Let's All Kill Constance Read online

  Let's All Kill Constance

  Ray Douglas Bradbury

  LET'S ALL KILL CONSTANCE

  RAY BRADBURY

  This book is dedicated

  with love

  to my daughter

  ALEXANDRA,

  without whose help

  the Third Millennium

  might never have arrived.

  and again

  with gratitude and love

  to SID STEBEL

  CHAPTER ONE

  IT was a dark and stormy night.

  Is that one way to catch your reader?

  Well, then, it was a stormy night with dark rain pouring in drenches on Venice, California, the sky shattered by lightning at midnight. It had rained from sunset going headlong toward dawn. No creature stirred in that downfall. The shades in the bungalows were drawn on faint blue glimmers where night owls deathwatched bad news or worse. The only thing that moved in all that flood ten miles south and ten miles north was Death. And someone running fast ahead of Death.

  To bang on my paper-thin oceanfront bungalow door.

  Shocking me, hunched at my typewriter, digging graves, my cure for insomnia. I was trapped in a tomb when the hammering hit my door, midstorm.

  I flung the door wide to find: Constance Rattigan.

  Or, as she was widely known, The Rattigan.

  A series of flicker-flash lightning bolts cracked the sky and photographed, dark, light, light, dark, a dozen times: Rattigan.

  Forty years of triumphs and disasters crammed in one brown surf-seal body. Golden tan, five feet two inches tall, here she comes, there she goes, swimming far out at sunset, bodysurfing back, they said, at dawn, to be beached at all hours, barking with the sea beasts half a mile out, or idling in her oceanside pool, a martini in each hand, stark naked to the sun. Or whiplashing down into her basement projection room to watch herself run, timeless, on the pale ceiling with Eric Von Stroheim, Jack Gilbert, or Rod La Rocque's ghosts, then abandoning her silent laughter on the cellar walls, vanishing in the surf again, a quick target that Time and Death could never catch.

  Constance.

  The Rattigan.

  "My God, what are you doing here?" she cried, rain, or tears, on her wild suntanned face.

  "My God," I said. "What are you?"

  "Answer my question!"

  "Maggie's east at a teachers' conference. I'm trying to finish my new novel. Our house, inland, is deserted. My old landlord said, your beach apartment's empty, come write, swim. And here I am. My God, Constance, get inside. You'll drown!"

  "I already have. Stand back!"

  But Constance did not move. For a long moment she stood shivering in the light of great sheets of lightning and the following sound of thunder. One moment I thought I saw the woman that I had known for years, larger than life, leaping into and jumping out of the sea, whose image I had witnessed on the ceiling and walls of her basement's projection room, backstroking through the lives of Von Stroheim and other silent ghosts.

  Then, that changed. She stood in the doorway, diminished by light and sound. She shrank to a child, clutching a black bag to her chest, holding herself from the cold, eyes shut with some unguessed dread. It was hard for me to believe that Rattigan, the eternal film star, had come to visit in the midst of thunders.

  I finally said again, "Come in, come in."

  She repeated her whisper, "Stand back!"

  She swarmed on me, and with one vacuum-suction kiss, harassed my tongue like saltwater taffy, and fled. Halfway across the room she thought to come back and buss my cheek lightly.

  "Jeez, that's some flavor," she said. "But wait, I'm scared!"

  Hugging her elbows, she sogged down to dampen my sofa. I brought a huge towel, pulled off her dress, and wrapped her.

  "You do this to all your women?" she said, teeth chattering.

  "Only on dark and stormy nights."

  "I won't tell Maggie."

  "Hold still, Rattigan, for God's sake."

  "Men have said that all my life. Then they drive a stake through my heart."

  "Are your teeth gritting because you're half-drowned or scared?"

  "Let's see." She sank back, exhausted. "I ran all the way from my place. I knew you weren't here, it's been years since you left, but Christ, how great to find you! Save me!"

  "From what, for God's sake?"

  "Death."

  "No one gets saved from that, Constance."

  "Don't say that! I didn't come to die. I'm here, Christ, to live forever!"

  "That's just a prayer, Constance, not reality."

  "You're going to live forever. Your books!"

  "Forty years, maybe."

  "Don't knock forty years. I could use a few."

  "You could use a drink. Sit still."

  I brought out a half bottle of Cold Duck.

  "Jesus! What's that?"

  "I hate scotch and this is el cheapo writer's stuff. Drink."

  "It's hemlock." She drank and grimaced. "Quick! Something else!"

  In our midget bathroom I found a small flask of vodka, kept for nights when dawn was far off. Constance seized it.

  "Come to Mama!"

  She chugalugged.

  "Easy, Constance."

  "You don't have my death cramps."

  She finished three more shots and handed me the flask, eyes shut.

  "God is good."

  She fell back on the pillows.

  "You wanna hear about that damn thing that chased me down the shore?"

  "Wait." I put the bottle of Cold Duck to my lips and drank. "Shoot."

  "Well," she said. "Death."

  CHAPTER TWO

  I WAS beginning to wish there was more in that empty vodka flask. Shivering, I turned on the small gas heater in the hall, searched the kitchen, found a bottle of Ripple.

  "Hell!" Rattigan cried. "That's hair tonic!" She drank and shivered. "Where was I?"

  "Running fast."

  "Yeah, but whatever I ran away from came with."

  The front door knocked with wind.

  I grabbed her hand until the knocking stopped.

  Then she picked up her big black purse and handed over a small book, trembling.

  "Here."

  I read: Los Angeles Telephone Directory, 1900. "Oh, Lord," I whispered. "Tell me why I brought that?" she said.

  I turned from the As on down through the Gs and Hs and on through M and TV and O to the end, the names, the names, from a lost year, the names, oh my God, the names.

  "Let it sink in," said Constance.

  I started up front. A for Alexander, Albert, and William. B for Burroughs. C for…

  "Good grief," I whispered. "1900. This is I960." I looked at Constance, pale under her eternal summer tan. "These people. Only a few are still alive." I stared at the names. "No use calling most of these numbers. This is-"

  "What?"

  "A Book of the Dead."

  "Bull's— eye."

  "A Book of the Dead," I said. "Egyptian. Fresh from the tomb."

  "Fresh out." Constance waited.

  "Someone sent this to you?" I said. "Was there a note?"

  "There doesn't have to be a note, does there?"

  I turned more pages. "No. Since practically everyone here is gone, the implication is-“

  "I'll soon be silent."

  "You'd be the last name in these pages of the dead?"

  "Yep," said Constance.

  I went to turn the heat up and shivered.

  "What an awful thing to do."

  "Awful."

  "Telephone books," I murmured. "Maggie says I cry at them, but it all depends on what telephone books, when."

  "All depends. Now…"

  Fr
om her purse she pulled out a second small black book.

  "Open that."

  I opened it and read, "Constance Rattigan" and her address on the beach, and turned to the first page. It was all As.

  "Abrams, Alexander, Alsop, Allen."

  I went on.

  "Baldwin, Bradley, Benson, Burton, Buss…"

  And felt a coldness take my fingers.

  "These are all friends of yours? I know those names."

  "And…?"

  "Not all, but most of them, buried out at Forest Lawn. But dug up tonight. A graveyard book," I said.

  "And worse than the one from 1900."

  "Why?"

  "I gave this one away years ago. To the Hollywood Helpers. I didn't have the heart to erase the names. The dead accumulated. A few live ones remained. But I gave the book away. Now it's back. Found it when I came in tonight from the surf."

  "Jesus, you swim in this weather?"

  "Rain or shine. And tonight I came back to find this lying like a tombstone in my yard."

  “No note?”

  "By saying nothing, it says everything."

  "Christ." I took the old directory in one hand, Rattigan's small names and numbers book in the other.

  "Two almost-Books of the Dead," I said.

  "Almost, yes," said Constance. "Look here, and here, and also here."

  She showed me three names on three pages, each with a red ink circle around it and a crucifix.

  "These names?" I said. "Special?"

  "Special, yes. AW dead. Or so I think. But they're marked, aren't they? With a cross by each, which means what?"

  "Marked to die? Next up?"

  "Yes, no, I don't know, except it scares me. Look."

  Her name, up front, had a red ink circle around it, plus the crucifix.

  "Book of the Dead, plus a list of the soon possibly dead?"

  "Holding it, how does that book feel to you?"

  "Cold," I said. "Awfully cold."

  The rain beat on the roof.

  "Who would do a thing like this to you, Constance? Name a few."

  "Hell, ten thousand." She paused to add sums. "Would you believe nine hundred? Give or take a dozen."

  "My God, that's too many suspects."

  "Spread over thirty years? Sparse."

  "Sparse!" I cried.

  "They stood in lines on the beach."

  "You didn't have to ask them in!"

  "When they all shouted Rattigan!?"

  "You didn't have to listen."

  "What is this, a Baptist revival?"

  “Sorry.”

  "Well." She took the last swig in the bottle and winced. "Will you help find this son of a bitch, or two sons of bitches, if the Books of the Dead were sent by separate creeps?"

  "I'm no detective, Constance."

  "How come I remember you half-drowned in the canal with that psycho Shrank?"

  "Well…"

  "How come I saw you up on Notre Dame at Fenix Studios with the Hunchback? Please help Mama."

  "Let me sleep on it."

  "No sleep tonight. Hug these old bones. Now …"

  She stood up with the two Books of the Dead and walked across the room to open the door on black rain and the surf eating the shore, and aimed the books. "Wait!" I cried. "If I'm going to help, I'll need those!"

  "Atta boy." She shut the door. "Bed and hugs? But no phys ed."

  "I wasn't planning, Constance," I said.

  CHAPTER THREE

  at two forty-five in the middle of the dark storm, a terrific lightning bolt rammed the earth behind my bungalow. Thunder erupted. Mice died in the walls.

  Rattigan leaped upright in bed.

  "Save me!" she yelled.

  "Constance." I stared through the dark. "You talking to yourself, God, or me?"

  "Whoever's listening!"

  "We all are."

  She lay in my arms.

  The telephone rang at three A.M., the hour when all souls die if they need to die.

  I lifted the receiver.

  '"Who's in bed with you?" Maggie asked from some country with no rains and no storms.

  I searched Constance's suntanned face, with the white skull lost under her summer flesh.

  "No one," I said.

  And it was almost true.

  CHAPTER FOUR

  at six in the morning dawn was out there somewhere, but you couldn't see it for the rain. Lightning still flashed and took pictures of the tide slamming the shore.

  An incredibly big lightning bolt struck out in the street and I knew if I reached across the bed, the other side would be empty.

  "Constance!"

  The front door stood wide like a stage exit, with rain drumming the carpet, and the two phone books, large and small, dropped for me to find.

  "Constance," I said in dismay, and looked around.

  At least she put on her dress, I thought.

  I telephoned her number. Silence.

  I shrugged on my raincoat and trudged up the shoreline, blinded by rain, and stood in front of her Arabian-fortress house, which was brightly lit inside and out.

  But no shadows moved anywhere.

  "Constance!" I yelled.

  The lights stayed on and the silence with it.

  A monstrous wave slammed the shore.

  I looked for her footprints going out to the tide.

  None.

  Thank God, I thought. But then, the rain would have erased them.

  "All right for you!" I yelled.

  And went away.

  CHAPTER FIVE

  LATER I moved along the dusty path through the jungle trees and the wild azalea bushes carrying two six-packs. I knocked on Crumley's carved African front door and waited. I knocked again. Silence. I set one six-pack of beer against the door and backed off.

  After eight or nine long breaths, the door opened just enough to let a nicotine-stained hand grab the beer and pull it in. The door shut.

  "Crumley," I yelled. I ran up to the door.

  "Go away," said a voice from inside.

  "Crumley, it's the Crazy. Let me in!"

  "No way," said Crumley's voice, liquid now, for he had opened the first beer. "Your wife called."

  "Damn!" I whispered.

  Crumley swallowed. "She said that every time she leaves town, you fall off the pier in deep guano, or karate-chop a team of lesbian midgets."

  "She didn't say that!"

  "Look, Willie"-for Shakespeare-"I'm an old man and can't take those graveyard carousels and crocodile men snor-keling the canals at midnight. Drop that other six-pack. Thank God for your wife."

  "Damn," I murmured.

  "She said she'll come home early if you don't cease and desist."

  "She would, too," I muttered.

  "Nothing like a wife coming home early to spoil the chaos. Wait." He took a swallow. "You're okay, William, but no thanks."

  I set the other six-pack down and put the 1900 telephone book and Rattigan's private phone book on top, and backed off.

  After a long while that hand emerged again, touched Braille-wise over the books, knocked them off, and grabbed the beer. I waited. Finally the door reopened. The hand, curious, fumbled the books and snatched them in.

  "Good!" I cried.

  Good! I thought. In one hour, by God… he'll call!

  CHAPTER SIX

  in one hour, Crumley called.

  But didn't call me William.

  He said, "Crud, crap, crapola. You really know how to hook a guy. What is it with these goddamn Books of the Dead?"

  "Why do you say that?"

  "Hell, I was born in a mortuary, raised in a graveyard, matriculated in the Valley of the Kings outside Karnak in upper, or was it lower, Egypt? Some nights I dream I'm wrapped in creosote. Who wouldn't know a book that's dead when it's served with his beer?"

  "Same old Crumley," I said.

  "I wish it wasn't. When I hang up I'm calling your wife!"

  "Don't!"

  "Why not?"

/>   "Because— " I stopped, gasped, and then blurted out, "I need you!"

  "Crud."

  "Did you hear what I said?"

  "I heard," he muttered. "Christ."

  And at last, "Meet you down by Rattigan's. Around sunset. When things come out of the surf to get you."

  "Rattigan's."

  He hung up before I could.

  CHAPTER SEVEN

  EVERYTHING by night, that's the ticket. Nothing at noon; the sun is too bright, the shadows wait. The sky burns so nothing dares move. There is no fun in sunlit exposure. Midnight brings fun when the shadows under trees lift their skirts and glide. Wind arrives. Leaves fall. Footsteps echo. Beams and floorboards creak. Dust sifts from tombstone angel wings. Shadows soar like ravens. Before dawn, the streetlights die, the town goes briefly blind.

  It is then that all good mysteries start, all adventures linger. Dawn never was. Everyone holds their breath to bind the darkness, save the terror, nail the shadows.

  So it was only proper that as dark waves were striking a darker shore, I met Crumley on the sand, out front of her big white Arabian-fortress beach house. We walked up and looked in.

  All the doors still stood wide, bright lights burned inside while Gershwin punched holes in a player-piano roll in 1928 to be played again and again, triple time, with no one listening except me and Crumley walking through lots of music, but no Constance.

  I opened my mouth to apologize for calling Crumley.

  "Drink your gin and shut up." Crumley thrust a beer at me.

  "Now," he went on, "what the hell does all this mean?" He thumbed the pages of Rattigan's personal Book of the Dead. "Here, here, and over here."

  There were red ink marks circling a half-dozen names, with deeply indented crucifixes freshly inscribed.

  "Constance guessed, and so did I, that those marks meant the owners of those names were still alive, but maybe not for long. What do you think?"

  "I don't," said Crumley. "This is your picnic. I was all set to head for Yosemite this weekend, and you show up like a film producer who improves the flavor of screenplays by peeing on every other scene. I'd better run for Yosemite right now; you got that look of a wild rabbit with intuitions."