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H Rider Haggard - The Virgin Of The Sun Page 2
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"Tom," he said with unutterable sarcasm, "Tom! Perhaps you mean the mawkin that was put up to scare birds from the peas in the garden, for it has more in its head than Tom. No one here? Oh! what fools some men are. Why, the place is thick with them."
"Thick with whom?"
"Who? why, ghosts, of course, as you would call them in your ignorance. Spirits of the dead I name them. Beautiful enough, too, some of them. Look at that one there," and he lifted the lantern and pointed to a pile of old bed posts of Chippendale design.
"Good day, Potts," I said hastily.
"Stop where you are," repeated Potts. "You don't believe me yet, but when you are as old as I am you will remember my words and believe-- more than I do and see--clearer than I do, because it's in your soul, yes, the seed is in your soul, though as yet it is choked by the world, the flesh, and the devil. Wait till your sins have brought you trouble; wait till the fires of trouble have burned the flesh away; wait till you have sought Light and found Light and live in Light, then you will believe; /then/ you will see."
All this he said very solemnly, and standing there in that dusky room surrounded by the wreck of things that once had been dear to dead men and women, waving the lantern in his hand and staring--at what was he staring?--really old Potts looked most impressive. His twisted shape and ugly countenance became spiritual; he was one who had "found Light and lived in Light."
"You won't believe me," he went on, "but I pass on to you what a woman has been telling me. She's a queer sort of woman; I never saw her like before, a foreigner and dark-hued with strange rich garments and something on her head. There, that, /that/," and he pointed through the dirty window-place to the crescent of a young moon which appeared in the sky. "A fine figure of a woman," he went on, "and oh! heaven, what eyes--I never saw such eyes before. Big and tender, something like those of the deer in the park yonder. Proud, too, she is, one who has ruled, and a lady, though foreign. Well, I never fell in love before, but I feel like it now, and so would you, young man, if you could see her, and so I think did someone else in his day."
"What did she say to you?" I asked, for by now I was interested enough. Who wouldn't be when old Potts took to describing beautiful women?
"It's a little difficult to tell you for she spoke in a strange tongue, and I had to translate it in my head, as it were. But this is the gist of it. That you were to have that chest and what was in it. There's a writing there, she says, or part of a writing for some has gone--rotted away. You are to read that writing or to get it read and to print it so that the world may read it also. She said that 'Hubert' wishes you to do so. I am sure the name was Hubert, though she also spoke of him with some other title which I do not understand. That's all I can remember, except something about a city, yes, a City of Gold and a last great battle in which Hubert fell, covered with glory and conquering. I understood that she wanted to talk about that because it isn't in the writing, but you interrupted and of course she's gone. Yes, the price is £50 and not a farthing less, but you can pay it when you like for I know you're as honest as most, and whether you pay it or not, you must have that chest and what's in it and no one else."
"All right," I said, "but don't trust it to the carrier. I'll send a cart for it to-morrow morning. Lock it now and give me the key."
In due course the chest arrived, and I examined the bundle for the other contents do not matter, although some of them were interesting. Pinned inside the shawl I found a paper, undated and unsigned, but which from the character and style of the writing was, I should say, penned by a lady about sixty years ago. It ran thus:--
"My late father, who was such a great traveller in his young days and so fond of exploring strange places, brought these things home from one of his journeys before his marriage, I think from South America. He told me once that the dress was found upon the body of a woman in a tomb and that she must have been a great lady, for she was surrounded by a number of other women, perhaps her servants who were brought to be buried with her here when they died. They were all seated about a stone table at the end of which were the remains of a man. My father saw the bodies near the ruins of some forest city, in the tomb over which was heaped a great mound of earth. That of the lady, which had a kind of shroud made of the skins of long-wooled sheep wrapped about it as though to preserve the dress beneath, had been embalmed in some way, which the natives of the place, wherever it was, told him showed that she was royal. The others were mere skeletons, held together by the skin, but the man had a long fair beard and hair still hanging to his skull, and by his side was a great cross-hilted sword that crumbled to fragments when it was touched, except the hilt and the knob of amber upon it which had turned almost black with age. I think my father said that the packet of skins or parchment of which the underside is badly rotted with damp was set under the feet of the man. He told me that he gave those who found the tomb a great deal of money for the dress, gold ornaments, and emerald necklace, as nothing so perfect had been found before, and the cloth is all worked with gold thread. My father told me, too, that he did not wish the things to be sold."
This was the end of the writing.
Having read it I examined the dress. It was of a sort that I had never seen before, though experts to whom I have shown it say that it is certainly South American of a very early date, and like the ornaments, probably pre-Inca Peruvian. It is full of rich colours such as I have seen in old Indian shawls which give a general effect of crimson. This crimson robe clearly was worn over a skirt of linen that had a purple border. In the box that I have spoken of were the ornaments, all of plain dull gold: a waist-band; a circlet of gold for the head from which rose the crescent of the young moon and a necklace of emeralds, uncut stones now much flawed, for what reason I do not know, but polished and set rather roughly in red gold. Also there were two rings. Round one of these a bit of paper was wrapped upon which was written, in another hand, probably that of the father of the writer of the memorandum:--
"Taken from the first finger of the right hand of a lady's mummy which I am sorry, in our circumstances, it was quite impossible to carry away."
This ring is a broad band of gold with a flat bezel upon which something was once engraved that owing to long and hard wear now cannot be distinguished. In short, it appears to be a signet of old European make but of what age and from what country it is impossible to determine. The other ring was in a small leathery pouch, elaborately embroidered in gold thread or very thin wire, which I suppose was part of the lady's costume. It is like a very massive wedding ring, but six or eight times as thick, and engraved all over with an embossed conventional design of what look like stars with rays round them, or possibly petalled flowers. Lastly there was the sword- hilt, of which presently.
Such were the trinkets, if so they may be called. They are of little value intrinsically except for their weight in gold, because, as I have said, the emeralds are flawed as though they have been through a fire or some other unknown cause. Moreover, there is about them nothing of the grace and charm of ancient Egyptian jewellery; evidently they belonged to a ruder age and civilization. Yet they had, and still have, to my imagining, a certain dignity of their own.
Also--here I became infected with the spirit of the peculiar Potts-- without doubt these things were rich in human associations. Who had worn that dress of crimson with the crosses worked on it in gold wire (they cannot have been Christian crosses), and the purple-bordered skirt underneath, and the emerald necklace and the golden circlet from which rose the crescent of the young moon? Apparently a mummy in a tomb, the mummy of some long-dead lady of a strange and alien race. Was she such a one as that old lunatic Potts had dreamed he saw standing before him in the filthy, cumbered upper-chamber of a ruinous house in an England market town, I wondered, one with great eyes like to those of a doe and a regal bearing?
No, that was nonsense. Potts had lived with shadows until he believed in shadows that came out of his own imagination and into it returned again. Still, she was a
woman of some sort, and apparently she had a lover or a husband, a man with a great fair beard. How at this date, which must have been remote, did a golden-bearded man come to foregather with a woman who wore such robes and ornaments as these? And that sword hilt, worn smooth by handling and with an amber knob? Whence came it? To my mind--this was before expert examination confirmed my view--it looked very Norse. I had read the Sagas and I remembered a tale recovered in them of some bold Norsemen who about the years eight or nine hundred had wandered to the coast of what is known now to be America--I think a certain Eric was their captain. Could the fair-haired man in the grave have been one of these?
Thus I speculated before I looked at the pile of parchments so evidently prepared from sheep skins by one who had only a very rudimentary knowledge of how to work such stuff, not knowing that in those parchments was hid the answer to many of my questions. To these I turned last of all, for we all shrink from parchments; their contents are generally so dull. There was a great bundle of them that had been lashed together with a kind of straw rope, fine straw that reminded me of that used to make Panama hats. But this had rotted underneath together with all the bottom part of the parchments, many sheets of them, of which only fragments remained, covered with dry mould and crumbling. Therefore the rope was easy to remove and beneath it, holding the sheets in place, was only some stout and comparatively modern string--it had a red thread in it that marked it as navy cord of an old pattern.
I slipped these fastenings off and lifted a blank piece of skin set upon the top. Beneath appeared the first sheet of parchment, closely, very closely covered with small "black-letter" writing, so faint and faded that even if I were able to read black-letter, which I cannot, of it I could have made nothing at all. The thing was hopeless. Doubtless in that writing lay the key to the mystery, but it could never be deciphered by me or any one else. The lady with the eyes like a deer had appeared to old Potts in vain; in vain had she bidden him to hand over this manuscript to me.
So I thought at the time, not knowing the resources of science. Afterwards, however, I took that huge bundle to a friend, a learned friend whose business in life it was and is, to deal with and to decipher old manuscripts.
"Looks pretty hopeless," he said, after staring at these. "Still, let's have a try; one never knows till one tries."
Then he went to a cupboard in his muniment room and produced a bottle full of some straw-coloured fluid into which he dipped an ordinary painting brush. This charged brush he rubbed backwards and forwards over the first lines of the writing and waited. Within a minute, before my astonished eyes, that faint, indistinguishable script turned coal-black, as black as though it had been written with the best modern ink yesterday.
"It's all right," he said triumphantly, "it's vegetable ink, and this stuff has the power to bring it up as it was on the day when it was used. It will stay like that for a fortnight and then fade away again. Your manuscript is pretty ancient, my friend, time of Richard II, I should say, but I can read it easily enough. Look, it begins, 'I, Hubert de Hastings, write this in the land of Tavantinsuyu, far from England where I was born, whither I shall never more return, being a wanderer as the rune upon the sword of my ancestor, Thorgrimmer, foretold that I should be, which sword my mother gave me on the day of the burning of Hastings by the French,' and so on." Here he stopped.
"Then for heaven's sake, do read it," I said.
"My dear friend," he answered, "it looks to me as though it would mean several months' work, and forgive me for saying that I am paid a salary for my time. Now I'll tell you what you have to do. All this stuff must be treated, sheet by sheet, and when it turns black it must be photographed before the writing fades once more. Then a skilled person--so-and-so, or so-and-so, are two names that occur to me--must be employed to decipher it again, sheet by sheet. It will cost you money, but I should say that it was worth while. Where the devil is, or was, the land of Tavantinsuyu?"
"I know," I answered, glad to be able to show myself superior to my learned friend in one humble instance. "Tavantinsuyu was the native name for the Empire of Peru before the Spanish Invasion. But how did this Hubert get there in the time of Richard II? That is some centuries earlier than Pizarro set foot upon its shores."
"Go and find out," he answered. "It will amuse you for quite a long while and perhaps the results may meet the expenses of decipherment, if they are worth publishing. I expect they are not, but then, I have read so many old manuscripts and found most of them so jolly dull."
Well, that business was accomplished at a cost that I do not like to record, and here are the results, more or less modernised, since often Hubert of Hastings expressed himself in a queer and archaic fashion. Also sometimes he used Indian words as though he had talked the tongue of these Peruvians, or rather the Chanca variety of it, so long that he had begun to forget his own language. Myself I have found his story very romantic and interesting, and I hope that some others will be of the same opinion. Let them judge.
But oh, I do wonder what was the end of it, some of which doubtless was recorded on the rotted sheets though of course there can have been no account of the great battle in which he fell, since Quilla could not write at all, least of all in English, though I suppose she survived it and him.
The only hint of that end is to be found in old Potts's dream or vision, and what is the worth of dreams and visions?
BOOK I
CHAPTER I
THE SWORD AND THE RING
I, Hubert of Hastings, write this in the land of Tavantinsuyu, far from England, where I was born, whither I shall never more return, being a wanderer as the rune upon the sword of my ancestor, Thorgrimmer, foretold that I should be, which sword my mother gave me on the day of the burning of Hastings by the French. I write it with a pen that I have shaped from a wing feather of the great eagle of the mountains, with ink that I have made from the juices of certain herbs which I discovered, and on parchment that I have split from the skins of native sheep, with my own hands, but badly I fear, though I have seen that art practised when I was a merchant of the Cheap in London Town.
I will begin at the beginning.
I am the son of a fishing-boat owner and was a trader in the ancient town of Hastings, and my father was drowned while following his trade at sea. Afterwards, being the only child left of his, I took on his business, and on a certain day went out to sea to net fish with two of my serving men. I was then a young man of about three and twenty years of age and not uncomely. My hair, which I wore long, was fair in colour and curled. My eyes, set wide apart, were and still are large and blue, although they have darkened somewhat and sunk into the head in this land of heat and sunshine. My nose was wide-nostrilled and large, my mouth also was over-large, although my mother and some others used to think it well-shaped. In truth, I was large all over though not so tall, being burly, with a great breadth of chest and uncommon thickness through the body, and very strong; so strong that there were few who could throw me when I was young.
For the rest, like King David, I, who am now so tanned and weather worn that at a little distance were my hair and beard hidden I might almost be taken for one of the Indian chiefs about me, was of a ruddy and a pleasant countenance, perhaps because of my wonderful health, who had never known a day of sickness, and of an easy nature that often goes with health. I will add this, for why should I not--that I was no fool, but one of those who succeed in that upon which they set their minds. Had I been a fool I should not to-day be the king of a great people and the husband of their queen; indeed, I should not be alive.
But enough of myself and my appearance in those years that seem as far off as though they had never been save in the land of dreams.
Now I and my two serving men, sailors both of them like myself and most of the folk of Hastings set out upon a summer eve, purposing to fish all night and return at dawn. We came to our chosen ground and cast out the net, meeting with wonderful fortune since by three in the morning the big boat was full of every ki
nd of fish. Never before, indeed, had we made so large a haul.
Looking back at that great catch, as here in this far land it is my habit to do upon everything, however small, that happened to me in my youth before I became a wanderer and an exile, I seem to see in it an omen. For has it not always been my lot in life to be kissed of fortune and to gather great store, and then of a sudden to lose it all as I was to lose that rich multitude of fishes?
To-day, when I write this, once more I have great wealth of pomp and love and power, of gold also, more than I can count. When I go forth, my armies, who still look on me as half a god, shout their welcome and kiss the air after their heathen fashion. My beauteous queen bows down to me and the women of my household abase themselves into the dust. The people of the Ancient City of Gold turn their faces to the wall and the children cover their eyes with their hands that they may not look upon my splendour as I pass, while maidens throw flowers for my feet to tread. Upon my judgment hangs life or death, and my lightest word is as though it were spoken from heaven. These and many other things are mine, the trappings of power, the prerogative of the Lord- from-the-Sea who brought victory to the Chanca people and led them back to their ancient home where they might live safe, far from the Inca's rage.