Bill Fawcett Read online

  BEST NOVELLA

  The Spacetime Pool by Catherine Asaro

  BEST NOVELETTE

  “Pride and Prometheus” by John Kessel

  BEST SHORT STORY

  “Trophy Wives” by Nina Kiriki Hoffman

  BEST SCRIPT

  WALL-E Screenplay by Andrew Stanton, Jim Reardon,

  Original story by Andrew Stanton, Pete Docter

  ANDRE NORTON AWARD

  Flora’s Dare: How a Girl of Spirit Gambles All to

  Expand Her Vocabulary, Confront a Bouncing Boy Terror, and Try

  to Save Califa from a Shaky Doom (Despite Being Confined

  to Her Room) by Ysabeau S. Wilce

  2009 NEBULA AWARD HONOREES

  ALGIS BUDRYS SOLSTICE AWARD

  M. J. ENGH AUTHOR EMERITA

  MARTY GREENBERG SOLSTICE AWARD

  HARRY HARRISON DAMON KNIGHT

  MEMORIAL GRAND MASTER

  JOSS WHEDON RAY BRADBURY AWARD

  KATE WILHELM SOLSTICE AWARD

  EARLY SF IN THE PULP MAGAZINES

  ROBERT WEINBERG

  The pulp magazine was the invention of publisher Frank A. Munsey, who, in 1896, reasoned that readers were more interested in the content of a magazine than the quality of paper it was printed on. In December 1896, Munsey dropped the price of his all-fiction magazine, Argosy, from a quarter to a dime and changed the paper stock from glossy white finish to cheap wood pulp. Almost immediately, circulation doubled, and by 1905 had soared from selling 40,000 copies a month to ten times that number.

  Argosy published a variety of popular fiction, ranging from short stories to complete novels to multipart serials. Adventure fiction of all types was the main thrust of the magazine, and there were no rules regarding content. So Frank Aubrey’s novel, A Queen of Atlantis, appeared in Argosy for February through August 1899 and William Wallace Cook contributed “A Round Trip to the Year 2000” in the July through November 1903 issues. And there was more science fiction, much more, to follow.

  In American publishing, success breeds competition. Thus it was with the pulp magazines. By 1910, Munsey was publishing a second magazine, Munsey’s, modestly named after himself, and had announced a third, a weekly fiction magazine, titled The All-Story. Other publishers had their own cheap “wood-pulp paper” fiction magazines, soon nicknamed “pulps.” Adventure began in 1910, and it was quickly followed by Detective Story Magazine. Pulps began to diversify in content and by 1930, more than a hundred different titles crowded the newsstands, with a combined circulation of over 50,000,000 copies.

  Editor of The All-Story magazine was Bob Davis, who had worked for the Munsey chain for years. Davis understood the appeal of good science fiction, having bought George Allan England’s Darkness and Dawn trilogy in 1908. The three novels told of a modern couple who fell into suspended animation; their awakening hundreds of years later in a long-abandoned New York City; and their search for civilization. The series was immensely popular and was reprinted complete in one thick hardcover soon after serialization. But even Davis couldn’t predict the incredible success of his next science fiction discovery.

  The serial, published in The All-Story from February to July 1912, was titled “Under the Moons of Mars,” and the author, under a pen name, was Edgar Rice Burroughs. The story told of ex-soldier John Carter, who was magically transported to the planet Mars, where he discovered an ancient, dying civilization; barbaric green men with four arms; and a beautiful princess name Dejah Thoris. Fortunately, John Carter was one of Earth’s greatest swordsmen.

  Carter and “Mars” was a tremendous hit and the Age of the Scientific Romance was born. A year later, Burroughs cemented his place as the world’s most popular pulp author with the publication of Tarzan of the Apes complete in the October 1912 issue of The All-Story magazine. For the next quarter-century, much of science fiction consisted of vividly imagined adventure stories taking place on far worlds or among lost civilizations with noble heroes conquering savage hordes and winning beautiful princesses. It was all quite entertaining but not very deep.

  Notable pioneers of the scientific romance included Ray Cummings, Ralph Milne Farley, and Abraham Merritt. Cummings’ first story, “The Girl in the Golden Atom,” popularized the concept of atoms resembling miniature solar systems and advanced civilizations living on electrons. A prolific author, Cummings moved effortlessly from the Munsey pulps to the early science fiction magazines.

  Ralph Milne Farley wrote a series of immensely popular novels featuring Myles Cabot, The Radio Man. A scientist sent via “radio waves” to the planet Venus, Cabot battled giant intelligent ants and rescued the inevitable beautiful princess. In the 1930s, Farley wrote The Radio Flyers and The Radio Gunrunners, although neither novel took place on Venus or involved Myles Cabot.

  Abraham Merritt was perhaps the only writer of fantastic fiction whose popularity rivaled that of Edgar Rice Burroughs. Merritt wrote lost-race novels filled with exotic crumbling civilizations and near-magical super science. His heroines were not only beautiful but sensual, a remarkable achievement in otherwise prudish pulp magazines. A master of purple prose, Merritt created some of the most memorable villains in the pulps, ranging from Nimir, a gigantic stone face that dripped tears of gold, to Khalk’ru, an octopoid monster-god from another dimension that fed on human souls. Except for two short stories, all of Merritt’s fiction appeared in the Munsey pulps.

  Along with Frank A. Munsey and Edgar Rice Burroughs, a third figure important to the development of pulp science fiction was Hugo Gernsback. An immigrant from Luxembourg, Gernsback started the world’s first mail-order business selling radio parts. By 1908, his catalog had evolved into the first real magazine about electronics and radio, Modern Electrics. In 1911, Gernsback serialized his magnum opus, a science fiction novel, Ralph 124C41+, in Modern Electrics. In the story, Gernsback made numerous predictions about future inventions, including a description and diagram of radar, a quarter-century before its actual appearance. In 1913, Gernsback began publishing Electrical Experimenter magazine, which in 1920 evolved into Science & Invention . The magazine ran one science fiction story per issue, with art done by Frank R. Paul, an architectural artist discovered some years earlier by Gernsback. The August 1923 issue of Science & Invention was dubbed “the scientifiction issue” and featured several science fiction short stories and serials, along with a space-suited man on the cover. The issue served as a trial balloon for Amazing Stories, the first all science fiction magazine, which Gernsback launched in April 1926.

  The new magazine was a major success even though during its first two years Gernsback filled the issues mostly with reprints of stories by H. G. Wells and Jules Verne. Slowly, ever slowly, Amazing began to print new material. However, it wasn’t till his magazine published “The Skylark of Space” by E. E. Smith, Ph.D., that Amazing reached for the stars.

  Dr. Smith wrote “space operas” filled with smart heroes, beautiful heroines, evil villains, and lots of spaceships. More important, Smith’s stories soared to distant planets, far outside the solar system. He was the author credited with opening the universe for science fiction.

  The success of Amazing led to competition. Clayton Magazines began publishing Astounding Stories in January 1930 and attracted top authors with their word rate of two cents a word, three or four times better than what Gernsback offered. When Gernsback lost control of Amazing Stories in 1929, he immediately started two other SF pulps, Air Wonder Stories and Science Wonder Stories. Notable authors working for the early SF pulps included John W. Campbell Jr., Nat Schachner, John Taine, and Murray Leinster. All survived to contribute to the onrushing “Golden Age” of SF. Unfortunately, Stanley Weinbaum did not.

  Weinbaum’s first story, “A Martian Odyssey,” was published in Wonder Stories for July 1934. The story, which told of a trek across the surface of Mars by a human astronaut accompanied by Tweel, an intelligent ostrichlike Martian, was written with style, grace, and humor. The aliens encountered on Mars were
truly alien, and Tweel was a believable but definitely nonhuman character. Weinbaum was hailed as the first science fiction writer to write literate, intelligent science fiction. For the next two years, Weinbaum stories, each as good as the one before, poured from the writer’s typewriter in Milwaukee and into the pages of Wonder Stories and Astounding Stories. And then there was nothing.

  Stanley Weinbaum died in surgery on December 14, 1935.

  Childhood days were over. It was time for science fiction to grow up.

  NEBULA AWARD BEST NOVELLA

  THE SPACETIME POOL

  CATHERINE ASARO

  This is the second time Catherine Asaro has won a Nebula Award. The first was for her novel Quantum Rose. A dancer, Harvard Ph.D., and endlessly creative, Catherine combines physics and just about everything else in her many books and stories. She is always testing the boundaries in her writing and her winning novella, The Spacetime Pool, is no exception.

  I

  APPALACHIA

  The hiker vanished.

  Janelle peered at the distant hill. She could have sworn a person had appeared there—and disappeared just as fast. Perhaps it was a trick of the wind. The rhododendron bushes on the hillside where she sat undulated in the breezes like a dark ocean frothed with purple flowers, and a hum of cicadas filled the air. The Great Smoky Mountains rose in the distance, green and gray against a late afternoon sky as blue as a cerulean glaze.

  She shifted her weight uneasily, wondering if she should have come out here alone. Her hair blew across her face in a swirl that reminded her of yellow corn in the fields back home. The breeze whispered against her arms and rippled the summer dress she had worn instead of sensible hiking clothes. Right now she probably resembled some forest creature more than a new college graduate. She smiled at the image that conjured up: Janelle the wild-woman stalking into math class, strewing leaves and equations. Then her disquiet returned, like a hawk gliding in the sky, circling a rabbit, ready to plunge.

  “Oh, stop,” she muttered, annoyed at herself. She pulled her hair out of her face. Birds wheeled above the figure on the next ridge—

  Someone was there. She strained to see better. A man was standing on that hill with his back to her. As she rose to her feet, he turned in her direction.

  Then he compressed into a line and vanished.

  Whoa. Janelle squinted at the hill. She must have mistaken whatever she had seen. She had no wish to share her solitude, but curiosity tugged at her. She hiked up the hill, headed back to the trail, uncertain whether to investigate the vanished fellow or return to her car. Although it would take thirty minutes to reach the parking lot, she should probably go back; the afternoon had cooled as it aged, and her flimsy dress couldn’t stave off the chill. Seeking an escape from her hectic life, she had left her cell phone and purse in the car, taking nothing more than her keys.

  The leafy canopy of an old growth forest arched above her. Wood chips crackled under her feet, and a red squirrel skittered up the trunk of a basswood. Stretching out her arms, she turned in a circle, her eyes closed. Sweet blazes, she loved these mountains. Laughing, she opened her eyes. Life was good. She had finished her math degree at MIT just a few days ago, and it felt great.

  Like a shift in a sea current, her mood changed. She had no one to share her happiness. It had been two years since her father’s assassination in Spain. Her mother and brother had unexpectedly joined him for lunch that day, and the explosion that destroyed his car had taken them as well, her entire family. Even now, the pain felt raw.

  Janelle inhaled deeply. She would survive this moment, as she had all the others, until the grief became bearable.

  “Janelle?” a voice asked.

  What the . . . ? She whirled around.

  A man stood several paces away. He resembled the figure from the hill, though she hadn’t seen him well enough to be sure this was the same person. She stepped back. He had only said her name, but given that they had never met, that was plenty to make her nervous.

  His presence did nothing to allay her unease. He was too tall, maybe six foot six, with a muscular physique that reminded her of her vulnerability. His clothing was strange. She had nothing against unconventional self-expression, but in some subtle way, this went beyond that. The blue of his shirt vibrated in the shadowed forest, as vivid as an ocean where sunlight slanted through the water. His black pants were tucked into black boots. Silver links set with abalone gleamed on his shirt cuffs and in the silver chain around his neck. Well-trimmed hair brushed his shoulders, glossy and black. It wasn’t the length that surprised her, but the gray at the temples. Although obviously hale and fit, he seemed rather old to adopt such styles. Then again, just because she knew no one his age who made such fashion statements, that didn’t mean it never happened.

  What compelled her the most, though, was his face. His high cheekbones and strong nose, and the dark brows arching above his gray eyes, made her think of a senator in the Roman Empire. He projected a sense of contained force.

  Then she saw what hung from his belt. Ah, hell. Dagger was too tame a word. The sheath for the knife stretched as long as her forearm.

  “I didn’t mean to startle you.” His gravelly voice had an unfamiliar accent, harsh and throaty. “You are Janelle Aulair, aren’t you?”

  She stood poised to run. “Why do you want to know?”

  “I was sent to look for you.”

  With relief, she realized what must have happened. Ben, the grocer in town, had sent him to check on her. Ben always worried when she came up here alone. The last time he had sent his sister and brother-in-law, and they had startled her the same way.

  “Have we met?” she asked. “At Ben’s?” She thought she would remember someone so striking, but maybe not.

  “Never,” he said. Then he added, “Destiny requires your presence,” as if that explained something.

  Destiny indeed. She should get back to her car. He hadn’t threatened her, but if that changed, she could surely outrun someone his age. She stepped to the side—

  “No, wait!” he said, lunging forward.

  Startled, she jumped away—

  Darkness enveloped Janelle, muffled and cold. Muted voices echoed, calling, fading. Then the light brightened. She stumbled on the sand and barely caught her balance.

  Sand?

  She looked up—and froze.

  II

  THE RIEMANN GATE

  A white beach stretched around her, dazzling in the bright day. Waves crashed a few yards away, and their swells glinted in the slanting rays from the Sun, which was low in the sky. The ocean stretched to the horizon, wide, blue, and endless.

  “What the blazes?” Janelle spun around—in time to see the man appear out of thin air.

  He came out of nothing, taking a long, slow step. His progress was slowed to a surreal speed, and his body flickered as if he were a projection of light. It couldn’t be real. He had to be doing this with mirrors. Either that, or she had overworked herself in school more than she realized, and her mind was lodging a protest by wigging out.

  The man solidified. For a moment he just stood, focusing on her. He seemed as disoriented as she felt. The large tendons in his neck corded under the chain he wore, and the Sun caught gleams from the abalone. The metal looked like real silver. The contrast of his powerful build and the jewelry unsettled her; no one she knew wore such items, let alone a man this daunting. It wasn’t right or wrong, just eerily different.

  “Are you all right?” he asked.

  What a question. Her heart rate had ratcheted up and her head was swimming. “Is this a movie set?” If he had equipment to create this illusion, she should have seen it, but she grasped at the possibility like a swimmer clutching at driftwood in the ocean.

  “A moving set? No.” He rested his hand on the hilt of his knife and scanned the area. “Did anyone see you?”

  She glanced at the knife, then at his face. “I don’t want trouble.”

  “Nor do I.” He ste
pped toward her. “We shouldn’t stay here.”

  She stepped back. “Why? Where is this? What happened to the mountains?”

  He spoke carefully, as if she were breakable and his words were hammers. “They are elsewhere.” He indicated a line of straggly trees up the beach, where the sand met a sparse forest. “We must go. We will be safer if we aren’t in plain view.”

  “Safer from what?” She wasn’t going anywhere with him.

  “Raiders.” He scanned the beach, poised as if he were ready to fight. Wind blew his hair back from his face, accenting his prominent nose and strong chin. His profile looked like it belonged on a coin. “We must leave before they come.”

  “I’ll just go home,” she said.

  He turned toward her and she was acutely aware of his height. Large men rattled her. They lived in another dimension, one where you could use the top of bookcases and see over the heads of a crowd. They loomed, and he was doing it much too well.

  “I’m not sure you can,” he said. “This last time, I barely made it through before the gate closed.”

  “What gate?” Sweat was gathering on her palms. “Who are you?”

  “You may call me Dominick.”

  “What do you want with me, Dominick?”

  “You are part of a prophecy,” he said, as if that were a perfectly reasonable statement. “Before my brother or I was born, it was foretold that whichever of us married you would kill the other.”

  Marriage and murder. Right. She should have listened to Ben and not gone hiking alone. “Don’t play with me.” Her voice cracked on the last word.

  His strong features softened unexpectedly. “I am sorry. I didn’t really expect the gate to open.”