H Rider Haggard - Smith And The Pharaohs Read online

  Back they went, and there, true enough, was the arm lifted; nor were they ever able to get it quite into its place again. The explanation given was that the warmth of the sun had contracted the withered muscles, a very natural and correct explanation.

  Still, Smith wished that he had not recollected the story just at this moment, especially as the arm seemed to move while he contemplated it - a very little, but still to move.

  He turned round and gazed at Meneptah, whose hollow eyes stared at him from between the wrappings carelessly thrown across the parchment-like and ashen face. There, probably, lay the countenance that had frowned on Moses. There was the heart which God had hardened. Well, it was hard enough now, for the doctors said he died of ossification of the arteries, and that the vessels of the heart were full of lime!

  Smith stood upon a chair and peeped at Seti II above. His weaker countenance was very peaceful, but it seemed to wear an air of reproach. In getting down Smith managed to upset the heavy chair. The noise it made was terrific. He would not have thought it possible that the fall of such an article could produce so much sound. Satisfied with his inspection of these particular kings, who somehow looked quite different now from what they had ever done before - more real and imminent, so to speak - he renewed his search for a living man.

  On he went, mummies to his right, mummies to his left, of every style and period, till be began to feel as though he never wished to see another dried remnant of mortality. He peeped into the room where lay the relics of Iouiya and Touiyou, the father and mother of the great Queen Taia. Cloths had been drawn over these, and really they looked worse and more suggestive thus draped than in their frigid and unadorned blackness. He came to the coffins of the priest-kings of the twentieth dynasty, formidable painted coffins with human faces. There seemed to be a vast number of these priest-kings, but perhaps they were better than the gold masks of the great Ptolemaic ladies which glinted at him through the gathering gloom.

  Really, he had seen enough of the upper floors. The statues downstairs were better than all these dead, although it was true that, according to the Egyptian faith, every one of those statues was haunted eternally by the Ka or Double, of the person whom it represented. He descended the great stairway. Was it fancy, or did something run across the bottom step in front of him - an animal of some kind, followed by a swift-moving and indefinite shadow? If so, it must have been the Museum cat hunting a Museum mouse. Only then what on earth was that very peculiar and unpleasant shadow?

  He called, "Puss! puss! puss!" for he would have been quite glad of its company; but there came no friendly "miau" in response. Perhaps it was only the Ka of a cat and the shadow was - oh! never mind what. The Egyptians worshipped cats, and there were plenty of their mummies about on the shelves. But the shadow!

  Once he shouted in the hope of attracting attention, for there were no windows to which he could climb. He did not repeat the experiment, for it seemed as though a thousand voices were answering him from every corner and roof of the gigantic edifice.

  Well, he must face the thing out. He was shut in a museum, and the question was in what part of it he should camp for the night. Moreover, as it was growing rapidly dark, the problem must be solved at once. He thought with affection of the lavatory, where, before going to see the Director, only that afternoon he had washed his hands with the assistance of a kindly Arab who watched the door and gracefully accepted a piastre. But there was no Arab there now, and the door, like every other in this confounded place, was locked. He marched on to the entrance.

  Here, opposite to each other, stood the red sarcophagi of the great Queen Hatshepu and her brother and husband, Thotmes III. He looked at them. Why should not one of these afford him a night's lodging? They were deep and quiet, and would fit the human frame very nicely. For a while Smith wondered which of these monarchs would be the more likely to take offence at such a use of a private sarcophagus, and, acting on general principles, concluded that he would rather throw himself on the mercy of the lady.

  Already one of his legs was over the edge of that solemn coffer, and he was squeezing his body beneath the massive lid that was propped above it on blocks of wood, when he remembered a little, naked, withered thing with long hair that he had seen in a side chamber of the tomb of Amenhotep II in the Valley of Kings at Thebes. This caricature of humanity many thought, and he agreed with them, to be the actual body of the mighty Hatshepu as it appeared after the robbers had done with it.

  Supposing now, that when he was lying at the bottom of that sarcophagus, sleeping the sleep of the just, this little personage should peep over its edge and ask him what he was doing there! Of course the idea was absurd; he was tired, and his nerves were a little shaken. Still, the fact remained that for centuries the hallowed dust of Queen Hatshepu had slept where he, a modern man, was proposing to sleep.

  He scrambled down from the sarcophagus and looked round him in despair. Opposite to the main entrance was the huge central hall of the Museum. Now the cement roof of this hall had, he knew, gone wrong, with the result that very extensive repairs had become necessary. So extensive were they, indeed, that the Director-General had informed him that they would take several years to complete. Therefore this hall was boarded up, only a little doorway being left by which the workmen could enter. Certain statues, of Seti II and others, too large to be moved, were also roughly boarded over, as were some great funeral boats on either side of the entrance. The rest of the place, which might be two hundred feet long with a proportionate breadth, was empty save for the colossi of Amenhotep III and his queen Taia that stood beneath the gallery at its farther end.

  It was an appalling place in which to sleep, but better, reflected Smith, than a sarcophagus or those mummy chambers. If, for instance, he could creep behind the deal boards that enclosed one of the funeral boats he would be quite comfortable there. Lifting the curtain, he slipped into the hall, where the gloom of evening had already settled. Only the sky-lights and the outline of the towering colossi at the far end remained visible. Close to him were the two funeral boats which he had noted when he looked into the hall earlier on that day, standing at the head of a flight of steps which led to the sunk floor of the centre. He groped his way to that on the right. As he expected, the projecting planks were not quite joined at the bow. He crept in between them and the boat and laid himself down.

  Presumably, being altogether tired out, Smith did ultimately fall asleep, for how long he never knew. At any rate, it is certain that, if so, he woke up again. He could not tell the time, because his watch was not a repeater, and the place was as black as the pit. He had some matches in his pocket, and might have struck one and even have lit his pipe. To his credit be it said, however, he remembered that he was the sole tenant of one of the most valuable museums in the world, and his responsibilities with reference to fire. So he refrained from striking that match under the keel of a boat which had become very dry in the course of five thousand years.

  Smith found himself very wide awake indeed. Never in all his life did he remember being more so, not even in the hour of its great catastrophe, or when his godfather, Ebenezer, after much hesitation, had promised him a clerkship in the bank of which he was a director. His nerves seemed strung tight as harp-strings, and his every sense was painfully acute. Thus he could even smell the odour of mummies that floated down from the upper galleries and the earthly scent of the boat which had been buried for thousands of years in sand at the foot of the pyramid of one of the fifth dynasty kings.

  Moreover, he could hear all sorts of strange sounds, faint and far-away sounds which at first he thought must emanate from Cairo without. Soon, however, he grew sure that their origin was more local. Doubtless the cement work and the cases in the galleries were cracking audibly, as is the unpleasant habit of such things at night.

  Yet why should these common manifestations be so universal and affect him so strangely? Really, it seemed as though people were stirring all about him. More, he could have swo
rn that the great funeral boat beneath which he lay had become repeopled with the crew that once it bore.

  He heard them at their business above him. There were trampings and a sound as though something heavy were being laid on the deck, such, for instance, as must have been made when the mummy of Pharaoh was set there for its last journey to the western bank of the Nile. Yes, and now he could have sworn again that the priestly crew were getting out the oars.

  Smith began to meditate flight from the neighbourhood of that place when something occurred which determined him to stop where he was.

  The huge hall was growing light, but not, as at first he hoped, with the rays of dawn. This light was pale and ghostly, though very penetrating. Also it had a blue tinge, unlike any other he had ever seen. At first it arose in a kind of fan or fountain at the far end of the hall, illumining the steps there and the two noble colossi which sat above.

  But what was this that stood at the head of the steps, radiating glory? By heavens! it was Osiris himself or the image of Osiris, god of the Dead, the Egyptian saviour of the world!

  There he stood, in his mummy-cloths, wearing the feathered crown, and holding in his hands, which projected from an opening in the wrappings, the crook and the scourge of power. Was he alive, or was he dead? Smith could not tell, since he never moved, only stood there, splendid and fearful, his calm, benignant face staring into nothingness.

  Smith became aware that the darkness between him and the vision of this god was peopled; that a great congregation was gathering, or had gathered there. The blue light began to grow; long tongues of it shot forward, which joined themselves together, illumining all that huge hall.

  Now, too, he saw the congregation. Before him, rank upon rank of them, stood the kings and queens of Egypt. As though at a given signal, they bowed themselves to the Osiris, and ere the tinkling of their ornaments had died away, lo! Osiris was gone. But in his place stood another, Isis, the Mother of Mystery, her deep eyes looking forth from beneath the jewelled vulture-cap. Again the congregation bowed, and, lo! she was gone. But in her place stood yet another, a radiant, lovely being, who held in her hand the Sign of Life, and wore upon her head the symbol of the shining disc - Hathor, Goddess of Love. A third time the congregation bowed, and she, too, was gone; nor did any other appear in her place.

  The Pharaohs and their queens began to move about and speak to each other; their voices came to his ears in one low, sweet murmur.

  In his amaze Smith had forgotten fear. From his hiding-place he watched them intently. Some of them he knew by their faces. There, for instance, was the long-necked Khu-en-aten, talking somewhat angrily to the imperial Rameses II. Smith could understand what he said, for this power seemed to have been given to him. He was complaining in a high, weak voice that on this, the one night of the year when they might meet, the gods, or the magic images of the gods who were put up for them to worship, should not include his god, symbolized by the "Aten", or the sun's disc.

  "I have heard of your Majesty's god," replied Rameses; "the priests used to tell me of him, also that he did not last long after your Majesty flew to heaven. The Fathers of Amen gave you a bad name; they called you 'the heretic' and hammered out your cartouches. They were quite rare in my time. Oh, do not let your Majesty be angry! So many of us have been heretics. My grandson, Seti, there," - and he pointed to a mild, thoughtful-faced man - "for example. I am told that he really worshipped the god of those Hebrew slaves whom I used to press to build my cities. Look at that lady with him. Beautiful, isn't she? Observe her large, violet eyes! Well, she was the one who did the mischief, a Hebrew herself. At least, they tell me so."

  "I will talk with him," answered Khu-en-aten. "It is more than possible that we may agree on certain points. Meanwhile, let me explain to your Majesty --"

  "Oh, I pray you, not now. There is my wife."

  "Your wife?" said Khu-en-aten, drawing himself up. "Which wife? I am told that your Majesty had many and left a large family; indeed, I see some hundreds of them here tonight. Now, I - but let me introduce Nefertiti to your Majesty. I may explain that she was my only wife."

  "So I have understood. Your Majesty was rather an invalid, were you not? Of course, in those circumstances, one prefers the nurse whom one can trust. Oh, pray, no offence! Nefertari, my love - oh, I beg pardon! - Astnefert - Nefertari has gone to speak to some of her children - let me introduce you to your predecessor, the Queen Nefertiti, wife of Amenhotep IV - I mean Khu-en-aten (he changed his name, you know, because half of it was that of the father of the gods). She is interested in the question of plural marriage. Goodbye! I wish to have a word with my grandfather, Rameses I. He was fond of me as a little boy."

  At this moment Smith's interest in that queer conversation died away, for of a sudden he beheld none other than the queen of his dreams, Ma-Mee. Oh! there she stood, without a doubt, only ten times more beautiful than he had ever pictured her. She was tall and somewhat fair-complexioned, with slumbrous, dark eyes, and on her face gleamed the mystic smile he loved. She wore a robe of simple white and a purple-broidered apron, a crown of golden ur‘i with turquoise eyes was set upon her dark hair as in her statue, and on her breast and arms were the very necklace and bracelets that he had taken from her tomb. She appeared to be somewhat moody, or rather thoughtful, for she leaned by herself against a balustrade, watching the throng without much interest.

  Presently a Pharaoh, a black-browed, vigorous man with thick lips, drew near.

  "I greet your Majesty," he said.

  She started, and answered:

  "Oh, it is you! I make my obeisance to your Majesty," and she curtsied to him, humbly enough, but with a suggestion of mockery in her movements.

  "Well, you do not seem to have been very anxious to find me, Ma-Mee, which, considering that we meet so seldom --'

  "I saw that your Majesty was engaged with my sister queens," she interrupted, in a rich, low voice, "and with some other ladies in the gallery there, whose faces I seem to remember, but who I think were not queens. Unless, indeed, you married them after I was drawn away.

  "One must talk to one's relations," replied the Pharaoh.

  "Quite so. But, you see, I have no relations - at least, none whom I know well. My parents, you will remember, died when I was young, leaving me Egypt's heiress, and they are still vexed at the marriage which I made on the advice of my counsellors. But, is it not annoying? I have lost one of my rings, that which had the god Bes on it. Some dweller on the earth must be wearing it today, and that is why I cannot get it back from him."

  "Him! Why 'him'? Hush; the business is about to begin."

  "What business, my lord?"

  "Oh, the question of the violation of our tombs, I believe."

  "Indeed! That is a large subject, and not a very profitable one, I should say. Tell me, who is that?" And she pointed to a lady who had stepped forward, a very splendid person, magnificently arrayed.

  "Cleopatra the Greek," he answered, "the last of Egypt's Sovereigns, one of the Ptolemys. You can always know her by that Roman who walks about after her."

  "Which?" asked Ma-Mee. "I see several - also other men. She was the wretch who rolled Egypt in the dirt and betrayed her. Oh, if it were not for the law of peace by which we abide when we meet thus!"

  "You mean that she would be torn to shreds, Ma-Mee, and her very soul scattered like the limbs of Osiris? Well, if it were not for that law of peace, so perhaps would many of us, for never have I heard a single king among these hundreds speak altogether well of those who went before or followed after him."

  "Especially of those who went before if they happen to have hammered out their cartouches and usurped their monuments," said the queen, dryly, and looking him in the eyes.

  At this home-thrust the Pharaoh seemed to wince. Making no answer, he pointed to the royal woman who had mounted the steps at the end of the hall.

  Queen Cleopatra lifted her hand and stood thus for a while. Very splendid she was, and Smith, on his hands an
d knees behind the boarding of the boat, thanked his stars that alone among modern men it had been his lot to look upon her rich and living loveliness. There she shone, she who had changed the fortunes of the world, she who, whatever she did amiss, at least had known how to die.

  (To be concluded.)

  SYNOPSIS OF THE FIRST TWO INSTALMENTS. Wandering one day among the Egyptian sculptures in the British Museum, Smith falls in love with the plaster cast of an unknown woman's head, which seems to him to return his gaze with a mysterious smile. As a result, he becomes an ardent Eyptologist, and spends his holidays in excavation work in Egypt. On his third visit he finds in a tomb the head of a statuette, whose smiling features he immediately recognizes as those of the cast in the Museum, and whose name he discovers from the hieroglyphics is Queen Ma-Mee. Realizing that he is in her desecrated tomb, he renews his search, and also finds a mummied hand bearing two gold rings. Smith takes his discoveries to the Cairo Museum, and is allowed to retain the statuette, the mummied hand, and one of the rings. After leaving the Director he wanders through the Museum, and, forgetful of time, at length finds himself locked in among the mummies of the kings and queens of Egypt. Realizing the impossibility of making his way out, Smith settles himself comfortably for the night. As soon as he has done so, however, he becomes aware that a great gathering of Egyptian kings and queens - among whom he recognizes the original of his statuette - has taken place, and he becomes greatly interested in their conversation.