Arnold E. Grummer Read online

  trash-to-treasure papermaking

  trash-to-treasure papermaking

  // make your own recycled paper from newspapers & magazines / can & bottle labels / discarded gift wrap / old phone books / junk mail / comic books / and more …

  Arnold E. Grummer

  The mission of Storey Publishing is to serve our customers by publishing practical information that encourages personal independence in harmony with the environment.

  Edited by Deborah Balmuth and Nancy D. Wood Art direction and book design by Dan O. Williams Photography by © Greg Nesbit Photography, except for pages 10, 12, 13, 15, 97, 207 courtesy of the author; 75 (scrap paper), 176 by Mars Vilaubi Indexed by Nancy D. Wood

  © 2011 by Arnold Grummer

  All rights reserved. No part of this book may be reproduced without written permission from the publisher, except by a reviewer who may quote brief passages or reproduce illustrations in a review with appropriate credits; nor may any part of this book be reproduced, stored in a retrieval system, or transmitted in any form or by any means — electronic, mechanical, photocopying, recording, or other — without written permission from the publisher.

  The information in this book is true and complete to the best of our knowledge. All recommendations are made without guarantee on the part of the author or Storey Publishing. The author and publisher disclaim any liability in connection with the use of this information.

  Storey books are available for special premium and promotional uses and for customized editions. For further information, please call 1-800-793-9396.

  Storey Publishing

  210 MASS MoCA Way

  North Adams, MA 01247

  www.storey.com

  Printed in China by R.R. Donnelley

  10 9 8 7 6 5 4 3 2 1

  Library of Congress Cataloging-in-Publication Data

  Grummer, Arnold E., 1923–

  Trash-to-Treasure Papermaking / By Arnold E. Grummer.

  pages cm

  Includes bibliographical references and index.

  ISBN 978-1-60342-547-6 (pbk. : alk. paper)

  1. Paper, Handmade. 2. Papermaking. I. Title.

  TS1124.5.G78 2011

  676’.22—dc22

  2010043056

  contents

  Chapter 1 Fiber Art

  The Nature of Plant Fibers

  A Bit of History

  Recycled Paper Is Not New

  Chapter 2 Supplies and Materials

  Gathering Your Supplies

  Where to Find Pulp

  Making Paper That Will Last

  What Is Sizing?

  Building a Paper Press

  Chapter 3 Easy Papermaking Techniques

  Pour vs. Dip

  Tin Can Papermaking

  Preparing Pulp

  Building a Pour Hand Mold

  Making Paper with a Pour Mold

  Chapter 4 Recycling Techniques

  Mottled or Chunky Surface

  Surface Embedment

  Internal Embedment

  Chapter 5 Pulp Magic

  Getting Color: Dyeing vs. Recycling

  Glitter and Glisten

  Pulp Layering

  Coasters

  Pulp Painting

  Adding Color in the Deckle

  Bordering

  Chapter 6 More Fun Things to Try

  Pin Drawing

  Edge Dipping

  Moonscape

  Texturing

  Embossing

  Screen Block Out: Windows

  Deckle Division

  Sheet Layering

  Watermarking

  Board Drying

  Air Drying

  Air Plus Pressure

  Chapter 7 Paper Casting

  Laying the Foundation

  How to Make a Paper Cast

  Application Methods

  Making Pulp Strips for Casting

  Framing in Style

  Surface Decoration

  How to Get Colored Pulps

  Cast Paper Bowls

  Basket Variation

  Tiger Mask

  Fish Bowl

  Chapter 8 Making Things with Paper

  Bookmarks

  Mini Circular Cards

  Circular Notes

  Paper Cones

  Tin Can Critters

  Cupcake Toppers

  Flowers

  Simple Mini Name Garland

  Name Garland

  Deluxe Garland

  Gift Wrap and Tags

  Holiday Wreath

  Illustrated Cards

  Jar Lid Labels

  Magnets

  Simple Mobile

  Cloud Mobile

  Shelf Edging

  Pencil Wrap

  Easy Holiday Ornaments

  Tree Ornament

  Name-on-a-String Cards

  Pose-able Puppet

  Custom Notebook or Journal

  Birthstone Card

  Torrent Lampshade

  Coiled Bowl

  Pop-Up Cards

  Custom Wedding Invitations

  Bud Vase

  Decision Maker

  Spinwheels

  Special Seed Card

  Wacky Bodies

  Resources

  Templates

  Index

  Acknowledgments

  About the Author

  Chapter 1 Fiber Art

  Where does paper come from? As you read these words, it appears as though the paper they’re printed on is a fairly solid, unchanging object. But if you look more closely at the paper, through a magnifying glass or microscope, you may be able to see that this thin sheet of paper is actually made up of multiple layers of tiny fibers that have bonded together naturally. In the process of making paper, batches of single fibers are laid down into a thin, even mat.

  So, you are holding a batch of little fibers. Across the fibers’ backs, we have put ink in certain patterns. Behold, you and I can communicate!

  The Nature of Plant Fibers

  Paper fibers are cellulose. They are produced by everything that grows, from mighty trees to fungus and algae. Some people believe they are the most abundant thing on the face of the earth. The fibers used in papermaking are tiny: If you have very fine hair and were to cut off a ⅛ piece, you would have something like a paper-making fiber.

  Even though it’s tiny, a cellulose fiber is hollow, like a drinking straw. If the cut surface of a tree stump were magnified a hundred times, you would be able to see all the little open-ended fibers lying side-by-side. Most fibers flatten out when made into paper, but some retain the hollow center.

  Starting from Scratch

  The first thing a commercial papermaker needs is processed fibers. In a process called pulping, all the cellulose fibers are forced loose from each other. Separating fibers is not easy. They hang together very strongly and must be separated using a grindstone, chemicals, or both.

  In this magnified photo, you can see the many layers of fibers that make up one thin sheet of paper.

  Once the fibers have been separated, they are floated in water. This way, the papermaker can control where the fibers go and what they do. The fibers will go where the water goes. The papermaker keeps them separated in water and then pours the water onto a sieve with a rim around it. The rim channels water onto the sieve so it doesn’t run off the sides. As water runs through the sieve, the single fibers are caught on the surface. That is how a paper-maker lays down millions of little fibers in a thin, even mat.

  The cellulose fibers that make up a sheet of paper are held together by a natural bond that happens when fibers touch each other in water. Very weak when formed, the bond grows stronger as water is taken away. The more water that is taken away, the stronger the
bond becomes. When totally dry, the fibers are joined in a new sheet of paper.

  Pulping Fibers

  In the early days of papermaking, fibers were often ripped apart by stamping or grinding plants while wet. Sometimes the plants were soaked first in lime pits or water in which ashes had been soaked. Early grinding was done with a mortar and pestle. Later, machinery was developed. Today, your newspaper is made with fibers ripped apart by forcing a length of log against a grindstone. The fibers are then called groundwood pulp. Also, fibers can be obtained from trees and other plants by the use of chemicals or a combination of chemicals and grinding.

  Using Recycled Fibers

  To make new paper from old, like we do in this book, a papermaker simply reverses the papermaking process. Dry paper is put into water, and the natural bond is weakened. The more water that is absorbed, the weaker the bond gets. It gets so weak that when the water is agitated (as in a blender), the fibers will let go of each other, once again becoming single fibers in water. This is called pulp. When pulp is poured onto a sieve and made into paper, it finishes a complete cycle: from new fibers to paper, from paper back to individual fibers, then those fibers are made into new paper. That is recycling.

  A Bit of History

  Paper was first recorded as an invention in 105 ad, in China. This was linked to a man named Ts’ai Lun, an official in the Emperor’s court. Many believed that Ts’ai Lun was the inventor of paper, but paper was probably being made before him.

  Dard Hunter, master paper historian (see He Saved Paper’s History on the next page), believed the first paper was made by floating a hand mold on the surface of calm water. The mold was likely made from a piece of fabric stretched on a bamboo frame. Pulp was poured onto the fabric, and the mold was lifted from the water. The water drained, leaving a layer of fibers on the fabric. When the fiber layer dried, it was paper. Because pulp was poured into the hand mold, the method became known as the pour method.

  Later on, a different method was developed: A large batch of pulp was put into a vat, and sheets were formed by dipping a hand mold into the vat. This became known as the dip method. The dip method began to replace the pour method in Asia, early in paper’s history. Making similar sheets rapidly is the main advantage of the dip method, so the dip hand mold came into greater use as demand for paper grew. Most papermakers used the dip method, including all hand papermakers in Europe and the United States. But some papermakers in Siam, Tibet, and other places kept on using the pour method.

  This book deals mainly with the pour method. The equipment is easier to make, and a better piece of paper is made with less practice and experience. Also, a lot of pulp does not have to be prepared to make just one sheet. Regardless of what method you use, when you make a sheet of paper, you join a long continuous line of paper-makers stretching back unbroken over 20 centuries. Exciting!

  Hand Mold

  The papermaker’s chief tool has always been the hand mold. A hand mold is made of a sieve material, surrounded on its top edges by a fixed or movable rim, called a deckle. In the past, the hand mold has been made of different things and in different ways. After the first cloth/bamboo mold, changes were made. In Asia, the sieves became woven mats of reeds, grasses, or finely cut bamboo strips. The mats rested on wooden ribs in a frame. After the mold was dipped into a vat, the mat could be lifted from the frame for the next paper-making steps.

  When wire was invented in Europe, in the middle of the fourteenth century, it was used instead of the reeds, grasses, and bamboo strips. Strung in strands from one side of a frame to the other, it became known as the screen. Around 1750, paper-makers began to use woven wire for their molds. Instead of strands running in one direction, it was like the screen you now use to make your sheet (like the screen in a window). Papermakers changed to woven wire because they believed it gave paper a smoother surface for printing. Paper made on molds with wires running in just one direction is called laid; often you can see the impression of lines running across its surface. Paper made on molds with woven wire is called wove.

  He Saved Paper’s History

  Much of what we know about the history of papermaking is due to a man named Dard Hunter. During a visit to a London museum, young Hunter became fascinated with hand papermaking. A scholar and graphic artist, Hunter felt a great desire to know more about the history of paper, its production tools, the people who invented it, and its geographical trails. His interest became a lifelong study.

  In travels prior to World War II, he scoured China, Japan, Korea, and all of Asia, sites of the earliest papermaking. Then he turned to Europe. In each place, he collected paper samples and implements. He also noted methods of manufacture. Everything Hunter found, he recorded in books. He made paper by hand, designed his own font, and hand-printed the books he wrote. Between these rare handmade books, several trade books, and his museum, Hunter cataloged 18 centuries of papermaking.

  His museum was first housed at MIT and later at the Institute of Paper Chemistry (where I had the honor of serving as its curator for six years). It is now at the Georgia Institute of Technology in Atlanta, housed in the Robert C. Williams Museum of Papermaking.

  Dard Hunter (on the right) with the author in 1964.

  Early papermakers in the United States used both laid and wove molds. At first, they were all imported from Europe. Just before the Revolutionary War, Isaac Langle and Nathan Sellers started making them in the United States. Molds began to lose out when a Frenchman, Nicholas-Louis Robert invented a paper machine in 1798. It made paper faster than workers could do it by hand. Soon hand papermakers and mold makers alike had less and less work. Papermakers and mold makers in Europe dwindled to just a handful. In the United States, they disappeared altogether. But for more than 1,500 years, every bit of paper used in the world was made by hand. Someone bent his or her back to dip every sheet. (To see what a modern hand mold looks like, see page 53.)

  Deckle

  The raised edge around the sieve of a mold, which keeps the water and fibers from running off the sides, is called the deckle. It is a part of every hand mold. In tin can papermaking (see page 42), the deckle is the small can you put on top of the screen. It not only keeps the water from running all over, it also determines the size and shape of the sheet. In methods using a standard mold and deckle, the finished sheet is rectangular. Want a different shape or size of paper? Use a different deckle.

  In the pour method, the deckle can be quite high. In the dip method, deckles are shallow and may not rise more than ¼″ around the edges of the sieve. Whenever we speak of a hand mold, we are talking about some type of a sieve or screen material with a deckle around it. (For information on a modern deckle, see page 40).

  Fibers

  Fibers from all kinds of plants have been used for papermaking. Sometimes, in the past, papermakers got their fibers directly from plants. At other times, fibers were taken from old cloth, rope, or other things plants had been made into. For many years in Europe and the United States, only rags were used by papermakers. They didn’t know how to get fibers from anything else. The rags were worn-out clothes made from linen (which came from flax plants) or cotton, also a plant product.

  If you read a newspaper in colonial days, you might have seen want ads placed by papermakers offering to buy rags. You might have received three pennies a pound for them. In those days, three pennies bought much more than they do today. Benjamin Franklin was one of the rag buyers and sellers. He helped start a number of paper mills.

  Because there were not enough rags in the colonies, they were imported from England, Germany, Italy, Egypt, and other countries. One papermaker said he could tell which country the rags came from by how clean they were. Rags played such an important part in paper manufacture, a little poem was made up about them (below). People still prize “rag content” paper today.

  Rags to Wood

  When did European and American paper-makers switch from rags to wood and other plants for making paper? Around 1850. Why? Be
cause there weren’t enough rags to make all the paper people wanted. That made scientists look for an alternate base for papermaking. Papermakers in the Eastern world were already making paper from plants, but papermakers in the Western world didn’t know about it.

  Scientists in Europe and the United States worked hard, trying many different plants. They even made experimental paper from things like algae and cow dung. Soon, paper was being made from straw. Eventually, paper was made by reducing trees to chips that were then cooked in chemicals. Trees are more or less big bundles of fibers. Papermakers have not had trouble with a shortage of fibers since.

  Besides rags and plants, fibers have always been available from used paper. All paper is fiber. When paper is through being used for a letter or anything else, the fibers are still good. Fibers in paper can be taken apart much more easily than those in trees and used again.

  Wasp Wisdom

  While papermaking scientists were searching for a fiber source to replace rags, the humble wasp already had the answer. For centuries, it had been making paper — very good paper. It was the wasp’s house, and it had to withstand rain, hail, wind, freezing temperatures, and thawing. And every fiber used was not from rags, but from trees. If people could make paper from trees, there would never be a fiber shortage.

  In 1719, a French naturalist named René-Antoine de Réaumur laid a report before the French Royal Academy of Sciences which read, “They (wasps) teach us that paper can be made from fibers of plants without the use of rags and linen, and seem to invite us to try whether we can make fine and good paper from the use of certain woods.” In 1765, Dr. Jacob Christian Schäffer, a German naturalist, read the report and proceeded to make paper in the laboratory from plants and wasp’s nests, adding 25 percent cotton fiber.