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  Critical Theory: A Very Short Introduction

  Very Short Introductions available now:

  ADVERTISING Winston Fletcher

  AFRICAN HISTORY

  John Parker and Richard Rathbone

  AGNOSTICISM Robin Le Poidevin

  AMERICAN POLITICAL

  PARTIES AND ELECTIONS

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  THE AMERICAN

  PRESIDENCY Charles O. Jones

  ANARCHISM Colin Ward

  ANCIENT EGYPT Ian Shaw

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  ARISTOCRACY William Doyle

  ARISTOTLE Jonathan Barnes

  ART HISTORY Dana Arnold

  ART THEORY Cynthia Freeland

  ATHEISM Julian Baggini

  AUGUSTINE Henry Chadwick

  AUTISM Uta Frith

  BARTHES Jonathan Culler

  BEAUTY Roger Scruton

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  BIBLICAL ARCHAEOLOGY

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  THE BOOK OF MORMON

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  THE BRAIN Michael O’Shea

  BRITISH POLITICS Anthony Wright

  BUDDHA Michael Carrithers

  BUDDHISM Damien Keown

  BUDDHIST ETHICS Damien Keown

  CAPITALISM James Fulcher

  CATHOLICISM Gerald O’Collins

  THE CELTS Barry Cunliffe

  CHAOS Leonard Smith

  CHOICE THEORY Michael Allingham

  CHRISTIAN ART Beth Williamson

  CHRISTIAN ETHICS

  D. Stephen Long

  CHRISTIANITY Linda Woodhead

  CITIZENSHIP Richard Bellamy

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  Helen Morales

  CLASSICS Mary Beard

  and John Henderson

  CLAUSEWITZ Michael Howard

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  CONSCIOUSNESS Susan Blackmore

  CONTEMPORARY ART

  Julian Stallabrass

  CONTINENTAL PHILOSOPHY

  Simon Critchley

  COSMOLOGY Peter Coles

  CRITICAL THEORY

  Stephen Eric Bronner

  THE CRUSADES Christopher Tyerman

  CRYPTOGRAPHY

  Fred Piper and Sean Murphy

  DADA AND SURREALISM

  David Hopkins

  DARWIN Jonathan Howard

  THE DEAD SEA SCROLLS

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  DEMOCRACY Bernard Crick

  DESCARTES Tom Sorell

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  DESIGN John Heskett

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  DOCUMENTARY FILM

  Patricia Aufderheide

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  EIGHTEENTH-CENTURY

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  THE EUROPEAN UNION

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  EVOLUTION

  Brian and Deborah Charlesworth

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  FASHION Rebecca Arnold

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  FILM MUSIC Kathryn Kalinak

  THE FIRST WORLD WAR

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  David Canter

  FORENSIC SCIENCE Jim Fraser

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  FRENCH LITERATURE John D. Lyons

  THE FRENCH REVOLUTION

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  FREUD Anthony Storr

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  GAME THEORY Ken Binmore

  GANDHI Bhikhu Parekh

  GENIUS Andrew Robinson

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  John Matthews and David Herbert

  GEOPOLITICS Klaus Dodds

  GERMAN LITERATURE Nicholas Boyle

  GERMAN PHILOSOPHY

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  THE GREAT DEPRESSION AND THE

  NEW DEAL Eric Rauchway

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  HEIDEGGER Michael Inwood

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  HISTORY John H. Arnold

  THE HISTORY OF

  ASTRONOMY Michael Hoskin

  THE HISTORY OF LIFE

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  MEDICINE William Bynum

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  HUMAN EVOLUTION Bernard Wood

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  HUME A. J. Ayer

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  INDIAN PHILOSOPHY

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  INNOVATION

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  INTELLIGENCE Ian J. Deary

  INTERNATIONAL

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  LANDSCAPES AND

  GEOMORPHOLOGY

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  LINCOLN Allen C. Guelzo

  LINGUISTICS Peter Matthews

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  John Phillips

  MARX Peter Singer

  MARTIN LUTHER Scott H. Hendrix

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  THE MEANING OF LIFE

/>   Terry Eagleton

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  MEDIEVAL BRITAIN

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  Ralph A. Griffiths

  MEMORY Jonathan K. Foster

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  ORGANIZATIONS Mary Jo Hatch

  PARTICLE PHYSICS Frank Close

  PAUL E. P. Sanders

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  RENAISSANCE ART

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  ROUSSEAU Robert Wokler

  RUSSELL A. C. Grayling

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  SCHIZOPHRENIA

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  SOCRATES C. C. W. Taylor

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  SPANISH LITERATURE Jo Labanyi

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  STATISTICS David J. Hand

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  TERRORISM Charles Townshend

  THEOLOGY David F. Ford

  THOMAS AQUINAS Fergus Kerr

  TOCQUEVILLE Harvey C. Mansfield

  TRAGEDY Adrian Poole

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  AVAILABLE SOON:

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  PAGANISM Owen Davies

  NUCLEAR POWER Maxwell Irvine

  For more information visit our web site

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  Stephen Eric Bronner

  CRITICAL

  THEORY

  A Very Short Introduction

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  Copyright © 2011 by Stephen Eric Bronner

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  without the prior permission of Oxford University Press.

  Library of Congress Cataloging-in-Publication Data

  Bronner, Stephen Eric, 1949–

  Critical theory : a very short introduction / Stephen Eric Bronner.

  p. cm.

  Includes index.

  ISBN 978-0-19-973007-0 (pbk.)

  1. Critical theory. I. Title.

  HM480.B76 2011

  301.01—dc22 2010027472

  1 3 5 7 9 8 6 4 2

  Printed in Great Britain

  by Ashford Colour Press Ltd., Gosport, Hants.

  on acid-free paper

  In memory of Ernst Bloch

  Contents

  List of illustrations

  Introduction: what is critical theory?

  1 The Frankfurt School

  2 A matter of method

  3 Alienation and reification

  4 Enlightened illusions

  5 The utopian laboratory

  6 The happy consciousness

  7 The great refusal

  8 From resignation to renewal

  Further reading

  Index

  List of illustrations

  1 Antiwar resisters

  National Archives />
  2 Max Horkheimer, Theodor Adorno, and Jürgen Habermas

  Photo by Jeremy J. Shapiro

  3 The Tiller Girls

  Library of Congress

  4 Machine Age poster

  Library of Congress

  5 Goethe’s oak tree in front of the prisoner’s laundry at the Buchenwald concentration camp; illegal photo taken by inmate Georges Angeli

  Buchenwald Memorial Museum

  6 The Garden of Eden by N. Courier

  Library of Congress

  7 Audience at halftime of a football game

  Library of Congress

  8 A scene from Endgame by Samuel Beckett

  Royal Court Theatre

  9 Karl Marx’s grave site in London

  Author’s collection

  Introduction: what is

  critical theory?

  Philosophy has evidenced a subversive element from its inception. Plato’s Apology tells how Socrates was condemned by the Athenian citizenry for corrupting the morals of the young and doubting the gods. There was some truth to that complaint. Socrates called conventional wisdom into question. He subjected long-standing beliefs to rational scrutiny and speculated about concerns that projected beyond the existing order. What became known as “critical theory” was built upon this legacy. The new philosophical tendency was generated between World War I and World War II, and its most important representatives would wage an unrelenting assault on the exploitation, repression, and alienation embedded within Western civilization.

  Critical theory refuses to identify freedom with any institutional arrangement or fixed system of thought. It questions the hidden assumptions and purposes of competing theories and existing forms of practice. It has little use for what is known as “perennial philosophy.” Critical theory insists that thought must respond to the new problems and the new possibilities for liberation that arise from changing historical circumstances. Interdisciplinary and uniquely experimental in character, deeply skeptical of tradition and all absolute claims, critical theory was always concerned not merely with how things were but how they might be and should be. This ethical imperative led its primary thinkers to develop a cluster of themes and a new critical method that transformed our understanding of society.

  Critical theory has many sources. Immanuel Kant identified moral autonomy as the highest value for the individual. He provided critical theory with its definition of scientific rationality, and its goal of confronting reality with the prospects of freedom. Meanwhile Hegel understood consciousness as the motor of history, thinking as linked to practical concerns, and philosophy as “its epoch comprehended in thought.” Critical theorists learned to interpret the particular with an eye on the totality. The moment of freedom appeared in the demand for recognition by the enslaved and the exploited.

  Both Kant and Hegel incarnated the cosmopolitan and universal assumptions deriving from the European Enlightenment of the seventeenth and eighteenth centuries. They relied upon reason to combat superstition, prejudice, cruelty, and the arbitrary exercise of institutional authority. They also speculated about the humane hopes expressed by aesthetics, the redemptive longings of religions, and new ways of thinking about the relation between theory and practice. The young Karl Marx went even farther with his utopian reflections on human emancipation.