My Extraordinary Ordinary Life Read online




  <

  my extraordinary ordinary life

  Sissy Spacek

  with Maryanne Vollers

  /body>

  Dedication

  For my family

  Epigraph

  Magic Hour: “… when common things are touched with mystery and transfigured with beauty: when the warehouses become as palaces and the tall chimneys of the factory seem like campaniles in the silver air.”

  —James Whistler, the painter, describing that time of day when the sun is low, and light transforms the mundane into the sublime

  Contents

  Title Page

  Dedication

  Epigraph

  Prologue

  TEXAS

  CHAPTER 1

  CHAPTER 2

  CHAPTER 3

  CHAPTER 4

  CHAPTER 5

  NEW YORK

  CHAPTER 6

  CHAPTER 7

  CHAPTER 8

  PHOTO SECTION I

  PHOTO SECTION II

  CALIFORNIA

  CHAPTER 9

  CHAPTER 10

  CHAPTER 11

  CHAPTER 12

  VIRGINIA

  CHAPTER 13

  CHAPTER 14

  CHAPTER 15

  CHAPTER 16

  Acknowledgments

  Credits

  Copyright

  Prologue

  Little did I realize that what began in the alleys and backways of this quiet town would end up in the badlands of Montana.

  —Holly Sargis, Badlands

  There’s nothing much to do in a small town on a warm summer morning. So I stand in the front yard, barefoot and in short shorts, twirling my baton. The trees cast long, familiar shadows over the carefully mowed lawns and clean-swept sidewalks. My arms and fingertips remember the routine all on their own, years of practice removing the effort from conscious thought, leaving only the sensation of dancing in the soft grass, knees pumping the air, spinning. I toss the baton and all I see is a sky so blue and clear it could swallow me whole. A dog barks somewhere in the distance; on another street a child is ringing his bicycle bell, but soon I hear nothing but the sound of my own breath, and the soft impact of the baton in my hand as it returns to earth. I am far away, lost in the rhythm of the spins and rolls, until I glimpse something moving on the street.

  I spin again, then snap my eyes back to the ground; a pair of fancy black-and-white cowboy boots is walking toward me. The boots are attached to a pair of tight-fitting jeans, a dirty white T-shirt, a cute boy, much older than me, with hair like James Dean, watching. I drop the baton to my side, feeling suddenly exposed, uncomfortable in a new way.

  “Hi, I’m Kit,” the boy says. “I’m not keeping you from anything important, am I?”

  I meet his gaze.

  “Cut!” says Terrence Malick, from behind the camera. Suddenly the spell is broken, and I’m back on location in La Junta, Colorado, with a small crew and a smattering of bystanders watching me and Martin Sheen play the opening scene of Badlands, a film that would soon change all of our lives.

  Little did I know, when I was growing up in my own small town in Texas, that my skills as a twirler with the marching band would come in handy in my first starring role. Or that every experience, every story I heard as a child, every person who crossed my path, was like a gift that I would carry with me for the rest of my life.

  … TEXAS …

  … 1 …

  Sometimes there’s no better entertainment than a town dump. When we were kids growing up in East Texas, my brothers and I would ride our bikes to the dump yard over behind the high school. To us it was a treasure trove of free and wonderful things, and we spent hours there sorting through the piles. At the entrance, people would drop off the better stuff, things that weren’t really trash, just used items that families had outgrown. That part was more flea market than landfill. Sometimes we would find old but perfectly good toasters, lengths of rope, used games, old toys, or boxes of paperback books. Animals were dropped off, too, in hopes that someone would give them a home.

  One afternoon my brother Robbie rode home from the dump cradling a paper sack as if it was filled with diamonds. I watched as he dropped his bike in the grass and ran into the house, holding up the bag and yelling, “I found a kitten!”

  My dad looked up from the newspaper.

  “Can we keep it, Daddy?” he asked, still breathless.

  I was just a few steps behind, chiming, “Can we, Daddy, please?”

  “Yeah, we need a cat!” said Ed, our older brother.

  She was a scraggly little calico, newly weaned, with six toes on each foot. After the three of us whined and pleaded for the rest of the day, our parents gave in. Our new pet had two names. Inside the house, where she was quiet and sort of mysterious, we called her Suzette. Outside, she was Cattywampus, a freewheeling mouse- and bird-hunter who roamed the neighborhood in search of adventure.

  I’ve always thought of myself as a lot like that cat. My outside self was like Cattywampus: strong, sunny, competent, compassionate, funny, creative, and optimistic, heading out into the world wearing a smile and a bulletproof vest. My inside self was like Suzette: introspective, observant. The outside me was an open book; the inside me had secrets. Nothing earth-shattering—just the deepest thoughts I kept to myself, like the cigar box full of treasures that I had hidden under my bed. Anyone else who opened that box would have only seen a collection of ordinary objects: old cat’s-eye marbles, a tiny Coke bottle, a Jew’s harp, school photos of my little boyfriends with their awkward signatures scrawled across their faces. But to me each object held a special significance; they were my most precious things, talismans only I understood. I buried the cigar box in the backyard one day, hoping to preserve a time capsule of my life that I could revisit when I was older. I marked out the steps and drew a map of where I had dug the hole.

  A few years later, I decided it was time to unearth the time capsule and remind myself of the past. I dug dozens of holes, but I couldn’t find it. Never did. Maybe my feet had grown, or the map was wrong. No matter. I still carry that box around with me in my head, while I collect new treasures along the way. I keep them safe in a part of me that no one ever sees; a storeroom where I sort and process the events of a long and interesting life. My mother’s lilting voice is there, speaking words of wisdom. So are my father’s strong, capable hands that could play a banjo or build a house; my brother’s trusting smile; the laughter of my children. This safe and quiet place—Suzette’s world—fuels my work as an actor and filmmaker. I know it’s always there within reach, inexhaustible as memory.

  On Christmas Day, 1949, my mother got a silver soup ladle—and me. I had green eyes and red hair, and completely ruined the holiday for my brothers. Ed was six, and Robbie was only sixteen months old when I came along. The night before, my mother had been hanging decorations on the tree when she went into labor. She insisted that my father wait until she’d finished decorating and all the presents were wrapped before she let him take her to the nearest hospital, in Tyler, Texas. Daddy’s parents were visiting, and he borrowed their brand-new Chrysler for the thirty-eight-mile drive. They say he drove so fast, he burned the paint off that engine and made it just in time. I was born a few minutes after midnight. My parents named me Mary Elizabeth, but my brothers called me “Sissy,” and it stuck.

  We lived in Quitman, a town of 1,237 souls nestled in the rolling farmland of East Texas, about ninety miles northeast of Dallas. My father, Edwin Spacek, was the Wood County agricultural agent. My mother, Virginia, known to all as Gin, worked for an abstract office in the courthouse when she wasn’t home with us. For sevent
een years, Quitman was the center of my universe. I always appreciated the accident of my birth into such a wonderful world. As a child, I would lie in bed at night and think, I’m so lucky to be born in Texas, to live in this house with these parents, and these brothers, and…

  All the things that are most important to me, I had before I left that little town. My values were formed in a community where material possessions didn’t count for much, relationships were everything, and where waiting for something you wanted could actually be better than having it.

  My brothers and I grew up together in a small ranch house that my father built on a half-acre lot along the Winnsboro Highway, a quarter mile from the center of town. The house had green clapboard siding and thick redwood trellises propping up the eaves on either side, which were perfect for climbing roses. Our dad, who came from a long line of Czech farmers, had a degree in agriculture, and he could make anything grow. Our yard was always a wonder, manicured and lush with flower beds and persimmon trees, pears and chestnuts. Daddy could never walk by a weed. Whenever one of us kids was home sick from school, he would leave work during his 10 A.M. coffee break and stop by the drugstore to buy us a funny book. I would hear the sound of his car door slamming, and then wait for a long time before he got to the front door. I’d look out the picture window and see him in his suit and tie, pulling weeds from the lawn.

  My father was a slim, handsome man with piercing almond-shaped eyes and high cheekbones. Like his father, who had owned a tailor shop, Daddy was an impeccable dresser—my favorite picture of him is as a young county agricultural agent, dressed in white linen pants, two-tone shoes, and a Panama hat, standing in a cotton field checking the crop. Our dad pretended to be strict with us. “Gin, you’re going to ruin those kids!” he’d say. “Just give me one week and I’ll straighten them out!” But even though he made us toe the line, he was really a soft touch. There was a time when my grandmother was sick and Mother had to leave us alone with him for a few weeks. He spoiled us rotten. One morning I woke up to see him standing over me with a dish towel draped over one arm and a breakfast tray in his hands.

  He was always patient with me, even though I had quite a temper. When I was very little, there were times when I’d actually kick him in the shins, or slam my bedroom door so hard the house would shake. He told me years later that he didn’t spank me because he didn’t want to break my spirit. “I figured you’d need that spunk to make it in the world.”

  Most Saturday mornings I woke up to the sound of a push mower and the smell of fresh-cut grass. I would lie in bed, somewhere between awake and asleep, not wanting to open my eyes. It was getting close to summer, and by eleven o’clock in the morning, mothers who were worried about the heat would be bringing their children inside to play. But right now, the air was fresh and cool and the day was full of possibilities.

  The grass in our yard was St. Augustine. I could put a blade of it between my thumbs and whistle loud enough to get the attention of all the dogs in the neighborhood. We had the best yard in town, with grass that was like a plush green carpet and so thick the blades on Daddy’s mower had to be sharpened every week or two. I could tell when this needed to happen just by the sound of the effort in his pushing. Daddy’s mower was the old-fashioned kind. Our neighbor, Doris Pittman—a nice man with a woman’s name—had a new gas mower that didn’t need pushing. One day it ran over his toes and cut some of them off. After that, Daddy didn’t have to remind my brothers and me never to mow a lawn in bare feet.

  Daddy had his rules. He thought that running around barefoot in the cold grass would make us sick with pneumonia. So every spring as the weather turned balmy, my brothers and I waited for him to decide when the ground was warm enough to take off our shoes and socks and go barefoot. It was a yearly ritual. All the other kids in town might be running around like wild animals, but we had to wait.

  One morning, we followed Daddy out into the backyard, watched him kneel down, stretch out his arms, and feel the ground. He sank his hands into the fresh-mown grass and pondered for a moment. Then he picked up some old pecans that had fallen from a tree and cracked them in his fist. I held my breath. A ladybug landed on my sleeve, a sign of good luck. Maybe today would be the day. Daddy handed me a piece of pecan. Then he leaned down, felt the ground again, and finally gave us the nod.

  The grass was soft and cool, and my feet were tender and white. Soon I would be walking up and down blistering hot oil roads that crisscrossed the town, leaving temporary footprints in the soft tar. Most of the time I ran to keep from getting burned, the tips of my toes barely touching the asphalt. By the end of summer my feet would be as tough as leather and stained black, and it was always a challenge to squeeze into my Sunday shoes. Then, sure as rain, the seasons would change and school would start, and my barefoot days would be over until spring came around again, and Daddy would give us the word.

  As far as I know, the first people to settle in Wood County, Texas, were Caddo Indians, who lived in small farming villages along the Sabine River. All that’s left of them are the arrowheads that still turn up in the soil of freshly tilled fields. Daddy used to take us arrowhead hunting when he would drive out to look at land. I can still smell the rich dirt as we walked along the furrows, scouring the surface for glints of flint. It must have honed my skill as a spotter of lost objects, because I’m always finding things on sidewalks and gravel roads.

  The white settlers who moved into Wood County in the nineteenth century planted corn and cotton in the rich bottomland, and cut and milled timber from the vast piney forests. Quitman, founded in 1850, was made the county seat, and a fine courthouse was erected in the middle of town. But Wood County’s agricultural heyday ended with the Great Depression, when the timber and cotton markets went bust. Nobody could seem to keep track of how many people lost their farms and moved away. It looked like Quitman was destined to become a speck of dust on an old Texas road map until, in 1940, a couple of wildcatters struck oil about twenty miles southeast of town.

  Quitman still had open sewers when my parents arrived in 1945. But before long the streets were getting fixed, fresh paint was everywhere, and the place was filling up with new faces. To me, the most exciting new additions were Ben Merritt, a physician who became our family doctor, and his wife, Susan. The first time I saw them I was eye-level with steps leading up to the Methodist church parsonage when two of the fanciest pairs of shoes walked by. I looked up, and those shoes were attached to a beautiful young couple who had just stepped out of a green and white Mercury sedan, the likes of which I had never seen. I wondered if I would be lucky enough to ever know such exciting and sophisticated people. Within weeks, that green and white Mercury sedan was parked out in front of my house, Susan and Mother had become great friends, and lucky me got to tag along everywhere with them. Susan was from New Orleans, which added to her glamor, and I loved to listen to her talk. She had a little Cajun dog called Nipper, a name that came out of her mouth as “Nippah.”

  Quitman didn’t have too much of anything, but it had everything we needed. There was a bank and a grocery store, a hardware store, two pharmacies, a doctor and a dentist, three or four churches, and two cafes: Busby’s and the Westerner Cafe. On Sunday afternoons, it got pretty busy at those cafes, and there was a bit of a rivalry between the different denominations in town over who got the best seats after services ended. Our Methodist church was practically across the street from the Baptist church, and they always seemed to let out about ten minutes ahead of us. We’d still be listening to the end of the sermon when we’d hear the car doors slamming down the block, and everybody would start squirming in the pews, knowing that once again the Baptists were going to get the best tables for lunch. The rivalry hardly affected our family, because Mother would usually have a roast slow-cooking in the oven while we were in church, or else she would fry a chicken as soon as we got home.

  When we needed to shop for good clothes, our whole family would drive to Mineola, eleven miles south of Qui
tman. The place with the best shoes was Hirsch’s store. The Hirsches were small, round people whose voices sounded different than most of the people we knew. Theirs were raspy and high, like they’d smoked a lot of cigarettes or had bad laryngitis, and they talked faster than the slow drawl we were used to hearing. It was a big treat to go to Hirsch’s store for better clothes and shoes. Mr. Hirsch was a very good shoe fitter. He would press his thumb near the end of our toes and have us wiggle them up and down. Then we would walk around the store so he could make sure our heels didn’t slide up and down and rub blisters.

  One year, Mr. Hirsch bought a special new shoe fitting machine. The marvelous wooden box sat in the front of the store, right next to a large green scale that measured weight and told fortunes. We picked out our new shoes, and I stood behind my brothers as we lined up for our turns at the machine. “Girls first,” I heard Mr. Hirsch say in his funny voice. With two older brothers, I was not used to going first. I hesitated. Mr. Hirsch took my hand and pulled me in front of the boys. I climbed up on the big wooden box and slid my feet into the machine while I peered through one of the eye portals on the top. Mr. Hirsch flipped a switch and all of a sudden the bones in my feet lit up inside of my shoes. We could see that this new pair fit me perfectly. When I stepped down, my brothers shoved and pushed each other to try to get on next. Mr. Hirsch was a nice man; he let us use that X-ray shoe fitting machine over and over again, as much as we wanted.

  If you didn’t want to drive to Mineola for clothes, or have them homemade, the only remaining option was McDade’s dry goods on the downtown square. It didn’t have much variety or any of the newest styles, but we loved it anyway. McDade’s always smelled like sharpened pencils and rubber-soled shoes, and all the merchandise was piled up on open tables where even kids could reach it. They sold overalls and work boots, things like that, and maybe a dress or two. The dresses on the manikins in the front window had been there so long that they were faded on the side that the sun hit, while the back looked brand-new.