do anything for you when you're on Lastday."

  The man looked at his palm. The flower bloomed red, then black, then red. "Did you ever wonder if the Thinker makes mistakes, the same as people do? Because it doesn't seem like I've turned twenty-one. It really doesn't. It seems I turned fourteen maybe five years ago. That would make me just nineteen." He said this without conviction. "I remember the day, when my flower changed and I was fourteen. I was in Japan, and it was the first time I'd visited Fujiyama. Wonderful mountain! Inspiring! Ever see it?"

  Logan nodded. He'd seen it.

  "I sure remember the day. Couldn't have been more than five years ago—maybe six. Do you think the machine could make that kind of mistake?"

  Logan didn't want to remember how many years had passed since he'd been fourteen. Of late he had tried not to think about this. His flower was still a steady red, but . . .

  "No," said Sawyer, answering his own question. "The machine wouldn't make that kind of a mistake." He was silent for a long moment; then, in a quiet voice, he said, "I suppose I'm scared." His flower blinked red, black, red, black.

  "Most people are," said Logan.

  "But not this scared," said the man. He swallowed, raised a hand. "Don't get me wrong, citizen. I'm no coward. I'm not going to run. I have my pride. The system is right, I know that. World can only support so much life. Got to be a way to keep the population down . . . I've been loyal and I won't change now."

  The two sat quietly as the rumbling belt carried them up through the threemile complex.

  At last the man spoke again: "Do you really believe that a homer is—is as terrible as they say it is?

  "Yes," said Logan. "I believe it."

  "What gets me is the way it finds a runner. Once it's fired at him, I mean. The way it homes in on the body heat. They say it burns out your whole nervous system. Every nerve in your body."

  Logan didn't answer.

  The little man's face was gray. A muscle leaped in his cheek. He swallowed. "God," he said.

  Sawyer drew in a deep breath. A spot of color returned to his face. "Of course it's necessary. Without the DS men and homers there'd be a lot more runners. We couldn't have that. Runner deserves what he gets, if you ask me. I mean, he doesn't have to run. A Sleepshop isn't so bad, is it? We toured one when I was twelve, me and a friend of mine. In Paris. Clean and nice. It isn't so bad"

  Logan thought of the Sleepshops with their gaily painted interiors, the attendants in soft pastel robes, the electronically augmented angel choirs, the skin spray of Hallucinogen, which wiped away a confused look of suffering and replaced it with a fixed and joyful smile. He thought of the quiet, dimlit grave room lined with aluminum shelving, and of the neat rows of steelfoil canisters marked with the names and numbers of men.

  "No," said Logan. "It isn't so bad."

  Sawyer was talking again. "Sometimes, though, I wonder about those DS men. I could never do it, what they have to do. Not that I'm defending runners. Not scum. I don't defend scum. But I just wonder how a man can fire a homer into—"

  "I get off here," said Logan.

  He left the belt.

  Logan was annoyed at his action. He didn't live in this part of the complex. His unit was almost a mile beyond, but the man's constant chatter had frayed his patience. He knew this section, of course. A year ago he'd hunted a man here. Runner named Nathan. He closed off the memory.

  Idly he began walking the covered thoroughfare.

  Ahead was the Jewel Building. Logan paused to survey the vast mural which gave the structure its name—a climbing mosaic composed of tiny bits of fireglass brilliantly arranged to commemorate the Burning of Washington. Orange, purple and raw red flames jeweled halfway up the façade; bodies flamed; buildings smoked and tumbled. Yet the awesome masterwork was flawed, incomplete. Stark, gaping areas broke the pattern. Only the famed muralist Roebler 7 could handle the corrosive fireglass, and when he had accepted Sleep his secret died with him. The project would never be finished.

  Directly beneath the mural, a man with a sign. Logan registered shock. The man was about fifteen with rounded, girlish features and large, soulful eyes. A silver fringe of beard silked his chin, and his hair was worn shoulder-length. The sign around his neck said: RUN!

  He sat, image-still, in the middle of the walkway. Several angry citizens circled him. One of them spat on the bearded man.

  "Filth!"

  "Scum!"

  "Coward!"

  The man smiled patiently at his tormentors. He handed each of them a thin scripsheet from a stack in his lap.

  "This is disgusting," said a fat
woman, balling the scrip in her hand. "Unlawful."

  As Logan approached, the man held out one of the sheets. He accepted it.

  REJECT SLEEP! RUN

  IF THERE ARE ENOUGH RUNNERS

  THERE WON'T BE ENOUGH HOMERS.

  THERE WON'T BE ENOUGH DS MEN

  IT IS WRITTEN THAT THE LIFE

  SPAN OF MAN IS THREE SCORE

  YEARS AND TEN, SEVENTY YEARS!

  DON'T SETTLE FOR TWENTY-ONE.

  RUN! REJECT SLEEP!

  A police paravane settled soundlessly at the edge of the walkway. Logan watched the two lemon-tunicked officers dismount and advance on the bearded man. He did not try to run. They led him away.

  The paravane lifted back into the evening sky.

  A woman next to Logan clucked her tongue. "That's the third maniac they've arrested this month. You'd think they were organized. It's frightening."

  A girl in green mistsilks eased out of a doorway and fell into step beside Logan. He ignored her. The darkness had deepened and the sky was splashed with emerging stars. An air-freshener hummed. Logan stopped to watch the Tri-Dim Report.

  The proscenium of the TD Newsbuilding brightened. A familiar 300-foot figure took solid form; he smiled warmly down at the crowd. The tri-dimensional newsman was dressed in Lifeleather trimfits. His giant eyes were clear and guileless.

  "Evening, Citizens," he boomed. "This is Madison 24 with the latest news. Trouble in the maze tonight. A gypsy gang war on an express platform near Stafford Heights resulted in two deaths. Fourteen individuals were injured, including three gypsies. Police are investigating and there will be arrests:" The immense figure paused for dramatic effect, then continued. "The triple slayer, Harry 7, was apprehended earlier today in the Trancas complex. His friends were invited to see him off in the Hellcar. But not one person showed up. Not one." The giant face nodded sternly. "Does that tell you something, citizens? It tells me something. Yes, indeed. It tells me that we are a proud, law-loving people, ashamed of runners and killers and that we are—"